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http://www.docomomo. com (download-ovan 1. marta 2010. godine)

100


Summary: DRAGANA MECANOV
ON THE ARCHITECTURAL ASSESSMENT OF RESIDENTIAL BUILDINGS FROM THE PERIOD OF
MODERNISM
The beginnings of modernist residential architecture can be traced back to the latter part of the 1920s. At first mostly
characterized by omission or rejection of faade ornamentation, modernism was not readily recognizable as a distinctive
trend because of the strong tradition of historical styles in faade composition and even more in the organization of interior
space, and it was only in the subsequent phases of its evolution that modernism became more prominent in residential architecture. Symmetry and traditional faade compositions were gradually abandoned, increasingly giving way to structures
composed of cubical, asymmetrically arranged volumes and shapes. It was only in the mature phase of modernism that the
design of living spaces became fully responsive to the functional requirements of its age and that modernist architecture
came to predominate in all of its elements.
The paper focuses on the problem of assessing the value of residential architecture within the historic core of Belgrade.
The analysis, based on a selection of particular residential buildings designed by eminent architects in the interwar period
and in the considerably changed political and social circumstances after the Second World War, seeks to identify their analogies and possible models as a helpful tool for assessing their architectural merits.
Modernist residential architecture is analyzed in terms of: the relationship to the surroundings, the organization of
space, construction, composition etc. The analysis of individual examples is followed by suggestions for a possible upgrading of modernist residential buildings in the historic core of Belgrade.
Upgrading the built environment and residential space is inevitable and necessary because residential space reflects
the lifestyle, daily needs and dwelling culture of a particular environment, the individuals social status and the relationship
between the individual and the community. In addition, the attitude of the designers of these buildings towards the heritage
is also identifiable, as well as the current attitude of institutions and society towards the legacy of modernism.

ILLUSTRATIONS
Fig. 1 Belgrade master plan of 1867 (photo source: Dijana MilainoviMari, Vodi kroz modernu arhitekturu Beograda, Belgrade 2002)
Fig. 2 Architect Vojislav Zadjina, Residential building, 22 Ivankovaka
Street (1928) (photo source: Milo R. Petrovi, Srpska arhitektura XX
veka, Belgrade 2004)
Fig. 3 Architect Branislav Koji, Residential building of Svetozar
Milojevi, 16 Majke Jevrosime Street (1930) (photo source: Sneana
Toeva, Branislav Koji, Belgrade 1998)

Fig. 8 Architect Milorad Macura, Residential building, 5355 Krunska

Street (1955) (photo source: Dijana Milainovi-Mari, Vodi kroz
modernu arhitekturu Beograda, Belgrade 2002)
Fig. 9 Architect Milorad Macura, Residential building of Voar
Company, corner of Katieva and 37 Biraninova streets (1956) (photo
by the author, May 2004)
Fig. 10 Three variants are shown here:

Fig. 4 Architect Branislav Koji, Residential building, 28 Mavanska

Street (1932) (Sneana Toeva, Branislav Koji, Belgrade 1998)

A Variant with a pass-through family room termed dining room and a

kitchen section, accessed from the stairway via an open terrace

Fig. 5 Architect Dragia Braovan, Mixed office/residential building

of the Beoin Cement Factory Pension Fund, 21 Brae Jugovia Street
(1934) (photo source: Dijana Milainovi-Mari, Vodi kroz modernu
arhitekturu Beograda, Belgrade 2002)

B Variant appearing later in the interwar period as an updated and

elaborated version of Type A

Fig. 6 Architect Branislav Koji, Residential building of Dr Dragutin

Djuri, 7 Prizrenska Street (193337) (photo source: Sneana Toeva,
Branislav Koji, Belgrade 1998)
Fig. 7 Architect Momilo Belobrk, Residential building of Ljubomir
Miladinovi, 68 Svetogorska Street (1938) (photo source: Dijana Mila
inovi-Mari, Vodi kroz modernu arhitekturu Beograda, Belgrade 2002)

101

C Compacted variant as a result of a lower standard of living, rarely

occurring in Belgrade
(typology and illustrations from: Stan u Beogradu, Prof. Mate Bajlon,
1975 Arhitektura-Urbanizam 74/77 (Belgrade 1975), pp. 23 and 42)
Fig. 11 Example of additions to a modernist residential building,
Gospodar Jevremova Street (source: Dijana Milainovi-Mari, Vodi
kroz modernu arhitekturu Beograda, Belgrade 2002)