Lecturer: PD Dr. Stefan L.

Brandt Summer Term 2003 / Graduate Seminar Freie Universitt Berlin

American Culture of the Fifties

Selected Bibliography
Addams, Charles (1950) Monster Rally. New York: Simon & Schuster. Alexander, Charles C. (1975) Holding the Line: The Eisenhower Era, 1952-1961. Bloomington, Indiana: Indiana Univ. Press. A Life Round Table on the Pursuit of Happiness (1948) Life 12 July: 95-113. Allen, Donald M., ed. (1960) The New American Poetry, 1945-1960. New York: Grove Press. , and Warren Tallman, eds. (1973) Poetics of the New American Poetry. New York: Grove Press. Allen, Michael (1967) Idiomatic Language in Two Novels by Saul Bellow. Journal of American Studies 1: 275-280. Allsop, Kenneth (1964) The Angry Decade: A Survey of the Cultural Revolt of the Nineteen-Fifties. [1958]. London: Peter Owen Limited. Ambrose, Stephen E. (1984) Eisenhower: The President. New York: Simon and Schuster. The American Dream: The 50s (1998) Foreword by Hugh Downs. Alexandria, Virginia: Time-Life Books. American Cultural History, 1950-1959 (2002) Kingwood College Library. 20 Feb. <http://www.nhmccd.edu/contracts/lrc/kc/decade50.html>. American History, 1950-1959 (1999) 19 Oct. <http://www.liberty.edu/resources/ library/public/as/history/american/1950.htm>. American Movie Reference Book (1969) Ed. Paul Michael. Englewood Cliffs, N.J.: Prentice-Hall. Amur, G.S. (1969) Theme, Structure, and Symbol in The Catcher in the Rye. Indian Journal of American Studies 1: 11-24. Anderson, Christopher (1994) Hollywood TV: The Studio System in the Fifties. Austin: Univ. of Texas Press. Anderson, Jack, and Ronald May (1952) McCarthy: The Man, the Senator, the Ism. Boston: Beacon Press. Anderson, Lindsay (1955) The Last Sequence of On the Waterfront. Sight and Sound Jan.-Mar.: 127-130. Andrew, Geoff (1991) The Films of Nicholas Ray: The Poet of Nightfall. London: Charles Letts & Co. Andrews, Bart (1985) The I Love Lucy Book. [1976]. Foreword by Jesse Oppenheimer. New York, London, Toronto, et al: Doubleday. Anger, Kenneth (1986) Hollywood Babylon: The Legendary Underground of Hollywoods Darkest and Best Kept Secrets. [1975]. London: Arrow Books.

Arbuthnot, Lucie, and Seneca, Gail (1982) Pre-text and Text in Gentlemen Prefer Blondes. Film Reader, 5: 13-23. Asimov, Isaac (1950a) I, Robot. New York: Gnome Press. (1950b) Robbie. [Originally published as Strange Playfellow in 1940]. In: I, Robot, 17-40. Astrachan, Sam (1957) The New Lost Generation. The New Republic 4 Feb.: 1718. Auden, W.H. (1947) The Age of Anxiety: A Baroque Eclogue. New York: Random House. Auster, Albert, and Leonard Quart (1984) American Film and Society Since 1945. London and Basingstoke: Macmillan. Automation (1956) Time 19 Mar.: 98-106. Automation Blessing or Curse? (1955) Life (international edition) 7 Mar.: 2627. Babington, Bruce, and Peter William Evans (1989) Affairs to Remember: Hollywood Comedy of the Sexes. Manchester: Manchester Univ. Press. Back to the 50s (1972) Newsweek 16 Oct.: 78-82. Bailey, Beth (1988) From Front Porch to Back Seat: Courtship in Twentieth-Century America. Baltimore and London: The Johns Hopkins Univ. Press. Bailey, Stephen (1983) Harley Earl and the Dream Machine. New York: Alfred A. Knopf. Bal, Mieke, ed. (1999a) The Practice of Cultural Analysis: Exposing Interdisciplinary Interpretation. Stanford, Calif.: Stanford Univ. Press. (1999b) Close-ups and Mirrors: The Return of Close Reading, with a Difference. In: Bal, ed., The Practice of Cultural Analysis, 137-142. Baldwin, James(1953) Go Tell It on the Mountain. New York: Alfred A. Knopf. (1955a) Notes of a Native Son. Boston: Beacon Press. (1955b) Everybodys Protest Novel. In: Notes of a Native Son, 13-23. (1955c) Many Thousands Gone. In: Notes of a Native Son, 24-45. (1955d) Notes of a Native Son. In: Notes of a Native Son, 85-114. (1956) Giovannis Room. New York: Dial Press. Balio, Tino, ed. (1990) Hollywood in the Age of Television. Boston, London, et al: Unwin Hyman. Banner, Lois (1983) American Beauty. New York: Alfred A. Knopf. Barnouw, Erik (1970) The History of Broadcasting in the United States. Vol. 2: The Golden Web. New York: Oxford Univ. Press. (1990) Tube of Plenty: The Evolution of American Television. [1975]. New York and Oxford: Oxford Univ. Press. Basinger, Jeanine (1993) A Womans View: How Hollywood Spoke to Women, 19301960. Hanover and London: Wesleyan Univ. Press. Baty, S. Paige (1995) American Monroe: The Making of a Body Politic. Berkeley, Los Angeles and London: Univ. of California Press. Baudrillard, Jean (1975) The Mirror of Production. [1973]. Trans. Mark Poster. St. Louis: Telos Press. (1981) Requiem for the Media. [1972]. Trans. Charles Levin. In: For a Critique of the Political Economy of the Sign. St. Louis: Telos Press, 164-184.

