UNIVERSITY OF MACEDONIA

ECONOMIC AND SOCIAL SCIENCES

DEPARTMENT OF MUSIC SCIENCE AND ART

2010 2011
STUDENTS GUIDE 2010-2011

 2010 2011
STUDENTS GUIDE 2010-2011

/CONTENTS

./p.

-
Table I - Elective Courses

Ia -
Table Ia - Elective Courses

. -
Table II. Prerequisite Courses Chains of Courses

-
Table III - Core Courses as Elective Courses

4-5

Specialization Applied Music Studies

6-7

IV.
Table IV. EMPHASIS Courses

/Major

9-26

i. ()
i. European (Classical) Music

9-15

ii.
ii. Byzantine Music

16-18

iii. ()

19-21

iii. Greek Traditional (Folk) Music

iv.
iv. Contemporary Music

22-26


A/A

.
Code

1.
2.
3.

4.

5.

6.

7.
8.

9.

10.

11.

12.

13.

14.

15.
16.
17.

18.

19.

20.

21.
22.
23.
24.
25.
26.

27.

28.
29.

30.

31.

32.

33.
34.

35.

36.

37.

38.
39.

40.

41.

42.
43.
44.

TableIElectiveCourses

/Major

/AestheticofMusic

/ArchitectureofMusicSpaces

1

()/E(C)M&M/CM
Suzuki

/BasicImprovisation
()/E(C)M&M/CM
Techniques()
1
/ByzantineChoir
..
1
/SpecificTopicsonAcoustics

/Introductionto

AncientGreekMusic
/IntroductiontoJazzTheory

/Introductionto

SchenkerianAnalysis
/GreekLanguageforBeginners

/GreekLanguagefor

Advanced
/Instrumentationwith
()/GT(F)M
2
TraditionalInstrumentsIVI
1
/MusicTechnologyLab

/ElectronicMusic

/SociologyofMusic

/ScientificResearchStructureCourseI

3
II

3
StudyofBooksaboutMusicTheoryDevelopmentIIV

/MusicInventionIII

1
/ChamberMusicVVI
()/E(C)M
//MusicandComputersI

/MusicPerformance

Finale/MusicNotationandFinale

,/Musicin

theMedia,FilmandTheater
/MusicCriticism

/LanguageIIV

()/E(C)M,..&
/ElectiveInstrument
4
M/CM
VoiceIIV
/MusicManagement

andAdministration
()/Dancing

(TraditionalDances)
1
/OrchestraVVI
()/E(C)M
2+5
/PianoAccompanimentII
()/E(C)M
/ContemporaryMusic

PerformancePraxis

/RhythmicalPracticePercussion
()/GT(F)M
1
IIIIV
/JazzCombosV
M/CM
Alexander/AlexanderTechnique

/OboeBassoonTechniquesIIV
()/E(C)M
(..)
&/Acting

onMusicPraxis&ShadowTheatre
/MusicPhilosophy

/Psychoacoustics

/MusicPsychology

Type

.
Sem

/
H/W

ECTS

/C
/C
E/L

/W
/S
/W

2
2
3

2
2
3

/C

/S

/C

/W

E/L

/W/S

/L
/C

/S
/W

3
3

3
2

/C

/S

/C

/W

/C

/S

/C

/W/S

/C

/W/S

E/L

/W/S

/L
/C
/C

/S
/W
/S

3
2
2

3
2
2

/C

/W/S

/C

/W/S

/C

/W/S

/C
/C
E/L
/C
E/L
/C

/W
/W/S
/W/S
/W/S
/W/S
/W

2
2
1
2
3
2

2
2
3
2
3
2

/C

/W/S

/C
/C

/W
/W/S

2
3

2
2

A.E./P.I.

/W/S

/C

/S

/L

/W/S

E/L
A.E./P.I.

/W/S
/W/S

3
1

3
3

/L

/W/S

/C

/W

/L

/W/S

/L
/L

/W/S
/S

3
3

3
2

A.E./P.I.

/W/S

/C

/W/S

/C
/C
/C

/S
/W
/W

2
2
2

2
2
2

../P.I.=/PrivateInstruction,/L=/Applied(Lab),/C=/Class
/W=/Winter,/S=/Summer
1

.()/SeePrerequisitesCoursesChainsofCourses(TableII).
/Thecourseisofferedafterauditionbyjury.
3
..()./ItisofferedonlytostudentsoftheG.T.(Folk)MusicMajor.
4
..2,.../Seealsofootnoteno.2bytheAppliedMusicStudiesProgram.
5
.(IV)/SeeEmphasisCourses(TableIV).
2

A/A

Ia/TableIaElectiveCourses

/Major

/C

/D

1.

/AestheticofMusic

2.

/ArchitectureofMusicSpaces

3.

()/E(C)M&M/CM

4.

Suzuki

5.

6.

/BasicImprovisationTechniques
()

()/E(C)M&M/CM

..

8.

/SpecificTopicsonAcoustics

9.

/IntroductiontoAncient
GreekMusic

/IntroductiontoJazzTheory

()/GT(F)M

7.

10.
11.
12.
13.
14.

