Professional Documents
Culture Documents
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Foreword
Selamat datang di Jakarta International Film Welcome to the 12th Jakarta International Film
Foreword
Dalam banyak hal, festival tahun ini bisa jadi yang paling In many ways, the festival this year will go down in history as
berkesan sampai sejauh ini.
the most heartfelt yet.
program publik donasi. Respon antusias dari publik funding support prompted us to launch a public donation
membuat kami percaya bahwa festival ini harus ada. drive, the first time JIFFest ever did such. We could not be
Kami ucapkan terima kasih yang mendalam kepada more thankful enough for the mass support that make the
semua pihak yang telah mendukung pelaksanaan JIFFest festival this year happen.
tahun ini.
As you can see in the Friends of JIFFest list in this program
Dengan semangat “And JIFFest for all!”, kami kembali ke guide, this year the festival is aimed at reaching out for wider
Jakarta Selatan setelah beberapa tahun absen. Sebagian
audiences. With the spirit “And JIFFest for all!”, we venture into
besar pemutaran digelar di Blitzmegaplex Pacific Place
the new territory of Southern Jakarta area after a few years of
sebagai official screening venue, dan kegiatan pendukung
absence. Most of the screenings will be held in Blitzmegaplex
seperti workshop dan seminar diselenggarakan di
Binus International University. Selain kedua tempat Pacific Place, while fringe events of workshops, seminar and
ini, beberapa pemutaran lain akan diselenggarakan di discussion will be held in Binus International University. In
Kineforum. the meantime, select screenings will also be held in art-house
cinema Kineforum.
Untuk kali pertama, JIFFest akan dibuka dengan film
dokumenter Waiting for “Superman”. Tema film ini yang For the first time, JIFFest will open with a documentary film,
mengangkat perjuangan dan harapan anak-anak di Waiting for “Superman”. As the film unfolds struggle and
Amerika Serikat untuk mendapatkan pendidikan yang
hope of American children of getting better education, the
lebih baik sesuai dengan spirit JIFFest tahun ini. Meskipun
similar theme can be said about the present state of the
selalu dihadang hambatan, kami percaya bahwa
festival itself. Despite the constant struggle, we believe that
festival ini harus terus diadakan untuk membuat kota
Jakarta menjadi kota yang nyaman dan penuh dengan the festival is worth being held to enrich the cultural diversity
keragaman budaya. in the town, which has made the city worth living in.
Tahun ini kami memilih film penutup Biutiful, karya The festival will end with Biutiful, the latest film by director
sutradara Alejandro Gonzalez Inarritu. Film-film karya Alejandro Gonzalez Inarritu, whose past films have always
Inarritu selalu mendapat tempat di hati penonton JIFFest been shown in the previous editions of the festival.
karena festival ini selalu memutar karya beliau.
Along the way, we still bring the fine selection of international
Di antara kedua film ini akan hadir film-film internasional
cinema, from Kenya to Iraq, from a farm in Australia to a
terpilih. Dari Kenya sampai Irak, dari Australia sampai
suburban area in Taipei. As all of the films screened are only
Taiwan. Film-film ini hanya akan diputar pada pelaksanaan
festival saja, sehingga rugi jika anda lewatkan. shown during the festival period, take some time out to
embrace these wonderful films.
Mari kita buat festival tahun ini menjadi festival yang
paling berkesan! Let’s make the festival this year a very memorable one and
have a good festival!
Special Note
ALENIA PICTURES, Nia Sihasale Zulkarnaen, Ari Sihasale, Ade | ALLIANZ, Budi Santosa | Amna Kusumo
| Andi Sadha | AREA MAGAZINE, Fauzia Damayanti, Setyorini, Reza Puspo | ASEF + Culture360.
org, Valentina Riccardi | ASKRINDO, Merri Gunawan, Hilda Kartikasari, Tias Kristianti | BABI BUTA
FILM, Meiske Taurisia | BALINALE, Deborah Gabinetti, Inneke Indriyani | BEOSCOPE, Galih Wismoyo,
Purwanto Hasan |BESTIKA SARANA UTAMA, Yozar Wira Bestari, Ika Harini | BINUS INTERNATIONAL,
Wenda M, Tito Imana, Ekky Imanjaya, Burhanunddin | BLITZMEGAPLEX, Ananda Siregar, David Hilman,
Donnie Chan, Dian Sunardi, Michael Sim, Kenny Santana, Iskandar Liem, Nadia Saraswati, Santi
Rivai | BLOCKBUZZTER, Benhard Subiakto, Yoris Sebastian, Dilla Amran, Imelda Sagita | CANADIAN 7
EMBASSY, Tricia MacDonald, Fajar Harisantoso | CARAT INDONESIA, Alfitrianto Zulnaini, Wirda Haryany
| Chand Parwez Servia | CHARLES & KEITH | CHIC, Ika Syifa, Tessa | DAPUR SUNDA | DEMI GISELA CITRA
SINEMA, Giselawati Wiranegara, Zairin Zain, Deddy Mizwar, Hakim | DEPARTEMEN PERDAGANGAN,
Dea Sudarman, Cokorda Dewi, Nani Buntaran, Agus Purwanto, Aryo Pambudi, Theo Sutarto | DERMA
PRESCRIPTIVE | DETIK.COM, Yulia Dian, Dyahayu | DEWAN KESENIAN JAKARTA, Firman Ichsan,
M.Abduh Azis, Alex Sihar, Noviami Dewi, Cecilia Banowati, Harjuni Rochajati, Anita Dewi Puspita, Ranti
Dradjat | DIREKTORAT JENDERAL BEA DAN CUKAI, Bahaduri Wijayanta, Andi Rosmalina | DIREKTORAT
PERFILMAN, Ukus Kuswara, Indar | DW-Akademie, Padharaic O’Dochartaigh | FEMINA GROUP, Svida
Alisjahbana, Rifatka Ridwan, Baslir Djamal, Didin Ambardini, Intan Ferisha, Zornia Harisantoso, Myra
Suraryo, Petty Fatimah, Rena Tanti | FLICK, Titis Sapto Raharjo, Purwanto Hasan | FRENCH EMBASSY,
Frederic Allioid | GADIS, Didin P. Ambardini | GLOBAL RADIO JAKARTA & BANDUNG, Robby Gozal |
GNC | GOETHE-INSTITUT, Frank Werner, Lanny Tanulihardja | HAI, Theresia Kusumaningrum | HARD
ROCK FM, Dinia Widodo, Rizdania Herlendita | Hatoek Subroto | HERS, Andri Parulian, Ade Tyas,
Riani Handasari | HIVOS, Felencia Hutabarat | HUBERT BALS FUND, Iwana Chronis | IN STYLE, Amy
Merissa, Widya Aryo Damar, Putri Vea D.S | INDIKA FM, Juju Margono | IN-DOCS, Chandra Tanzil, Sofia
Setyorini, Mia Indreswari | INVESTORE | Jajang C. Noer | JAPAN FOUNDATION, Kanai Atsushi, Mariko
Mugitani, Yui Rieko, Nurul Komari, Diana Sahidi Nugroho | Jeremy Segay | JIVE MOVIES, Michael Sim,
Trisiska Putri, Mohammad Djafar | John Badalu | JWT, Reza Fitriano, Rasus Subarkah, Fitriyani Afini |
KALYANA SHIRA FILM, Constantin Papadimitriou, Nia Dinata | KALYANA SHIRA FOUNDATION, Vivian
Idris, Sandy Monteiro, Vithatya Moniqa | KINEFORUM, Lisabona Rahman, Amalia Sekarjati, Dimas Hary,
Arief Rachmat Haqiki | KLEO | KONFIDEN, Agus Mediarta, Lintang Gitomartoyo | KORAN JAKARTA,
Eko Hendri Irawan | LA FLORET | LEMBAGA SENSOR FILM, Mukhlis Paeni, Puji Rahayu | Linda Hoemar
|MAXIM, Adam Sriadi, Sari Nurulita, Tati Gobel | METRO TV, Kioen Moe, M. Reza |MILES FILM, Riri
Riza, Mira Lesmana, Andanari Yogaswari |MINIKINO, Tintin Wulia, Edo Wulia | Mirwan Andan | MIZAN
PRODUCTIONS, Haidar Baqir, Putut Widjanarko, Gangsar Sukrisno, Avesina Soebli, Benni Setiawan,
Aditya Gumau, Adenin Adlan, Ani Ema Susanti | MORE, Naomi Juliandary, Miranty | MULTIVISION
PICTURES, Irwansyah, Aris Muda |NARRADA, Rico J. Sihak, Romanus Sumaryo, Mike Oktalina, Adi S.
Noegroho, Ilya Alexander Surapati, Dyah Larung Sekar | NETHERLANDS EMBASSY + ERASMUS HUIS,
Paul Peters, Bob Wardhana | NOKIA INDONESIA, Ari Fadyl, Triari Senawirawan | NORWEGIAN EMBASSY,
Herborg Fiskaa Alfsaker, Heidi Tofteberg, Lily Maramis | NOW JAKARTA, Dyah Mustika Wati, Alistair G.
Speirs | O CHANNEL, Olivia Susanti, Titi Aisyah | Orlow Seunke | OUCH, Otriana Permatasari, Muhajir
Esya Putra | OZ GROUP, Rudi Cahyadi | PACIFIC PLACE, Markus Barata, Renee Tang, Jane Hugeng,
Nasya Marissa, Belinda Luis | PAN O | PANORAMA | Penny Purnawaty | PIC [K] LOCK PRODUCTIONS,
Sabrang Mowo Damar Panuluh, Dewi Umaya Rachman, Lola Amaria, Titien Wattimena |PREMIO, Wine
Kriswandini | Prima Rusdi | PUTRA SAMPOERNA FOUNDATION, Nenny Soemawinata, Alda F. Siregar,
Muntohar, Dino Prajoga | Raam Punjabi | Ranjana Singh | Ricky Pesik | Ronny P. Tjandra |RUMAH FILM,
Hikmat Darmawan, Krisnadi Yuliawan, Ifan Ardiansyah | Sari D. Mochtan | SERUNYA SCRIPTWRING
WORKSHOP, Perdana Kartawiyudha | S-EXPRESS | Sheila Timothy | SIMMONS | SINAR HARAPAN,
Olivia Sinaga | Switzerland Embassy, Melinda Djohansjah | THEBROTHERSMO, Timo Tjahjanto, Kimo
Stamboel, Delon Tio, Fredie Yeo, James Toh, Greg Chew | Thomas Chia | TNT, Nurhayati Sukanda,
Barbara Sinay, Arief Sanusa, M. Adriansyah | TOTAL FILM, Jonathan Lesmana | TRAX FM, Denny J.
Sompie, Karina Soegarda | TURKISH EMBASSY, Yunus Emre Kocak | U FM | URBANESIA, Lydia Novi |
VIDEOEZY, Linda Teresia | WUNDERMAN, Miranti Daniar, Rahadian Agung | Yayasan TIFA, R. Kristiawan,
Renata Arianingtyas | Yohana Widjaya
Friends of JiFFest
Friends of JIFFest
On October 14, 2010, JIFFest held a press conference in Galeri Cipta 3, Taman Ismail Marzuki (TIM), Jakarta.
The press conference was held to declare that the festival is at the danger of being cancelled indefinitely due to the
lack of substantial funding.
Around 100 people from media and film industry showed up to support JIFFest. In addition, Facebook and Twitter
users had showed their support by adding the hash-tag of #SaveJIFFest prior to the press conference, and this
continued for days and weeks afterwards.