 (1983) In the Shadow of the Silent Majorities; Or the End of the Social, and Other Essays. [1982]. Trans. Paul Foss, John Johnston, and Paul Patton. New York: Semiotext(e). (1988a) Symbolic Exchange and Death. [1976]. Trans. Charles Levin. In: Selected Writings. Edited, with an introduction by Mark Poster. Stanford, Calif.: Stanford Univ. Press, 119-148. (1988b) The Ecstasy of Communication. New York: Semiotext(e). (1999) The Consumer Society: Myths & Structures. [1970]. London, Thousand Oaks, New Delhi: Sage Publications. Belfrage, Cedric (1973) The American Inquisition: 1945-1960. Indianapolis and New York: Bobbs-Merrill. Belfrage, Sally (1994) Un-American Activities: A Memoir of the Fifties. New York: HarperCollins. Belgrad, Daniel (1998) The Culture of Spontaneity: Improvisation and the Arts in Postwar America. Chicago and London: The Univ. of Chicago Press. Bell, Daniel, ed. (1955) The New American Right. Criterion Books: New York. (1960) The End of Ideology. New York: The Free Press. Bell, Robert R. (1960) Premarital Sex in a Changing Society. Englewood Cliffs, N.J.: Prentice-Hall. Bellah, Robert N., Richard Madsen, William M. Sullivan, Ann Swidler, and Steven M. Tipton (1996) Habits of the Heart: Individualism and Commitment in American Life. [1985]. Berkeley, Los Angeles, et al: Univ. of California Press. Bellow, Saul (1953) The Adventures of Augie March. New York: The Viking Press. (1956) Seize the Day, with three short stories and a one-act play. New York: Viking Press. (1957) Distractions of a Fiction Writer. In: Hicks, Granville, ed., The Living Novel. New York: The Macmillan Company, 1-20. (1959) Henderson the Rain King. New York: The Viking Press. Belton, John (1992a) 1950s Magnetic Sound: The Frozen Revolution. In: Altman, Rick, ed., Sound Theory. Sound Practice. New York and London: Routledge, 154167. (1992b) Widescreen Cinema. Cambridge, Mass.: Harvard Univ. Press. (1994) American Cinema. American Culture. New York: McGraw-Hill. Berenstain, Stanley and Janice (1956) Baby Make Four. New York: Macmillan Company. Bergler, Edmund (1957) Homosexuality: Disease or a Way of Life? New York: Hill and Wang. Betsy McCall gets a doll (1995) [from McCalls Magazine, Sept. 1952]. In: Glennon, Lorraine, ed., Our Times: The Illustrated History of the 20th Century. Atlanta: Turner Publishing, 393. Bhabha, Homi K. (1994) The Location of Culture. New York and London: Routledge. Bigsby, C.W.E. (1970) From Protest to Paradox: The Black Writer at Mid Century. In: French, Warren, ed., The Fifties, 217-240. Billingsley, Barbara (1961) Barbara Billingsleys Advice to Homemakers: Dress Up to Your Role. TV Guide 25 Feb.: 10-11. Bischoff, Peter (1975) Saul Bellows Romane: Entfremdung und Suche. Bonn: Bouvier Verlag.