/ByzantineChoir

/Introductionto
SchenkerianAnalysis
/GreekLanguagefor
Beginners
/GreekLanguagefor
Advanced
/Instrumentation
withTraditionalInstrumentsIVI

15.

/MusicTechnologyLab

16.

/ElectronicMusic

17.

/SociologyofMusic

18.
19.
20.

/ScientificResearchStructureCourseIII

/Study
ofBooksaboutMusicTheoryDevelopmentIIV

21.

22.

/MusicInventionIII

23.

/ChamberMusicVVI

()/E(C)M

24.

//MusicandComputersI

25.

/MusicPerformance

26.

Finale/MusicNotationandFinale

27.

,/Musicinthe
Media,FilmandTheater

28.

/MusicCriticism

29.

/LanguageIIV

/ElectiveInstrument
VoiceIIV
/MusicManagement
andAdministration
()/Dancing
(TraditionalDances)

()/E(C)M,..&
M/CM

()/E(C)M

30.
31.
32.

/JazzCombosV

M/CM

Alexander/AlexanderTechnique

()/E(C)M

33.

/OrchestraVVI

34.

/PianoAccompanimentII

()/E(C)M

35.
36.
37.
38.
39.
40.
41.

/RhythmicalPracticePercussionIIIIV

/OboeBassoonTechniquesIIV(
..)
&/Actingon
MusicPraxis&ShadowTheatre

()/GT(F)M

42.

/MusicPhilosophy

43.

/Psychoacoustics

44.

/MusicPsychology

.
TableII.PrerequisiteCoursesChainsofCourses

/Electro
/Introductionto
/Music
/Music
/SpecialTopicson
Acoustics
Acoustics
TechnologyLab
TechnologyLab
Acoustics

/
/ByzantineChoir
/IntroductiontoByzantineMusic
IntroductiontoByzantineMusic

/Counterpoint
/Counterpoint
/Fugue
/Fugue
/Instrumentation

/Introductionto
Orchestration

/Orchestration

/Orchestration

/MusicPedagogy
/MusicPedagogy
/MusicPedagogy
/ElectronicMusic
//MusicandComputers
//MusicandComputers
/Harmony
/Harmony
/FiguredBass
/FiguredBass

IV

/OrchestralExcerptsStudy
/OrchestralExcerptsStudy
/MelostisTrigenias
/MelostisTrigenias
/ChamberMusicIV
/ChamberMusicVVI
/Form
/Form
/ChoirIV/or/OrchestraV
/OrchestraVVI
/RhythmicalPracticePercussionIII
/RhythmicalPracticePercussionIIIIV
/JazzCombosIII
/JazzCombosIIIIV
K/PercussionEnsembleIIV
K/PercussionEnsembleVVI
/
/Vocal
VocalInterpretationinFolkMusicResearchandRegistrationI
InterpretationinFolkMusicResearchandRegistrationII
/BachelorsThesis[:
/ScientificResearchStructureCourseIII
()
/Introductionto
/ConcerntheSpecializations:ChantingInterpretationand
ScientificResearchMethodology
Performance&GreekTraditional(Folk)Music]

/IIV//
(),..
st
As it concerns the courses ELECTIVE INSTRUMENT / VOICE IIV, the student may choose to start taking the course series at 1 , 3rd & 5th
Semester(providedthathe/shehasauditionedforthecourse).Changeofthemainsubjectofthecourseisnotallowed.
: IV, IVIII, II,
VIII,V,(),
IV IVI, / /
().
The courses: CHAMBER MUSIC IV, TRADITIONAL MUSIC ENSEMBLES IVIII, MUSIC ANALYSIS III, CONTEMPORARY MUSIC IVIII, GREEK
ECHOGEOLOGICAL TOPICS IIV, DANCING (TRADITIONAL DANCES) III, HISTORY OF MUSIC IIV and INSTRUMENTATION WITH TRADITIONAL
INSTRUMENTSIVI,arenotpartofcourseseriesandtheyaretreatedasseparatecourses.

/ElectiveCourses

..
(4) ,
.
(. , a, III), .
,
(.II).

Allcorecourses(excludingprivatelessons)canbetakenaselectivesbyanystudentofthedepartmentwhodoesnottakethemascorecourses.
Electivecoursescanbetakenfreelyinthesemesterinwhichtheyareoffered(maximumnumberofelectivepersemester:4courses)regardless
ofthestudentsmajor.Studentsmayonlychoosethosecoursesofferedintheparticularyearofstudyandtheymustcomplywiththesemester
structure(seeTablesI,Ia,III).Incasesomeelectivecoursesarepartofacourseseries,theyneedtobetakenasaseriesandaregovernedby
regulationsforcourseseries(seeTableII).

/Emphasis (. IV): (03) ECTS

(...). ...
:
(. I, Ia, III), 15 (8) (03) ECTS (..),
..,
(.II).

A/A

TableIIICoreCoursesasElectiveCourses

/Major

1.

/HarmonyII

EM/AMS

2.

/EarSolfegeRhythm
TrainingIV

>>

3.

/HistoryofMusicIV

>>

4.

/FormIII

>>

5.

