Nichting 1 TJ Nichting Ms. Raymond Annotated Sources November 6th, 201 !a"er !otentia# $onner, Ju#ie.

%Se#ena &ome' ( Jenni)er Stone *hat +o, -ame +as *hanged Their .i)e.% Crushable RSS. N."., n.d. /eb. 0 Nov. 201 . 1$onner2 The "ur"ose o) this source is to e3"#ain and dive into ho, )ame has changed a )e, o) these "eo"#e ,ho 4ust got out there. The ,ea5ness about this is that there is rea##y no in)ormation at a## bare#y. 6t ,ou#d have been good i) they ,ou#d have e3"#ained in more de"th ho, their #ives have changed. 6 don7t thin5 this source ,i## be very he#")u# at a## to our "ro4ect and ,e might as ,e## "itch this one out cause its "retty much use#ess. 6t doesn7t have anything ,orth noting in our semester #ong "ro4ect. *ross, *har#es R.. Heavier than heaven: a biography of Kurt Cobain. Ne, 8or59 +y"erion, 2001. !rint. The "ur"ose o) this source is a biogra"hy to sho, ho, :urt *obain rose to stardom and ho, that ,ou#d eventua##y destroy him. This gives the vie, on ho, he ,as destroyed by )ame, This can be used in our "a"er )or sure. This is a boo5 and it has a #ot o) in)ormation that is use)u# to us. Many ;uotes can be used in this<

Nichting 2 =anie#s, *o#in. %A#icia :eys9 7-ame changed me7.% Digital Spy. N."., 2> June 2010. /eb. 0 Nov. 201 . 1=anie#s2 The "ur"ose o) this source ,as to e3"#ain ho, A#icia :eys began to #ose contro# o) her #i)e. 6t e3"#ains ho, she thought she ,as a#one and ho, her e3treme#y busy schedu#e made her tired and on edge ,ith everyone. She )e#t as though she ,ere being ta5en advantage o) by many "eo"#e around her and in order to get her #i)e bac5 she removed those bad "eo"#e around her and changed the ,ay she ,or5ed and she )ound herse#) again. This gives a "retty good account o) ho, )ame can rea##y thro, your #i)e out o) ba#ance. =on7t rea##y see any ,ea5nesses to this artic#e. This source ,i## most de)inite#y he#" our "ro4ect. The intervie, gives a "ersona# account o) ho, her #i)e got out o) ,ac5 and ho, she began to #ose it and then ho, she got it a## bac5. She says too, that )ame ,as getting to her and it ,as changing her as a "erson and that she had to )ind ba#ance again. /e cou#d use a ;uote )rom this "age )or sure.

%=id /hitney +ouston7s *rossover -ame *ost +er?% New America Me ia. N."., n.d. /eb. 0 Nov. 201 . 1@=id /hitney +ouston7s *rossover -ame *ost +er?A2 The "ur"ose o) this source on#ine is to i##ustrate ho, /hitney +ouston became )amous. 6t e3"#ains ho, socia# media destroyed a## "rivacy to "eo"#e that ,ere )amous and are )amous today. 6t sho,s ho, that hurt her and ho, she cou#dn7t hand#e the non "rivacy a#ong ,ith the ne, drugs )#o,ing throughout the streets at this time in her #i)e. This sho,s ho, )ame can

Nichting destroy you i) you a##o, it too and ho, media "#ays a ro#e in that. This source shou#d he#" a #ot come time )or the semester #ong "ro4ect. There is a #ot o) good in)ormation and detai#ed #itt#e bio that sho,s ho, /hitney +ouston got to be ,here she ,as in her stardom. A good ;uote right here cou#d be used %$y the #ate 7B0s, "ersona# turmoi# derai#ed both +ouston7s career C and her ste##ar voice. =rug abuse ,as sus"ected, then con)irmed. As +ouston7s #i)e re)#ected the do,nside o) ce#ebrity and success, so did the ,or#d around her as a 2DChour ne,s cyc#e, the 6nternet and the emergence o) -aceboo5, T,itter and rea#ity TE gave #icense to a the com"#ete erosion o) "rivacy.% This ;uote "retty much sums it u" about ,hat ,e need )rom this artic#e.

&i#es, =avid. %$eing in the ,or#d o) ce#ebrity The "henomeno#ogy o) )ame.% Aca emia!e u. N."., n.d. /eb. 0 Nov. 201 . 1&i#es2 The "ur"ose this source ,as to intervie, )i)teen american stars. Too i##ustrate ho, each o) them has had )ame change their #ives. This is a great artic#e because it is very in de"th and sho,s )i)teen di))erent "eo"#e and gives you an intervie, ,ith each o) these )amous "eo"#e. The strength o) this is that there is a #ot o) in)ormation and ;uotes )rom the stars. Rea##y not much o) a ,ea5ness other than it may ta5e a ,hi#e to sort through. This source ,i## come in handy. The ,ho#e intervie,Fartic#e gives )i)teen )irst "erson accounts on ho, )ame changed their #ives. Many ;uotes cou#d come )rom this source no doubt.