Biskind, Peter (1975) The Politics of Power in On the Waterfront. Film Quarterly Fall: 25-38. (1983) Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love in the Fifties. New York: Pantheon Books. Blom, T.E. (1976) Anita Loos and Sexual Economics: Gentlemen Prefer Blondes. Canadian Review of American Studies 7.1 (Spring): 39-47. Boddy, William (1985) The Shining Centre of the Home: Ontologies of Television in the Golden Age. In: Drummond, Philip, and Paterson, Richard, eds., Television in Transition: Papers from the First International Television Studies Conference. London: British Film Institute, 125-134. (1990a) Building the Worlds Largest Advertising Medium: CBS and Television, 1940-60. In: Balio, ed., Hollywood in the Age of Television, 63-89. (1990b) Fifties Television: The Industry and Its Critics. Urbana and Chicago: Univ. of Illinois Press. (1990c) The Seven Dwarfs and the Money Grabbers: The Public Relations Crisis of US Television in the Late 1950s. In: Mellencamp, ed., Logics of Television, 98-116. Bogart, Leo (1958) The Age of Television: A Study of Viewing Habits and the Impact of Television on American Life. New York: Ungar. Bogdanovich, Peter (1962) The Cinema of Howard Hawks. New York: Film Library of the Museum of Modern Art. Bone, Robert A. (1965) The Negro Novel in America. New Haven: Yale Univ. Press. Booker, M. Keith (2001) Monsters, Mushroom Clouds, and the Cold War: American Science Fiction and the Roots of Postmodernism. Westport, Conn.: Greenwood Press. (2002) The Post-Utopian Imagination: American Culture in the Long 1950s. Westport, Conn.: Greenwood Press. Boskin, Joseph (1986) Sambo: The Rise & Demise of an American Jester. New York: Oxford Univ. Press. Bourdieu, Pierre (1984) Distinction: A Social Critique of the Judgment of Taste. London and New York: Routledge. (1990) The Logic of Practice. Stanford: Stanford Univ. Press. Boyer, Paul S. (1985) By the Bombs Early Light: American Thought and Culture at the Dawn of the Atomic Age. New York: Pantheon Books. (1995) Promises to Keep: The United States Since World War II. Lexington, Mass., and Toronto: D.C. Heath and Company. Bradbury, Malcolm (1982) The Fifties Novels: The Adventures of Augie March, Seize the Day and Henderson the Rain King. In: Saul Bellow. London and New York: Methuen, 48-66. Ray Bradbury (1996). Fahrenheit 451. [1953]. Hammersmith, London: HarperCollins. Brandt, Stefan L. (2007a) The Culture of Corporeality: Aesthetic Experience and the Embodiment of America, 1945-1960. Heidelberg: Carl Winter Verlag. (2007b) A Room Far Out: Ethnic/Sexual Borderlands and the Discursive Limits of Space in James Baldwins Giovannis Room. In: Soler, Nieves Pascual, Alonso, Laura, and Rodrguez, Francisco Collado, eds., Masculinities, Femininities, and the Power of the Hybrid in U.S. Narratives: Essays on Gender Borders. Heidelberg: Carl Winter Verlag, 173-189.