/IntroductiontoByzantine
Music

>>

6.

/Instrumentation

>>

7.

/CounterpointIII

>>

8.

/ChoirIV

>>

9.

/Introductionto
Orchestration

>>

10.

/IntroductiontoAcoustics

>>

11.

/Electroacoustic

>>

12.

/Introductionto
Ethnomusicology

>>

13.

/MusicTechnologyLab

>>
>>

>>

>>

14.
15.
16.

/MusicPedagogyI

/IntroductiontoScientificResearch
Methodology
/MusicEnsembles
ConductingIII

17.

/TheoryofAtonalMusic

>>

18.

/EarlyChildhoodMusicEducation

>>

19.

/IntroductiontoAppliedMusicTeaching

>>

()/E(C)M

23.

/StageActingIII

>>

24.

/TheatreScience

>>

>>

>>

>>

>>

>>

>>

20.

/CorrepetitionIVI

21.

/Speech

>>

22.

/StageMovement

>>

25.
26.
27.
28.
29.

/Opera
PerformanceParticipationIV
/ChamberMusic
1
/PercussionEnsembleVI
1

/FiguredBassIII
/SpecialTopicsin
theHistoryofMusic
/Orchestral
1
ExcerptsStudyIV

30.

/OrchestraIV

31.

/DoublebassesWorkshopIII

>>

32.

/Introductionto
TeachingPractice

>>,BM&
M/CM(/
Accordion)

33.

/ChorostasiaV

BM

>>

34.

/HistoryofChristianWorship
II

35.

/TheoryofByzantineMusicVI

>>

36.

/ByzantineMusicPaleographyII

>>

>>

37.

/Byzantine
Chanting&Musicology

A/A

38.
39.
40.

TableIIICoreCoursesasElectiveCourses

()/Introductionto
TraditionalGreekMusicI
/TraditionalMusic
EnsemblesIVI
/
MusicandPoeticStructureinTraditionalMusicI

/Major

()/GT(F)M

>>

>>

>>

41.

/EarandBodyTrainingI

42.

/HistoryofGreekMusicI

43.

/MelostisTrigeniasI

>>

44.

/RhythmicalPractice
PercussionI

>>

/GreekMusicalInstruments

>>
>>

>>

>>

>>

>>

M/CM

45.
46.
47.
48.
49.
50.

/IntroductiontoPoeticsI
/EarandBodyTraining
1
IIV

/VocalInterpretationinFolkMusicResearchand
1
RegistrationIII
/
EchogeologicalTopicsIV

()/GreekTraditional(Folk)Music
TeachingMethod

>>

/FugueIII

>>

54.

/MusicAnalysis

>>

55.

/ScorePerformance
onPiano

>>

56.

/BacherlorsThesis

/All
Majors

51.

/ContemporaryMusicIVIII

52.

/OrchestrationIII

>>

53.

)
:
1. , 2. 3.
() . ,
,
.

)
,:
, .
, 08 ECTS
(1).

20102011
20072008.
TheSyllabus20102011appliesalsoforthe20072008incomingstudents.

.()/SeePrerequisitescoursesorchainsofcourses(Table).
...,/othosestudents
whomajorinAppliedMusicStudiesSpecializationwithMajorAppliedAreaVoiceorOrchestraInstrument,offeredhalfhourcourse.
2


Specialization Applied Music Studies
// Hours/Week/Semester
/Courses
/Required
/Major Applied
1
Area I-VIII
/History of Music
IV
/Harmony II
--
/Ear-Solfege-Rhythm Training
IV
/Form I II

/Introduction to Byzantine
Music -

() /Introduction to
Traditional Greek Music -
/Instrumentation
/Counterpoint
/Choir -IV

/Introduction to
Orchestration
/Introduction
to Acoustics
/Electro acoustic

/Introduction to
Ethnomusicology

/Music Technology Lab
/Music
Pedagogy I-

/Introduction to
Scientific Research Methodology

/Special Topics in the History
of Music
/Music
Ensembles Conducting I-II
/Theory of
Atonal Music
/Early Childhood
Music Education

/Introduction to Applied
Music Teaching

/Typ
e

/Total

45

95

A.E./P.I.

O/C

O/C

E/L

O/C

O/C

O/C

E/L
O/C
E/L

1
1
4

2
2
12

2
2
3

O/C

O/C

O/C

O/C

E/L

O/C

O/C

O/C

E/L

O/C

O/C

E/L

//Bachelors Thesis

2 & 3
/Emphasis per Major & Specialization

1
8

16

/Free Electives

12

/Total

60

125

2
3

2
2
2

.. = /P.I. = Private Instruction

= /L = Applied Courses (Lab)

= /C = Class Work

.
TheMajorfieldofstudywhichtheSpecializationAppliedMusicStudiesbelongsdependsonthechoiceoftheMajorAppliedAreabythestudent.

,..,.

