Bibliography Agawu, V. Kofi. Playing With Signs: A Semiotic Interpretation of Classic Music. Princeton, N.J.

: Princeton University Press, 1991. Ament, Vanessa Theme. The Foley Grail: The Art of Performing Sound for Film, Games, and Animation. Amsterdam: Focal Press/Elsevier, 2009. Austin, J. L., and J. O. Urmson. How to Do Things With Words: the William James Lectures Delivered at Harvard University in 1955. 2nd ed. Oxford: Oxford University Press, 1962. Barker, Jennifer M.. The Tactile Eye: Touch and the Cinematic Experience. Berkeley: University of California Press, 2009. Barthes, Roland, and Annette Lavers. Mythologies. New York: Hill and Wang, 1972. Barthes, Roland, and Stephen Heath. Image, Music, Text. New York: Hill and Wang, 1977. Bazin, Andre. What is Cinema? Berkeley: University of California Press, 1967. Bergan, Ronald. Eisenstein: A Life in Conflict. Woodstock, N.Y.: Overlook Press, 1999. Bordwell, David. Narration in the Fiction Film. Madison, Wis.: University of Wisconsin Press, 1985. Bordwell, David. Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. Cambridge, Mass.: Harvard University Press, 1989. Bordwell, David. The Cinema of Eisenstein. Cambridge, Mass.: Harvard University Press, 1993. Bordwell, David. On the History of Film Style. Cambridge, Mass.: Harvard University Press, 1997. Bordwell, David, and Kristin Thompson. Film Art: an Introduction. 5th ed. New York: The McGraw-Hill Companies, 1997. Bordwell, David, and Kristin Thompson. Film Art: An Introduction. 5th ed. New York: The McGraw-Hill Companies, 1997. Bordwell, David. The Way Hollywood Tells it: Story and Style in Modern Movies. Berkeley: University of California Press, 2006.

Brown, Royal S. Overtones and Undertones: Reading Film Music. Berkeley: University of California Press, 1994. Buhler, James, Caryl Flinn, and David Neumeyer. Music and Cinema. Hanover, NH: University Press of New England, 2000. Buhler, James, David Neumeyer, and Rob Deemer. Hearing the Movies: Music and Sound in Film History. New York: Oxford University Press, 2010. Carman, Taylor, and Mark B. N. Hansen. The Cambridge Companion to Merleau-Ponty. Cambridge, U.K.: Cambridge University Press, 2005. Chion, Michel, Claudia Gorbman, and Walter Murch. Audio-vision: Sound on Screen. New York: Columbia University Press, 1994. Cook, Nicholas. Analysing Musical Multimedia. Oxford [England: Clarendon Press ;, 1998. Cooke, Mervyn. A History of Film Music. New York: Cambridge University Press, 2008. Davison, Annette. HollywoodTheory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s. Aldershot, Hants, England: Ashgate, 2004. DesJardins, Christian. Inside Film Music: Composers Speak. Los Angeles: Silman-James Press, 2006. Dickinson, Kay. Movie Music, the Film Reader. London: Routledge, 2003. Dickinson, Kay. Off Key: When Film and Music Won't Work Together. New York: Oxford University Press, 2008. Donnelly, K. J.. Film Music: Critical Approaches. New York: Continuum, 2001. Donnelly, K. J.. The Spectre of Sound: Music in Film and Television. London: BFI, 2005. Eisenstein, Sergei, and Jay Leyda. The Film Sense;. New York: Harcourt, Brace, 1947. Eisenstein, Sergei, and Jay Leyda. Film Form; Essays in Film Theory,. [1st ed. New York: Harcourt, Brace, 1949. Elsaesser, Thomas, and Malte Hagener. Film Theory: An Introduction Through the Senses. New York: Routledge, 2010. Flinn, Caryl. Strains of Utopia: Gender, Nostalgia, and Hollywood Film Music. Princeton, N.J.: Princeton University Press, 1992.

