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Fourth Aven'^^ a;i4 30th Streol Publishers

G)pyright, 1913, by E. G. Lirtz

Printed is

U. S. A.

J

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PROPERTY OF

TH£:

INSTRUCTIONS
In drawing from this book, copy the last diagram, or finished picture, of the particular series
before you.

The other diagrams

— beginning with
They
is;

number

one, then

give the order in which to

number two, and so on show how to make the various strokes of the pencil
where
light lines are

that together form the completed picture.
help in construction

The dotted

lines indicate

drawn

that-

—that

getting proportions correctly, outlining the general form, or marking

details in their proper places.

Do

not press ftaid on' the pencil in making these construction
'.':'.

lines,

then they can be erased afterwards.

:i''.

*

'

Use

pencil compasses for the circles, or

mark theto Off with buttons
7

or disks.

A.-

1?
\

1

THE NEXT

AND 60 ON TO THE LAST
i
1

AT EQUAL mVANCES LINE FROM ON A CIRCLE LEFT To RmT
^

IN THIS

WAY

WITH PRACTISE THE AH) OF CIRCLE AND P01NT6 WILL NOT BE NEEDED

^y^

"^-^

^Syrf

LigKtl\pu&e.

Cepyrisht.l9l3.t»C.6LuU

10

A

1

i

3.

^

4.

^

Cube-

\_\ \
B
1

E.Q.Lutz

11

Toy HorsG.

12

C=5

W—^
Toys
Copyrisht.l9l3,byE.Glut2

—^^1 ^
13

1

i

C reefed C rV3kne
^...

^

14

TKinjs

to npiice ^^eIv

drawing a cati face
X

MAKE AN

OUTLINE

THE SAME

SHAPE OFeARf)
A FXWLONCt HAIRS Above
T1(^ER-LIKE

|^

EYES WIDE APART

r^*4kv/.('Pt... EYES -PUPILS
CHANCRE IN SIZE

.^
,.--"

MARKINGS
IN BRJ&HT DAYl.l(}HT PUPILS OF EYES

^

AND SHAPE
LONQ WHI5KER5

AROUNP-'''

EYES

ARE LIKE THIS

16

^^^
B
1

iryiry
yV\ioe^

^^
17

Copyrl8MI9l3>C.G.Lutt

CUF^IOUS F^ISHeS

Angel Fisb

IC^..rt<.l3«.t,tJi.U1,

18

Fi5he5

1

B

Co()ynslrt.l9l3. by e.ftUtz

19

Cai+ail

plan-t

20

CownsM.ISlJ

21

<L>
"Rabbit

Runnin.^

^^^
22

Ft&hbii:^

E.&.Lutz

23

24

1

3.

°6
Heiy And

?^a#

Clval^

Utz

25

4

.

.

S

^fe
•C^

26

Cet)yright, I9l3,by

E.6.Lutz

27

28

God^t

Coffrijihi

l?l3t)yE&Lu^z

29

Bulldog

@
(SD

(i)

®

!

(§)

'(§)VA-/(§)'

'®VA_/®
/

30

A

1

1

^ '^O

'Q-:^

Cowrisht,l9l3,b^EQ.Uh

Ir^
31

FIRST

WITH

DRAW A

TRIANQ-LE 5 IDES EQUAL

ifor>se.

32

A
I
»

/'

Tui^l^ev'

Co|;yn^M.I9l3.byE.Q.Lutt

33

34

35

^w2vllow5

36

Flyii^ Dirdfe

37

38

39

40

A

I

_^

2.

^_^

3

Parrakeet
and Parrot

t & Lut ^

41

42

Y\Z\CCOOT\^

"Copyfi<;Kt,l9l3.byES.t.tftz

43

1.

y^

—N

^

44

45

FIRST DRAW / A RHOMBOID /'

46

A

I

ror\

Ci

Birds Tm<de

Copyri9ht.l913

byEQ.Utz

>«^
47

48

Camel

3
A
1

freight Line. Dra.wiri<?S

B

1

49

60

A

1

Face5

-

Easily drawn

Copynjht.Bl^bytKfLutz

51

i

4

:

1

1
1

I'll

'-**-^

i

t

52

Fi^upcj -Merv- DraWn witK straight

lii>e5

5

h

_

1

'

P

-

CoiyTiJ».l9li.l)yE.^Ltt<I

53

iB

/
2,

"\

3

4

r

's

C

'.

-

^

,ri

ir^s

/\ [/1^ u
54

^

A

1

Copyr.<lht,19l5,bvE.&Lutz

56

Droll

Face

56

A

1

\

DrAwintf F^ices in. &t\ Amuf>in<5

Wav

Co|)yri«;Vt

.

I9li by

E O.Luti

67

58

Profile.^

'

Ea5y

te

draw

Coprigm,l9l3byE&ttfft

59

Ligktly drawi|
lines like will

^^pr* e^^j

o£v>£-

above

help in

sketcKw

60

C(i[Yri<fM.\9l}.byE.QLuH

_
«1

62

63

64

66

R^Ufvd Pi d ti re^

To draw iKey® fi^utes

,

fir^t

n\h,U^ circle^ a^ 5K«>Wrvi»> Ai.