2
V: (..) (,,),
,:
V, . .. //, :
(, , ) , ..
,.....
/..().

/ECTS/Semester
/Courses
/Required
/Major
1
Applied Area I-VIII
/History of Music
- IV

/Typ
e

ECTS

10

10

12

12

174
A.E./P.I.

81

10

O/C

O/C

E/L

12

O/C

O/C

O/C

E/L
O/C
E/L

2
2
12

2
2
3

O/C

O/C

O/C

O/C

E/L

O/C

O/C

O/C

E/L

O/C

O/C

E/L

//Bachelors Thesis

30

/Emphasis per Major &
2&3
Specialization

24

/Free Electives

12

/Total

240

/Harmony II
--
/Ear-Solfege-Rhythm
Training - IV
/Form I - II

/Introduction to Byzantine
Music -

()
/Introduction to
Traditional Greek Music -
/Instrumentation
/Counterpoint
/Choir -IV

/Introduction to
Orchestration

/Introduction to
Acoustics
/Electro
acoustic

/Introduction to
Ethnomusicology

/Music Technology
Lab
/Music
Pedagogy I-

/Introduction to Scientific
Research Methodology

/Special Topics in the
History of Music

/Music Ensembles
Conducting I-II

/Theory of Atonal Music
/Early
Childhood Music Education

/Introduction to
Applied Music Teaching

3
2

2
3

22

22

23

26

21

18

23

19

.. = /P.I. = Private Instruction

= /L = Applied Courses (Lab)
= /C = Class Work

/Emphasis(/TableIV):(03)ECTS
(...)....:
(.I,Ia,III),15
(8)(03)ECTS(..)...
,(.II).

A/A

.
Code

1.

2.

3.

4.

5.
6.

7.

8.

9.

10.

11.
12.

13.

14.
15.

16.

17.

18.

19.

20.

21.

22.

23.

24.

25.

26.

27.

28.
29.

30.

31.

32.

33.

34.
35.
36.

37.

IV.
TABLEIV.EMPHASISCourses(03ECTS)
/MusicTechnologyLab
1

/MusicPerformance
/Contemporary
MusicPerformancePraxis
/Elective
3
InstrumentVoiceIIV
/Speech
/StageActingIII
/Opera
2
PerformanceParticipationIV
/RhythmicalPracticePercussion
I(/onlyforpercussionists)
/OboeBassoonTechniques
IIV(..)
/Orchestral
1+2
ExcerptsStudyIV
2
/DoublebassesWorkshopIII
1+2
/OrchestraVI
(..
)
2
/PianoAccompanimentII
2
/FiguredBassIII
/ChamberMusic
1+2
/PercussionEnsembleVI

Major

/C

/D

/ALL

>>

>>

()/E(C)M

>>
>>

>>

>>

>>

>>

>>
>>

>>

>>
>>

>>

/ByzantineChoir
//Elective
3
Instrument/DimotikoTragoudiVoiceIIV
/Speech
/HistoryofChristianWorship
I
/ByzantineChanting
&MusicologyII

..

/ByzantineMusicPaleographyII

/TraditionalMusic
EnsemblesVVI
/Instrumentation
4
withTraditionalInstrumentsIVI
/TraditionalMusic
EnsemblesIVIII
/RhythmicalPractice
1
PercussionIIV
1
/MelostisTrigeniasI
/IntroductiontoPoeticsI
1
/EarandBodyTrainingIIV
/
EchogeologicalTopicsIV
/JazzCombosV
/Elective
3
InstrumentVoiceIIV
1
/OrchestrationIII
2

/FiguredBassIII
/MusicAnalysis
1+2
/ChamberMusicVI
/ScorePerformanceon
Piano

>>

>>

>>

>>

>>

>>

()/GT(F)M

>>

>>

>>

>>
>>

>>

M/CM

>>

>>

>>
>>
>>

>>

.()/SeePrerequisitescoursesorchainsofcourses(Table).

:///,

..,.
3
..2,.../Seefootnoteno.2bytheAppliedMusicStudiesProgram.
4
/Thecourseisofferedafterauditionbyjury.

 2010 2011
STUDENTS GUIDE 2010 - 2011

(i)

()
(i) European (Classical) Music Major

:
Specialization: Voice

:
Specialization for Keyboard and Plucked String Instruments:
/ Piano
/Guitar
, :
Specialization for Strings, Winds and Percussion:
/Violin
/Viola
/Violoncello
/Contrabass
/Flute
/Oboe
/Clarinet
/Saxophone
/Bassoon
/Horn
/Trumpet
/Trombone
/Tuba
/Percussion

Specialization Applied Music Studies

(i) ()
(i) European (Classical) Music Major
H
Specialization Voice

// Hours/Week/Semester
/Courses
/Specialization
/Voice* I-VII
- /Voice
Bachelors Thesis* VIII
/Required
-
/Correpetition I-VI
/Piano - IV
--
/ Ear-Solfege-Rhythm
Training - IV
/Harmony II
/History of Music
IV
/Form I - II
/Instrumentation
/Speech -
/Stage Movement -
/Choir - II
/Stage Acting I-II
/Theatre Science -
-
/Opera-Performance
Participation -IV
/Music
Pedagogy I-

/Introduction to Teaching
Practice* -
/Required
Electives
(
)/Language (Italian or
German) I-IV

/Type
A.E./P.I.

/Total
8
7

/
8
7

A.E./P.I.