Everybody was shocked to learn that JIFFest, the first and foremost international film festivals in Indonesia, was on
the edge of being gone for good. The festival not only launched careers of several prominent Indonesian filmmakers,
but also has opened up and expanded knowledge of local filmgoers on the world of film beyond mainstream
offering in local cinema.
Everybody shared their good memories on JIFFest for the past 11 years. Some are good, some filled with laughter,
but all the recollection gave assurance that JIFFest has become one of a very few precious elements that makes
Jakarta worth living.
A public donation drive was launched following the press conference. Everyone can make their donations to :
Yayasan Masyarakat Mandiri Film Indonesia
account no. 7420030091
BCA Percetakan Negara
Yayasan Masyarakat Mandiri Film Indonesia
account no. 122-000-565035-6
Bank Mandiri Teuku Cik Ditiro
The donation helps to ensure that the festival will be running in years to come. This is the reason why we want to
continue the donation without any time limits.
On the following page, you can see the names of donors who have made their contribution as of November 10, 2010.
We humbly thank you all for making JIFFest this year, and many years to come, happen.
You are indeed FRIENDS OF JIFFEST.
Sahabat JiFFest
Pada tanggal 14 Oktober 2010, JIFFest mengadakan konferensi pers di Galeri Cipta 3, Taman Ismail Marzuki (TIM),
Jakarta.
Konferensi pers ini diadakan untuk mengumumkan bahwa festival film ini terancam batal diselenggarakan karena
kurangnya dana yang dibutuhkan.
Sekitar 100 orang dari media dan para pelaku industri film hadir untuk memberikan dukungan mereka untuk JIFFest.
Bahkan sebelum konferensi pers ini digelar, para pengguna Facebook dan Twitter telah menunjukkan dukungan
mereka dengan menggunakan tanda pagar #SaveJIFFest, dan hal ini terus berlanjut sampai hari-hari berikutnya.
Semua orang terkejut mendengar bahwa JIFFest, festival film internasional pertama di Indonesia, terancam batal
untuk selamanya. Festival ini tidak hanya membantu meluncurkan karir bagi beberapa pembuat film ternama
Indonesia, tapi juga telah membuka pengetahuan para pecinta film Indonesia tentang film-film bermutu di luar apa
yang ditayangkan oleh bioskop lokal.
Teman-teman sempat berbagi kenangan tentang JIFFest selama 11 tahun terakhir. Kenangan manis yang penuh
dengan tawa dan air mata, semuanya meyakinkan kami bahwa JIFFest telah menjadi salah satu elemen penting yang
membuat kota Jakarta ini nyaman untuk ditinggali.
Sebuah gerakan pengumpulan donasi diluncurkan bersama dengan konferensi pers tersebut. Semua orang dapat
mengirimkan donasi ke:
Yayasan Masyarakat Mandiri Film Indonesia
No. Rek. 7420030091
BCA cabang Percetakan Negara
Yayasan Masyarakat Mandiri Film Indonesia
No. Rek. 122-000-565035-6
Bank Mandiri cabang Teuku Cik Ditiro
Donasi tersebut meyakinkan kami bahwa festival ini dapat terus berjalan di masa depan. Hal inilah yang membuat
kami akan terus membuka kesempatan bagi yang ingin mendukung tanpa ada batasan waktu.
Di halaman berikut, teman-teman dapat melihat nama-nama para donatur kami yang telah memberikan
kontribusinya sampai tanggal 10 November 2010.
Dari lubuk hati yang paling dalam, kami ucapkan terima kasih untuk semua yang telah memungkinkan JIFFest
terselenggara tahun ini dan di tahun-tahun berikutnya.
Kami bangga memiliki SAHABAT JIFFEST seperti kalian.
Friends of JiFFest
Ade Candra Inggita S Notosusanto Putri Laksmi M.
Aditya Imannudin S. Inong Armyn Putri Prima P.
Aditya Novriansyah Irwan Wijaya Putut Widjanarko
Ali Mensan Ita Alyana R Galuh Kesumanjati
Ali Satri Efendi B. Ite Iren & Irma Kusuma Raden Rangga A.
Amalia Sekarjati Iwan Yulianto H Rahabi Mandra
Amanda Marahimin Iyan Hendrik Susan Rahayu Said
Amelia Devina Jive Collection Ramondo Gaskaro
Amerta Kusuma John Badalu M. Reny Wulansari
Andreas Novendi P. Jurist Tan Retno Dwi Rahayu
Anis Suryo Kartika RSR Panggabean Ricky Joseph Pesik
Ariani Darmawan Karyanto Wirosuhar Ricky Polim
Astu Prasidya Keluarga Rahman Riezma Gees I.
Ati Amanaty Kevin Reinaldo A. Rista Fauziah
Aulia Khairina Laura Ritvima Definta
Ayu Riris Lenny Meilinawati Rizal Iwan
Ayumurti Bulandini Lidia Tanod Robert Ronny
Bambang Heru Sulaksono Linda Warni Rohaya
Beby Apriliana Lisabona Z. Rahman Rosliwaty Marbun
Bernardin Andara F. Lucky Man Kuswandi Roy Liando
Bestika Sarana Utama Lynda Irawati Rudy Soedjarwo
Bobby Batara Maera Sakinah
Chandra Ratnawati Mahasiswa Advertising UI 2008 Sakti Salulinggi P
Daniel Giovani Margaret Rose A. Salman Aristo
Deassy Aprilia Maria Agustin T. Santosa
Desiana Sari Maria Christina S. Sasmito Adi S.
Dewi Handayani Maria Naziyah M. Sastha Sunu W.
Dwi Indarty Markus Satrio Nindyo I.
Ekky Imanjaya Maryjane Kathlyn A Shanti Nurfianti
Eko Prio HC Meilani Sutjiadji Shanti Widiyanti H.
Eric Liunardus Meliana Gunawan Sigit Nugroho
Erika Haryanti P. Melinda Siska Cresenda H.
Erry Gunarso Michael Ratnadwijanti Sri Hartini
Erry Noertjahjo W. MiLes Production Starvision Plus
Erwin Indrawan H. Mitra Lab Stephanus Sulaiman
Evita Sasantini Moh. Hartantyo Susan
Farah Mohammad Farhan Suyadi Novianda A.
Farishad Ibrahim L. Mona Sylvia Raja G. Syafitri Pusparani
Febriando Sulga Natasha Hotnida Taveshala
Fellexandro Ruby H. Nayla Majestya Tim Giggling
Ferdinand Zebua Nicko Silfido Tino Saroengallo
Ferdyan Nugroho Nirwan A Arsuka Triatman MM IR
Fina Khairaty Novita Dyah Utami Tuhu Nugraha Dewan
Fitrah Rhomadhania Nur Ainun Tuti Kirana
Genta Gantina H. Nurmalia Nilamsari Vashti, Danny & Viggo
Glory Ekasari Olin Monteiro & Lulu Ratna Veronica Kusumarya
Grace Wangge Olivia Sulistio Victoria Delani
Gregorius Ronaldo Ongston Bhearto Vidya Pravitasari
Haffez Ali Oni Suryaman Wahyu Aditya
Handoko Andi Osman Wijaya Wanda Dianita S.
Hatoek Subroto Paladin Ansharulla William Wiriawan
Hazmi Hermaini I. Park So Hyun Xandega Tahajuansyah
Hendarsetiani Isti Pitta Sekar Wangi Yani Rihasti
Hendriati Trianita Prasetyo Nomo S. Yoga Prakasa
Herita Endriana Prasydianto Yulius Indra
Heriyadi Janwar Pratiwi Weyanti Yulyanti Hertessa
Hijah Sahara Nur S. Pratiwo Sardjuno Yuska Roly Vonita
I Komang Hardi W. Priscilla Yuwanto
Ignatius Andy A. PT. Lifelike Pictures Zaki Muzakir
Illiana Wijanarko Putri Iva Izzati Zulynda Ibrahim
Opening Film
Opening Film
10
NOV 25 / BLZ 1 / 19:00 (by invitation only) • NOV 25 / BLZ 1 / 21:30 (by invitation only) •
NOV 27 / BLZ 7 / 16:45 • NOV 30 / BLZ 7 / 16:45
For a nation that proudly declared it would leave no child behind, America continues to do so at alarming rates. Despite
increased spending and politicians’ promises, America’s public-education system, once the best in the world, is now falling
and failing the nation’s children.
Filmmaker Davis Guggenheim reminds us that education has names: Anthony, Francisco, Bianca, Daisy, and Emily, five
children who deserve better education and whose stories make up the engrossing foundation of the film. As he follows a
handful of promising kids through a system that inhibits, rather than encourages, academic growth, Guggenheim undertakes
an exhaustive review of public education, surveying “drop-out factories” and “academic sinkholes,” methodically dissecting
the system and its seemingly intractable problems.
Untuk sebuah negara yang berikrar tidak akan membiarkan anak-anak terlantar, sistem pendidikan di Amerika Serikat, yang
pernah menjadi yang terbaik di dunia, sekarang malah di ambang kehancuran dan menghancurkan masa depan anak-anak.
Sutradara Davis Guggenheim mengingatkan kita bahwa pendidikan mempunyai nama pada Anthony, Francisco, Bianca, Daisy
dan Emily, lima anak yang layak mendapatkan pendidikan lebih baik. Cerita kelima anak ini membuka mata sutradara dan kita
semua tentang berbagai masalah yang ada di sistem pendidikan Amerika Serikat sekarang ini.
Davis Guggenheim is widely known as an award-winning documentary filmmaker. The groundbreaking AN INCONVENIENT
TRUTH (screened in JIFFest 2006) won Best Documentary Feature in Academy Awards, and IT MIGHT GET LOUD (2008) was
declared as “insightful and musically satisfying” by influential website RottenTomatoes.com. The two documentaries, along
with WAITING FOR “SUPERMAN”, are ranked within the top 100 highest-grossing documentaries of all time.
Closing Film
11
Biutiful
Dir.: Alejandro González Iñárritu
Spain/Mexico. 2010. 147 min. Drama. Color. 35 mm. English/Spanish (with English subtitles).
DEC 5 / BLZ 1 / 19:00 (by invitation only) • DEC 5 / BLZ 1 / 21:30 (by invitation only)
This is a story of a man in free fall, Uxbal (Javier Bardem). An underworld figure in the margins of Barcelona, Uxbal is also a
father, lover, friend, and seeker of the afterlife. These roles provide him the means to find redemption and reconciliation as he
senses his own death draws near.
Film ini adalah cerita tentang Uxbal (Javier Bardem). Selain melakukan bisnis perdagangan gelap di Barcelona, Uxbal juga
seorang ayah, kekasih, teman dan penyuka hal-hal mistis. Semua ini memberikan jalan panjang bagi Uxbal untuk mendapatkan
pengampunan dan kedamaian karena Uxbal sudah merasa bahwa kematiannya semakin dekat.
BIUTIFUL is Alejandro González Iñárritu ‘s first directorial feature since BABEL (Opening Film, JIFFest 2006), and his first film in
his native Spanish since his debut feature AMORES PERROS (JIFFest 2001).
Best Actor for Javier Bardem, Cannes 2010. Mexico’s Official Submission for Best Foreign Language category, 83rd Academy
Awards 2011.(France)
Belkibolang
Special Premiere
Indonesia. 2010. Short Compilations. Digital. Total screening time: 87 min. Colors. Indonesian with
English subtitle.
Nine nights knit together, stories of relationship, belief and thrills in Jakarta.
