Lost Season 1 Episode 4

Walkabout
Scene 1~ At the beach/Fuselage
MICHAEL Walt, you gotta keep that dog u!et"
WAL# I don$t kno% %hat$s %&ong %!th h!'" Co'e on, (!ncent,
1
cut that out"
MICHAEL So&&y, hey, so&&y, so&&y"
)A#E What !s !t*
CLAI+E So'ebody$s !n the&e"
SA,I- E.e&yone !n the&e$s dead"
/AC) Sa%ye&"
SAW,E+ +!ght beh!nd you, /ackass"
)A#E /ack*
SAW,E+ I$' gonna shed so'e l!ght on th!s th!ng"
/AC) +un"
H0+LE, 1h c&ud, no% %hat*
SA,I- #hey$&e gone"
CHA+LIE What the bloody hell %as that*
L1C)E
2
Boars"
/AC) #hose boa&s %e&e look!ng to 3eed" We ha.e to get &!d o3 the bod!es"
CHA+LIE
4
Bury the'* #he&e$s a %hole
5
bunch !n the&e"
SA,I- Mo&e than t%enty"
6
Digg!ng %!ll be d!33!cult %!thout
7
shovels"
/AC) We$&e not bu&y!ng the'" We need to
8
burn the'"
)A#E #hey$&e people"
/AC) I kno% they$&e people, )ate"
SA,I- 9u&n!ng the
:
remains, they
;
deserve bette& than that"
/AC) 9ette& than %hat* 9e!ng eaten by
1<
wild an!'als* 9ecause that$s %hat$s go!ng to happen" Any
bod!es %e bu&y a&e not go!ng to stay bu&!ed 3o& .e&y long" Look, I kno% th!s see's
11
harsh, but
that
12
fuselage !n the sun = !t$s not about %hat they dese&.e" #hey$&e gone, and %e$&e not"
SA,I- What you say 'ay be t&ue, but 3o& us to
14
decide ho% these people a&e
15
laid to rest = !t$s not
&!ght" >o
16
regard 3o& the!& %!shes, the!&
17
religions"
/AC) We don$t ha.e t!'e to
18
sort out e.e&ybody$s god"
CHA+LIE +eally, last I hea&d %e %e&e pos!t!.ely 'ade o3 t!'e"
/AC) Look, I$' not happy about !t e!the&, but %e
1:
crashed a thousand '!les o33 cou&se" #hey$&e
look!ng 3o& us !n the %&ong place" It$s been 5 days, no one$s co'e" #o'o&&o% 'o&n!ng %e
need e.e&yone to sta&t
1;
gather!ng up %ood, d&!ed
2<
brush, and tu&n that 3uselage !nto a
21
furnace" Wa!t unt!l the sun goes do%n to'o&&o% n!ght be3o&e %e sta&t the 3!&e"
CHA+LIE I3 he$s so
22
eager to bu&n the bod!es %hy a&e %e %a!t!ng unt!l sundo%n*
)A#E He$s hop!ng so'eone %!ll see !t"
1
Scene 2~ 1n the beach
)A#E Looks l!ke I$' not the only %ho couldn$t sleep last n!ght"
SA,I- #he&e a&e bette& th!ngs to do %!th 'y t!'e than
24
collect 3!&e%ood"
)A#E ,ou don$t ag&ee %!th /ack" What a&e you 'ak!ng*
SA,I- #oo soon to talk about" I$' not su&e !t %!ll e.en %o&k"
)A#E ,ou$&e t&y!ng to p!ck up the t&ans'!ss!on a&en$t you* #he one %e hea&d on the t&ansce!.e&"
SA,I- I3 the F&ench %o'an$s t&ans'!ss!on has t&uly been play!ng on a loop 3o& 17 yea&s then the&e
'ust be a po%e& sou&ce on the !sland, a
25
significant one"
)A#E And you can 3!nd !t*
SA,I-
26
Hypothetically, yes" I$' 'ak!ng an
27
antenna o3 so&ts" W!th a 3e% o3 these
28
mounted at
d!33e&ent po!nts on the !sland I 'ay be able to use the t&ansce!.e& to
2:
triangulate the s!gnal,
3!nd out %he&e !t$s co'!ng 3&o'"
)A#E So %hat can I do to help*
SA,I- It appea&s you a&e as
2;
anxious to get o33 th!s !sland as I a'"
Scene 4~ 1n the beach
WAL# ?ood boy, good @ob (!ncent"
MICHAEL Hey, hey, %he&e you go!ng 'an*
WAL# >o%he&e, I @ust thought IAd see %hat M&" Locke %as do!ng"