41

71

1
1

E/L

A.E./P.I.

E/L

1
3

1
3

2
1

2
1

O/C

O/C

O/C
E/L
O/C
O/C
E/L
E/L
O/C

2
1
2
2
2
2
2

4
2
3
3
6
4
3

2
2
1

E/L

10

O/C

O/C

12

12

/Free Electives

11

26

/Total

64

117

O/C

.. = /P.I. = Private Instruction

= /L = Applied Courses (Lab)
= /C = Class Work

10

/ECTS/Semester

/Courses

/Type

/Specialization
/Voice* I-VII
A.E./P.I.
-
A.E./P.I.
/Voice Bachelors
Thesis* VIII
/Required
-
E/L
/Correpetition I-VI
/Piano - IV
A.E./P.I.
- / Ear-SolfegeE/L
Rhythm Training - IV
/Harmony II
O/C
/History of
O/C
Music - IV
/Form I - II
O/C
/Instrumentation
E/L
/Speech -
O/C
/Stage Movement
O/C
-
/Choir - II
E/L
/Stage Acting
E/L
I-II
/Theatre Science
O/C
-
-
/OperaE/L
Performance Participation -IV
/Music
O/C
Pedagogy I-

O/C
/Introduction to
Teaching Practice* -

/Required Electives
(
O/C
)/Language (Italian
or German) I-IV
/Free Electives

/Total

ECTS

104
84

12

12

12

12

12

12

12

20

20

102
12

12

12

12

4
2
6

2
2
3

19

27

4
8
8
26

240

29

27

27

27

25

25

.. = /P.I. = Private Instruction

= /L = Applied Courses (Lab)
= /C = Class Work

11


/
Specialization for Keyboard and Plucked String Instruments Piano/Guitar

// Hours/Week/Semester
/Courses
/Specialization

/Type

/Total
8

/
16

/Instrument I-VII

A.E./P.I.

16

A.E./P.I.

O/C

34
2

68
4

E/L

O/C

O/C
E/L
O/C
E/L

2
1
2
4

4
2
4
12

2
2

2
2
3

2
3

E/L

E/L

O/C

O/C

E/L

O/C

O/C

18

36

/Instrument Bachelors
Thesis VIII
/Required
/Harmony II
--
/ Ear-Solfege-Rhythm
Training IV
/History of Music
IV
/Form I II
/Instrumentation
/Counterpoint I-II
/Choir - IV
/Chamber Music
- IV
/Figured Bass I-II

/Special Topics in the
History of Music -
/Music
Pedagogy I-I

/Music Ensembles
Conducting I-II
/Early
Childhood Music Education

/Introduction to Teaching
Practice* -

/Free Electives

/Total

60

120

.. = /P.I. = Private
Instruction,
= /L = Applied Courses (Lab),
= /C = Class Work

12

/ECTS/Semester

/Courses
/Specialization
/Instrument I-VII

/Instrument Bachelors
Thesis VIII
/Required
/Harmony II
--
/ Ear-Solfege-Rhythm
Training IV
/History of
Music IV
/Form I II
/Instrumentation
/Counterpoint I-II
/Choir - IV
/Chamber
Music - IV
/Figured Bass
I-II

/Special Topics in the
History of Music -
/Music
Pedagogy I-I

/Music Ensembles
Conducting I-II
/Early
Childhood Music Education

/Introduction to
Teaching Practice* -

/Type

ECTS

A.E./P.I.

118
96

14

14

14

14

13

13

14

A.E./P.I.

22

22

86
O/C

E/L

12

2
3

2
3

O/C

O/C
E/L
O/C
E/L

4
2
4
12

2
2

E/L

12

E/L

O/C

O/C

E/L

O/C

O/C

21

27

/Free Electives

36

/Total

240

25

23

27

27

27

27

.. = /P.I. = Private Instruction

= /L = Applied Courses (Lab)
= /C = Class Work

13

 ,
(1)*/(2)*/(3)*/(4)*/(5)*/(6)*/(7)*/
(8)*/(9)*/(10)/(11)*/(12)*/(13)*/(14)*
Specialization for Strings, Winds and Percussion
(1)Violin*/(2)Viola*/(3)Violoncello*/(4)Contrabass/(5)Fflute*/(6)Oboe*/(7)Clarinet*/
(8)Saxophone*/(9)Bassoon*/(10)Horn*/(11)Trumpet*/(12)Trombone*/(13)Tuba*/(14)Percussion*

// Hours/Week/Semester
/Courses
/Specialization
/Instrument I-VII*

/Instrument Bachelors
Thesis VIII*
/Required
/Piano - IV
/Harmony II
/History of Music
IV
--
/ Ear-Solfege-Rhythm
Training - IV
/Form I - II
/Instrumentation
/Chamber Music
- (14)
/Percussion Ensemble
- IV
1
/Orchestra - IV

/Orchestral
1
Excerpts Study IV
/Music
Pedagogy I-

/Introduction to Teaching
Practice* -
/Required
Electives
/Relative
2
Instrument I-II
/Doublebasses Workshop (
/only for doublebasissts)
-/
Rhythmical Practice-Percussion I-
( /only for
percussionists)
/Chamber Music
- (14)
/Percussion Ensemble
V -VI

/Type

/Total

/ H/W

A.E./P.I.