12 Sembilan malam bercerita tentang cinta, hubungan, kepercayaan dan adrenalin di kota Jakarta.
Wahyu tampak lelah, ia adalah seorang pekerja kebanyakan. Sebuah percakapan panjang antar Omen, seorang koki, dan
Malam itu hujan turun dengan derasnya, menambah Nuri, tetangganya. Sebuah pembicaraan tentang hubungan,
kebenciannya pada kota tempat tinggalnya, kehidupannya dan pilihan dan rasa keibuan. Percakapan tak berawal maupun akhir.
dirinya sendiri.
Pertemuannya dengan Fitri, merubah malam menjadi hangat.
Special Premiere
13
Gecko Peron Ella
Dir.:Anggun Priambodo Dir.: Azhar Lubis Dir.: Wisnu Surya Pratama
A regular night, with a soap drama series James always takes train to go back Tonite is the last day of moslem’ fasting
play on the TV. The room is cold by air home. He never listens to any sounds month.
conditioner. Edwin is busy working with his except his ipod and always busy with his Ella is a hooker from Surabaya who lives in
laptop, while his wife is sleeping tightly. imaginations of girls at the train station. Jakarta. She befriends with Pak Gendut, a
Suddenly, the electricity puts off. It’s dark One day, his ipod broke downs. grilled duck seller from Madura, and share
and the room starts to heat. His wife sleeps In front of him, sits a girl who is enjoying his food stall as her pick up place.
still and Edwin doesn’t know what to the loud and noisy sound in the station. That dusk, she returns home as a good girl.
do. He listens and enjoys noises from his That night, James listens to something that However, even a good girl is never perfect,
neighbours making love. he never hears before. especially Ella.
Sound of gecko interrupts him. Soon, the
night turns into an unusual night. James selalu pulang naik KRL setiap hari Malam ini adalah malam terakhir di bulan
ditemani ipodnya. Malam itu, ipodnya rusak. puasa. Ella seorang pelacur dari Surabaya
Malam-malam biasa dengan tayangan Dan dia menemukan suara-suara istimewa dan selalu berjualan di warung bebek
sinetron di TV. Edwin sibuk bekerja yang jarang ia dengarkan. Madura milik Pak Gendut.
dikamarnya yang dingin, sementara istrinya Subuh itu, Ella pulang kampung sebagai
tidur dengan lelap. Tiba-tiba, listrik mati. anak yang patuh, walaupun tidak
Rumah mereka digilir PLN malam ini. sempurna.
Kini kamar menjadi gelap, panas, dan
terisi suara-suara tetangga, dan Edwin
menikmatinya, hingga sebuah suara
menganggu kesenangan barunya.
14
Diujung Jalan
Dir.: Tony Trimarsanto
Indonesia. 2010. Documentary. 75 minutes. Color. Digital. Indonesian (with English subtitles).
A story of the families in Flores who lost their family members who were working in Malaysia. Being a migrant worker is
common in Flores, as common as their suffering because of violence, death, even forces to change their names, all done in
the name of money. Noel, Santi and Epen are three children whose parents are still working in Malaysia. When Easter comes,
they are waiting for their parents to come home, because Easter is the time for the Larantukas who work abroad to come
home and be together again, in such a rare time, with their families.
Kisah tentang keluarga-keluarga yang kehilangan saudara, suami, istri, anak yang merantau di Malaysia. Menjadi buruh migran
sudah mentradisi di wilayah Flores. Namun kekerasan, penganiayaan, kematian, bahkan penggantian nama demi uang, harus
mereka lakukan. Noel, Santi dan Epen, tiga orang anak yang merindukan kedatangan orangtuanya yang menjadi buruh migran di
Malaysia, pada sebuah perayaan Paskah. Noel, Santi dan Epen terus menunggu, karena perayaan Paskah adalah momen mudik
bagi masyarakat di Larantuka untuk saling bertemu, berkumpul dan melepas kerinduan.
Tonny Trimarsanto is a graduate of the Jakarta Arts Institute. Since beginning his career he has made more than 20
documentary films. His film GERABAH PLASTIK (2002) won the prize for Best Film at the 2002 Indonesian Doc Film Festival.
His film DREAM LAND won the the Prize for Excellence at the Twelfth Earth Vision, Global Environment Documentary Film
Festival in Tokyo in 2004 and was also awarded ‘Competition Selection’ at the Green Film Festival in Seoul, Korea in 2004. His
collaborative effort in feature-length documentary SERAMBI was screened in JIFFest 2006.
Special Premiere
15
HipHopDiningrat
Dir.: Muhammad Marzuki and Chandra Hutagaol
Indonesia. 2010. Documentary. 65 minutes. Color. Digital. Indonesian (with English subtitles).
This is a unique story about hip-hop culture from Yogyakarta, where urban culture meets Javanese tradition to create
a contemporary work. A travelogue piece made by founders of Jogja Hip Hop Foundation, Moh Marzuki / Kill The DJ /
Chebolang, from 2003 to 2009, we get to see the true spirit of Javanese in accepting new culture and blend it with their roots
to make a new and accessible work of art.
Inilah sebuah cerita unik tentang kultur hip hop dari kota Jogja, dimana kebudayaan urban bertemu dengan tradisi Jawa untuk
menciptakan produk kesenian kontemporer. Rangkuman perjalanan yang disusun sendiri oleh pendiri Jogja Hip Hop Foundation,
Moh Marzuki / Kill The DJ / Chebolang, dari tahun 2003 sampai 2009, film ini memperlihatkan gambaran jelas tentang mentalitas
aseli orang Jawa dengan semangat sinkretisme-nya; keterbukaan untuk menerima semua hal yang datang dari luar tradisinya,
kemudian dicampurkan dengan akar kebudayaan dantradisi mereka.
Muhammad Marzuki was born in Klaten, Central Java, and is a self-taught musician who delved into hip-hop in 1991, later
establishing the Jogja Hip-Hop Foundation in 2003. Chandra Hutagaol edited documentary MENGGELAR INDONESIA (2010)
by Jennifer Lindsay.
16
This is an effort to capture the contemplating big city. The time of Maghrib is the borderline of all relationships, and that
is the thread that binds all 6 stories in the film. A married couple (Indra Birowo & Widi Mulia) want to make love in IMAN
CUMA INGIN NUR, while a thug and a mosque’s caretaker (Asrul Dahlan & Sjafrial Arifin) have an interesting juxtaposition in
ADZAN. In the meantime, residents of a housing complex (Lukman Sardi, Ringgo Agus Rahman, Dedi Mahendra Desta, Fanny
Fabriana, Lilis) meet for the first time while waiting for their favourite food seller in MENUNGGU AKI. A couple (Reza Rahadian
& Adinia Wirasti) are busy looking for a shortcut in JALAN PINTAS, and a little boy (Aldo Tansani) is scared to death in CERITA
SI IVAN. Finally, all characters eventually meet in BA’DA.
Jakarta Maghrib adalah sebuah usaha untuk menangkap suasana metropolitan saat sedang menuju kontemplasinya. Semua
hubungan manusia menemui ambang batasnya di waktu Maghrib, itulah benang merah dari 6 cerita yang ada. Sepasang suami
istri yang ingin bercinta (Indra Birowo & Widi Mulia) dalam IMAN CUMA INGIN NUR, seorang preman dan penjaga musholla (Asrul
Dahlan & Sjafrial Arifin) dalam ADZAN, penghuni kompleks perumahan (Lukman Sardi, Ringgo Agus Rahman, Dedi Mahendra
Desta, Fanny Fabriana, Lilis) yang menunggu tukang nasi goreng langganan mereka dalam MENUNGGU AKI, sepasang kekasih
(Reza Rahadian & Adinia Wirasti) yang mencari jalan pintas dalam JALAN PINTAS, anak kecil yang ketakutan (Aldo Tansani) dalam
CERITA SI IVAN, dan pertemuan dari semua tokoh tersebut dalam BA’DA.
Salman Aristo won Best Script in JIFFest Script Development Competition in 2006, the competition that saw him in tutor’s
position three years later. A productive writer, he wrote two biggest Indonesian box office hits of all-time, Ayat-Ayat Cinta
(Verses of Love) and Laskar Pelangi (The Rainbow Troops). JAKARTA MAGHRIB is his directorial debut.
Special Premiere
17
KickStart! – Palu
Indonesia. 2010. Documentary. Total screening time: 75 minutes. Color. Digital. Indonesian (with English subtitles).
NOV 29 / BLZ 7 / 16:45 (by invitation only)
In-Docs (Indonesian Documentaries), a documentary organization that conducts documentary filmmaking and distributes
local documentary films, put together four films made by first time filmmakers from Palu, Central Sulawesi.
In SERUPA TAPI TAK SAMA (15’), director Dewi Yanti observes the struggle of Yuliana raising her daughter, Yana, who suffers
from down syndrome. In TADULAKO MILD (15’), director Nur Soima Ulfa presents a case of a cigarette company re-brands a
college. In SENANDUNG IKAN BARU (25’), directors Nurhuda and Wahdania compare the lives of two young boys who sell fish
for living: one still goes to school, the other is forced not to. In MENAMBANG DI PIRING PETANI (20’), director Syafaat Ladanu
shows how farmers in one village are united together to fight against big mining company.
In-Docs (Indonesian Documentaries) mempersembahkan empat film dokumenter karya sutradara pemula dari Palu, Sulawesi
Tengah.
Di cerita SERUPA TAPI TAK SAMA (15 menit), Dewi Yanti menghadirkan kisah ibu Yuliana membesarkan putrinya, Yana, yang
menderita penyakit down syndrown. Sementara itu, Nur Soima Ulfa memperlihatkan bagaimana sebuah perusahaan rokok
mengubah tampilan kampus di TADULAKO MILD (15 menit). Dua sutradara, Nurhuda dan Wahdania, membandingkan nasib dua
anak penjual ikan dengan pendidikan mereka pada kisah SENANDUNG IKAN BARU (25 menit). Terakhir, di cerita MENAMBANG DI
PIRING PETANI (20 menit), sutradara Syafaat Ladanu memperlihatkan perjuangan sekelompok petani agar sawah mereka tidak
ditambang oleh perusahaan yang telah mendapat izin dari pemerintah.
18
Working Girls
(Perempuan Pencari Nafkah)
Dir.: Sammaria Simanjuntak & Sally Anom Sari, Yosep Anggi Noen, Nitta Nazyra C. Noer &
Daud Sumolang
Indonesia. 2010. Omnibus Documentary. 123 minutes. Color. Digital. Indonesian (with English subtitles).
DEC 1 / BLZ 7 / 19:15 (by invitation only)
The omnibus documentary gives us the lives of exemplary women who contribute significant changes to their society. In 5
MINUTES TO FAME AH AH AH, directors Sammaria & Sally bring us to Ayu Riana, 14 year-old girl who, after winning a dangdut
contest in national TV, has to become a breadwinner for her whole family. In WINDLESS RHAPSODY, director Yosep gives us a
portrait of women who have given their lives to performing arts while still having to make ends meet. In ULFIE GOES HOME,
directors Nitta and Daud follow the journey of Ulfie, a transvestite from Aceh who, upon returning home, finds out that
people in her hometown has little idea about HIV/AIDS. Against all odds, Ulfie and her fellows in the film give us remarkable
stories on their hardship to bring better lives for others.
