1896 was a significant year for Indian entertainment as it

witnessed the arrival of cinema in India.

While discussing about the history of Indian cinema the first

name that springs up is that of the Lumiere Brothers who demonstrated the art of cinema to the subcontinent.
Bombay was the first Indian city that screened

Cinematography, six short films by the Lumiere Brothers.

The success of these films led to the screening of more foreign

films, for instance, Vitagraph by James B. Stewart and MotoPhotoscope by Ted Hughes. In other words introduction of cinema in India took place with the aid of the colonisers.

Lumiere Brothers

 A kaleidoscopic view of history of India includes the

pioneering efforts of Save Dada (Harischandra Sakharam Bhatavdekar). entire Indian entertainment sector underwent huge changes and the emergence of Dadasaheb Phalke took Indian cinema to new heights.

He made two short films as early as in 1897. In 1900 the

Thus the path breaking film of the Silent era, Raja

Harishchandra, was released in 1913.

Raja Harishchandra (1913) The first full-length motion picture

 During this time and the era of the talkies the main sources

for Indian films were the mythological texts. The rapid growth of the Indian cinema led to the end of the silent era and ushered in the era of the talkies.
The latter introduced the Indian cinema in a completely

new way to the audiences. Now one could hear the actors and actresses talk, laugh, sing and cry.
Initially films were primarily made in Hindi, Tamil, Bengali

and Telugu and these films proved to be phenomenal successes.

Alam Ara, 1931 India's first talkie movie

 1930s and 1940s witnessed the rise of film personalities, such as,

Debaki Bose, Chetan Anand, S.S. Vasan, Nitin Bose and others. Their contributions helped the Indian cinema to grow further.
By this time apart from Bombay (Mumbai), the film industry shaped

up well in down south too. The Tamil, Telugu and Kannada film industries & nbsp; were making indigenous films as well.
By late 1940s films in India were made in various languages but the

religious influence was predominant. With struggle for independence the entire scenario altered.
Indian cinema now saw films based on the then contemporary social

issues. Movies no longer were limited to the periphery of entertainment; they were now potent instruments to educate the masses as well.

 The golden period in the history of Indian cinema is

attributed to the 1950s. Guru Dutt, Mehboob Khan, Raj Kapoor, Balraj Sahani, Nargis, Bimal Roy, Meena Kumari, Madhubala, Dilip Kumar graced the screens.
In south India esteemed actors like Rajkumar, Gemini

Ganesan, NT Rama Rao and several other actors and actresses entertained the audiences.
Besides them numerous singers, composers, scriptwriters,

cameramen and other technicians lend a helping hand in making some of the most outstanding films that carved their own niches in the history of Indian cinema.

 In Bombay while the magic of Guru Dutts and Bimal Roys

were preponderant Indian cinema moved one step further with the release of K. Asif`s Mughal-e-Azam in 1960.
A trail of romantic movies followed all over India. While the

Indian commercial cinema enjoyed popularity amidst the movie goers, Indian art cinema did not go unnoticed.
Adoor Gopalakrishnan, Ritwik Ghatak, Aravindan, Satyajit

Ray, Shaji Karun and several other art film directors were making movies that took India to international fame and glory.

 By 1970s Indian cinema enjoyed the histrionics of superstars

like Rajesh Khanna, Sanjeev Kumar, Waheeda Rehman, Asha Parekh, Tanuja and others.
This was truly the red letter year for Hindi cinema as Ramesh

Sippy`s Sholay proved to be an iconoclast and gave to Indian cinema its new superstar--- Amitabh Bachchan. Hardly did anyone know then that the Bachchan era was here to stay for long enough.

 At one hand Hindi cinema was growing in leaps and bounds and on the

other the regional films were making their presence felt too.
A number of well established Hindi film stars who became a part of the

star system in India actually began their career with the Indian regional films.
1980s saw the rise of several woman directors, such as, Aparna Sen,

Prema Karnath, Meera Nair and others. It was also the year when Rekha wooed the audiences with her stunning performance in Umrao Jaan.
The regional films like Malayalam, Kannada, Telugu, Bengali and

others produced a number of romantic films. Renowned film personalities like Balachander, I.V. Sasi, Balu Mahendra, Mani Ratnam, Ram Gopal Varma and others made their marks.

 With romantic films at the helm the Indian cinema ushered into

1990s. A mixed genre was witnessed during this time. Romantic, thriller, actions and comic movies were made.
Gradually the face of Indian cinema was undergoing changes one

again. The audiences, too, were getting weary of similar storylines.

Hence the contemporary Indian cinema, keeping pace with time and

technology, witnessed dolby digital sound effects, advanced special effects, choreography, international appeal, further investments from corporate sectors alongwith finer scripts and performances.
The aesthetic appeal of cinema became important for the filmmakers.

 Stars like Shahrukh Khan, Rajnikanth, Madhuri Dixit, Aamir

Khan, Chiranjeevi, Juhi Chawla, Hrithik Roshan and others explored all possible techniques to enrich Indian cinema with their performances.
Even in contemporary India cinema remains a compelling

device for creating mass awareness.

 The cinema of India consists of films produced across India. The cinema as a medium gained popularity in the country as

many as 1,000 films in various languages of India were produced annually.

The first short films in India were directed by Hiralal Sen (The

Flower of Persia in 1898)

The first full-length motion picture in India was produced

by Dadasaheb Phalke Raja Harishchandra in 1913, a silent film in Marathi.

 Dhundiraj Govind Phalke (1870 - 1944) affectionately called

Dadasaheb Phalke is considered as the 'father of Indian Cinema'.

The very first 'instructional film'- The Birth of a Pea

Plant (1912) .
The first Indian chain of cinema theaters was owned by

the Calcutta entrepreneur Jamshedji Framji Madan, who oversaw production of 10 films annually and distributed them throughout the Indian subcontinent.
Ardeshir Irani released Alam Ara which was the first Indian

talking film, on 14 March 1931.