8
7

14
12

A.E./P.I.

A.E./P.I.
O/C

33
4
2

54
2
4

O/C

E/L

O/C
E/L

2
1

4
2

2
2

E/L

E/L

12

A.E./P.I.

O/C

O/C

A.E./P.I.

E/L

E/L

E/L

17

30

/Free Electives

/Total

60

100

.. = /P.I. = Private
Instruction,
= /L = Applied Courses (Lab)
= /C = Class Work

: )
I-IV , , )
A -V : -
- -II III-IV - -IV.
2

: (1)/(3) (3&4) /(5)/(6)

/(7)

/(8)
--/(9)/(11)
/(12)
/(13) /(14) . Depends on the main Specialization area of the student: (1)Viola/(3)Baroque
cello or (3&4)Viola da gamba/(5)Piccolo/(6)Cor anglais/(7)Basso Clarinet Clarinet in Eb/(8)Saxophone Soprano-TenorBaritone/(9)Contrabassoon/(11)Trumpet piccolo/(12) Euphonium/(13)Tuba Eb or F /(14)Traditional Percussions.

14

/ECTS/Semester
/Courses

/
Type

ECTS

A.E./P.I.

116
94

14

14

14

14

12

12

14

A.E./P.I.

22

A.E./P.I.
O/C

88
12
4

3
2

3
2

O/C

E/L

12

/Form I - II

O/C

/Instrumentation
/Chamber
Music - (14)
/Percussion Ensemble
- IV
1
/Orchestra - IV

/Orchestral
1
Excerpts Study IV
/Music
Pedagogy I-

/Introduction to
Teaching Practice* -

/Required Electives

E/L

E/L

12

E/L

12

A.E./P.I.

12

O/C .

O/C

/Specialization
/Instrument I-VII*

/Instrument Bachelors
Thesis VIII*
/Required
/Piano - IV
/Harmony II
/History of
Music - IV
--
/ Ear-Solfege-Rhythm
Training - IV

/Relative
2
Instrument I-II

/Double-basses
Workshop (
/only for doublebasissts)
-/
Rhythmical Practice-Percussion I ( /only for
percussionists)
/Chamber
Music - (14)
/Percussion Ensemble
V -VI

22

19

27

6
A.E./P.I.

E/L

E/L

E/L

/Free Electives

30

/Total

240

28

26

28

28

24

24

.. = /P.I. = Private Instruction

= /L = Applied Courses (Lab)
= /C = Class Work

: )
I-IV , , )
A -V : -
- -II III-IV - -IV.
2

: (1)/(3) (3&4) /(5)/(6)

/(7)

/(8)
--/(9)/(11)
/(12)
/(13) /(14) . Depends on the main Specialization area of the student: (1)Viola/(3)Baroque
cello or (3&4)Viola da gamba/(5)Piccolo/(6)Cor anglais/(7)Basso Clarinet Clarinet in Eb/(8)Saxophone Soprano-TenorBaritone/(9)Contrabassoon/(11)Trumpet piccolo/(12) Euphonium/(13)Tuba Eb or F /(14)Traditional Percussions.

15

 2010 2011
STUDENTS GUIDE 2010 - 2011

(ii)
(ii) Byzantine Music Major

Specialization Chanting Interpretation and Performance

Specialization Applied Music Studies

(ii)
(ii) MAJOR: BYZANTINE MUSIC

Specialization Chanting Interpretation and Performance

// Hours/Week/Semester
/Courses
/Specialization

/ Chanting
Interpretation and Performance
I-VII


/ Chanting
Interpretation and Performance
Bachelors Interpretation
Performance VIII
/Required
/Harmony
/Chorostasia
-V
/
History of Christian Worship
I
/
Theory of Byzantine Music -VI

/Byzantine
Chanting & Musicology I-II

()
/ Introduction to
Traditional Greek Music -I
/ History of
Music -
/Speech -
/
History of Greek Music -I

/Traditional Music
Ensembles V-V
/
Byzantine Music Paleography
-II
/Music
Pedagogy I-

/ Introduction to
Chanting Teaching Method -

/Type

/Total
8

/
8

A.E./P.I.

A.E./P.I.

O/C

33
1

69
2

E/L

12

E/L

E/L

12

E/L

O/C

O/C

O/C

O/C

E/L

E/L

O/C

O/C

//Bachelors Thesis
/Free Electives

1
18

36

/Total

60

113

.. = /P.I. = Private Instruction

= /L = Applied Courses (Lab)
= /C = Class Work

17

/ECTS/Semester

/Courses

/Type

/Specialization
/
A.E./P.I.
Chanting Interpretation and
Performance I-VII


/ Chanting
A.E./P.I.
Interpretation and Performance
Bachelors Interpretation
Performance VIII
/Required
/Harmony -II
O/C
/ Chorostasia
E/L
-V
/
E/L
History of Christian Worship I
/
E/L
Theory of Byzantine Music -VI