MICHAEL Hey, %hy donAt you help you& dad %!th the %ood* IA' su&e M&" Locke doesnAt %ant a k!d
4<
hang!ng around h!' all day any%ay"
WAL# At least he talks to 'e" Co'e on, (!ncent"
Scene 5~ 1n the beach
H0+LE, WhatAs you& p&oble'* Hand the' o.e&"
SAW,E+ Ho% about no*
H0+LE, #he&eAs othe& people he&e o& donAt you g!.e a c&ap*
SAW,E+ Well !3 one o3 us %ouldnAt eat 'o&e than h!s 3a!& sha&e" " "
H0+LE, 1h thatAs bull and you kno% !t" ,ouA&e not happy unless youA&e
41
screw!ng over e.e&ybody" " "
SAW,E+ Hey, I$'
42
peachy, po&k p!e"
/AC) ?uys,
44
knock it off"
SAW,E+ Stay out o3 th!s
45
metro"
/AC) WhatAs go!ng on*
H0+LE, /eth&o he&eAs
46
hoard!ng the last o3 the peanuts"
SAW,E+ My o%n
47
stash" I 3ound !t !n the&e"
/AC) What about the &est o3 the 3ood*
H0+LE, #he&e !s no &est o3 the 3ood, dude" We k!nd o3 BB ate !t all"
SHA>>1> What*
/AC) 1kay e.e&ybody, @ust
48
calm down"
2
SA,I- We can 3!nd 3ood" #he&e a&e plenty o3 th!ngs on th!s !sland %e can use 3o&
4:
sustenance"
SAW,E+ And eCactly ho% a&e %e go!ng to 3!nd th!s sustenance"
L1C)E We hunt"
)A#E Ho%Ad you get that kn!3e on the plane*
L1C)E
4;
Checked it"
/AC) ,ou e!the& ha.e .e&y good
5<
aim, o& .e&y bad a!', M&"" " ""
MICHAEL Locke" H!s na'e !s Locke"
/AC) 1kay M&" Locke, %hat !s !t that %eA&e hunt!ng*
L1C)E We kno% the&e a&e %!ld boa& on the !sland"
51
Razorbacks, by the look o3 the'" #he ones that
ca'e !nto the ca'p last n!ght %e&e
52
piglets, 1<<, 16< pounds each, %h!ch 'eans that the&eAs a
'othe& nea&by" A 26< pound &at, %!th
54
scimitarBl!ke
55
tusks, and a
56
surly
57
disposition, %hoAd
lo.e noth!ng 'o&e than to
58
eviscerate anyth!ng that co'es nea&" 9oa&As usual 'ode o3 attack !s
to c!&cle a&ound and
5:
charge 3&o' beh!nd so I
5;
figure !tAll take at least th&ee o3 us to
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distract
he& long enough 3o& 'e to
61
flank one o3 the p!glets, p!n !t, and
62
slit !tAs th&oat"
SAW,E+ And you ga.e h!' h!s kn!3e back*
/AC) Well, !3 youA.e got a bette& !dea"
SAW,E+ 9ette& than the th&ee o3 you
64
wander!ng !nto the 'ag!c 3o&est
65
to bag a
66
hunk o3 ha' %!th
noth!ng but a
67
little bitty hunt!ng kn!3e* Hell no, !tAs the best !dea I e.e& hea&d"
H0+LE, Who !s th!s guy*
F!"HB!C#
L1C)E ,es*
?L12
68
Colonel Locke !s th!s l!ne
6:
secure*
L1C)E L!ne secu&e ?L12, go ahead"
?L12 #a&get a&ea !s
6;
ac$uired"
7<
%aneuvers a&e a go 3o& 14D << hou&s" +epeat %e a&e a go"
L1C)E
71
Roger that" WeAll
72
convene at the usual
74
rendezvous po!nt at 14D<< hou&s"
+A>-, Locke" I told you I need those #ES &epo&ts done by noon today" >ot 12D4<, not 12D16, noon"
L1C)E I hea&d you the 3!&st t!'e, +andy"
+A>-, And no pe&sonal calls du&!ng o33!ce hou&s, Col"
F!"HB!C# &nds
Scene 6~ 1n the beach
/AC) So* Hunt!ng boa&, no%, huh*
)A#E Who says !tAs 'y 3!&st t!'e boa& hunt!ng*
/AC) 0hBhuh" #ell 'e so'eth!ng, ho% co'e e.e&y t!'e the&eAs a
75
hike !nto
76
the heart of da&kness
you
77
sign up* ,ou kno% %hatAs !n the&e"
)A#E
78
!ctually, I donAt" And ne!the& do you"
/AC) WhatAs you& 3eel on ou& ne% 3&!end*
)A#E See's to kno% %hat heAs do!ng"