+aigh, *hris. %=oes -ame +ave A !ositive Gr Negative 6n)#uence Gn An Artist7s Music?%

Nichting D "hatCulture RSS. N."., 1 Mar. 201 . /eb. 0 Nov. 201 . 1+aigh2 This on#ine artic#e sho,s ,hether )ame can be "ositive or negative or both. 6t e3"#ains ho, some "eo"#e7s )ame has rea##y he#"ed them and others out. $ut it a#so sho,s ho, )ame has negative#y e))ected someones #i)e. 6t gives mu#ti"#e accounts o) )ame and the e))ect it had on "eo"#e rising to stardom. 6t dis"#ay the negatives and the "ositives to each grou" and "erson in the artic#e.

This ,i## be very use)u# sho,ing t,o sides to the story and not 4ust one. There are some good ;uotes to ,e can "u## )rom the artic#e.

.o)tus, Mary. %The Gther Side o) -ame.% #sychology $o ay. N."., 1 May 1BB0. /eb. 0 Nov. 201 . 1.o)tus2 The "ur"ose o) this on#ine source is to dis"#ay ho, )ame can e))ect even )ami#y members o) the "erson ,ho is )amous. 6t sho,s ho, "eo"#e 5no, your re#ated to someone )amous and ho, they a#,ays as5 i) you can he#" them meet or i) you cou#d do them a )avor by getting an autogra"h or a "icture. The strength is that this is soothing ne, that ,e don7t have source ,ise because it sho,s a di))erent side to the story. The ,ea5ness is that it might dri)t a #itt#e o) to"ic but its sti## a good source to use. This source can be used because it sho,s a ne, side to the story. The artic#e has a cou"#e "otentia# ;uotes ,e cou#d use too to i##ustrate the e))ects )ame has on not 4ust the star but the

Nichting 0 "eo"#e c#ose to that "erson.

Roc5,e##, =onna. %-ame is a =angerous =rug9 A "henomeno#ogica# g#im"se o) ce#ebrity.% %ame is a Dangerous Drug: A phenomenological glimpse of celebrity. N."., n.d. /eb. 0 Nov. 201 . 1Roc5,e##2 This artic#e sho,s ho, )ame can hit you overnight and ho, some "eo"#e don7t have time to even get it together be)ore they are under the s"ot#ight and have cameras on them 2DF>. 6t sho,s ho, your "rivacy is ta5en a,ay and every move you ma5e is ,atched by media and )ans. The strength o) this is it gives a third "erson vie, o) the e))ects o) )ame and it gives mu#ti"#e vie,s. No ,ea5ness rea##y. This artic#e de)inite#y can he#" in the "a"er. 6ts 5ind o) a ne, "ers"ective on ho, )ame can come overnight and hit you rea# )ast. Some good in)ormation )or some good ;uotes to be used here.

Se#by, Jenn. %H##ie &ou#ding9 @-ame has changed meA%&#amour.com. N."., 26 May 2011. /eb. 1 Gct. 201 . 1Se#by2 The "ur"ose o) this on#ine source is to i##ustrate ho, )ame can change you one ,ay. -ame can change you as a "erson on#y i) you a##o, it too. This "ortrays ho, your image can change due to )ame, not e3act#y you that changes. This source is #imited )or sure and is de)inite#y a ,ea5ness o) it. /ou#d #i5e to get a #itt#e more in de"th. A )u## intervie, is #in5ed on the "age

Nichting 6 ho,ever so that is a strength. No doubt that this source can he#" our "ro4ect. The intervie, sho,s one side o) the e))ects o) )ame on a "erson and their image. A direct ;uote right here e3"#ains it ,e##. H##ie says %/hen "eo"#e say that )ame has changed you, not at a##. 8ou have to change, you have to ada"t, you have to be e))icient, you have to do ,hatever you can to dea# ,ith the situation, ,hich is not much s#ee", missing mea#s, not being ab#e to do things you ,ant, #i5e me e3ercising )or e3am"#e,% she said. %So you have to say no to some "eo"#e. 8ou have to get a,ay as ;uic5#y as "ossib#e. 6) a hundred "eo"#e ,ant autogra"hs, sometimes you have to say no because you7ve got to get u" )or a Dam )#ight or something. 6n that sense, it rea##y "isses me o)) ,hen "eo"#e thin5 you7ve become a diva. 6t7s not becoming a diva, it7s because o) the situation, 6 thin5.%

/einberger, =avid. %+o, the ,eb changed )ame.% CNN. *ab#e Ne,s Net,or5, 1> -eb. 2012. /eb. 0 Nov. 201 . 1/einberger2 This source sho,s ho, ta#ent and #uc5 and a## that stu)) isn7t necessary to become )amous today. This artic#e e3"#ains ho, socia# media gets you out to the "ub#ic so ,e##. 6t gives an account o) ho, some gir# "osted one youtube video and no, she is on the cover o) s"orts i##ustrated the s,imsuit edition. The strength o) this artic#e is that it sho,s ho, media can rea##y "#ay a ro#e in becoming )amous and ho, that can instant#y change a "ersons #i)e. This ,i## be decent#y use)u# to our "ro4ect. 6t sho,s ho, someone can become )amous rea# ;uic5 using socia# media and the internet. !robab#y cou#d "u## a ;uote )rom this maybe.