SONIMUS SATSON v1 THANKS!

Thank you for your purchase!!! we are very glad that you trusted us. Your purchase helps us to continue generating new ideas, we love to do this. Satson has taken much hard work and lot of time and we're sure you'll like it.
From Boris Morey and Diego Toritto.

How to install Satson?
Microsoft Windows:
32 bits: Copy SatsonBuss.dll and SatsonChannel.dll to your VST plugin folder (c:\Program Files\Steinberg\vstplugins or the folder configured in your DAW for VSTs) 64 bits: Copy SatsonBuss_x64.dll and SatsonChannel_x64.dll to your VST plugin folder (c:\Program Files\Steinberg\vstplugins or the folder configured in your DAW for VSTs)

Apple MacOSX:
AU: Copy SatsonChannel.component and SatsonBuss.component to /Library/Audio/Plug-ins/Components VST: Copy SatsonChannel.vst and SatsonChannel.vst to /Library/Audio/Plugins/VST

How to emulate the analog mixers workflow. Example: Satson buss on drums buss (FAT mode). Forget everything you've learned about digital mixing. Use the Gain and VU Meter to level the tracks (0VU = -18 dBfs). There is not need activation key/serial (Each buyer will get a personalized copy). After audio editing. you can exceed 0dbfs without digital clip. the VU Meter and the filters will still work. you can use this effect on some tracks / busses to achieve a better mix. the signal begins to be limited. The VU Clip indicates that your track/buss start to sound more distorted and begins to limit the signal.About licensing Sonimus Satson does not requiere any kind of activation process. then you can start mixing. push up the drums tracks faders (DAW faders) aggressively. you must insert Satson Channel (as a first insert) on every channel of your project. when light from the LED begins to glow. but the Gain. With FAT you can reduce the dynamic range (and get more evident distortion effect) With OFF switch you can bypass the saturation. and Satson Buss on every Buss (as a first insert) and Master Buss. You can exceed even more the clip level and get a more nice saturated effect. . ● ● ● ● Use the Gain control like a “trim”. before mixing.

VU BALISTIC: swtichs between 0VU = -18 dBfs and 0VU -14 dBfs. 5. 7. ON: With this switch you can bypass the saturation. HIGH PASS: Sweet analog like high pass filter (6dB/oct and 12 dB/oct). 4. but the Gain. 12 db/oct: Controls the HIGH PASS decay. FAT: With this you can reduce the dynamic range (and get more evident distortion effect) 3. LOW PASS: Sweet analog like low-pass filter (6dB/oct). the VU Meter and the filters will still work. 2. . 6. GAIN: Controls the input signal.Satson Channel: Controls: 1.

10. and your audio track is mono. SUPER GAIN: This increases the range of the GAIN knob to -24/+24 11. you can turn on it to save CPU usage Signal Flow: . 9.8. OUTPUT COMPENSATION: This will automatically turn down the output as you increase the GAIN. where all tracks are stereo. This makes the gain function as a drive knob. MONO (L): If you have a Reaper like host. BACK PANNEL: click over this area to go to the back-pannel.

FAT: With this you can reduce the dynamic range (and get more evident distortion effect). 3. 4.Satson Buss: Controls: 1. but the VU Meter will still work. VU BALISTIC: swtichs between 0VU = -18 dBfs and 0VU -14 dBfs. BACK PANNEL: click over this area to go to the back-pannel. DUAL-MONO: This switch turn on/off the stereo crosstalk. ON: With this switch you can bypass the saturation and crosstalk. . 5. 2.

REGISTERED TO. 8. VERSION. 7.6. LOUD: Adds more distortion to the lows and highs. Signal Flow: .

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