Dr. Pavel Shlossberg's research documents traditional dances and masking customs in central Michoacan, Mexico. His work examines how knowledge about masks is often inaccurately portrayed through myths that obscure the craft's origins. Debates over authentic versus tourist arts shed light on how indigenous, mestizo, and Anglo groups negotiate concepts like tradition, authenticity, and cultural change in the region. Dr. Shlossberg is an assistant professor who will be discussing his community-based research on this topic.
Dr. Pavel Shlossberg's research documents traditional dances and masking customs in central Michoacan, Mexico. His work examines how knowledge about masks is often inaccurately portrayed through myths that obscure the craft's origins. Debates over authentic versus tourist arts shed light on how indigenous, mestizo, and Anglo groups negotiate concepts like tradition, authenticity, and cultural change in the region. Dr. Shlossberg is an assistant professor who will be discussing his community-based research on this topic.
Dr. Pavel Shlossberg's research documents traditional dances and masking customs in central Michoacan, Mexico. His work examines how knowledge about masks is often inaccurately portrayed through myths that obscure the craft's origins. Debates over authentic versus tourist arts shed light on how indigenous, mestizo, and Anglo groups negotiate concepts like tradition, authenticity, and cultural change in the region. Dr. Shlossberg is an assistant professor who will be discussing his community-based research on this topic.
Join us as Pavel Shlossberg discusses his community-based ethnographic and oral-historical research. Dr. Shlossbergs work documents contemporary danzas, such as the pastorelas, and related masking customs in central Michoacan. His work also examines how knowledge about masks and masking is often falsied in popular and scholarly work through the repetition of colorful myths that envelop the craft and the disavowal of items produced for the tourist and curio markets as inauthentic and low-grade. Debates over the authenticity of tourist and curio arts shed light on how popular and elite, indigenous, mestizo, and Anglo actors in central Michoacan construct and contest relations of class, race, and inequality as they negotiate the meanings of tradition, ethnic authenticity, globalization, and cultural change. Pavel Shlossberg is an assistant professor in the M.A. Program in Communication and Leadership Studies at Gonzaga University in Spokane, Wash. A book based on his research is forthcoming from the University of Arizona Press. Thursday, Jan 30, 2014 Niles Gallery, Fine Arts Library 3:30 to 5:00 pm passport.as.uky.edu Sponsored by the Latin American, Caribbean, and Latino Studies program.
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