(~ELATIVEt

THAT

1St

TO A PARTICULAR OF IMPORTANCE

I~TERP~E'rATION

OF A PROGRAMM() THAN GENERIC

AND

THERE-

37

FORE OF A LESSER ~~C'Ftc NATURE, SYMBOLISM IS NOT

DEGREE

IN THE HIERARCHY OF

FORU.

FORM DEMANDS i.E. T0 SUCH ETC.

PERCEPTUAL FACTORS FORM AS

RESPONSES

AN AESTHETiC ~UALITY

OR SUBvCT'VE STRUCTURE, TERMS. OF OUR SPECIFIC ELEMENTS IS, OF A THE AND

1'3 :
e-

ITS PROPORTION, NOT ASK

OF SURFACE, IN THESE

GENERIC Of OuR

DOES

TO BE CONSIDERED A CUBE: INHERENT RELATIONSHIP

IT

A ~UESTION

LIKING AND

OR DiSLIKING ITS

IT IS A ~UESTION PROPRTI~S. WITH THE BUT OTH~R

ACCEPTING FORM, OF THE HOWEVER, FUTURE CONCEPT NOT SINce

iTS EXISTENCE IT EXISTS

RECOGNISING

I~ A CLOSE E~UATION

SYMBIOTIC

ARCHITECTURAL THE PATTERN APPARENT WHICH

~UST

SE ANALYSED BETWEEN, ON

I~ RELATION THE ONE AND

TO THEM.

THERE

CONTRADICTION IS CAPABLE

HAND,

THE CONCEPT OTHER HAND

OF CONTINUAL CONSIDERED

CROWTH, IN ITSELF,

ON THE

OF GENERIC

FORM,

WHICH,

IS A STATIC OF THE ALLOWS

ENTITY, FACT

~
CAPABLE FORM OF CHANGE. HAS RECONCILIATION IS POSSIBLE ~UALITY PRO~ERTIES IN VIEW WHICH THAT ANY

'1ert"dn

.. .'eyl,'~ymmetry'

'-r i neeton 19.... 2.

GENERI~ RATE BEEN TO

AN ADDITIVE se.THAT

O~ REPRODUCTIVE EVEN THOUGH CUBE THAT OF THE THE

IT TO GENECUBE HAVE BE ADDED AS CAUSING 'hu~ Focillon wh~n talking of 'forms in the realm of matter': 'all different kinas of matter ..are form ..Thelr form in its raw st.te evokdS. suggests. and propagates other forms, .. lhi~ is because thiJ form liberales othur forms according to
its

AND MULTIPLY, STATED AND ONLY

OF A SINGLE CAN

~NALY5EO STIPULATION IN THE

ANOTHER BEING 3T~TE

OR A SERIES THESE

OF CUBES

ALWAYS

ITl THE

ADDITIONS CUBE.

BE UNDERSTOOD
19

PERCEPTIBLE

CH~N~E

ORIGI~AL

IN AN ARCHITECTURAL
FROM A CONSIDERATION FROM

SITUATION OF THE

THE STATED

EMERGENCE CONDITIONS. OF FORM,

OF GENERIC

FORM

ALWAYS DOES NOT

FOLLOWS DEVELOP OF WHICH

BUILDING FROM

own I aw s ,

INITIALLY INTE~T AND MAY THEN

A PLATONIC

NOTION

BUT

RATHER

CONSIDERATIONS FO~M,

FUNCTION.

THIS LEADS

TO THE ASSEMBLAGE WITh REFERENCE FORM

OF A SPECIFIC TO

6E CF.'ITICISEO AND MODlF'IED FOR EXAMPLE, WHEN THE

ITS C, GNlITE GENERIC WITH A CENTRAL

FORM.

THUS,

SPECIFIC

OF A CUBE

dut all these varletios of matt3r which demand so much from form and which exert so powerful an attraction upon the forms of art, <.re In theirown Lurn. profoundly modified .' 'The life of Forms In Art I 1942