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  • ΠΡΑΚΤΙΚΑ Α΄ ΔΙΕΘΝΟΥΣ ΣΥΝΕΔΡΙΟΥ ΣΙΝΟ-ΕΛΛΗΝΙΚΩΝ ΣΠΟΥΔΩΝ

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    Christos Merantzas
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    The Presence of Asiatic Iconographic Elements in the Cultural Milieu of the So-called “School of NW Greece”. The Iconographic Motif of “Materia Informis”

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    The Presence of Asiatic Iconographic Elements in the Cultural Milieu of the So-called “School of NW Greece”. The Iconographic Motif of “Materia Informis”

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF or read online from Scribd
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    9K views32 pages

    ΠΡΑΚΤΙΚΑ Α΄ ΔΙΕΘΝΟΥΣ ΣΥΝΕΔΡΙΟΥ ΣΙΝΟ-ΕΛΛΗΝΙΚΩΝ ΣΠΟΥΔΩΝ

    Uploaded by

    Christos Merantzas
    The Presence of Asiatic Iconographic Elements in the Cultural Milieu of the So-called “School of NW Greece”. The Iconographic Motif of “Materia Informis”

    Copyright:

    Attribution Non-Commercial (BY-NC)
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    of 32
    TIANEINZTHMIO IQANNINQN: UNIVERSITY OF IOANNINA MPAKTIKA TOY A’AIEONOYE LYNEAPIOY LINO - EAAHNIKON LNHOYAQN Dpeoe15 Edduvicod kar Koveticod Kdopou 2-4 OxToasBPioy 2004 EmupeAntis éxdoone: XPHETOE ETAYPAKOE PROCEEDINGS OF THE 15T INTERNATIONAL CONGRESS FOR SINO — GREEK STUDIES Relations between the Greek and Chinese World 2-4 OCTOBER 2004 Editor: CHRISTOS STAVRAKOS IQANNINA 2008 IOANNINA 2008 SIL A’ AIEONOYE ZYNEAPIOY O-EMAHNIKQN ZMOYAQN IOANNINA, 2-4 OKTOQBPIOY 2004 LeaTT ean toie a. Enpavués povoyeadies wtilovy pe tQdro diewduuKe Tig doaomeOMIES TMS errovopacoperns «EXoAHs tHS OffBac». BA. He xQovoAyIRT GeIga, OXETIKG HE TIC deaomeMTES Kat ta «Egyaot|Qiar nov avyxgotosy mH «EXoAy twv Onfwov»: H. DELIYANNI-Doris, Die Wandmalereien der Lite der Klosterkirche von Hosios Meletios, (Miscellanea Byzantina Monacensia, 18), Mévaxo 1975), (oto c&t}s: DELIYANNI-Doris, Die Wandmalereien). T. FOYNAPHE, Ot torxoyeagies wv Ayiwv AnooTOAwy Kat THs Favayias Pacuitiaaac omy Kaatogid, AnHooutpata Eraigeiag Maxedovuxcy Lrovdev, ag. 56, OeooaAovirn 1980. AT. SEMOGLOU, Le décor mural de la chapelle athonite de Saint-Nicolas (1560). Application d’un nouveau langage pictural par le peintre Thébain Frangos Catellanos, Presses Universitaires du Septentrion, Villeneuve d’Ascq 1999, (ato e&1}s: SEMOGLOU, Saint- Nicolas (1560). A. STAVROPOULOU-MAKRI, Les peintures murales de I’église de la Transfiguration a Veltsista (1568) en Epire et I’atelier des peintres Kondaris, Awuwvn. Emotnpovixr Enetnpic PrAocoguxns ZxoAns Naveruotnyion lwavvivwr, ag. 46, lwdvveva 20012, (ovo e&1}¢: STAVROPOULOU-MAKRI, Velisista). TR. KANARI, Les peintures du Catholicon du Monastére de Galataki en Eubée, 1586. Le Narthex et la Chapelle de Saint-Jean-le- Précurseur, Tetoddia BuLavtiniis Agxatodoyias Kat Téxvng, ag. 8, AOHva 2003, (oto e&y}s: KANARI, Peintures). TéAos, onpavexés mANgodogies Kat TagatHgH|TELS TOV Ep TAOvTICOVY AxOUN TEQITTETEQO TIS YrOGEIS HAs Yi THY ETOVOHACOMEVN «

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