Tiga film dokumenter pendek ini mengangkat kisah perempuan-perempuan yang membawa perubahan di lingkungan
mereka. Dalam 5 MENIT LAGI AH AH AH, sutrada Sammaria & Sally membawa kita pada Ayu Riana, yang pada usia 14 tahun
sudah memenangkan kontes idola dangdut di TV nasional, sekaligus menjadi tulang punggung keluarga. Di ASAL TAK ADA
ANGIN, sutradara Yosep menampilkan para perempuan yang setia pada profesi mereka di pertunjukan ketoprak. Sementara di
ULFIE PULANG KAMPUNG, sutradara Nitta & Daud mengikuti perjalanan Ulfie, waria asal Aceh yang berusaha membuat warga
kampungnya mengerti bahaya HIV/AIDS. Meskipun dihadang berbagai kesulitan, Ulfie dan semua perempuan dalam film ini
berusaha untuk bertahan hidup sambil terus bertekad membawa kebaikan bagi lingkungan sekitar mereka.
Sammaria Simanjuntak & Sally Anom Sari won Best Original Screenplay in Festival Film Indonesia for their debut work in “cin(T)a”,
which also won Audience Award in JIFFest 2009. Yosep Anggi Noen received a scholarship from Asian Film Academy in Pusan in 2007,
and his short film It’s Not Raining Outside has been traveling to worldwide film festivals. Nitta Nazyra C. Noer graduated from Film
Directing Studies, Jakarta Arts Institute, in 1999, & Daud Sumolang scripted Dajang Soembi that was screened in Museum of Modern
Art (MoMA). WORKING GIRLS is their debut in feature-length documentary.
World Cinema
19
In this moving drama, we see two women, Axun and Maite, NOV 27 / KF / 14:15 • DEC 4 / KF / 17:00
who have not seen each other for more than fifty years. Fate
brings them together when they take care of their respective The film is anything but ordinary. The following synopsis
relatives at a hospital. The differences in their present lives may easily fool us: Lucio is forced to commit his depressed
bring them closer than before, as now they revisit feelings wife to mental institution. Much to his surprise, she returns
that once flourish between them in the past. soon after, seemingly completely healed. But something
seems different to Lucio and he’ll go to any lengths to find
Dalam drama yang menyentuh ini, kita melihat dua out what happened to his wife. As we follow Lucio’s journey,
perempuan, Axun dan Maite, yang sudah tidak bertemu we enter the world where reality is not as simple as what we
selama lebih dari 50 tahun. Takdir menemukan mereka lagi perceive in the eyes.
saat mereka harus mengurus keluarga mereka yang sakit di
sebuah rumah sakit. Perbedaan yang ada di kehidupan dua Sebuah film yang tidak biasa. Sinopsis yang kami tawarkan
perempuan ini malah menjadikan mereka semakin dekat, malah mungkin menipu anda: Lucio terpaksa memasukkan
terutama saat mereka mengurai lagi kisah manis yang pernah istrinya yang depresi ke rumah sakit jiwa. Tak lama kemudian,
terjadi di antara mereka di masa lalu. istri Lucio sudah kembali pulang, dan terlihat sudah sembuh.
Namun ada hal aneh yang Lucio lihat pada istrinya. Lucio
Jon Garaño & José María Goenaga previously directed many melakukan segala cara untuk mengetahui apa yang terjadi
award-winning short and feature length documentary pada istrinya, dan bersama dengan Lucio, kita melihat sebuah
and animation films. Directing from their own script, 80 dunia yang tidak semudah apa yang kita lihat dengan mata
EGUNEAN is their first foray into dramatic feature. kita sendiri.
The VIth City of San Sebastián Film Commission Award, San Alejandro Chomski is the subject of a documentary WHO
Sebastian International Film Festival, 2010. IS ALEJANDRO CHOMSKI? (2002), although as a director
himself, he has made award-winning debut TODAY &
TOMORROW (2003), and a dance film FEEL THE NOISE (2007,
produced by Jennifer Lopez).
World Cinema
World Cinema
A 14 year old boy, an ER doctor, a cop looking for revenge, Six-year old Yusuf has just started school, where he learns
a mother fighting for her children and a man distraught by to read and write. His father, Yakup, a beekeeper, regularly
the death of his wife see their destinies come together. As goes into the forest to hang the beehives from the tallest
the doctor spends several days in a coma, events keep on trees. The mountainous forest is packed with mysteries for
happening amidst Marseille’s immigrant suburbs and all will Yusuf, who loves accompanying his father. One day the bees
be swept by the shock waves. disappear. Yakup decides to make his way into the forest to
find out what has happened. A bizarre event awaits.
Seorang remaja berusia 14 tahun, seorang dokter bagian gawat
darurat, seorang polisi yang menyimpan dendam, seorang ibu Yusuf, bocah berumur 6 tahun, baru saja mulai sekolah.
yang berjuang untuk anaknya dan seorang laki-laki yang putus Ayahnya, Yakup, petani madu, sering pergi ke hutan untuk
asa karena istrinya meninggal. Semua cerita ini terjalin dalam menggantungkan sarang lebah ke pohon-pohon yang tinggi.
satu benang merah yang mempertemukan mereka. Saat sang Keindahan alam di hutan memikat hati Yusuf yang sering
dokter berada dalam keadaan koma, semua kejadian tersebut menemani ayahnya. Suatu hari, lebah-lebah ini menghilang.
berjalan dan semuanya akan dikejutkan di akhir film yang Yakup memutuskan untuk mencari tahu apa yang terjadi di
menegangkan ini. hutan. Sebuah kejadian aneh ternyata menunggu mereka.
World Cinema
Incendies Joy Outrage
Dir.: Denis Villeneuve Dir.:Mijke de Jong
(Autoreiji)
Canada. 2010. 130 min. Drama. Color. Netherlands. 2010. 75 min. Drama. Dir.: Takeshi Kitano
35 mm. French/Arabic (with English Color. 35 mm. Dutch
subtitles). (with English subtitles). Japan. 2010. 109 min. Action/Drama.
Scott Pilgrim (Michael Cera) is the bass player for the band In 2003, three weeks after the fall of Saddam Hussein,
Sex Bob-omb. Although he had already dated Knives 12-year old Ahmed travels with his grandmother to find
Chau (Ellen Wong), the mysterious Ramona Flowers (Mary his father, a soldier missing since the Gulf War. From the
Elizabeth Winstead) managed to capture his heart. Scott will mountains of Kurdistan to the sands of Babylon, they cross
do anything to be able to date Ramona, including having to paths with others who are on an all too similar quest. As
win battles against Ramona’s 7 evil exes, each with their own she struggles to accept an awful truth, Ahmed retraces the
super power. footsteps of a father he never knew. This is a journey that
will not only connect them to the past, but will determine
Scott Pilgrim (Michael Cera) adalah pemain bass band Sex their lives forever.
Bob-omb. Meskipun dia sudah pacaran dengan Knives
Chau (Ellen Wong), tapi kehadiran Ramona Flowers (Mary Tahun 2003, tiga minggu setelah jatuhnya rejim Saddam
Elizabeth Winstead) yang misterius malah memikat hatinya. Husein, Ahmed pergi bersama neneknya untuk mencari ayah
Scott akan melakukan segalanya untuk dapat berkencan Ahmed, seorang tentara yang hilang sejak Perang Teluk.
dengan Ramona. Untuk itu, Scott harus memenangkan setiap Dari pegunungan Kurdistan ke gurun pasir Babylon, mereka
pertandingan melawan tujuh mantan pacar Ramona yang bertemu banyak orang yang melakukan hal yang sama.
jahat dan memiliki kekuatan super sendiri-sendiri! Pelan-pelan sang nenek mulai menerima kenyataan pahit,
dan Ahmed menelusuri lagi jejak sang ayah yang tidak pernah
This is what one can find in Edgar Wright’s films: deadpan Ahmed temui.
humor in fast-paced moments, fast action style editing, and
repeated lines or snippets of dialogue for comedic effect. In Mohammed Al-Darraji is a Dutch-Iraqi filmmaker. He studied
short: you’ll never get bored watching his films! theatre directing in Baghdad and fled to The Netherlands
in 1995, where he specialized as a cameraman. Later he
graduated with an MA in cinematography in Leeds. He
created many several short films and commercials.
World Cinema
Soul Boy Storm In My Heart Together
Dir.:Hawa Essuman & Tom
Tykwer (Jernanger) (Sammen)
Dir.: Pål Jackman Dir.: Matias Armand Jordal
Kenya/Germany. 2010. 61 min. Drama.
Color. 35 mm. Swahili (with English Norway. 2009. 96 min. Drama. Color. 35 Norway. 2009. 100 min. Drama. Color.
subtitles). mm. Norwegian (with English subtitles). 35 mm. Norwegian (with English
NOV 27 / BLZ 6 / 22:00 • NOV 30 / BLZ 7 / 21:45 Umay (Sibel Kekili) is a young woman of Turkish descent,
fighting for an independent and self-determined life in
Robin, a rock-’n-roll wedding photographer from a remote Germany against the resistance of her family. For her son,
spot in Värmland is appointed to photograph an upper-class Cem, Umay is willing to go extra miles, although she never
wedding in Djursholm. He falls in love with the bride’s sister realizes how dangerous her struggle for self-determination
and goes through a head-turning makeover trying to fit has become.
into the posh world. The result is hilarious, unexpected, and
Robin finds a new part of him in the making. Umay (Sibel Kekili), seorang perempuan keturunan Turki,
berjuang keras untuk menjalani kehidupan yang bebas dan
Robin, fotografer pernikahan dari kota kecil di Värmland, mandiri di Jerman, meskipun orang tua Umay menentangnya.
ditunjuk menjadi fotografer pernikahan keluarga kelas atas Demi anak satu-satunya, Cem, Umay rela melakukan apa aja,
di Djursholm. Dia jatuh cinta pada saudara perempuan meskipun Umay tidak sadar bahwa pergulatan Umay akan
pengantin wanita. Mau tidak mau, Robin harus menjalani membahayakan dirinya.
“makeover” agar bisa diterima di dunia barunya ini.
Feo Aladag began her film career as an actress. She is also a
Ulf Malmros directed his first film for television aged 19. In successful scriptwriter and commercial film director.
2006, he won Best Director award in Guldbagge Awards WHEN WE LEAVE is her feature directorial debut.
(Swedish equivalent to Oscar) for GOD SAVE THE KING.
Best Narrative Feature and Best Actress, Tribeca Film Festival,
Best Supporting Actor and Best Screenplay, Guldbagge USA, 2010. Germany’s Official Submission for Best Foreign
Awards, 2010. Language category, 83rd Academy Awards, 2011.
World Cinema - Documentary
World Cinema
Armadillo Bhutto
Dir.: Janus Metz Pedersen Dir.: Duane Baughman & Johnny O’ Hara 25
Denmark. 2010. 119 min. Documentary/War. Color. Digital. USA/UK. 2010. 111 min. Documentary/Biography. Color.
Danish (with English subtitles). Digital. English.
In February 2009, Janus Metz Pedersen followed the lives The film is a gripping documentary of the assassinated
of Danish soldiers in Afghanistan. He captured everything Benazir Bhutto, the first woman to lead an Islamic nation.
as a journey into the inner realm of war, as a mixture of Following in her father’s footsteps as a pillar for democracy,
boredom in the camp, and as the real fighting is close by. Bhutto was expected to dominate Pakistan’s 2008 elections
The business of killing during assignments make the soldiers but the assassination sent Pakistan politics into turmoil. The
exposed directly to the feeling of extended fear and also to event shocked the world and transformed her from political
the lust for “action”, the rush of blood, of wanting to kill. This messiah into a martyr for the common man. This fast-paced
psychologically explosive conflict situation fundamentally documentary also pulls together rare archival footage and
alters the mental balance of the soldiers. emotional interviews with close family members.
