CHAPTER PRESENTATION

GROUP 3:
MARLISA BINTI OTHMAN [2011207434] DYG NUR SALDA DHARFIFI BT. AWG SALLEH KHAIRUNIZA ABBY BT. MOHD IDRIS MOHD IZWAN BIN RAMLEE

THE READER, THE TEXT, THE POEM:

THE TRANSACTIONAL THEORY OF THE LITERARY WORK

CHAPTER 4: EVOKING A POEM

The reader generates and reacts to the work of art

The text is a guidance to arouse the readers concurrent stream of feelings, attitudes and ideas The complex nature of reading process, involves dual stream of responses: i) ii) momentary, peripheral, woven into the texture of the text depends on the special character of the individual reader

ACTIVITIES INVOLVED IN EVOKING

THE WORK OF ART

ACTIVITIES

INVOLVED IN EVOKING THE WORK OF ART

IDENTIFYING PATTERNS OF VERBAL SIGNS

Represent an organize verbal structure Help the reader to outline principle of coherence for his own inner responses

The reader takes the words the author as guidance, make him a conscious reader
The reader will have a sense of achieved communication (between the reader and the text, & the reader and the author) The authors creative process provides a baseline from which to proceed in defining readers task

ACTIVITIES

INVOLVED IN EVOKING THE WORK OF ART

POETIC IMAGINATION

The primary creative process involved in all human perceptions The act of perception resulted from the process of fitting together and interpretation of visual clues Poetic imagination involves an organic and vital kind of synthesis

Imposes the delicate task sorting the relevant from the irrelevant in a continuing process of selection, revision and expansion