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The Stony Brook Press - Volume 24, Issue 12

The Stony Brook Press - Volume 24, Issue 12

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Published by: The Stony Brook Press on Nov 29, 2009
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D r a w in gL o tso n E aster
B y
T im
C onnors
Ic a nc h a n g eth ew o rld , w ithm yow n tw o
h a n d s .
Ic a n m akeab e tte rp la c e , w ithm yow n tw o
h a n d s .
W e 'v eg o tW X PN
i nP h illy , w h ic hi s w hereI
g o tth o s e
ly r ic s .
T h isi su s u a llyw hatId o
w henI
c a n 't th in ko f a n y th in gt o w rite ,ju s tso rto fas tre a m
o fb u lls h it.
I t 's
n o ta n
e ffe c tiv e
w ritin g
s ty le
fo r
e s s a yt e s t s ,b u t h e y , I 'm
n o t g e ttin gg r a d e dfo r th is .
I m issed yet a n o th e rI-C o n ,s oi tg o e s .
T h is
tim eIw asafe w
h o u rs aw ay,a n d .
T h isi sa b o u ta s
far ast h e s ea rtic le s can gob e fo reth o u g h tin s e rtio n s
s ta r tt oin te rfe rew itha lte rn a tiv e
c o n te n tth a t seem s
fo re ig n
t o
m e.
W hat w o u ld
B y ro n
d o ?
O r ra th e r
w h a t w o u ldB y r o n 's D on Juand o ?J u s ta littlelig h t
re a d in go nth es i d e .
Y ouk n o w ,t o p a s s th etim e.
P u ttin g
lif ein to
acoherent m essage
ta k e s
e f f o r t
s in c e ,
a s
a
n e u ro p s y c h o lo g ic a l
e v a lu a tio n
re p o rte d ,th is w rite r" h a sa nu n c o n v e n tio n a l v ie wo f
lif e ,
w h ic h
m akes
c o n flic t
w ith
o th e rs
som ew hat
in e v ita b le ."
T o
th in k ,Ip a id
som eone
t o
te llm e
I
d o n 't p la yw e ll w ith o th e rs .
Ih o p e
" F u n k y
F rid a y "
s t a r t ss o o n ;i t ' s
a
lo c a l
ra d io
show .
W h a t,
ju s t
b e c a u s e
m ost
A m e ric a n ss it g lu ei nfro n to f c a b leT Vd o e s n 't m ean
Ih a v eto ?G ra n te d
Iw a tc h e dth eo p e n in gc o u p le
o f
d a y so f th e w a r.L ast tim eIc h e c k e d th e c o n s titu tio n
w as
d u rin g
le g a l
re a s o n in g
i n
th e
sp rin g
o f
'9 9
w h ic h
Ifa ile d , tw ic e .
S o
m aybeIs h o u ld n 'tm ake
a n y
c o m m e n ts
a b o u t
th e
s c o p e
o f
P re s id e n tia l
a u th o rity ?

T h is b la ta n td i s r e g a r d fo r proper paragraph tra n s itio n si s ,a n dh a s a lw a y sb e e na t th eh e a r to fth e " n o t p la y in gw e ll w itho t h e r s "i s s u e sth a tIh a v e .

S o
a m
Iap ro u dA m e ric a n .
M aybeI'm ju st n o t p a rtic i-
p a tin gp ro p e rly ,s o Y eahfo r u so r th o s edam ne le c -
tio n s s te a lin gN a z isi n th e W h iteH ouse!
S h o u ldIg o m e ta p h y s ic a la n d p o in to u t th e
k arm ic
dam age
th a t b u n k e rb u s t e r s
c re a te ?
N ope
to oo b v io u s-ju s tle tth eth o u g h t in s e rts w riteth is .
D oesIC o nh a v e lo n g -te rm
k arm ice f f e c t s ?O n ly
in
th eo p p o s ite w ayo fB y ro n .D harm a: th in kT V show ;
K arm a: th in kA B C w a rc o v e r a g e .
B e in gs lo wre la tiv et oo t h e r s ,y e t e x c e llin g
a t ta k in gte s ts ,m a k e sfo ra n in te re s tin g
e x p e rie n tia l
ju x ta p o s itio n . M ostp e o p leta lkt om elik eI 'm
acom -
p le tem o ro n ;w e llm o stlyth e
m o ro n sd o
th a t,b u t
s t i l l .
G ra n te dIfa ile dm uch m oreth a nI'v es u c c e e d -
e d
i n
s c h o o l,l i f e ,lo v e ,o r...
w e llth is
w as
g o in g
som ew here -d a m n th o u g h tin s e rtio n s .
W arrenZ e v o ns h o u ldh e lpw ithth a t, n o th -
in glik eH in d uL o v e G ods.
N o tth a t I 'v eh e a r dth is
C D
b e fo re ,b u tth e re 'sa lw a y s
a
c a ll