Bulan Februari 2009, Janus Metz Pedersen merekam kehidupan Film dokumenter yang sangat menggugah perhatian tentang
sehari-hari tentara Denmark di Afghanistan. Ia menangkap Benazir Bhutto, wanita pertama yang menjadi pemimpin
semua emosi yang terpancar, mulai dari rasa bosan mereka negara Islam. Menyusul jejak ayahnya, Bhutto diharapkan
saat menunggu “briefing” dan “debriefing”, saat-saat menjadi pemenang pemilihan umum Pakistan tahun 2008,
tegang penuh aksi dimana mereka terlibat baku tembak namun pembunuhan terhadap dirinya membawa Pakistan
dan merasakan takut sekaligus senang. Konflik psikologis ke kekacauan. Peristiwa yang mengejutkan seluruh dunia ini
yang dialami para prajurit tersebut cukup mengganggu membawa nama Bhutto menjadi simbol martir perjuangan
keseimbangan mental mereka. rakyat biasa. Film ini menampilkan arsip dokumentasi yang
belum pernah ditayangkan sebelumnya, berikut wawancara
Janus Metz Pedersen has a degree in communication studies dengan keluarga dekat Benazir Bhutto.
and international development. The film ARMADILLO
provoked furious debate in Denmark concerning the Duane Baughman spent nearly 3 years, directing, producing
controversial behavior of certain Danish soldiers during a and funding BHUTTO. Johnny O’Hara wrote FUEL, the
shootout with Taliban fighters. winner of the Sundance 2008 Audience Award for Best
Documentary.
Grand Prix Semaine de la Critique (Critics Week), Cannes Film
Festival, 2010. Best Documentary, BFI London Film Festival, Nominated for Grand Jury Prize (Documentary), Sundance
2010. Film Festival, 2010.
World Cinema - Documentary
World Cinema
At the border between Israel and the Palestinian territories, It doesn’t have to be the same, the call for prayers is always
the Israeli government is building a separation wall that something meaningful and beautiful to many religions.
snakes through several Palestinian villages. Budrus, In this ‘city of angels’, where nowadays religion is only
population 1,500, stands to lose 300 acres and 3,000 of something artificial for most people, the callers (from three
the olive trees that are crucial to the town’s survival. But different religions) become something important. They not
husband and father Ayed—whose acts as an activist have only try to keep their existences, but also struggle to define
landed him in prison before—is determined to act, together their own faith in life.
with his 15 year-old daughter and the rest of the town.
Panggilan untuk beribadah bagi banyak agama adalah
Di perbatasan Israel dan Palestina, pemerintah Israel sesuatu yang agung dan indah. Di kota Los Angeles, di mana
membangun dinding pemisah yang menerobos masuk agama terkadang menjadi sesuatu yang artificial bagi
beberapa desa di Palestina. Budrus, populasi 1.500 orang, kebanyakan orang di sini, pemanggil ibadah menjadi profesi
terancam kehilangan 300 hektar dan 3.000 pohon zaitun penting. Mereka tidak hanya mempertahankan eksistensi
yang merupakan sumber utama penghasilan banyak orang profesi, namun harus berjuang untuk menemukan jati diri
di Budrus. Tetapi seorang ayah dan suami, Ayed, yang pernah keyakinan mereka.
dipenjara sebagai seorang aktivis, siap melawan agresi ini
bersama dengan putrinya dan seluruh penduduk Budrus. Endah WS’s previous film, THE LAST JOURNEY, was
developed in JIFFest Script Development Competition 2007,
Julia Bacha edited and co-wrote CONTROL ROOM (2004), an had its world premiere in JIFFest the following year, and
award-winning documentary about Al-Jazeera. In 2006, she eventually won Best Short Documentary in Festival Film
co-directed the acclaimed ENCOUNTER POINT that depicts Indonesia 2009.
lives of families affected by the violence in Israel.
(screened together with SOUL BOY)
Directing Award, World Cinema Documentary, Sundance
Film Festival, 2010. Best Photography, Beldocs International
Documentary Film Festival, 2010.
World Cinema - Documentary
World Cinema
A Good Man Space Tourists
Dir.: Safina Uberoi Dir.:Christian Frei
27
Australia. 2009. 79 min. Documentary. Color. Digital. English. Switzerland. 2010. 98 min. Documentary/Adventure/History.
Color. 35 mm. English/Russian/Romanian (with English
NOV 26 / BLZ 7 / 16:45 subtitles).
Chris Rohrlach is an ordinary man from Australia with NOV 26 / BLZ 7 / 19:15 • NOV 30 / BLZ 6 / 19:30
an extraordinary story: fourteen years ago, his pregnant
girlfriend Rachel had a massive stroke that left her incurably In this awe-inspiring film, Christian Frei turns to an age-old
quadriplegic. Undeterred, the couple got married shortly dream of man: to leave our planet as a “normal person” and
after their son was born. Years on, with another baby on travel into outer space. For 20 million dollars, the American
the way, the couple decided they needed a second income Anousheh Ansari was able to fulfill this childhood dream.
to overcome the mounting bills. The solution? Open a This documentary follows her journey into space as the first
legal brothel in their conservative country town. This is a female outer-space tourist, and shows everyday life as it is on
compelling and sensitive film about love, commitment and the International Space Station.
resilience.
Sutradara Christian Frei menghadirkan kisah penuh inspirasi
Chris Rohrlach adalah pria dengan cerita luar biasa: empat tentang bagaimana kita bisa meninggalkan planet ini sebagai
belas tahun lalu, kekasihnya yang sedang hamil Rachel “manusia biasa” dan berkelana ke luar angkasa. Dengan 20
mengalami stroke yang menyebabkannya lumpuh. Mereka juta dollar, warga negara Amerika Anousheh Ansari dapat
menikah tak lama setelah anak mereka lahir. Beberapa tahun mewujudkan impian masa kecilnya pergi ke luar angkasa. Film
berikutnya, dengan kehadiran bayi lagi, pasangan ini harus ini merekam perjalanan Anousheh sebagai turis perempuan
mencari pendapatan tambahan. Caranya? Membuka tempat pertama di luar angkasa.
pelacuran legal di tempat tinggal mereka yang konservatif.
Sebuah film yang mengharukan tentang cinta, komitmen dan For loyal JIFFest audiences, the name Christian Frei is
keteguhan hati. synonymous with his groundbreaking work, the Academy-
Award nominated WAR PHOTOGRAPHER, screened to
Safina Uberoi’s previous documentary, MY MOTHER packed venues in JIFFest 2002. He followed this with award-
INDIA, is an autobiographical film that won eleven major winning documentary THE GIANT BUDDHAS (2005).
international awards including the Australian Film Critics
Circle Award for best Australian documentary. Directing Award, World Cinema Documentary, Sundance
Film Festival, 2010. Eurodok Award, European Documentary
One of the Top 10 Audience Award, International Film Festival, Oslo, 2010. Best Photography, Beldocs
Documentary Film Festival (IDFA) Amsterdam, 2009. International Documentary Film Festival, 2010.
Best Documentary and Audience Award, Sydney Film
Festival, 2010.
A View From The SEA
A View From The SEA
A wealthy Asian tycoon dies suddenly NOV 29 / BLZ 4 / 22:00 Joey, a video consultant from W.E.D
under mysterious circumstances and (wedding education department),
returns as a ghost to try to uncover In the spring of 2005, an old diary is dedicates herself to promoting romance
the secret of his death. Two eager found. The diary carries the notes and lasting marriages to young
detectives investigate the death of a young woman doctor, Dang Singaporeans through her unique
chasing all leads and suspects, Thuy Tram, who worked at a national videos. Now she is about to fulfill her
including the dead man’s three liberation front hospital in 1968 until own dream with Gin, a handsome
children. The ghost witnesses his own her death. Her diary speaks poignantly music teacher whom she has been in a
funeral wake, attended by jealous of her devotion to family and friends, whirlwind romance with after casting
relatives and business competitors as the horrors of war, her yearning for him along side with her in a W.E.D
well as the police investigation that her high school sweetheart, and her video. But agirl, Cecilia, claims to be
unveils hidden family secrets. struggle to prove her loyalty to her Gin’s real fiancée while Gin claims that
country. The diary was first discovered his affection for her was strictly for the
Seorang konglomerat tiba-tiba by a US military officer, who kept it for video. Not letting her dream go, Joey
meninggal dengan cara yang misterius, 35 years. The diary was then published pursues Gin to make him see that she is
dan dia kembali lagi sebagai hantu in Vietnam and caused a sensation. his true bride as she sees his true heart.
yang berusaha mencari tahu penyebab Will Joey’s perseverance finally pays off?
kematiannya sendiri. Dua detektif datang Di musim semi 2005, sebuah buku harian
menyelidiki kasus ini dan menginterogasi ditemukan. Buku ini berisi catatan dokter Joey bekerja membuat video tentang
semua tersangka, termasuk ketiga anak muda, Dang Thuy Traim, yang bekerja pernikahan untuk warga Singapura.
konglomerat. Hantu ini menyaksikan di rumah sakit pergerakan nasional Tinggal selangkah lagi Joey membuat
sendiri bagaimana pemakamannya liberal selama dua tahun sampai saat video tentang pernikahannya sendiri
dihadiri oleh saudara-saudaranya yang dia meninggal. Catatan ini menunjukkan dengan Gin, guru musik yang tampan
dengki, pesaing bisnis, dan akhirnya kesetiannya pada keluarga, teman, dan pernah berakting bersama Joey
sebuah rahasia keluarga yang terpendam dan negara. Ditemukan pertama kali di sebuah video pernikahan. Tetapi
selama ini. oleh seorang tentara Amerika yang gadis lain, Cecilia, mengaku sebagai
menyimpannya selama 35 tahun, buku tunangan Gin, dan Gin pun mengaku
Glen Goei’s first feature film FOREVER ini menimbulkan sensasi saat diterbitkan bahwa perasaannya ke Joey hanyalah
FEVER (aka THAT’S THE WAY I LIKE IT) di Vietnam untuk pertama kalinya. akting semata. Tak mau impiannya
which he wrote, directed and produced, untuk menikahi Gin hancur, Joey pun
premiered at the Sundance Film Festival Đặng Nhật Minh is one of Vietnam’s melakukan segala cara untuk merebut
in 1999. In between developing new foremost film directors. He began Gin. Berhasilkah dia?
ideas for film, he continues his work making documentary films around
in theatre. THE BLUE MANSION is his 1965 and is the first Vietnamese person FOREVER marks the second feature
second feature film. to be awarded the Nikkei Asia Prize for film of Wee Li Lin whose debut GONE
Culture, in 1999. SHOPPING competed for the New
Opening Film, Asian Hot Shots Film Talents award at the 11th Shanghai
Festival, Berlin, 2010. Audience Award, Fukuoka International Film Festival (2008). Wee
International Film Festival, 2009. is also best known as the most prolific
female short filmmaker in Singapore.
World Premiere.
A View From The SEA
Inhalation is a short spin-off of The Tiger Factory, and On the way to his motherland in Vietnam, Kelvin, a half-
features the same characters from the latter film. Ping’s blooded Singaporean screenwriter comes across Anh, the
friend Mei, who gets deported from Japan, spends a night local girl and her brother, Cu. riding along a country dirt
quarreling with her boyfriend who comes to pick her up at path, both crying. At that very moment, Kelvin has a feeling
the harbor. that something bad has happened to this girl’s family. In the
end, Kelvin saved Anh’s family from a tricky game of destiny
Film pendek ini merupakan bagian dari film THE TIGER with his sense of benevolence.
