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6: Figuratively Speaking English as a Second Language 6 weeks Stage 1 - Desired Results Unit Summary
In this unit, students will examine the elements and organizational structure of drama and poetry. A study of word choice and voice in mentor texts as well as figurative language and vocabulary acquisition strategies will help improve students writing skills. Students will have the opportunity to expand their presentational and active listening skills as they gain experience in the roles of both presenter and audience member. They will also investigate the reading-writing connection of drama and poetry. Transfer goal: Students will gain an appreciation and understanding of poetry, drama, and figurative language. Students will be able to express their emotions and experiences through these expressive mediums and apply the studied strategies to their own writing.
Essential Questions:
In what ways does literature contribute to our understanding of the world? How do poets express themselves through language, particularly figurative language? Why does drama elicit emotional and intellectual responses? How is culture reflected in the arts, specifically poetry and theater?
June 2012
Unit 9.6: Figuratively Speaking English as a Second Language 6 weeks Content (Students will know)
First person, third person, and omniscient point of view Imagery and figurative language Elements of poetry and plays Setting, character, tone, voice, mood A variety of plays and poems Prefixes, suffixes, root words, multiple meaning and compound words Tone Voice Mood 1st person, 3rd person, and omniscient point of view Simile, Metaphor Imagery Cinquain, Haiku, Diamante, Free Verse, Narrative Poem, Clarihew Dialogue, Script, Actor, Blocking, Set, Props
Content Vocabulary
Other Evidence
Reading log students will continue reading books on their own and keeping a running record of the titles and pages read. Selected response quiz students will match elements of poetry with their correct definitions. Informal assessment as pairs and groups share examples of the elements of poetry found in mentor texts during foldables activities (see Learning Activities). Fluency Practice oral readings of poems (see Learning Activities) Informal assessments and checks for understanding as students compose different types of poems Create a Word Wall as a class using unit vocabulary and new concepts/words students encounter in texts they read during the unit. Students will create individual word walls in 2
Readers Theater
June 2012
June 2012
On the inside of each flap, write the corresponding definition and an example of the term as shown below. Definitions a group of lines in a poem Examples The first five lines of The Road Not Taken by Robert Frost equal one stanza. Roses are red, (A) Violets are blue, (B) She is my friend, (A) And so are you. (B) I have a TON of homework! Buzz, zoom, whoosh, pop, sizzle
the pattern of rhyme in a poem an exaggeration a word that that illustrates the sound it makes
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Source: https://www.georgiastandards.org/Frameworks/GSO%20Frameworks/Grade-5-Unit-4-Create.pdf
June 2012
Elements of Drama3
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o o o o o
Compare a novel to its film version The student will write a comparison of a piece of literature with its dramatic representation (in this case, the movie). The teacher should choose a book that was read as a read-aloud during the year and show the corresponding movie in class. Review the Story Map for the novel (see attachment 9.1 Story Map). Transfer the information to the Book column of the Focused Reading and Viewing Guide (see attachment 9.6: Learning Activity Focused Reading and Viewing Guide). Stop the movie as necessary to answer questions or review the story elements through discussion. Students should complete the Film side of the chart while watching the movie. After the movie, allow the students to work in small groups to complete a Venn diagram to note the similarities and differences between the book and the movie. After completing the Venn diagrams, students should share their findings and opinions in a class discussion. What changes did they like? What didnt they like? Should movies always be just like the book or are changes ok? Individually, students should use the Venn diagram as a pre-writing exercise to draft an essay comparing the book to the movie. They should use peer editing to revise their essays and complete a final copy to be assessed by the teacher. In the comparison, the student will identify and analyze the similarities and differences between the narrative text and its film. The student will support all judgments through references to the text and film. The student should demonstrate an understanding of the literary work in his/her writing. Other examples of book/movie pairs: Judy Moody and the NOT Bummer Summer, Harry Potter, Tuck Everlasting, Holes, Bridge to Terabithia, Mr. Poppers Penguins, Diary of a Whimpy Kid, Rapunzel/Tangled, Alice in Wonderland The Connection Between Poetry and Music: http://www.readwritethink.org/classroomresources/lesson-plans/connection-between-poetry-music-808.html
Sample Lessons
June 2012
Additional Resources
Literature Connections
Poetry Collections All the Small Poems by V. Worth From Mother to Son by L. Hughes Hist Wist by e. e. cummings Jabberwocky by Lewis Carrol Many Winters by N. Wood Ordinary Things: Poems from a Walk in Early Spring by R. Fletcher The Place My Words Are Looking For - P.B. Janeczko (editor) Night on Neighborhood Street by Eloise Greenfield Pizza, Pigs, and Poetry: How to Write a Poem byJack Prelutsky Troop 13 to the Rescue by Penny Warner Rumplestiltskin, Private Eye by Jason Sanford And So They Did by V. McQuin Final Prep by Timothy Tocher Free Agent by Timothy Tocher Barts Black Gold by Penny Warner Temper, Temper by Bruce Lansky Liza and the Lost Letter by Bruce Lansky The Royal Joust by Bruce Lansky
Dramatic Literature
June 2012
June 2012 Adapted from Understanding by Design by Grant Wiggins and Jay McTighe