grandfather as the hero of the film. However, unlike other elderly action heroes, such as those in recent Hollywood films (Gran Torino, Indiana Jones and Rocky Balboa), Eric is not strong: he is a fragile, grey- haired grandfather struggling to survive. The mens lives centre on football and the pub. However, the stereotypical image of the working-class football thug is transgressed as the fans come together as a community to bring down the demise of the gang overlord, using print rather than violence to do so. In the opening sequence, Eric drives round a roundabout several times, eventually crashing his car into the side of the road. This expresses his feeling of entrapment. The film represents the White British working class as a struggling underclass. The men form close- knitted communities who joke about in order to keep themselves alive. They idolise Cantona and it is this idolisation that leads them to succeed in destroying the violence and crime at the heart of their community Lily and Sam have both brought up their children alone and yet have not been faze by this. They live in poverty: Erics kitchen is a mess and there are a large number of people living in his small house. When the men meet in Erics living room, they read from a self-help guide, books typically targeted at women. Erics children are easily corrupted by the world of gang violence and/or drugs; he lacks control over them. The men lack father figures and role models. That is until Cantona appears and trains him to be strong again. This emphasises the need for strong role models for men and questions the roles of most celebrity figures. Women do not fall at the feet of men: instead they expect men to prove themselves to be of worth Traditionally, the masculine image was one of power and logic; however, Eric represents the new castrated man- stuck in a society which teaches him there is no use for the old masculine ways and emphasises that he should care about emotions and feelings. Lilys new life is much more organised and successful compared to Erics, who from the beginning of the film is represented as a fragile mess The men in Looking for Eric are weak. Eric fantasises about his previous life with Lily; his emotions have the better of him and prevent him from being a strong, masculine her. Women in Looking for Eric are strong Erics inability to be a good, strong father figure leads his sons to be disaffected; however the film is a masculine rite of passage following a new mans attempt to regain traditional masculine domination. The youth in Looking for Eric is misguided, desperately seeking role models. Ryan looks for this role model in the gang overlord, who is able to offer him the promise of an escape route from his poverty- a life he thought he could only dream about. As Ryan is dragged into the dark underworld of gang crime, he reveals that inside, he is just a scared little boy, not the strong, aggressive character he projects to Eric. Interestingly, the film subverts the traditional ethnic stereotypes: Jesse, the Black teenager is mild-mannered and well-behaved, whilst Ryan, who is White, turns to crime. This goes against the stereotypical image of Black gun crime seen in other films. Sam is studying at university and graduates at the end of the film Eric is symbolic of the everyman that society has forgotten and serves as an image of wish-fulfilment for the audience, that they too can be heroic- anyone can, if we just pluck up the courage.