Branson, Clark (1987) Howard Hawks: A Jungian Study. Foreword by Judith Harte. Santa Barbara Press: Capra Press. Braudy, Leo (1984) The World in a Frame: What We See in Films. [1977]. Chicago and London: The Univ. of Chicago Press. (1996) No Bodys Perfect: Method Acting and 50s Culture. Michigan Quarterly Review 35.1 (Winter): 191-215. . Breines, Wini (1992) Young, White, and Miserable: Growing Up Female in the Fifties. Boston: Beacon Press. Bretz, Rudy (1950/51) TV as an Art Form. Hollywood Quarterly V: 153-163. Brode, Douglas (1988) Lost Films of the Fifties. New York: The Citadel Press. (1992) The Films of the Fifties: Sunset Boulevard to On the Beach. [1976]. New York: The Citadel Press. Brookeman, Christopher (1991) Pencey Preppy: Cultural Codes in The Catcher in the Rye. In: Salzman, ed., New Essays on The Catcher in the Rye, 57-76. Brooks, Tim, and Earle Marsh (1979) The Complete Dictionary to Prime Time Network TV Shows: 1946 to Present. New York: Ballantine Books. Browne, Nick, ed. (1998) Refiguring American Film Genres: Theory and History. Berkeley, Los Angeles and London Bruck, Peter (1975) Der Homosexuelle als weier Neger. Von der Store Front Church zum American Dream: James Baldwin und der amerikanische Rassenkonflikt. Amsterdam: Verlag B.R. Grner, 36-46. Brumm, Ursula (1968) Die Kritik des American Way of Life im amerikanischen Roman der Gegenwart. In: Link, Franz H., ed., Amerika. Vision und Wirklichkeit: Beitrge deutscher Forschung zur amerikanischen Literaturgeschichte. Frankfurt a.M. and Bonn: Athenum Verlag, 456-469. Brustein, Robert (1958) The Cult of Unthink. Horizon 1.1 (Sept.): 38-45; 134-135. Bryan, James (1990) The Psychological Structure of The Catcher in the Rye. [1974]. In: Salzberg, Joel, ed., Critical Essays on Salingers The Catcher in the Rye. Boston, Mass.: G.K. Hall & Co., 101-117. Burgess, Ernest W., and Paul Wallin (1953) With Gladys Denny Shultz. Courtship, Engagement and Marriage. Philadelphia: J.B. Lippincott Co. Burkard, W.E., R.L. Chambers, and F.W. Maroney (1950) Good Health Is Fun. Chicago: Lyons & Carnaham. Burns, Glen (1983) Great Poets Howl: A Study of Allen Ginsbergs Poetry, 19431955. Frankfurt a.M., Bern, New York: Peter Lang. Burroughs, William (1993) Naked Lunch. [1959]. London: HarperCollins. Bush, Jane Celia (1983) The Throwaway Ethic in America. Phil. Diss. Univ. of Pennsylvania. Butterfield, Oliver M. (1958) Sex Life in Marriage. New York: Emerson Books, Inc. Byars, Jackie (1991) All That Hollywood Allows: Re-Reading Gender in 1950s Melodrama. London: Routledge. (1996) Feminism, Psychoanalysis, and Female-Oriented Melodramas of the 1950s. In: Carson, Dittmar, and Welsch, eds., Multiple Voices in Feminist Film Criticism, 93-108. Campbell, James (1999) This is the Beat Generation: New York San Francisco Paris. London: Secker & Warburg.