fo rL aw yers, G uns,a n d M oney.J u s t th elin eo f b u lls h itth a t w as prom ised;h e y ,w e c a n 'th a v ef a l s e a d v e rtis in gn o w c a n w e?

T h is
d o e s n 'tm ake
lin e a r
s e n s e ,n o rd o e s
lif e .
E v e nth eG ood B ookla y sth a t o u t.S h o u ldw e
a ll ta k eaB ib lic a l p e rs p e c tiv e
o nl i f e ?W ell, a n y th in g
th a t'sg o tth a t m anyp a ra b le sc a n 'tb ea llb a d .
S o
s h o v em ei nth es h a llo w
w a te rb e fo reIg e tt od e e p .
A rt's
nam e,
a n y o n e ?
J u s t
a
ra n d o m
th o u g h t,n o t
re a llyin s e rte d .
W hati sT ru th ? D efin itelyR o m a n 'sp e r s p e c -
tiv ev e r s u saP rin c e 's .
N o t th a tth eZ e v o nre n d itio n
o f ra sp b e rryb e r e th a da n y th in gt od o w ithth a tl a s t
s e to fth o u g h ts ,y e t w hatin flu e n c e
d o e se n v iro n -
m enth a v eo np e o p le ?
W as th a t fo rty d o lla rs w o rthw a tc h in g th re e

h o u rso fpych experim ent p h o to st ote s te y e re a c tio n tim eso fs c h iz o p h re n ic s w ho w ere w h item a le so fth e age specified

b yth e
s tu d y
p ro to c o l?C an
tru thb e
m easured w ithe le c tro d e sm e a s u rin g th e re a c tio n st o
p ic tu re so f p o rn o g ra p h y
a lte rn a te dra n d o m ly
w ith
th o s e
o fb u r
v ictim s,
a n d
n o n -e v e n t
p ro d u c in g
o b je c ts ?
S oy o u 'lle x c u s em e fo rn o t ta k in g
afo n d
v ie wo f "S hocka n d A w e";yet h a v in gw a tc h e d som e
o fth e
c o v e ra g e ,
a llth a t's
m issing
fro m
i ta reth e
m a n g le db o d i e s .
W ella tl e a s to n A m ericanp u b lic
TV .
B ut th e rei sth ea p p e a l of th e a ttra c tiv e ta lk in g
h e a d s .
T heo n lyd i f f e r e n c e sth is tim ea r o u n d w ere
th a tIw a s n 't w ired w ithe le c tro d e s a n d th a tId id n 't
g e tap itta n c efo rm y tim e.

T h e r e 'salin eo f th o u g h t th a t th is w a r is ju s - tifie dinth a t w ea reo u r b ro th e r's k e e p e rsa n dth a t th eC h ris tia nth in gt o d ow o u ld b et oe a s e th eIra q i's su ffe rin g .