E/L
/Byzantine
Chanting & Musicology I-II

()
O/C
/ Introduction to
Traditional Greek Music -I
/ History of
O/C
Music -
/Speech -
O/C
/
O/C
History of Greek Music -I

/Traditional Music
E/L
Ensembles V-V
/
E/L
Byzantine Music Paleography -II
/Music
O/C
Pedagogy I-

/ Introduction to
O/C
Chanting Teaching Method -
//Bachelors Thesis

ECTS

12

12

12

12

12

12

12

106
84

22

22

78
2

12

12

4
16

/Free Electives

40

/Total

240

25

23

24

24

25

25

14

24

.. = /P.I. = Private Instruction

= /L = Applied Courses (Lab)
= /C = Class Work

18

 2010 2011
STUDENTS GUIDE 2010 - 2011

(iii) ()
(iii) Greek Traditional (Folk) Music Major

()
Specialization Greek Traditional (Folk) Music

( -- )
Specialization Poetics (Composition Melos Poetry in Traditional Music)

:
Specializations Traditional Instruments Interpretation and Performance:
- /Dimotiko Tragoudi (Voice)
(/)/Strings (Lyra, Violin
A (//I///)
Avlos (Clarino, Caval, Ney, Flogera, Zournas, Askavlos)
(//// )
Plucked (Canonaki, Oud, Lute, Tamboura, Bouzouki)
(//)
Brass Winds (Trombone, Corneta, Trompeta)
, /Percussion, Santouri

Specialization Applied Music Studies

(iii) ()
: (1) () , (2) ( --
, (3) : -
*/(*/*)/(*/*/I*/*/*/*)/A(*/*/
*/*/ *)/ (*/*/*)/*/ *
(1) Specialization Greek Traditional (Folk) Music
(2) Specialization Poetics (Composition Melos Poetry in Traditional Music)
(3) Specializations Traditional Instruments Interpretation and Performance
Dimotiko Tragoudi(Voice)*/ Strings (Lyra*, Violin*)/Avlos (Clarino*, Caval*, Ney*, Flogera*, Zournas*, Askavlos*)
Plucked (Canonaki*, Oud*, Lute*, Tamboura*, Bouzouki*)/Brass Winds (Trombone*, Corneta*, Trompeta*)/Percussion*/Santouri*
// Hours/Week/Semester
/Courses
/Specialization
(1) /Major
Applied Area* I-VIII
(1)
//Bachelors
Interpretation Performance VIII

nd
(2) -2 .*/Poetics-2
MAA* I-VII
(3) */Instrument I-VII
(2) & (3) -
//Bachelors
Interpretation Performance VIII
/Required

/Traditional Music
Ensembles I-VI

()
/Introduction to Traditional
Greek Music -

/ Music and
Poetic Structure in Traditional
Music I-
-/ Ear
and Body Training I-
/
History of Greek Music -I
/Melos tis
Trigenias I-
-/
Rhythmical Practice-Percussion I-
/Greek
Musical Instruments
(1&3) /
Introduction to Poetics I-
(2) -/
Ear and Body Training I-IV

-
/Vocal Interpretation in
Folk Music-Research and
Registration I-II

/ Echogeological
Topics -IV
/Music
Pedagogy I-

()
/Greek Traditional (Folk)
Music Teaching Method -

/Total
(1)/(2)/(3)
8

/ H/W
(1)/(2)/(3)
8/16/16

A.E./P.I.

A.E./P.I.

A.E./P.I.

14

A.E./P.I.

33

77

E/L

16

O/C

O/C

E/L

O/C

E/L

E/L

/Type

O/C

E/L

O/C

E/L

12

O/C

E/L

1
2

/Free Electives

(1)16
(2&3) 17

(1) 32
(2&3) 34

/Total

60

(1) 121
(2&3) 131

E/L

2
2

(1) //Bachelors Thesis

/Required Electives
(
)/Dances (Greek
Traditional Dances) -

.. = /P.I. = Private Instruction,

= /L = Applied Courses (Lab),
= /C = Class Work

20

/ECTS/Semester

/Courses
/Specialization
(1)
/Major Applied Area*
I-VII

nd
(2) -2 .*/Poetics-2
MAA* I-VII
(3) */Instrument I-VII
(1), (2) & (3) -

//Bachelors
Interpretation Performance VIII

/Type

12

12

12

12

12

14

14

A.E./P.I.

84

12

12

A.E./P.I.

98

14

14

A.E./P.I.