FACTORY dan masih menampilkan karakter yang sama. Mei,
teman Ping yang diusir dari Jepang, menghabiskan malam Dalam perjalanan pulang ke Vietnam, Kevin berpapasan
bertengkar dengan pacarnya yang datang menjemput di dengan Anh dan adiknya, Cu, yang sedang menangis. Kevin
pelabuhan. merasa ada sesuatu yang tidak beres yang terjadi di keluarga
Anh. Akhirnya, Kelvin menyelamatkan keluarga Anh dari suatu
(screened together with THE TIGER FACTORY) kejadian yang nyaris tak dapat dielakkan.
Manuel Imson and Dado Lopega are two friends from Ping Ping, 19, who is under the guardianship of her aunt,
Philippines who are working in a factory in Taipei. One day Madame Tien, works in a pig farm and as a dishwasher in
they find an abandoned red couch on the street. They decide a restaurant. She’s saving to go to Japan to work in a car
to take the couch home by carrying it themselves. The parts company. Unbeknownst to Ping Ping, her aunt also
seemingly simple journey becomes an adventure for Manuel, runs a clandestine “baby factory” in which migrant workers
Dado, and the couch, all around Taipei. are used to impregnate young woman and the babies are
sold for money. Ping Ping gradually learns the shocking
Manuel Imson dan Dado Lopega sama-sama berasal dari truth about her aunt.
Filipina dan bekerja di sebuah pabrik di Taipei. Suatu hari
mereka menemukan sofa merah teronggok di jalan. Mereka Ping Ping, 19, yang diasuh oleh bibinya, Madame Tien, bekerja
memutuskan untuk membawa sofa itu pulang. Pekerjaan yang di peternakan babi dan sebagai pencuci piring di restoran.
sepertinya mudah menjadi pengalaman unik tersendiri oleh Ping Ping menabung agar dapat pergi ke Jepang dan bekerja
Manuel, Dado, dan sofa itu sendiri! di perusahaan suku cadang mobil. Tanpa sepengetahuan
Ping Ping, bibinya menjalankan usaha perdagangan bayi.
Taiwan-based Malaysia-born Wi Ding Ho graduated from the Ping Ping pun akhirnya mengetahui rahasia ini.
film school at New York University. His breakthrough short
film, RESPIRE, premiered at the International Critics’ Week, Born in Malaysia, Woo Ming Jin’s work as a filmmaker and
Cannes Film Festival in 2005. PINOY SUNDAY is his feature photographer has garnered him a reputation as one of
length debut. South East Asia’s most promising talent. His films mostly
focus on the interaction between human and nature. Last
Industry Award for Narrative Feature and Special Mention year he directed one segment in 15 MALAYSIA, screened in
Award, Taipei International Film Festival, 2010. JIFFest 2009.
NOV 26 / BLZ 7 / 21:45 • NOV 29 / BLZ 6 / 19:30 The film centers on an illiterate Badjao, Jahid and his 9-year-
old daughter Daying as they illegally cross the border of the
The film centers on the last days in the life of Uncle Philippines and Malaysia through the southern backdoor.
Boonmee. Together with his loved ones – including the Determined to reunite with his wife, he leaves behind
ghost of his dead wife and his lost son who has returned in everything they have to search for his lost wife in Sabah,
a non-human form – Boonmee explores his past lives as he Malaysia, where an uncertain future awaits him.
contemplates the reasons for his illness.
Film ini berkisah tentang seorang ayah dan anak yang rela
Film ini berkisah tentang hari-hari terakhir Uncle Boonmee melakukan apa saja, termasuk secara ilegal melintasi garis
di dunia. Bersama dengan orang-orang yang dia sayangi, perbatasan Filipina dan Malaysia, agar mereka dapat bersatu
termasuk arwah istrinya yang telah wafat dan anaknya yang lagi dengan sosok istri dan ibu yang mereka cintai.
hilang namun sekarang kembali bukan sebagai manusia,
Boonme mengingat-ingat kembali kehidupan yang pernah dia Sheron R. Dayoc is a filmmaker, writer, editor,
lalui, sambil menelusuri ulang asal muasal penyakitnya. cinematographer and painter. His first short narrative,
ANGAN-ANGAN (DREAMS) won special jury Citation at the
Apichatpong Weerasethakul, or Joe to his close friends, is a Cinemalaya Film festival 2008. The film is also in competition
prolific independent Thai director. Asides from successive in 7ème Festival Signes de Nuit Paris 2009.
prizes in Cannes for both his films BLISFULLY YOURS
(2002) and TROPICAL MALADY (2004), his previous film Best Feature, Best Director, Best Actor, Best Editing,
SYNDROMES AND A CENTURY (2006) is also notable for Cinemalaya Philippine Independent Film Festival, 2010.
being the first Thai film to be entered into competition in the
Venice Film Festival of the same year.
S-Express is an active Southeast Asian network for short film S-Express adalah jaringan kerja pertukaran film pendek antar
exchange. Initiated in 2001 by programmers Yuni Hadi (Substation, negara-negara Asia Tenggara. Dimulai tahun 2001 oleh programer
Singapore), Chalida Uabumrungjit (Thai Film Foundation), and Yuni Hadi (Substation, Singapore), Chalida Uambrungjit (Thai Film
Amir Muhammad (Malaysian Shorts), the group has expanded Foundation) dan Amir Muhammad (Malaysian Shorts), kelompok
to involve Indonesia (Minikino) since 2004, and the Philippines ini kemudian mengundang Indonesia (Minikino) sejak 2004, serta
(Alexis Tioseco) and China (Maggie Lee) since 2005. In its 8th Filipina (Alexis Tioseco) dan Cina (Maggie Lee) sejak 2005. Sampai
year, owing to its steady touring for exchange of short films, saat ini, berkat kesinambungan pertukaran film-film pendeknya,
the group is conducive to a regional networking of filmmakers. S-Express tetap berperan penting dalam membuka jaringan kerja
antar para pembuat film pendek di negara-negara anggotanya.
Variety
A foreigner meets a simple Thai family: Sukran (Abdul), a 12 year-old boy, In 1945, Andy Tielman with his
32 the father, the mother and their little
daughter, all of whom are going to
seeks his father after the death of his
mother around Banda Aceh and finally
brothers, sister, and parents, founded
a family band in Surabaya, Indonesia.
the cultural festival. He asks the family arrives in Kota Sabang, Weh Islan. He In 1957, they became The Tielman
to help him looking for a particular finds many things different from what Brothers, and that’s how Nederpop
address which in the end he forgets he believes from his mother’s tale. (popular music in Holland) and a genre
one small thing about the family that Eventually, Sukran finds himself. called Indo-rock began. In 1981, The
helps him. Tielman Brothers stopped playing
Sukran (Abdul), 12 tahun, seorang anak music. But Andy Tielman, the frontman,
Seorang warga asing bertemu dengan laki-laki, mencari keberadaan ayahnya, still performs, this time with his new
keluarga Thai yang sedang menuju setelah ibunya meninggal dunia. Ia family: Carmen the wife/manager and
perayaan kebudayaan. Dia meminta pergi dari kampung halamannya ke Loraine Jane the daughter. This is about
bantuan keluarga ini mencari satu kota Banda Aceh hingga ke kota Sabang The Tielmans, and this is about Andy as
alamat, namun dia malah melupakan (Pulau Weh). Sukran menemukan adanya family man.
satu hal tentang keluarga yang sudah perbedaan keadaan antara apa yang
membantunya. diceritakan ibunya dengan yang ia lihat Tahun 1945, Andy Tielman bersama
dan alami sekarang. Pada akhirnya saudara dan orang tuanya membentuk
Sukran menemukan dirinya sendiri. band keluarga di Surabaya, Indonesia.
Tahun 1957, mereka mengubah nama
menjadi The Tielman Brothers, dan di
sinilah Nederpop (jenis musik populer di
Belanda) dan Indo-rock bermula. Tahun
1981, grup ini berhenti bermain musik.
Namun Andy Tielman, pemimpin band,
masih terus bermain music bersama
Carmen, istri dan manajernya, dan
Loraine Jane, putrinya. Inilah cerita
tentang The Tielmans dan Andy sebagai
kepala rumah tangga.
A discussion session with all filmmakers in S-Express Indonesia will be conducted after the screening.
Variety: S-Express
S-Express(Malaysia)
(Malaysia)
DEC 5 / IIC / 14:30 • DEC 8 / IIC / 19:30
(FREE Screening)
Variety
People come to him to find out who their Far from being a simplistic ‘green’ film,
whimsical sketches that emphasize
soul mate is. It is not always a happy story the film remains philosophical about
physical distances (in Kuala Lumpur, the
when a couple discovers that they are not the problems created from the co-
Malaysian East Coast and Bangkok). Will
meant for each other. existence of man and nature.
love keep us together or will love tear us
apart?
Seorang fotografer tua memilki kamera Teknologi selalu merusak alam.
ajaib peninggalan leluhurnya. Banyak
Sketsa yang memperlihatkan betapa Pengaruh dari bencana alam pun
orang mendatangi fotografer ini untuk
pentingnya jarak dari sebuah hubungan semakin memperburuk keadaan. Jauh
33
mengetahui siapa jodoh mereka. Saat
(di Kuala Lumpur, East Coast di Malaysia dari sekedar film tentang “penghijauan”,
harapan tidak sesuai dengan kenyataan,
dan Bangkok). Apakah cinta dapat film ini menghadirkan pandangan
banyak orang yang merasa kecewa.
mempersatukan kita, atau malah filosofis tentang masalah-masalah yang
menjauhkan kita? hadir dalam kehidupan manusia dan
alam.
‘Kiamu!!!’ is set in a boarding school—or, more specifically, Quirky, stop-motion work set in the context of political agitation,
in the hyperactive mind of one of the boys, as he takes us but with an underlying humanist agenda. The colour-coded blobs
through the place. What does a guy have to do to fit in? represent the main Malaysian political parties, as well as the colours
of the flag.
Film ini mengambil lokasi di sebuah sekolah berasrama, atau
lebih tepatnya lagi, di pikiran hiperaktif salah satu penghuni Film yang dibuat dengan konteks politis, namun masih menampilkan
sisi humanis. Warna-warna sepanjang film ini melambangkan partai-
asrama. Apa yang harus ia lakukan agar bisa diterima di
partai politik Malaysia, sekaligus warna-warna di bendera Malaysia.
lingkungan sekolah ini?
Variety: S-Express (Philippines)
Curated by Francis Cruz, Dodo Dayao,
DEC 1 / KF / 14:15
Richard Bolisay
“I wish we had more regional feature films, Screening Format: Digital
and more support for regional filmmakers.”
– Alexis Tioseco Total Screening Time: 78 min.
The Philippines, while mistakenly attributed mostly to what’s happening in the capital city, is a country composed of several islands and
regions, with several dialects and cultural traditions. With the advent of digital filmmaking, many filmmakers from these regions that were
long marginalized in the film community during the days of celluloid, are proving their creative mettle, coming up with several works that
match if not outdo their Manila counterparts. It was Alexis’ wish that support be given to these filmmakers, many of whom came up with
their feature films or are currently preparing for their feature films, and it is our fervent tribute to Alexis to curate a program of short films
that represent what the Philippines, as a country that is diverse and multi-faceted, truly is.
– Francis Cruz, Dodo Dayao, Richard Bolisay (Curators)
Philippines. 2010. Short. 17 min. Philippines. 2009. Short. 20 min. Philippines. 2008. Short. 17 min.
