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BRITISH FOLK-MUSIC SETTINGS.
(Lovingly and reverenetly dedicated to the memory of Edvard Grieg)
Nr 4. "SHEPHERD'S HEY". MORRIS DANCE TUNE.
(By kind permission of Novello & Co Ltd.)
4 variants, collected by
Cecil J. Sharp
from the playing of the fiddler of the Bidford Morris dances (1906,) J. Mason, (Stow on the Wold,)
W. Hathaway (Cheltenham) & William Wells (Bampton.)
Dished up for piano
by
PERCY ALDRIDGE GRAINGER,
for setting for full band see BRITISH FOLK-MUSIC SETTINGS Nr 16.
for setting for room-music 12-some (flute, clarinet, horn, Cnocertina, &
8 strings) see BRITISH FOLK-MUSIC SETTINGS Nr 3.
See: MORRIS DANCE TUNES [set 2, Nr 4] (Novello & Co Ltd..)
and THE MORRIS BOOK (Novello & Co Ltd.)
both by Cecil J. Sharp & Herbert C. Macilwaine.
All held within the above square is meant to be used in full in programs, where possible.
This setting is not suitable to dance Morris dances to.
All big stretches may be played broken (harped).
FAST. (Presto) MM between 96 and 116
No pedal
(senza ped)
shortish
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3
short
(stacc.)
merrily
The bigger printed notes should
be heard well above the others.
or
(ossia)
louden
or
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chippy louden
hold back
slighty
louden
(or )
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short
short
short
(The bigger printed notes well to the fore and very clingingly)
below a note means that the last pedal is to be raised at the moment of striking the keys and pressed down again
as fast as possible

P
smooth
No pedal
short

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w
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louden richly louden quickly
don't break these
short
top note
It doesn't matter exactly what
note the glissando ends on.
short
hold back
Bumpingly
or
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Clangingly
bright
lots
Quicken to the end.
huge
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s
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(
n
o
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t
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f
a
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t
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o
n
w
h
i
t
e
k
e
y
s
(
g
lis
s
, n
o
n
tr
o
p
p
e
p
r
e
s
to
)
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8
or
firmly
hold back
slightly
Fast
long
long
very fast
or

Begin (as low as possible) & end (as


high as possible) on any notes

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