d’Or, to a French film, Laurent Cantet’s “Entre les Murs”(“The Class”). Another homegrown movie, “BienvenueChez les Ch’tis” (which will be remade for an Americanaudience as “Welcome to the Sticks”), is set to overtakeJames Cameron’s Hollywood blockbuster, “Titanic”, as thecountry’s all-time top box-office hit.1. (1) cognitive(2) introspective (3) perceptive(4) volatile (5) random2. (1) apologetic (2) significant (3) deliberative(4) unapologetic (5) reluctantApart from their tiny budgets, these two films couldscarcely differ more. The first is a __[3]__ documentarystyle classroom drama, filmed—like Nicolas Philibert’scharming 2002 film, “Etre et Avoir” (“To Be and To Have”) —with real pupils in a real school, this one in amulticultural quarter of Paris. It is adapted from a book byFrançois Bégaudeau, based on his experience as a teacher (he plays a fictionalised version of himself in the film). Thesecond is a slick, warm, __[4]__ comedy, written by andstarring Dany Boon, a French comic, which overturnsFrench prejudices about the beer-drinking, rain-soakednorth. Since its release in February, “Bienvenue Chez lesCh’tis” has notched up a __[5]__ 20m cinema tickets inFrance—just short of the 20.7m that “Titanic” secured— and over $157.6m in receipts.
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