Carroll, Jock (1996) Marilyn The NIAGARA Photographs. [Originally published under the title Marilyns Not So Menacing in Weekend Magazine, Aug. 1952]. Toronto, Canada: Stoddard Publishing. Carson, Rachel (1987) Silent Spring. [1962]. Foreword by Paul Brooks. Boston: Houghton Mifflin. Carter, Paul A. (1983) Another Part of the Fifties. New York: Columbia Univ. Press. Cartwright, Lisa (1995) Screening the Body: Tracing Medicines Visual Culture. Minneapolis, London: Univ. of Minnesota Press. Castronovo, David (2004) Beyond the Gray Flannel Suit: Books from the 1950s That Made American Culture. New York: Continuum. Charney, Maurice (1970) James Baldwins Quarrel with Richard Wright. [1963]. In: Gibson, ed., Five Black Writers: Essays on Wright, Ellison, Baldwin, Hughes, and Leroi Jones. 243-253. Charters, Ann, ed. (1992a) The Portable Beat Reader. New York: Penguin. (1992b) Variations on a Generation. In: Charters, ed., The Portable Beat Reader, xv-xxxvi. Chase, Richard Volney (1957) The American Novel and Its Tradition. Garden City, N.Y.: Doubleday. (1958) The Democratic Vista: A Dialogue on Life and Letters in Contemporary America. Garden City, N.Y.: Doubleday. (1967) The Adventures of Saul Bellow: Progress of a Novelist. [1959]. In: Malin, Irving, ed., Saul Bellow and the Critics. New York: New York Univ. Press, 25-38. Chayefsky, Paddy (1967) Marty. [1954]. Television Plays. New York: Simon and Schuster. (1967) Marty: Two Choices of Material. (Analysis of Chayefskys own play Marty) [1954]. In: Television Plays. New York: Simon and Schuster, 173-179. Ciment, Michel (1974) Kazan on Kazan. New York: The Viking Press. Clarke, Alison J. (1999) Tupperware: The Promise of Plastic in 1950s America. Washington and London: Smithsonian Institution Press. Clum, John A. (1976) Paddy Chayefsky. Boston: Twayne Publishers. Cohen, Steven (1993) Masquerading as the American Male in the Fifties: Picnic, William Holden and the Spectacle of Masculinity in Hollywood Film. In: Penley, Constanze, and Willis, Sharon, eds., Male Trouble. Minneapolis and London: Univ. of Minnesota Press, 203-233. (1997) Masked Men: Masculinity and the Movies in the Fifties. Bloomington and Indianapolis: Indiana Univ. Press. , and Hark, Ina Rae, eds. (1993) Screening the Male: Exploring Masculinities in Hollywood Cinema. London and New York: Routledge, 46-69. Cohen, Hubert L. (1966) A Woeful Agony Which Forced Me to Begin My Tale: The Catcher in the Rye. Modern Fiction Studies 12: 355-366. Considine, Shaun (1994) Mad as Hell: The Life and Work of Paddy Chayefsky. New York: Random House. Cook, Bruce (1971) The Beat Generation. New York: Charles Scribners Sons. Cook, Fred J. (1971) The Nightmare Decade: The Life and Times of Senator Joe McCarthy. New York: Random House.

Corber, Robert J. (1996) In the Name of National Security: Hitchcock, Homophobia, and the Political Construction of Gender in Postwar America. [1993]. Durham and London: Duke Univ. Press. (1997) Homosexuality in Cold War America: Resistance and the Crisis of Masculinity. Durham and London: Duke Univ. Press. Cory, Donald Webster (1951) The Homosexual in America: A Subjective Approach. New York: Greenberg. Coughlan, Robert (1955) Science Moves in on Viruses. Life 20 June: 122-125. Cummins, D. Duane, and William Gee White (1980) Combat and Consensus: The 1940s and 1950s. Encino, Calif.: Glencoe Publishing Co. Cunningham, Ernest W. (1998) The Ultimate Marilyn. Los Angeles: Renaissance Books. Daniel, Pete (2000) Lost Revolutions. The South in the 1950s. The Univ. of North Carolina Press. David, Lester, and Irene David (1981) Ike and Mamie: The Story of the General and His Lady. New York: G.P. Putnams Sons. Decade of Contrasts (2000) 12 Dec. <http://www.members.nbci.com/ushistory/ ushch28.html>. Degler, Carl N. (1968) Affluence and Anxiety: 1945 to Present. Atlanta, Dallas, et al: Scott, Foresman & Co. DEmilio, John (1989) The Homosexual Menace: The Politics of Sexuality in Cold War America. In: Peiss & Simmons, eds., Passion & Power, 226-240. (1995) Homophobia and the Trajectory of Postwar American Radicalism: The Career of Mayard Rustin. Radical History Review 62: 80-103. (1998) Sexual Politics, Sexual Communities: The Making of a Homosexual Community in the United States, 1940-1970. Chicago: Univ. of Chicago Press. , and Estelle B. Freedman (1988) Intimate Matters: A History of Sexuality in America. New York, Philadelphia, San Francisco, et al: Harper & Row. Deutelbaum, Marshall, and Leland Poague, eds. (1986) A Hitchcock Reader. Ames: Iowa State Univ. Press Dichter, Ernest (1960) The Strategy of Desire. Garden City, N.Y.: Doubleday. Dick, Philip K. (1959) Time out of Joint. Philadelphia and New York: J.B. Lippincott Co. Dietze, Gabriele (1997) Gender Topography of the Fifties: Mickey Spillane and the Post-World-War-II Masculinity Crisis. Amerikastudien 43.4 (Winter): 645-656. Diggins, John Patrick (1988) The Proud Decades: America in War and in Peace, 1941-1960. New York and London: W.W. Norton & Co. Doane, Mary Ann (1982) Film and the Masquerade: Theorising the Female Spectator. Screen 23.3-4 (Sept./Oct.): 74-87. Doctorow, E.L. (1971) The Book of Daniel. New York: Random House. Doherty, Thomas Patrick (1988) Teenagers and Teenpics: The Juvenilization of American Movies in the 1950s. Boston, London, et al: Unwin Hyman. Dolan, Marc (1996) Modern Lives: A Cultural Rereading of the Lost Generation. West Lafayette, Ind.: Purdue Univ. Press. Donovan, Robert J. (1982) Tumultuous Years. New York: Norton. , and Ray Scherer (1991) Unsilent Revolution: Television News and American Public Life, 1948-1991. Cambridge: Cambridge Univ. Press.