S h o u ldw es e l l a d v e rtis in ga n du se ita s a
fo rm
o fe n te rta in m e n t?
W elli t ' sju s tth ew ay
i tis ,
a n dI'v es e e n w ayto o m anya d si n m yl i f e .
T he
b ib le
h a s
som e
s to r ie s ,
a n d
fo u r
o f
th e m
a rea b o u tth isg u y w hom
m akesap a c t w ith
m ana st oth eb e n e fitso f p e a c e , lo v e ,o b e d ie n c et o
G od,a n ds u g g e s t e daw a yt oliv eth a t w o u ldb e , b y
h is o w na c c o u n t, rew ardedw ithp e rs e c u tio n .
Som e
h o ldth a tl i f ei ssu ffe rin g ,s os h o u ldth e re b es u f f e r -
in gf o ra r e a s o n , o rfo r th ep u rsu ito fv a n ity .
S oth eq u e s tio n
is :i fl i f ei ssu ffe rin g ,a n d

f a i t h rew arded w ithp e rs e c u tio n ,i s I-C o nd iv in e ret- rib u tio n ,o ram ost u n lik e lyto o lfo rS a ta n ?W h a t's th ed i f f e r e n c e ? R em em ber-th e In d ia n sc o m in go v e r th eh illh a dn oid e ay o u w e re w a tc h in gT e le v is io n . O ri nE n g lis h-Y ou w illd ie !T he w ageso fs ina re d e a th ,b u ta s th ec o m e d ia ns a i d ," it'sre a lly

ju s ta
t i r e dfe e lin ga fte rta x e s ."S ow hat d id you s p e n d th e
d a yd o in g , a n dh o wd idy o uf e e l w h iley o ud idi t ?
S oy o u 'r ep ro b a b lyth in k in g ,h o w
can you
w rite
s tu f flik eth isa n d
lis te n
t o
Z e v o n ?I 'm
n o t;
ra th e rIa m
lis te n in gt oS p rin g s te e n .
Acom m ento r
tw oo n m usic w o u ldb e
a D o ro o ria te .
b u tw hatd oIk n o i
i t 'saw ayt o
p a s s
s p e n da llo u r tim e
fe e t sm ellin gth ed
W ell,I 'm
w o rd ssh o rt,b u tt l
w aym yl i f ei sg o ir
Ic a nd e a l w ith
i t ,
trie d
t o
s u b m it
tl
h a v ey e tto m aster
a rto fa tta c h in g
f ile
e-m ails.
S o
n o w
p a s t
d e a d lin e
-
a rb itra ry
lin e
w '
p riso n e rs
a re
sh o
c ro s s in g .
,L e a r n e
fro m
W X PN , th e y
v o c a b u la ry .
C u rre n tlyI 'ms ittin go na b ric kp a tio ,o v e r -
lo o k in g
a
c o w
p a s tu re ,
a n d
c o n te m p la tin g
lif e 's
in e q u itie s .
Tw oy e a r sa g oIw a sw a ltz in g th eflig h t
d e c k ,a n d tw ow e e k sa g oI lis te n e dt o a p a s tyf a c e d
tw itle a d
ac h u rc h
g ro u pi nap riv a tehom e.
B o th
w ered is tu rb in g ,a n dy e t o d d ly Ife e l Ih a d m oreo f a
p o s itiv eim p a c t o nth ed e c k th a n ina c h u rc h g ro u p .
I 'dlo v et og iv e d e ta ils ,a s fre a kshow sa re
a m u s in g ,b u t
th e
sm all
s h r e d
of decency
(H A !).
A n y w a y ,a b o u t th e title , I 'v ed e c id e dt oc a s t lo tst o
s e e
w h ic h
re lig io u s
in s titu tio n
Ia tte n d
o nE aster.

Seem s so rt offittin gi na R o m a n s o ld ie rk in d ofw ay. Ig u e s s Is h o u ld e x p la in ,s i n c em y m ix e dm e ta p h o rs c a ng e t a n n o y in g .

I t 's
tim e
th e
cow s
com e
hom e
t o

ro o st. T h a t'sam ix e d m e ta p h o r;I g u e s sc a s tin glo ts tos e e w hose

p o rtra y a l
o f
th e
re m n a n ts
o fJ e s u s '
l i f e
e m b o d ie d
i n
v a rio u s
c h u r c h 's
c e le b ra tio n
o fh is

d e a thi sf l a to u tblasphem y. B uti ts t r i k e sm ea so d d th a tth e s e churches castinglo tst os e e w hoi s s a v e d o rn o t lik eR om ans o ld ie rsd iv v y in g