/AC) Call 'e
7:
paranoid, but anyone %ho
7;
packs a su!tcase 3ull o3 kn!.es*
)A#E
8<
'f ' didn(t know any better, IAd say you& %o&&!ed about 'e, /ack"
3
/AC) I3 I d!dnAt kno% any bette&, IAd say you ha.e a p&oble' stay!ng !n one place 3o& .e&y long, )ate"
So, you %ant to tell 'e %hy youA&e &eally go!ng*
)A#E Say!d ga.e 'e th!s so he can t&!angulate the
81
distress s!gnal %e hea&d BB 3!nd the sou&ce"
/AC) #h!s !snAt about boa&s"
)A#E IA' a
82
vegetarian"
Scene 7~ 1n the beach
WAL# 9ut, %hy can$t I co'e*
MICHAEL 9ecause I sa!d so"
F#o SunG H!, h!, eCcuse 'e" 0', I a' go!ng o33, a%ay, to hunt, and
u', I %as
84
wonder!ng !3 you could
85
keep an eye on 'y boy, Walt"
And, I$' M!chael" Any%ay, could you %atch h!' 3o& 'e, unt!l I
co'e back*
S0> 1h" I$ll keep a good eye on you& son"
MICHAEL So&&y I don$t unde&stand, but you$&e
86
cool with th!s, &!ght*
WAL# I don$t need a
87
babysitter"
MICHAEL Co'e on, (!ncent needs you he&e" And, hey, chee& up" #h!s %!ll g!.e 'e a chance to get to
kno% you& 3&!end M&" Locke a l!ttle bette&"
S0> -on$t %o&&y" ,ou& 3athe& %!ll be 3!ne"
WAL# ,eah, %hate.e&"
Scene 8~ 1n the beach
CLAI+E ECcuse 'e" -octo&*
/AC) Cla!&e, &!ght* Ho%$s the H"
CLAI+E 1h, he$s good, yeah, thanks" 0', I thought 'aybe you should see
th!s" So'eone 3ound !t !n the&e" #hey$&e collect!ng all the
88
belongings" #hey$&e %edd!ng plans 3o& Ste.e and )&!st!n" #hey
%e&e on the plane s!tt!ng a couple o3
8:
rows beh!nd 'e" I &e'e'be&
because they looked so happy"
/AC) I don$t unde&stand, Cla!&e, %hat a' I supposed to do %!th th!s*
CLAI+E 1h, %ell, u', so'e o3 us %e&e %onde&!ng !3 'aybe %e should do so'e k!nd o3
8;
memorial
se&.!ce, o& so'eth!ng" ,ou could lead !t"
/AC) 0h, no, I don$ th!nk !t" " "
CLAI+E Well, you kno%, @ust a 3e% %o&ds, o& %e could @ust &ead the!& na'es 3&o' passpo&ts, and
d&!.e&s" " "
/AC) Look, !t$s not 'y th!ng"
CLAI+E 1h, okay" Maybe I$ll do !t"
/AC) ,eah, sounds 3!ne" Whate.e& e.e&ybody %ants"
Scene :~ 1n the beach
911>E #hat %o'an$s st!ll s!tt!ng the&e"
4
SHA>>1> M''h'''"
911>E He&
:<
husband %as on the plane"
SHA>>1> +!ght"
911>E A&e you e.en l!sten!ng to 'e*
SHA>>1> What$s a 3ou& lette& %o&d 3o& II don$t ca&e"$
911>E I @ust th!nk so'ebody should go talk to he&"
SHA>>1> I
:1
nominate you, Capta!n A'e&!ca" ,ou @ust can$t help you&sel3, can you*
911>E ,eah, %ell, at least you don$t ha.e to %o&&y about
:2
starving %!th 'e tak!ng ca&e o3 you"
SHA>>1> I$' not go!ng to sta&.e"
911>E +!ght, %hat a&e you go!ng to eat*
SHA>>1> #he ocean$s 3ull o3 3!sh"
911>E I hate to
:4
break !t to you = the ocean !s not go!ng to take you& gold ca&d"
SHA>>1> ,ou &eally don$t th!nk I can$t
:5
catch a 3!sh*
Scene ;~ In the @ungle
)A#E ,ou 3!nd so'eth!ng*
L1C)E #he
:6
ground he&e has been
:7
rooted up" #hat$s ho% boa&s get the
:8
ma)ority o3 the!& 3ood, they d!g"
::
!fterwards they
:;
generally
;<
wallow !n the
;1
dirt,
;2
rub up aga!nst the t&ees,
;4
scoring the' %!th
the!& tusks"
MICHAEL 1kay" So %hat$s all that 'ean*
L1C)E Means %e$&e close"
Scene 1<~ >ea& the beach
SHA>>1> H!"
