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4-Maggie: by Stephen Crane
4-Maggie: by Stephen Crane
By Stephen Crane
Born in Newark, New Jersey the fourteenth child of parents who were Methodist revivalists He died when he was only 29, but he had time to publish five novels, two volumes of poetry and over three hundred sketches, reports and short stories. He ot literary fame as a conse!uence of the publication of "#$he %ed Bad e of &oura e## in '(9) *the &ivil +ar and its conse!uences,. He died of tuberculosis only five years later. He ained the rank of captain in a military academy and also worked as a -ournalist. $he publications in '(9. of Maggie: "#/ 0irl of the 1treets##, a powerful portrayal of a bli hted, poverty2 stricken lives of 3rish immi rants in New 4ork#s Bowery, brou ht him the friendship of two of the leadin fi ures of the /merican 5iterary realism6 Hamlim 0arland and +illiam 7ean Howels &rane#s interest in environmental determinism links him to late2nineteenth century writers such as 8rank Norris, Jack 5ondon and $heodore 7reiser. He writes about ordinary people who live in a universe of vast and indifferent natural forces. $here is no 0od here. &rane#s work reflects many of the ma-or artistic concerns at the end of the nineteenth century, especially naturalism, impressionism and symbolism. 1hockin the reader with new and often disturbin ideas *the &hristians were all the time criticisin the other and their faults instated of providin solutions to the problems, and perceptions is his aim. His compression in the selection of facts and character definition, to ether with his ima ery and concern for colour have led many critics to see in his writin s a literary parallel with impressionistic paintin . His 9discontinuous: renderin of action has also been identified as impressionist. *$here are many -umps in the novella, &rane had both a popular audience and a cultivated, literary one.
He is interested in criticiAin the showin certain aspect of the society6 he blames the upper classes and the &hristian churches for not actin and for not takin solutions to improve the immi rants# life and their poor conditions of livin . Chapter (: 3n this chapter we have more information of Ma ie. The girl Maggie, blossomed in a mud %addle: she is compared with a flower which blossomed in a mud puddle. He is usin ironic by callin the people of the community "#philosophers##. $hey think they know a lot about life but in fact they know nothin . 7ifference between @ete and Ma ie6 @ete has the opportunity to improve his life -ust by bein a man. +omen have not that opportunity. Ma ie is unable to adapt to the environment when she lives. $his lack of adaptation is not due to her incapacity to work but for havin romantic ideas about men. 1he is incapable to see reality. 1he has romantic ideas which unable her to see reality. $his is conte>tualiAed to her relationship with @ete *pa e 'B last para raph,. "#Ma ie perceived that here was he beau ideal of a man?.her dream2 ardens there had always walked a lover## Chapter ): Here we have more information about @ete. He is always lau hin about his ability to fi ht other men, and how stron he is *pa e 'B,. $he author is usin irony while describin @ete; he is compared to a kni ht in a very ironic way. Here was a ormidable man who disdained the strength$he was a !night. Here we find also the criticism to men, who have the power and to nothin to protect women. $he author put the blame on @ete and Jimmie for Ma ie situation and tra ic end. $he mother is also responsible. $he mother is very hypocritical and she uses Ma ie to ain respect from his community. 1he put the blame on Ma ie. Chapter *: @ete and Ma ie o out to ether.
Chapter +: 1he contrasts her beauty with the lack of beauty of the other women of the factory. 1he starts takin into account how worth her beauty is, and how that is oin to ive her a better life; a better life with @ete *@a e '(, "#1he wondered as she re arded?..as valuable## +hen Ma ie is taken to the theatre to see a romantic play, her romantic ideas and feelin s are reinforced *pa e '9, e#ening during the wee!.... rom #illains $he melodrama reinforced her romantic view of the world. $his melodrama is criticised by the author because it ives the readers a false impression of the reality6 the oods at the end are always praised and the bad people always punished. But in this story we can see that this thin doesn#t happen. /t the end the ood ones die. 3t is the contrary to the melodrama ideas. Chapter ,: $he mother convinces Jimmie that Ma ie has dis raced their family reputation. +hen Ma ie returns home her mother ets her out of house *pa e22,. Chapter%-: Here we have the voice of one "#philosopher## tellin Jimmy what has happened with his sister.
Chapter %%:
He decided to o and fi ht with @ete in order to brin back the family reputation. @ete#s bar is destroyed and they are taken by the police. Chapter %&: +e are taken to a new area. Ma ie and @ete are into a bar, and @ete feels very superior to Ma ie. Ma ie sees prostitute around and at the same time she feels men look at her, because she of her beauty. Ma ie doesn#t know that this will be her future, to be a prostitute. .rom chapter %' to the en : @ete meets another woman and he decides to et to ether with her a ain and he decides to leave Ma ie. Ma ie is alone because she ets denied by her family, @ete and society. $he only option is to become prostitute. @ete is punished too, because he becomes a drunk a fool man. 3n the last chapter we have her mother cryin about the death of her dau hter and "#she for ives## for her sins6 irony