Dorner, Jane (1975) Fashion in the Forties and Fifties. New Rochelle, N.Y.: Arlington House. Doss, Erika (1991) Benton, Pollock, and the Politics of Modernism: From Regionalism to Abstract Expressionism. Chicago and London: The Univ. of Chicago Press. Doty, Alexander (2000) Flaming Classics: Queering the Film Canon. New York and London: Routledge. Dowdy, Andrew (1973) Movies Are Better Than Ever: Wide-Screen Memories of the Fifties. New York: William Morrow & Co. (1975) The Films of the Fifties. New York: Marrow. Do You Really Need a Piano? (1953) House Beautiful Jan.: 76. Dragulescu, Luminita M (2007) Into the Room and Out of the Closet: (Homo)Sexuality and Commodification in James Baldwins Giovannis Room. Gender Forum 16 (Issue Gender Roomours II: Gender and Space) (Winter): <http://www.genderforum.uni-koeln.de/space2/article_dragulescu.html>. Drama in the Fifties (2000) 12 Sept. <http://www.fiftiesweb.com/tvdrama.htm>. Durgnat, Raymond (1974) The Strange Case of Alfred Hitchcock, or, The Plain Mans Hitchcock. Cambridge, Mass.: MIT Press. Dyer, Richard (1979) The Dumb Blonde Stereotype. New York: Harcourt, Brace, Jovanovich. (1986) Stars. [1979]. London: British Film Institute. (1987) Heavenly Bodies: Film Stars and Society. British Film Institute, Cinema Series. London: Macmillan. Eckert, Ralph G. (1958) Sex Attitudes in the Home. New York: Popular Library. Ehrenreich, Barbara (1983) The Hearts of Men: American Dreams and the Flight from Commitment. London: Pluto Press. Eisler, Benita (1986) Private Lives: Men and Women of the Fifties. New York: Franklin and Watts. Ellis, Richard (1999) Liar! Liar! Jack Kerouac, Novelist. London: Greenwich Exchange. Ellison, Ralph (1987) Invisible Man. [1952]. New York: Penguin Books. Ellwood, Robert S. (1997) The Fifties Spiritual Marketplace: American Religion in a Decade of Conflict. New Brunswick et al: Rutgers Univ. Press. Elvis Presley: He Cant Be But He Is (1956) Look 7 Aug.: 82-85. Ely, Melvin Patrick (1991) The Adventures of Amos n Andy: A Social History of an American Phenomenon. New York: Free Press. Escoffier, Jeffrey (1998) American Homo: Community and Perversity. Berkeley, Los Angeles, et al: Univ. of California Press. Ewen, Stuart (1976) Captains of Consciousness: Advertising and the Social Roots of the Consumer Culture. New York: McGraw-Hill Book Co. Faludi, Susan (1992) Backlash: The Undeclared War Against Women. London: Vintage Books. Fayer, Steve, and Henry Hampton (1990) Voices of Freedom: An Oral History of the Civil Rights Movement from the 1950s through the 1980s. New York: Bantam Books. Featherstone, Mike, Mike Hepworth, and Bryan S. Turner, eds. (1991a) The Body: Social Process and Cultural Theory. London, Newbury Park, et al: Sage Publications.

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