&£>!

66

An odd way ofbejinuinf

B

1

E&U^z

87

A

_L_

t^—.

B
1

^

1

^^
\

A A
-^..

-1

IWI\

1

^>i^^

I
1

\!^^

1

68

MeiJ\/i7g an, Ovetl w^ithfhe. Confp^3S&S
>r«Tr

DRAW TWO UNE5
CROSSING AT RKtHT ANQLES

WITH

AS CEffTER. DESCRIBE CIRCLE WITH DIAMETER WIDTH OF OVAL VMNTEP

A

FROM BanoC DRAW
LINES THROUGH AND BEYOND D

FROM BandC as
CENTERS DESCRIBE ARCS TO EanoF

CON N ECT

WITH DA5 CENTER E AND r BY AN ARC COMPLETING OVAL

DRAWING OVALS AND
Take
note, first of
all,

ELLIPSES
and an oval.
It

of the difference

between an

ellipse

The

large plate explains the construction of an ellipse.

shows how to find the points where

the three pins are placed that determine the size of the looped string.

Be

sure and

make measureis

ments accurately.
elastic.

Use

a string that will not give, cotton thread

is

good for small

ellipses, silk

too

A

suggestion to amateur gardeners:

make

elliptical flower

beds this way.

The

caution in regard to accuracy also applies to the making of the oval.
70

How
/
I

to mh,ke a/? Ellipse:
SKETCH ELLIPSE WANTED

DRAW TWO UNE5

CROSSINQIN CENTER.

AT RIQHTANQLES

ROV<^Hiy

\
I

\
i<

\

/

V^

\
T.

WITH CENTER C AND DISTANCE BA AS

AT POINTS OF INTERSECTION AND F PLACE P/NS
C
\1

^ LINEBD

\
\

\,
LOOP A STRIN<} AROUND ALL THREE P/NS

AT C AND

TAKE OUT PIN
I//

REPLACE WITH

PENCIL POINT

71

n

-

SUGGESTIONS FOR WATER-COLOR PAINTING

-A Useful List
OF VVATER-COLORS
COLOR5' _______^
;y^i;i.bw:-|

Here
first

is

a

good

list

of colors for practical work.
if

The
you
and

eight are enough for every purpose; but add,

wish, purple

and orange. and
as

Moist

colors in

pans are best.

rORIN-THE-5HOP

There are many

different kinds of red, green, blue

YELLOW OCHRE

brown

paints;

you may be puzzled and not know
of the best hues of these particular

H Br-igh-t
3|

GAMBOGE
light

what

to get, the

names

colors are also given.

red

are yellow ochre,

The most useful paints in this list light red, Vandyke brown and Payne's
Delicate tints are

CrimsomIcrimson lake
VANDYKE BROWN NEW BLUE OR ULTRAMARINE Oreiein
HOOKER'S GREEN
NoJ

gray.

Learn to work with them, use them often and see

the beautiful effects they produce.

with thin washes of yellow ochre and light red.

brown makes

a variety of pleasing tints.
colors sparingly.

Use the bright

Mjim.M

PAYNE'6 qRAY

You do not need
Payne's gray
colors.
is

a black paint.

Payne's gray with

sS-«jppl^"\erv.t^r>j^

either brown, blue, crimson or green gives rich dark tones.
also useful in

MAUVE
10: -7:^:7-^7—

For the different kinds of greens, mix yellow ochre,

ANQE -^n O RVERMILION ;UP{.ANG£:
I

blue or
light red

brown with Hooker's and blue for the gray

green.

of distances

Use thin washes of and clouds.

73

74

/

^

E<ii-

7S

76

^ZXOS3^-/>iO^

77

THE NEW YORK PUBLIC LIBRARY
CIRCULATION DEPARTMENT
NATHAN STRAUS BRANCH
348 EAST 32nd STSSFt

78

WHAT TO DRAW
THIS which
is

the

made a good rea\$on for form. The youngest child may grasp magic progress of this way of working

really tine ia

a remarkable book in

and

HOW TO DRAW
m

knd he will draw the picture naturally and
Mrell.

that fixet the object in memory and 6 ops naturally a physical skill and a knowledge of proportion and form. Foreshortening and perspective, t bugbears to young artists, are overcom the simplest progressive examples.

INSTRUCTIONS are very brief, for the key line* of each object tell their own story uid the child is entranced by the results toon gained. There is no stupid tracing in this book, for tracing accomplishes at most Bnly a little muscular controL The book provides a step-by-step system

REMEMBERING THE KEY LINE o T the way to the completed object are hundreds of pictures to draw and all those most fascinating to the child, wh thrilled by the "magic" that makes dra>i easy and delightfully interesting. LINE, that't *'Ju*t remember the

KEY

\