Spatial Pro2 Keynote2

Wednesday, April 4, 12
5 STEPS:
FOLLOWING CORBUSIER
When visitors rst walk into the H&R Art Space, They are handed an iPod at the desk below the stairs. (If they have an iPhone visitors may use that).
5 STEPS:
FOLLOWING CORBUSIER
This enables viewers to take advantage of the 5 Steps: Following Corbusier application (click) this app educates them about the exhibition curation, guides them on a tour, or gives them an option to read the essay Five Points Towards a New Architecture.
5 STEPS:
FOLLOWING CORBUSIER
ABOUT START THE TOUR THE ESSAY
5 STEPS:
FOLLOWING CORBUSIER
ABOUT START THE TOUR THE ESSAY
Using GPS and sensors placed around the building, users will be shown which point is being demonstrated when they walk into the area correlating to that point.
FREE DESIGN OF THE FACADE

Free design of the facade. By projecting the floor beyond the supporting pillars, like a balcony all round the building, the whole facade is extended beyond the supporting construction. It thereby loses its supportive quality and the windows may be extended to any length at will, without any direct relationship to the interior division. A window may just as well be 10 metres long for a dwelling house as 200 metres for a palatial building (our design for the League of Nations building in Geneva). The facade may thus be designed freely. The five essential points set out above represent a
5.
THE SUPPORTS
To solve a problem scientificall means in the first place to distinguish between its elements. Hence in the case of a building a distinction can immediatley be made between the supporting and the non-suporting elements. The earlier foundations, on which the building rested withouth a mathematical check, are replaced by individual foundations and building rested without a mathematical check, are replaced by individual foundations and the walls by individuals supports. Both supports and support foundations are precisely calculated according to the burdens they are called opon to carry. These supports are spaced out at a sepcific, equal
4.
THE ROOF GARDEN

The flat roof demands in the first place systematic utilization for domestic purposes: roof terrace, roof garden. On the other hand, the reinforced concrete demands protection against changing temperatures. Overactivity on the part of the reinforced concrete is prevented by the maintenance of a constant humidity on the roof concrete. The roof terrace satisfies both demands (a raindampened layer of sand covered with concrete slabs with lawns in the interstices; the earth of the flowerbeds in direct contact with the layer of sand). In this way the rain water will flow off extremely slowly. Waste pipes in the interior of the building. Thus a latent humidity will remain
3.
FREE DESIGN OF THE GROUND - PLAN By projecting the floor beyond the supporting pillars, like a balcony all round the building, the whole facade is extended beyond the supporting construction. It thereby loses its upportive quality and the windows may be extended to any length at will, without any direct relationship to the interior division. A window may just as well be 10 metres long for a dwelling house as 200 metres for a palatial building (our design for the League of Nations building in Geneva). The facade may thus be designed freely. The five essential points set out above represent a
2.
THE HORIZONTAL WINDOW

Together with the intermediate ceilings the supports form rectangular openings in the facade through which light and air enter copiously. The window extends from support to support and thus becomes a horizontal window. Stilted vertical windows consequently disappear, as do unpleasant mullions. In this way, rooms are equably lit from wall to wall. Experiments have shown that a room thus lit has an eight times stronger illumination than the same room lit by vertical windows with the same window area. The whole history of architecture revolves exclusively around the wall apertures. Through
1.
Villa Savoye
Using GPS and sensors placed around the building, users will be shown which point is being demonstrated when they walk into the area correlating to that point.
After heading back towards the front, and wanting to start the tour, viewers will be lead up the stairs to start their journey of steps and discovery about the The Five Points Towards a New Architecture. At the bottoms of the steps will be a quote to get the viewers in the mindset and ready for the journey.
After heading back towards the front, and wanting to start the tour, viewers will be lead up the stairs to start their journey of steps and discovery about the The Five Points Towards a New Architecture. At the bottoms of the steps will be a quote to get the viewers in the mindset and ready for the journey.
TO CREATE ARCHITECTURE IS TO PUT IN ORDER. - LE COBUSIER / PIERRE JEANNERET
To create architecture is to put in order. This will start their journey and be the opening statement to reect how were using the space to display the 5 points of new architecture in a linear fashion.
Walking up the stairs, visitors will instinctively move into the room to their right.
Used/traveled space Screen media Bench Bush
This room will demonstrate the use of horizontal windows.
CHANGE LOCATION
These two screens will display how the horizontal windows work and will give users the ability to change the view or location of what they are seeing out the windows. One of the screen wills measure at 2 x 5 feet while the longer of the two will be 2 x 6.
France
France Argentina Argentina Curutchet House Germany Germany Soviet Union Soviet Union Brazil Brazil India India
CHANGE LOCATION CHANGE LOCATION
Switzerland Switzerland
These two screens will display how the horizontal windows work and will give users the ability to change the view or location of what they are seeing out the windows. One of the screen wills measure at 2 x 5 feet while the longer of the two will be 2 x 6.
After walking in the room, viewers can walk back out and notice the iPad sitting on the balcony.
After walking in the room, viewers can walk back out and notice the iPad sitting on the balcony.
This will support the point of the free design of the facade. This iPad application will give users control of viewing levels of the free designing of the ground plan and how the support system holds up the building.
(Photoshop picture of background behind the iPad application animation).
(Photoshop picture of background behind the iPad application animation).
When looking down the screen will come up from the bottom. Using proposed holographic technology the screen will show the levels. (This area is blocked off to foot traffic so people wont be walking all over it.
Following to the next room,
After viewing the Free Design of the Ground-Plan, viewers will walk into the Rooftop Garden Room and notice a change on their iPods screen.
After viewing the Free Design of the Ground-Plan, viewers will walk into the Rooftop Garden Room and notice a change on their iPods screen.
THE ROOF GARDEN