Charlemagne Alejandro lost his Marvin is forced to use a love potion so Somewhere in Bicol, rural folks surround
mother when he was 3 months old. He that his aching heart would be cured. While their farmlands with film negatives to ward
compensates his lack of motherly love with dining at a dumpling stall, he meets a off palay-eating birds.
chain smoking. He doesn’t think much of pretty nursing student. After having a short
his job and spends most of his free time conversation, he feels mysteriously drawn Di suatu area di Bicol, orang-orang
34 smoking in front of a convenience store.
One day, he finds something better to do
to her and thus tries to use the love potion
to win her heart. Will the potion work, or
melindungi tanah perkebunan mereka
dengan rol film untuk mengusir burung yang
with his lips than smoking. will his charm works even without it? memakan tanaman mereka.
Variety
Whiskey and Grilled Dir.: Kong Pahurak Dir.: Pittaya Werasakwong
Mouse Thailand. 2009. Short. 16 min. Thailand. Thailand. 2009. Short. 5 min. Thailand
Dir.: Wichanon Somumjarn Due to the war, all Klaus’s love letters to Sink [Vi] means sinking into water, into
his girlfriend abroad, were censored and ideas, into commentary.
35
Thailand. 2009. Short. 10 min. Thailand
returned to him. Maybe he should become
one of the censorship board members. Sink [Vi] berarti tenggelam dalam air, ide
One late afternoon at the rice field, four dan komentar.
boys turn a little shack into a recreation
Karena perang, semua surat Klaus untuk
centre, complete with white whiskey,
pacarnya di luar negeri harus disensor dan
grilled mouse and country music. Are your
dikembalikan ke Klaus. Mungkin Klaus harus
sneaky activities fun when there is nobody
menjadi anggota badan sensor untuk bisa
to check up on you?
mengirimkan surat-surat itu.
Di suatu senja di sawah, empat anak
laki-laki menyulap sawah menjadi tempat
bermain, lengkap dengan whiski, tikus dan
musik country. Apakah kegiatanmu menjadi
lebih menyenangkan saat tiada orang yang
memeriksa?
Bold, new works from Singapore to challenge your perception of Singapore cinema and the nation itself.
“You will need two pennies, instead Singapore. 2010. Short. 20 min. Durai is an Indian construction worker,
of one, to pay the ferryman.” After working in Singapore. Trying his best
receiving a bunch of money from his A Balinese housemaid works in a to make ends meet and provide for his
agent, a man decides to visit the people home that is not her own. She is the family back home, he doubles up as a
close to him... invisible class in Singapore, an unseen car washer at night. While washing at
population for whom the land is merely his usual neighbourhood carpark one
“Kau perlu dua peni, tidak hanya satu, transitory. night, he meets a foreign domestic
A visual poetry about my father and how I resolve our distant This film centres on Xiao Jing, a ticket seller in an old cinema
relationship in Singapore. Coming from China to study acting in Singapore,
her ambition is to break into the Singapore film industry as
Puisi visual tentang ayahku dan bagaimana aku mengatasi an actress.
hubungan kami yang jauh ini.
Film ini mengisahkan Xiao Jing, penjual tiket di sebuah bioskop
tua di Singapura. Datang dari China untuk belajar akting, ambisi
Xiao Jing adalah menjadi aktris di industri perfilman Singapura.
DEC55//IIC
DEC
Variety: S-Express
IIC//14:30
S-Express
19:30••DEC
DEC87//IIC
(Chinese)
S-Express (Philippines)
(Malaysia)
IIC//19:30
17:00
(FREE Screening)
(FREE Screening)
Twenty years ago, Charlie came to Hong Kong to work as a “Do you really have to go?!” Six words. Two stories about
Variety
domestic helper. Not only did she leave her home country memories, perseverance, hope and facing reality.
Philippines, she also left her husband and her six-year-old son.
Close to her retirement, she looks forward to going back home and “Apakah kamu harus pergi?” Empat kata. Dua cerita tentang
living with her son again. However, her dream does not work out kenangan, perjuangan, harapan dan menghadapi kenyataan.
as she wishes…
realizes what horror he has committed. shot a man and is seeking shelter. As “Vaishnav Jan toh” is
sung in a distant prayer meeting, Ba’s own conviction in
Dua pria menyusuri hutan yang sepi. Tiba-tiba, salah satu dari Gandhi’s message will be put to test.
mereka menyerang dan membunuh yang lain. Pembunuh
lari dan panik. Kelelahan, dia tertidur. Saat bangun, dia sadar 1944. Di suatu malam saat Mahatma Gandhi berkunjung ke
akan peristiwa mengerikan yang dialaminya. sebuah desa, Ba kedatangan Pratap, seorang pencuri yang
baru saja menembak orang tak dikenal dan sedang mencari
Potret menyentuh bagaimana sebuah keluarga berusaha Masa lalu yang indah saat kita masih bisa naik trem ke
mencari makam yang sempurna untuk putra mereka di sekolah, ke kantor, kemanapun kita mau, sebelum bis yang
tengah padang pasir di Israel. bising hadir. Inilah cerita yang tidak beriringan sejalan
dengan kemajuan orang-orang dan masa depan.
Silver Berlin Bear for Best Short Film, Berlinale, 2010. Best Debut
Film and Best Short Film, Timishort Film Festival 2010, Romania.
Variety: International
Swiss Shorts Shorts (FREE Screening)
Variety
between the two as she shares her life alienation take toll in his life, which merefleksikan kehidupan murid-murid
experiences with honesty. When the lead to contemplation if he ever di sekolah bisu-tuli secara nyata
calls abruptly end, a devastated Anna should end his life.
is compelled to do a surprising action Nominated for Best Short Film, Berlinale,
to fill the unbearable void. Seorang pria hidup dalam pengasingan 2010.
bersama ketiga anak dan istrinya. Hidup
Seorang janda tua hidup dalam dalam rasa tertekan, ketakutan dan
39
kesepian sejak suaminya meninggal amarah membuatnya bertanya-tanya,
dunia, sampai suatu hari dia menerima haruskah dia mengakhiri hidupnya.
telepon dari orang yang tak dikenal.
Persahabatan antara mereka pun Official Selection, Director’s Fortnight,
terjalin. Namun saat telepon itu Cannes, 2010
berhenti, janda tua ini pun melakukan
tindakan yang tak disangka-sangka
untuk mengisi kekosongan harinya.
2006 - DENIAS SINGING ON THE CLOUDS – Denias Senandung di Atas Awan (Best Feature)
- Rudy Soedjarwo for 9 DRAGONS – 9 Naga (Best Director)
- OPERA JAWA (Special Jury Prize)
- Edwin for BLIND PIG WHO WANTS TO FLY – Babi Buta Yang Ingin Terbang (Best Director)
- THE FORBIDDEN DOOR – Pintu Terlarang (Special Jury Prize)
- cin(T)a (Audience Award)
Gabrielle Kelly
40
Gabrielle Kelly is a screenwriter, producer and also teacher in international labs and film
programs. In Hollywood she ran producer Robert Evans’ company at Paramount working in
development and production on diverse projects and worked as executive and producer with
such companies as HBO, Fields Hellman, Eddie Murphy Productions and Warner Bros..
Her producing credits include indie feature All the Queen’s Men (starring Eddie Izzard and Matt
LeBlanc) for Strand Releasing, Stag (for Cineplex Odeon/HBO), the family feature film, D.A.R.Y.L.
for Paramount/Columbia and most recently All Ages Night. She is currently the Associate Arts
Professor in NYU Tisch School of Arts – Asia in Singapore.
Ji-Hoon Jo
Ji-Hoon Jo has worked in Jeonju International Film Festival (JIFF) in South Korea from 2001. He
is working for JIFF as a programmer, producer of Jeonju Digital Project, and producer of Jeonju
Project Market.
IFFC
commission. Will it work?
ingin menjadi penyair ternama. Emak, seorang perempuan tua
Delia, gadis Katolik, sangat mencintai Dua tahun sejak lulus kuliah, Muluk berhati emas, ingin menunaikan
Rosid. Sayangnya, kedua orang belum juga mendapatkan pekerjaan. ibadah haji. Sayang, ia tidak mampu
tua mereka tidak menyetujui Suatu hari, teman Muluk, Komet, membiayai perjalanannya. Emak
hubungan ini. Orangtua Rosid mengajaknya menemui Jarot, berjualan kue di jalan, dan anak
mencoba menjodohkannya dengan
Nabila, sedangkan orangtua Delia
yang berprofesi sebagai kepala
preman anak-anak jalanan. Muluk
satu-satunya, Zein, berjualan lukisan
keliling. Meskipun begitu, Emak
41
mengirimnya ke Amerika untuk mempunyai ide untuk mengubah tetap rajin menabung sedikit demi
sekolah. Satu cinta yang mana yang hidup anak-anak itu: dia akan sedikit. Zein sangat ingin membantu
akan terjadi? mengajar mereka pelajaran sekolah, ibunya, tapi ia tidak bisa menemukan
dan mendapatkan komisi 10% dari cara yang tepat, sampai sebuah
Benni Setiawan’s previous film, BUKAN CINTA pendapatan anak-anak itu untuk kesempatan menghampirinya.
BIASA, was also selected in this competition
keperluan mereka sendiri. Akankah Sebuah cerita tentang ketaatan
last year.
Muluk berhasil? seseorang pada Tuhannya dan cinta
seorang anak pada ibunya.
The film is Indonesia’s official submission
for Best Foreign Language category, This is a feature film debut of Aditya
83rd Academy Awards 2011. Deddy Gumay, who has scripted and directed
Mizwar previously won Best Director in many local television series.
this competition in 2007 for his work in
NAGABONAR (JADI) 2.
Indonesian Feature Film Competition (FREE Screening)
Mayang meninggalkan Indonesia … if they can escape from the easy for them, but their friendship
untuk bekerja sebagai tenaga house. remains unbroken.
kerja wanita (TKW) di Hong Kong
dengan misi khusus: mencari Adjie dan Astrid, pasangan muda Kisah lanjutan dari film Indonesia
Sekar, kakak kandungnya. Sekar yang akan dikaruniai anak pertama, terlaris sepanjang masa, Laskar
NOV 29 / BLZ 6 / 17:00 When East Timor recently separated from Indonesia, two
siblings were also separated. Merry had to live with her
After returning home from his pilgrimage in Mecca,
mother in Kupang, Indonesia, while Mauro lived with his
Darwis, who changed his name to Ahmad Dahlan, grew
uncle in East Timor. With fate of life in play, could they
more concerned with Javanese practices not justified
ever see each other again?
by Islamic teachings. He proposed the creation of a
reformed Islamic learning more in step with the modern Saat Timor Timur baru berpisah dari Indonesia, dua kakak
world. His effort was met with great opposition from old beradik juga harus terpisah. Merry harus tinggal bersama
clerics who established the traditional Islamic values. ibunya di Kupang, Indonesia, sedangkan Mauro harus
With the help from his wife and devoted disciples, tinggal bersama pamannya di Timor Timur. Akankah
Ahmad Dahlan established Muhammadiyah in 1912, an Merry dan Mauro akan bersatu lagi?
organization aims to educate Muslims in line with the
progress of modern times. Today, Muhammadiyah is the This is the second directorial effort of Ari Sihasale. His previous
IFFC
second largest Muslim organization in Indonesia. film, KING, was selected in the competition in 2009, but prior to
that, he produced DENIAS, the winner of Best Feature when the
Sekembalinya dari ibadah haji di Mekkah, Darwis, yang competition was held for the first time in 2006.
mengganti namanya menjadi Ahmad Dahlan, semakin
khawatir dengan tradisi Jawa yang tidak sesuai dengan
ajaran Islam. Dia mengajukan usul untuk mengajarkan
Islam yang lebih modern, namun hal ini mendapat
tentangan dari ulama lain yang mensahkan ajaran Islam
43
yang tradisional. Dengan bantuan istri dan pengikut
setianya, Ahmad Dahlan mendirikan Muhammadiyah
tahun 1912, organisasi yang bertujuan mendidik kaum
Islam dengan ajaran modern. Sekarang Muhammadiyah
adalah organisasi Islam kedua terbesar di Indonesia.
