Bar

Extract Ritornello (1-8) F major

Analysis

1-8 (and anacrusis)

Ritornello statement Main melody

1-2 (and anacrusis) 1-2 (and anacrusis) 1-2 (and anacrusis) 5-6 1-8 (Bar 7)

Violin II harmonizes the theme down in 3rds and 4ths Arpeggios in trumpets Scalic step-wise pattern Bass Decorated tonic pedal Example of threepart countermelody Dominant pedal in trumpet TUTTI

Ritornello ends on perfect cadence

Episode (9-10) F major 9-10 Ritornello (11-12) F major Solo Concertino Violin Ornamentationtrill Bar 9- Stepwise Bar 10- Leaps Homophonic Accompaniment

9-10

11-12

Repeat of 1st ritornello TUTTI

Episode 2 (13-14) F major 13-14

13-14

Ritornello (15-16) C Major (dominant) 15

Solo same as 1st episode Solo in Oboe this time Harmonic accompaniment from Concertino Violin Large leaps

15-16

Trumpet plays what appears to e a new countermelody We see it used in the bass part in bar 1 Scalic semiquaver movement Bass plays original trumpet arpeggios They have swapped!!

Theme in C

15

Starts with C 1st inversion chord TUTTI

Episode 3 (17-18) C major 17-18 17-18 Ritornello 4 (19-20) Solo, played by flute/recorder this time Same as others, just in C major Harmonies 4h lower than pervious episode Played by oboe instead of Violin

C major Same as last Episode 4 (21-22) C major 21-22 Ritornello 5 (23-28) C major Extended 25-16 23-28 New motif in flute Use of dominant and tonic chords Slight variation in solo melody/rhythm Solo in trumpet Harmonies Played an octave higher Played by flute Slight variation at the end of the motif

21-22

23-24

Dominant pedal (in C major) It is a tonic pedal in terms of the Chord however, which is G major

28

Ends on perfect cadence

Episode 5 (29-30) F major 29-30

Returns to original key Theme played by trumpet All he concertino play + accompaniment Concertino provide harmonies

30

Descending sequence/motif prepares for next section and key change

Ritornello (31-39) D minor