3.
Villa Savoye
It will now display information about the rooftop garden from the essay and give other pictures examples you will see when scrolling to the bottom.
THE ROOF GARDEN

3.
Villa Savoye
It will now display information about the rooftop garden from the essay and give other pictures examples you will see when scrolling to the bottom.
then you exit down through the hallway.
then you exit down through the hallway.
ALL THHHEEE WAYYY down the stairs to the bottom oor.
ALL THHHEEE WAYYY down the stairs to the bottom oor.
Used/traveled space Screen media Bench Palote Plaques
Used/traveled space Screen media Bench Bush Palote Plaques
once in a more open space, there will be palotes that go from the ground, up to the ceiling.
Used/traveled space Screen media Bench Bush Palote Plaques
once in a more open space, there will be palotes that go from the ground, up to the ceiling.
10 = transition When looking up at the ceiling it will be made to look like dirt to further imply the layering and levels of the second oor in relationship to the rst.
10 = transition When looking up at the ceiling it will be made to look like dirt to further imply the layering and levels of the second oor in relationship to the rst.
This is an idea of what the furniture will look like.
THE HOME SHOULD BE THE TREASURE CHEST OF LIVING. - LE COBUSIER / PIERRE JEANNERET
A HOUSE IS A MACHINE FOR LIVING IN. - LE COBUSIER / PIERRE JEANNERET
These are two more of his quote that will be displayed for inspiration in the room. They reect all that the viewer has seen and experienced. They wrap up the points and being it to a more personal level with the idea that all of these points still can create something as personal as a home.
Then, after congregating or taking time to sit down and read the essay in a more relaxed personal page and manner, they move back towards the front of the building (also the exit).
Then, after congregating or taking time to sit down and read the essay in a more relaxed personal page and manner, they move back towards the front of the building (also the exit).
So they dont walk through the interactive area, walls will be put up to create a path around it. This also leaves room for people to be reminded of the layers of architecture from the iPad application being used above.
And that is the end of your experience. Thanks kittens.

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Wednesday, April 4, 12

ABOUT START THE TOUR THE ESSAY

ABOUT START THE TOUR THE ESSAY

FREE DESIGN OF THE FACADE

THE ROOF GARDEN

THE HORIZONTAL WINDOW

TO CREATE ARCHITECTURE IS TO PUT IN ORDER. - LE COBUSIER / PIERRE JEANNERET

Used/traveled space Screen media Bench Bush

Used/traveled space Screen media Bench Bush

This room will demonstrate the use of horizontal windows.

(Photoshop picture of background behind the iPad application animation).

(Photoshop picture of background behind the iPad application animation).

Following to the next room,

THE ROOF GARDEN

THE ROOF GARDEN

then you exit down through the hallway.

then you exit down through the hallway.

ALL THHHEEE WAYYY down the stairs to the bottom oor.

ALL THHHEEE WAYYY down the stairs to the bottom oor.

Used/traveled space Screen media Bench Bush

Used/traveled space Screen media Bench Palote Plaques

Used/traveled space Screen media Bench Bush Palote Plaques

Used/traveled space Screen media Bench Bush Palote Plaques

This is an idea of what the furniture will look like.

A HOUSE IS A MACHINE FOR LIVING IN. - LE COBUSIER / PIERRE JEANNERET

And that is the end of your experience. Thanks kittens.

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