Speakers: Matt Cheetham (MPA), Brett Hogg (Sony/Disney), Alvin Lee (Time Warner), Han Seng Lim (UIP), Kurt Rieder (Artisan
Gateway/MPA), Fox: TBC
Serunya Scriptwriting “Apa Yang Kau Cari, Produser?” (What Are You Looking For, Producers?)
Venue : R 206-207 JWC, Binus International Jakarta
Date : Sunday, November 27, 2010
S - Express (Indonesia)
Time : 13.00 - 14.30
SERUNYA SCRIPTWRITING and JIFFEST present a special talk-show with notable
Indonesian film producers.
These producers will share their wish to participants on what they are actually
looking for the most in our local film industry. Is merely good story enough?
How does one define “sell-able” ideas? It is a great opportunity for novice
filmmakers who want to break in and make big in the nation’s film scene.
Serunya Scriptwriting Workshop is a regular scriptwriting workshop and clinic for anyone wanting to write screenplays for
audio-visual media. With this project, Perdana Kartawiyudha won the first prize in International Creative Young Entrepreneur
(IYCE) British Council Indonesia 2010.
Speakers: 3 Indonesian film producers (to be discussed)
Moderator: Perdana Kartawiyudha (Chairman of Serunya Scriptwriting)
S - Express (Indonesia)
Time : 15.00 - 18.00
Using the speed-dating concept, invited projects of feature films will be pitched to a panel of local producers/financiers in
only a few minutes per pitch-dating session. This is a chance for each feature project to assess its own strength, quality and
possible financing upon completion of the concept.
This event focuses on film archive particularly on the works of Misbach Yusa Biran and
the role of Sinematek Indonesia. Dr. Gaik Cheng Khoo (Australian National University) will
give an open lecture on the topic , and Binus School of Film will give lifetime achievement
award to Misbah Yusa Biran. It is also an official launch of Binus School of Film.
This program is free of charge and open for public.
S - Express (Indonesia)
Time : 13.00 – 15.00
FILMINDONESIA.OR.ID is a website that functions as Indonesian film industry catalogue and directory. This website
is the new publication format of Indonesian film data that has been compiled by JB Kristanto through his three
book editions. Besides database, this website also provides various film news, interviews, analysis, and research.
It is expected that we and the world can see, learn, and appreciate the development of Indonesian film, theaters,
audience, communities, practitioners, and other infrastructures.
Speakers: JB Kristanto (Founder of www.filmindonesia.or.id), Lisabona Rahman (Editor of www.filmindonesia.or.id),
Eric Sasono (film observer)
Double Book Launch: Asian Cinema Journal (special edition: Indonesian Cinema) &
“Hendak Dibawa Kemana Sinema Kita? Beberapa Wacana seputar Film Indonesia”
Venue : R.310, lt. 3 JWC, Binus International Jakarta
Date : Friday, December 3, 2010
S - Express (Indonesia)
Time : 15.30 – 17.30
The book is published by Temple University (USA) and led by John Lent, the journal is very special because it focuses
on Indonesian Cinema and written by Indonesian and non Indonesian film scholars. The editors are Gaik Cheng Khoo
(Australian National University) and Thomas Barker (National University of Singapore).
Some of the writers are Budi Irawanto, Intan Paramaditha, Katinka van Heeren, Maimunah Munir, and Eric Sasono.
The editor of Indonesian edition is Ekky Imanjaya (Binus International). At JIFFest 2010, both books will be launched
and discussed with the editors.
Speakers: Gaik Cheng Khoo (Australian National University) and Thomas Barker (National University of Singapore),
Ekky Imanjaya (Binus International).
Public Lecture ”The Past in the Present: Producing Films in Indonesia”
JiFFest Events
Venue : R.310, lt. 3 JWC, Binus International Jakarta
Date : Saturday, December 4, 2010
Time : 14.00 – 16.00
The newest omnibus project with 9 young filmmakers. This film screening is open for public and will be continued by
discussion with the filmmakers.
Speakers: Agung Sentausa, Ifa Isfansyah, Tumpal Tampubolon, Rico Marpaung, Anggun Priambodo, Azhar Lubis,
Wisnu Kucing, Edwin, and Sidi Saleh
Host : Tito Imanda 45
Venue : R.310, lt. 3 JWC, Binus International Jakarta
Date : Saturday, December 4, 2010
Time : 17.00 – 18.00
Amongst the euphoria of reformasi and the rebirth of the Indonesian film
industry over the past decade, the past is often forgotten. This seminar seeks
to understand how the past continues to manifest in and structure the present.
As a case study, I look at the Chinese and Indian producers who, by virtue of
their race, are regarded as being commercially orientated and good at making
money. I challenge these racist assumptions and argue that their structural
position in the film industry aided their rise and dominance, and that this
continues as an informal oligopoly in the contemporary film industry.
Speakers: Thomas Baker (PhD Candidate, Department of Sociology, National
University of Singapore)
Moderator: Ekky Imanjaya
Ticketing
Screenings in Blitzmegaplex Pacific Place
• In compliance with regulations from the Film Censorship Board (LSF), audiences are required to bring along JIFFest
Member Card. The card can be obtained in JIFFest Info Desk at both Blitzmegaplex Pacific Place and Kineforum.
• For all screenings in Blitzmegaplex Pacific Place, you can obtain JIFFest tickets through Blitzmegaplex ticketing
system.
• The price for all JIFFest tickets for paid screenings is IDR 25,000.
• During pre-sale period (18th – 24th of November 2010), Blitzcard users can enjoy 10% discount from the above price.
• Discount is not applicable for non Blitzcard users during the pre-sale period.
• No discount applicable for purchase during the festival period (26th of November – 5th of December 2010). This ap-
plies to both Blitzcard users and non Blitzcard users.
• Blitzcard owners can buy JIFFest tickets through www.blitzmegaplex.com.
• Public/non Blitzcard users can only buy JIFFest tickets from Blitzmegaplex Pacific Place ticket counter.
• All screenings in Indonesian Feature Film Competition section are free. Tickets can be obtained one hour before the
screening times. One person is entitled to one ticket only.
• Tickets for Kineforum screenings cannot be purchased through Blitzmegaplex ticketing system. Please refer to the
Kineforum screening explanation below.
Your JIFFest tickets for screenings in Blitzmegaplex are entitled for special promotions in the following shops
in Pacific Place:
• Pan-O (10% off on F&B)
• Dapur Sunda (10% discount)
• Simmons (free lucky dip every IDR 1,000,000 purchase)
• La Floret (additional 5% off for all discounted items)
S - Express (Indonesia)
• Inve Store (discount 30% Accessories any purchase below Rp 500,000
• Derma Prescriptive (10 % discount, sampling slimming powder 10 packages (15 pieces))
• Charles & Keith (voucher IDR 100,000 for purchase of bags (selected items) to all customers who show their JIFFest
tickets. Voucher is valid until December 5, 2010)
• Kleo (20% off for hairwash & blow + coloring services)
Simply show your ticket stubs to the above stores to enjoy the promotions during JIFFest period (November
25 – December 5, 2010). Additional promotions will be listed in our website at www.jiffest.org and our Twitter
account (@jiffest).
------------------------------------------------------------------------------------------------------------------------------
Screenings in Kineforum
• In compliance with regulations from the Film Censorship Board (LSF), audiences are required to bring along JIFFest
Member Card. The card can be obtained in JIFFest Info Desk at both Blitzmegaplex Pacific Place and Kineforum.
• Tickets can only be obtained one hour before the screening time of each film with a donation of IDR 10,000.
• There are no pre-sale periods to get tickets for films screened in Kineforum.
Ticketing
46
• Variety
Tiket JIFFest anda dapat digunakan untuk menikmati penawaran spesial di beberapa toko dan tempat makan di
Pacific Place, seperti:
• Pan-O (10% off on F&B)
• Dapur Sunda (10% discount)
• Simmons (free lucky dip every IDR 1,000,000 purchase)
• La Floret (additional 5% off for all discounted items)
• Inve Store (discount 30% Accessories any purchase below Rp 500,000
• Derma Prescriptive (10 % discount, sampling slimming powder 10 packages (15 pieces))
• Charles & Keith (voucher Rp 100,000 untuk pembelian tas (selected items) kepada setiap customer yang membawa
tiket JIFFest. Voucher berlaku sampai dengan tanggal 5 Desember 2010)
• Kleo (20% off for hairwash & blow + coloring services)
Tunjukkan tiket JIFFest anda ke tempat-tempat di atas untuk menikmati promosi khusus selama masa
pelaksanaan JIFFest (25 November 25 – 5 Desember 2010). Apabila ada promosi lain akan kami umumkan lewat
website kami www.jiffest.org dan Twitter @jiffest.
------------------------------------------------------------------------------------------------------------------------------
• Tiket untuk pemutaran film di Blitzmegaplex Pacific Place tidak bisa dibeli di Kineforum. Silahkan lihat penjelasan
untuk pemutaran film di Blitzmegaplex Pacific Place di atas.
Blitz 17:00 3 Hati 2 Dunia 1 Cinta (FREE) - p. 41 Blitz 17:00 Sang Pemimpi (FREE) - p. 42
PP Audi 6 19:30 The Blue Mansion - p. 28 PP Audi 6 19:30 Forever - p. 28
(128 seats) 22:00 The Wedding Photographer - p. 24 (128 seats) 22:00 Pinoy Sunday - p. 30
Blitz 17:00 Minggu Pagi di Victoria Park (FREE) - p. 42 Blitz 17:00 Rumah Dara (FREE) - p. 42
PP Audi 6 19:30 Halaw - p. 31 PP Audi 6 19:30 Son of Babylon - p. 22
(128 seats) 22:00 Bhutto - p. 25 (128 seats) 22:00 When We Leave - p. 24
Schedule
Blitz 16:45 Special Screening (by invitation only) Blitz 16:30 Di Ujung Jalan (by invitation only)
PP Audi 7 19:15 Hiphopdiningrat (by invitation only) PP Audi 7 p. 14
(186 seats) p. 15 (186 seats) 19:15 Turk’s Head - p. 20
21:45 When We Leave - p. 24 21:45 Scott Pilgrim Vs. The World - p. 22
48
(45 seats) (45 seats)
Schedule
Blitz
PP Audi 6
(128 seats)
19:30 Armadillo - p. 25
Vote for your favorite
22:00 Turk’s Head - p. 20 Indonesian film to win JIFFest
Audience Award!
16:30 Incendies – p. 21
Blitz
PP Audi 7
(186 seats)
19:15 Pinoy Sunday - p. 30
19:00 BIUTIFUL - p. 11
(Closing Film, by invitation only)
Blitz
PP Audi 1
21:30 BIUTIFUL - p. 11
(Closing Film, by invitation only)
49
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Nauval Yazid
WORKING COMMITTEE
Varadilla (Programming Officer)
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