Foucault, Michel. Discipline and Punish: the Birth of the Prison. New York: Pantheon Books, 1977. Frampton, Daniel. Filmosophy. London: Wallflower, 2006. Frith, Simon, and Andrew Goodwin. On Record: Rock, Pop, and the Written Word. New York: Pantheon Books, 1990. Frith, Simon. Performing Rites: on the Value of Popular Music. Cambridge, Mass.: Harvard University Press, 1996. Genette, Gerard. Narrative Discourse Revisited. Ithaca, N.Y.: Cornell University Press, 1988. Genette, Gerard. Paratexts: Thresholds of Interpretation. Cambridge: Cambridge University Press, 1997. Goldmark, Daniel, Lawrence Kramer, and Richard D. Leppert. Beyond the Soundtrack: Representing Music in Cinema. Berkeley: University of California Press, 2007. Gorbman, Claudia. Unheard Melodies: Narrative Film Music. London: BFI Pub. ;, 1987. Hatten, Robert S.. Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert. Bloomington: Indiana University Press, 2004. Hughes, Howard. Once Upon a Time in the Italian West: The Filmgoers' Guide to Spaghetti Westerns. London: I.B. Tauris, 2004. Ihde, Don. Listening and Voice: A Phenomenology of Sound. Athens: Ohio University Press, 1976. Kalinak, Kathryn Marie. Settling the Score: Music and the Classical Hollywood Film. Madison: University of Wisconsin Press, 1992. Kalinak, Kathryn Marie. How the West was Sung Music in the Westerns of John Ford. Berkeley: University of California Press, 2007. Kalinak, Kathryn Marie. Film Music: A Very Short Introduction. Oxford: Oxford University Press, 2010. Kalinak, Kathryn Marie. Music in the Western: Notes From the Frontier. New York: Routledge, 2012. Kandinsky, Wassily, and Michael Sadleir. The Art of Spiritual Harmony. Boston: Houghton Mifflin, 1914.

Karlin, Fred. Listening to Movies: The Film Lover's Guide to Film Music. New York: Schirmer Books ;, 1994. Kassabian, Anahid. Hearing Film Tracking Identifications in Contemporary Hollywood Film Music. New York: Routledge, 2001. London, Kurt. Film music. New York: Arno Press, 1970. Long, Michael. Beautiful monsters: Imagining the Classic in Musical Media. Berkeley: University of California Press, 2008. McLuhan, Marshall, and Quentin Fiore. The Medium is the Massage. New York: Random House, 1967. McLuhan, Marshall. Understanding Media: The Extensions of Man. Cambridge, Mass.: MIT Press, 1994. Merleau-Ponty, Maurice , and Oliver Davis trans.. The World of Perception. New York: Routledge, 2004. Metz, Christian. Language and Cinema. The Hague: Mouton, 1974. Metz, Christian. Film Language; a Semiotics of the Cinema.. New York: Oxford University Press, 1974. Moore, Allan F.. Rock, the Primary Text: Developing a Musicology of Rock. 2nd ed. Aldershot, Hants, England: Ashgate, 2001. Ponty, Maurice. Phenomenology of Perception. New York: Humanities Press, 1962. Prendergast, Roy M.. Film Music: A Neglected Art : A Critical Study of Music in Films. 2nd ed. New York: W.W. Norton, 1992. Robertson, Robert. Eisenstein on the Audiovisual the Montage of Music, Image and Sound in Cinema. London: Tauris Academic Studies, 2009. Sartre, Jean. Being and Nothingness: An Essay on Phenomenological Ontology. New York: Philosophical Library, 1956. Sobchack, Vivian Carol. Carnal Thoughts Embodiment and Moving Image Culture. Berkeley: University of California Press, 2004. Tagg, Philip. Kojak- Fifty Seconds of Television Music: Toward the Analysis of Affect in Popular Music. New York: Mass Media Music Scholars' Press, 2000.

Tagg, Philip, and Robert Clarida. Ten Little Title Tunes: Towards a Musicology of the Mass Media. New York: Mass Media Music Scholars' Press, 2003. Thiele, Martin. Filmosophy: About Framptons Radically New Way of Understanding Cinema. Munchen: Grin Verlag, 2009. Timm, Larry M.. The Soul of Cinema: An Appreciation of Film Music. Upper Saddle River, NJ: Prentice Hall, 2003. Yule, George. Pragmatics. Oxford: Oxford University Press, 1996. Zak, Albin. The Poetics of Rock Cutting Tracks, Making Records. Berkeley: University of California Press, 2001.