u p
th e d e a th
b o o ty . O ra re G o da n dS a ta n casting soul lo ts ? O h ,
w e ll.
A ndy e tas Is iti nth a t ro o m in aw eek,Iw ill
k n o wth a tn o n eo fth e s e p e o p le w hoc o n s i d e r th e m -
s e lv e srig h te o u s ,w o u ld
th in km e rig h te o u s .
B ush
s a y s h e 'srig h te o u s , N uhs a i d .
S oi fm y
lo th a s
b e e n
c a s t,d o e s w hat
I
b e lie v e m atter?I 'm
g o in gt od ie , h o p e fu llya san o t
t o
b itte r
o ld
f a r t,
m y
b ig g e s t
c o n c e rn
i s
t o
g e t
th ro u g hth isth in g w ith o u tm a k in ga s ta te s p o n s o r e d
t r i pt o
ac rim in a lly in s a n es ta te
h o s p ita l u n it.
I'v e
m et
th e
p e o p le ,
th e y
s e e m
n ic e ,
b u t" y o u
n e v e r
know , doy o u ? "

J u s taf la s hb a c kt oth elo c k e du n it o fare g u la r h o s p ita l, fu n n yth ep la c e s w herey o uc a n m akefrie n d s.

"W hitey
D .
t oy o u , dam n
it! "
w aso n e
o f
th ep e o p leth a tIra th e re n jo y e dm e e tin g
d u rin gm y

fo rtyd a ys t a ya t th eC a d illa co fm e n ta lh e a lthr e s o r t s i nA lb a n y .I 'dlik et ote llyou w ho W h itey w as,b u t h iss e c r e tid e n tityi nth eM o s s a d p ro h ib itsth a t,b u tI w a n te d

to b a p tiz eh im
in k e e p in gw ithsom e
r e li-
g io u sid e a tio n
th a to c c u r r e d
t o
m ei nF e b ru a ry
o f
'9 6 'ss ta ya t U S B 'sd o u g h n u t tra c ki nth es k y .
N ow
th e
p ro b le m
w ith
B y ro n
i s
th e
s u p e rfic ia l
m ies-
is eI 'm
to ob u s ylo o k -
m uendo.
I 'v e
h a d
>s h a re dth e ir c u ltu ra l
ea t S to n yB ro o k .B ut
.f ,w e ll,i t ' slik eap u b -
io n s
c le rk
a t
w sday
s a id
t o
m e
er sayn e v e r."
I s
th is
re a lly
oIam ?Ad a n g e r o u s ,
te ly ,
u n e m p lo y a b le ,
Ic o h o lic ,
in te llig e n t,
tu b b o rn ,
p ru d ish ,
c h iz o a ffe c tiv e ?Y eah.
P a g e
2
u
W anna
K n o w
W h e re
Y o u
a n
S tic kY o u r
O p in io n s ?
(h in t:
I t
R hym es
W ith
" S ta in e d -G la s s h o le " )
sb p ress
ic .s u n y s b .e d u
_
_ P
_
I
Ilq S
-
=
,
P I~ P IC IB II
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I I
E ffectsO fD e c is io n s
&
T he In v sib le
P r o g r e s s : A n tith e sisa n dA ie n a tio n
B yJ o e lF r e d e r ic H o p k in s
O n
d is p la y
i n
th e
M elv ille