22

14

14

14

22

92
E/L

24

O/C

O/C

E/L

O/C

E/L

E/L

O/C

E/L

O/C

E/L

12

O/C

E/L

(1) //Bachelors Thesis

16

/Required Electives

(
)/Dances (Greek
Traditional Dances) -

106/120

/Required

/Traditional Music
Ensembles I-VI

()
/Introduction to
Traditional Greek Music -

/ Music
and Poetic Structure in
Traditional Music I-
-/ Ear
and Body Training I-
/
History of Greek Music -I
/Melos tis
Trigenias I-
-/
Rhythmical Practice-Percussion
I-
/Greek
Musical Instruments
(1&3) /
Introduction to Poetics I-
(2) -/
Ear and Body Training I-IV

-
/Vocal Interpretation
in Folk Music-Research and
Registration I-II

/
Echogeological Topics -IV
/Music
Pedagogy I-

()
/Greek Traditional
(Folk) Music Teaching Method -

ECTS
(1)/(2) & (3)

E/L

/Free Electives

(1) 32
(2&3) 34

/Total

250

22/24

32

24/26

24/26

24/26

26/28

23/25

23/25

.. = /P.I. = Private Instruction,

= /L = Applied Courses (Lab),
= /C = Class Work

21

 2010 2011
STUDENTS GUIDE 2010 - 2011

(iv)
(iv) Contemporary Music Major

Specialization Composition

Specialization Accordion

Specialization Applied Music Studies

(iv)
(iv) Contemporary Music Major

Specialization Composition

// Hours/Week/Semester
/Courses
/Specialization
/Composition I-VII

/Composition - Bachelors
Recital VIII
/Required
/Piano - IV
/Harmony II
--
/Ear-Solfege-Rhythm Training
- IV
/History of Music
IV
/Form I - II
/Instrumentation
/Contemporary
Music I-VIII

/Introduction to
Orchestration
/Counterpoint I-II
/Orchestration I-II
/Fugue I-II
/ Music
Analysis -
/Music
Ensembles Conducting I-II
/
Score Performance on Piano

/Type
A.E./P.I.

/Total
8
7

/
16
14

A.E./P.I.

A.E./P.I.
O/C

37
4
2

68
2
4

E/L

O/C

O/C
E/L

2
1

4
2

2
2

O/C

16

O/C

O/C
O/C
O/C

2
2
2

4
4
4

2
2

2
2

O/C

E/L
O/C

/Free Electives

15

30

/Total

60

114

.. = /P.I. = Private Instruction,

= /L = Applied Courses (Lab),
= /C = Class Work

23

/ECTS/Semester

/Courses
/Specialization
/Composition I-VII

/Composition - Bachelors
Recital VIII
/Required
/Piano - IV
/Harmony II
--
/Ear-Solfege-Rhythm
Training - IV
/History of Music
- IV
/ Form I - II
/Instrumentation
/Contemporary
Music I-VIII

/Introduction to
Orchestration
/Counterpoint I-II
/Orchestration I-II
/Fugue I-II
/ Music
Analysis -

/Music Ensembles
Conducting I-II
/
Score Performance on Piano

/Type

ECTS

A.E./P.I.

120
98

14

14

14

14

14

14

14

A.E./P.I.

22

A.E./P.I.
O/C

90
12
4

3
2

3
2

E/L

12

O/C

O/C
E/L

4
2

2
2

O/C

16

O/C

O/C
O/C
O/C

4
6
4

2
3

2
3

O/C

22

E/L

O/C

/Free Electives

30

/Total

240

3
30

31

29

29

24

24

19

24

.. = /P.I. = Private Instruction,

= /L = Applied Courses (Lab),
= /C = Class Work

24

Specialization Accordion

// Hours/Week/Semester
/Courses
/Specialization

/Type

/Total
8

/
16

/Instrument I-VII

A.E./P.I.

16

/Instrument
Bachelors Thesis VIII
/Required
/Harmony II
--
/ Ear-Solfege-Rhythm Training
IV
/History of Music
IV
/Form I II
/Instrumentation
/Counterpoint I-II
/Choir - IV
/Chamber Music
- IV
/Figured Bass I-II

/Special Topics in the History
of Music -
/Music
Pedagogy I-I
/Music
Ensembles Conducting I-II
/Early Childhood
Music Education

/Introduction to Teaching
Practice -

A.E./P.I.

O/C

34
2

68
4

E/L

O/C

O/C
E/L
O/C
E/L

2
1
2
4

4
2
4
12

2
2

2
2
3

2
3

E/L

E/L

O/C

O/C

E/L

O/C

O/C

18

36

/Free Electives

/Total

60

120

.. = /P.I. = Private Instruction,

= /L = Applied Courses (Lab),
= /C = Class Work

25

/ECTS/Semester

/Courses
/Specialization
/Instrument I-VII

/Instrument Bachelors
Thesis VIII
/Required
/Harmony II
--
/ Ear-Solfege-Rhythm
Training IV
/History of Music
IV
/Form I II
/Instrumentation
/Counterpoint I-II
/Choir - IV
/Chamber Music
- IV
/Figured Bass
I-II

/Special Topics in the
History of Music -
/Music
Pedagogy I- I

/Music Ensembles
Conducting I-II
/Early
Childhood Music Education

/Introduction to Teaching
Practice -

/Type

ECTS

A.E./P.I.

118
96

14

14

14

14

13

13

14

A.E./P.I.

22

22

86
O/C

E/L

12

O/C

O/C
E/L
O/C
E/L

4
2
4
12

2
2

2
2
3

2
3

E/L

12

E/L

O/C

O/C

E/L

O/C

O/C

21

27

/Free Electives

36

/Total

240

25

23

27

27

27

27

.. = /P.I. = Private Instruction

= /L = Applied Courses (Lab)
= /C = Class Work

26