L ib ra ry G ra d u a teG a lle ryfo r m osto f th em o n th o fM arch w as

a n
in s ta lla tio n ,
title d
P ro g re ss,
b y
D an
K itc h e n .
A
s e c o n d -y e a r
M FA
s tu d e n t
i n
th e
D e p a rtm e n t
o f A rt,K itc h e n
p rim arily
e x p lo re d
th ec o m p le x itie so f m em oryi nv is u a l representa-
tio n ,v iz .
th ep h o to g ra p h .
H e alsod e m o n s tra te d
a na ffin ity toth ero leo f k in e tic s inm o d e rns c u lp -
tu re ,a n
a ffin ityh ig h lig h te db y h ise x q u is iteh a n -
d lin g
o f sim p le
m echanics.
T h o u g h
a
c e rta in
d id a c tic is m
p e rv a d e s
m ost
o f
D an
K itc h e n 's
w o rk ,
th is
show ,
h is
f ir s t
s o lo
s h o w
a t
S to n y
B ro o k ,
in d ic a te s
th a t
w h ile
K itc h e n
i s
d ra w in g
fro m
d e fin ites o u r c e so f lite ra ryin flu e n c eh e s till
n o u ris h e s
a
s e rio u s
v is u a l
a e s th e tic ,
a n d
a n y
v ie w e rc a nre a liz eth ep r o f o u n d n e s s
o f h is w ork
t ohim .
Tw o
m a in ly
lite ra ry
sources have
in flu -
e n c e d
K itc h e n
i nth e
p a s ta n d
p la y
ap a rtic u la r
ro le
i n
in flu e n c in g
P ro g re ss.
O ne
i s
T a n g le d
M e m o rie s
b y
M arita
S tu rk e n ,a n d
th e
o th e r
is
B u rn in g
D esire
b y G eo ffrey
B atchens.
S tu rk e n
s e a rc h e sfo rth eu n d e rly in g
lo g ic
o fh o w
p h o to -
g ra p h s
s e r v e
a s
a n c h o rs
fo ro u r

m em ory, and B a tc h e n sp o in tso u t th a ti ti s n o ts oim p o rta n tt o d e c id e

w ho
" in v e n te d "
p h o to g ra p h y ;
ra th e r,h e
lo o k s a t w hys o m anyin d iv id u a lsw erew o rk in g
w ithp h o to g ra p h icp r o c e s s e sa t th e sam ep o in ti n
h is to ry .
N e ith e rw o rk s
n e c e s s a rily
a d d re s s
fin e
a rt
p h o to g ra p h y
a s
m uch
a s
th e y
e x p lo re
th e
p h o to g ra p h y
a sa n in tim ate phenom enon
o fm an.
T h ro u g has e r ie so fm achines,a ll b u iltb y
th e
a r t i s tfro m
c ru d e
m otors,
w ood
a n d
p a in t,
K itc h e n
te s tsS tu rk e n 's n o tio no f th ep h o to g ra p h
a sas e c u r ea n c h o r fo ro u r m em ories.
C o n s ta n tly
o u r m em ories
re s h a p e
th e m s e lv e s , re c o n te x tu a l-
iz e
th e m s e lv e s
a sth e
e v e n tsbecom e
m ore
d is -
ta n t.
P h o to g ra p h s
a lw a y s
s e r v e
a s
p ro o fth a t
s u c h
a n e v e n t a c tu a lly
h a p p e n e d .
T he
fig u re s
b u rn e din toth ep a p e r n e v e ra g e ,m ove,o rd e c o n -
te x tu a liz eth e m s e lv e s ,w h ic h
i so u r re s p o n s ib ili-
ty .
E acho n eo fth e s em a c h in e sp u tsa
s e p a ra te
p h o to g ra p h
th ro u g h
a n
a rd u o u s
e x p e rie n c e
t o
te s tth e ir s tre n g th .
O ne seto f m a c h in e s
c a u s e s
s e v e ra l
p h o to g ra p h s
t o
d ip
i na rd
o u t
o f s o lu -
tio n s
o fw a te r
a n d
b le a c h .
J u s t
o n e
o fth e s e
m a c h in e s
h a s
n o
p h o to g ra p h ;
i n
i t s
p la c e
i s
a
m e d a llio n
o f S t.
C h ris to p h e r,th es a in t w ho
c a r-
rie dth e m assivew e ig h to f th e C h ristc h ilda c r o s s
ariv e r.
S t.
C h ris to p h e ri safittin g sym bol fo rh e
i sb o th
th ep a tro n
s a in t
o ftra v e le rs ,
c o n n o tin g
th efle e tin g
s e c u rityo fo u rm em ories,a n do flo a d
b e a re rs ,
c o n n o tin g
th e
w e ig h to fo u r m em ories
th a tp h o to g ra p h s
" b e a r."
T hes o lu tio n s
slo w ly
d is in te g ra te
th e
p h o to g ra p h s
a n d
th u s
ro b
th e
h o ld e ro fa n ys e c u rity
i nw ith h o ld in gth e m em o-
r y
" a si t w a s ."
P e rh a p sb e fo re
th e v ie w e r
e v e n
n o tic e d
th e
fo u r
m a c h in e s
d u n k in g
th e
p h o to -
g ra p h s
a n d
m e d a llio n ,
th e y
m ore
th a n
lik e ly
tu rn e d
t oth e
m a c h in e
slo w lyp o u n d in g
asm all
P o la ro id .
S im ilar
i n
d e s ig n
t o
th e
" d u n k in g "
m achines,
th e
" p o u n d in g "
m a c h in e
ro ta te d
a
w heelth a tc a u s e d
aham m er to risei na na n tic i-
p a to rily
m o n o to n o u s
fa s h io n
a n d
th e n
c r a s h
dow n.
I ncom parisont oth ep h o to g ra p h sd is in -
te g ra tin g
i n
w ater,
th e
p h o to g ra p h
u n d e r
th e
ham m er seem s undam ageda n dth u sp ro v e sth a t
th ep h o to g ra p h 'spow er
d o e sn o t com efro m
i t s
rig id ity .
T h ro u g h o u tth ee x p e r i e n c eo f th ein s ta l-
la tio n Progress w as th ep u ls in g
o f lig h tp ro d u c e d
b y
a n o th e r
o n e
o f
K itc h e n 's
s e lf-c o n s tru c te d
m achines.
B u ilt fro m
ab ro k e n -d o w nh o u s efa n ,
th ep u ls in g
o f lig h ta llo w e dth ev ie w e rt os e en o t
o n ly
th eb iz a rre
c o lle c tio n s
o fm a c h in e s
te s tin g
th e
d u ra b ility
o f
in d iv id u a l
p h o to g ra p h s ,
b u t
a ls oth e ir o w n
im a g eb e in g
im pressed
u p o n
th e
w a lls
o f th eG ra d u a te
G a lle ry .
T h isa c ti sta k e n
d ire c tly
fro m
P lin y 'sta le
a b o u t th elo v e rtra c in g
h e r b e lo v e d 'ss h a d o w
o nth ew all b e fo reh el e f t
on ane x te n d e djo u rn e y .
T heim a g e
o f th e s h a d -
o w
in d ic a te sth a t p h o to g ra p h y
i sn o t ju s ta n o th -
e r
in v e n tio n
o fth e
m o d e rn
a g e ,
b u t
th e
o u t-
g ro w tho f th ea n c ie n tn e e dt op r e s e r v eth e im a g e
fo rth eb e n e fit
o fo u r m em ory.
H ow ever,D an
K itc h e n 's
w ork
seem s
t o
d is c o n c e rt
th ev ie w e r,
illu s tra tin g
a
n e e d
t o
w o rryra th e r
th a n
sim p ly
v is u a lly
e x p la in in g
th ew ork
o fr e c e n ta rtc r i t i -
cism .
L ig h ti sp e rs is te n tlyfla s h in g ,m a c h in e sa re
g rin d in g ,aham m eri sp o u n d in g ,a n dth eh y g ie n -
i c
s te n c h
o fb le a c h
i s
slo w ly
fillin g
th e
s p a c e .
T he
v ie w e r
i s
b e in g
s h a k e n
b y
K itc h e n ,
th e
m achines,
a c tin g
a s
th e
m eans
t o
c h a n g e ,
a re
d e c o m p o s in g
th e ir
e x is te n c e .
I ts h o u ld
b eth e
aw ful re s p o n s ib ility
o f tim eth a tc a u s e so u r ow n
m em ories
t o
d o
th is ,b u ta t
le a s tw e
h a v e
th e
c o m fo rt
o f
k n o w in g
th e y
o n ly
re c o n te x tu la iz e
a ro u n d
ac o n s ta n t,th ep h o to g ra p h .
D a n 'sa lie n -
a tin g
g rin d
o f k in e tic
e x tin c tio nalm osts c o f f sa t
* th is s e c u rity ,a n d
th ea n tith e s is
o fre c o n te x tu a l-
iz a tio n ,th ed e fin itea n d
in e s c a p a b le , in thisc a s e
th e
in e v ita b ility
o f
d e c a y ,
i s
p re s e n te d
t o
th e
v ie w e ri no n es t a r kb lo w .
P a g e3
-
-
-
-
~ e
-
-

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