CHA+LIE H!" Shannon, &!ght*
SHA>>1> ,eah" A&e you do!ng anyth!ng*
CHA+LIE Me* >o, I %as @ust, uh" What a&e you do!ng*
SHA>>1> I %as @ust go!ng to go 3o& a %alk" -o you %ant to co'e*
CHA+LIE ,eah, ,es, su&e"
SHA>>1> Can I ask you so'eth!ng*
CHA+LIE 1h, I %onde&ed %hen th!s %as go!ng to co'e up" ,es, I$' the bass gu!ta&!st !n -" " "
SHA>>1> -o you kno% anyth!ng about 3!sh!ng*
CHA+LIE What* F!sh!ng* My g&andBdad used to take 'e out, taught 'e e.e&yth!ng he kno%s"
E.e&yth!ng he kne%, he$s dead no%" ?od &est h!s soul" ,eah, I$' l!ke a" " " I$' a 3!sh!ng
;5
fiend"
I 'ean England$s an !sland so I @ust th&o% !t !n and" " " 3!sh"
SHA>>1> ?ood"
Scene 11~ 1n the beach
911>E Hey doc, you
;6
got a second*
5
/AC) WhatAs up*
911>E #he %o'anAs been s!tt!ng o.e& the&e by he&sel3" Maybe sheAs ha.!ng t&ouble deal!ng %!th he&
husband* I donAt th!nk sheAs had anyth!ng to eat o& d&!nk" #h!nk 'aybe you can go talk to he&*
/AC) Why 'e* IA' not a
;7
psychiatrist" I 'ean, 'aybe you should" " "
911>E I @ust thought you '!ght %ant to do !t" ,ouA&e the one that sa.ed he& l!3e"
Scene 12~ 1n the beach J/ack and +oseK
/AC) H!" +ose, &!ght* +e'e'be& 'e, seat 24A* IA' the guy that told you
not to %o&&y about the
;8
turbulence" E.e&ybodyAs gett!ng p&etty
%o&&!ed about you, +ose" I3 you %ant to be alone thatAs 3!ne, but you
ha.e to take ca&e o3 you&sel3" ,ou should &eally d&!nk" 1kay" We
donAt ha.e to talk" LetAs @ust s!t 3o& a %h!le"
Scene 14~ In the @ungle
)A#E ,ou& son, ho%$s he
;:
handling all o3 th!s*
MICHAEL A hell o3 a lot bette& than I a'"
)A#E ,ou 'ust be
;;
proud" He$s a
1<<
brave k!d"
MICHAEL ,eah" I can$t
1<1
take credit 3o& that" I %asn$t pa&t o3 h!s l!3e"
#!ll h!s 'othe&
1<2
passed away, t%o %eeks ago"
)A#E I$' so&&y" I d!dn$t kno%"
MICHAEL #hat$s okay" #hey %e&e l!.!ng !n Sydney the past couple o3 yea&s" I 3le% out last %eek, you
kno%, to go get h!'" What %e&e you do!ng !n Aust&al!a*
L1C)E Shhh"
MICHAEL Hey, u!t g!.!ng us the
1<4
steal signal"
)A#E He$s bad"
F!"HB!C#
?L12 Mo.e" ,ouA.e got to 'o.e Colonel ,ou&
1<5
troops a&e ac&oss
1<6
enemy l!nes"
L1C)E
1<7
*atience, the
1<8
$uality %h!ch you
1<:
lack, ?L12, !s the
1<;
hallmark o3 a leade&"
+A>-, Hall'a&k, huh* #ell 'e 'o&e about be!ng a leade&, Locke" Wh!le
youA&e at !t, tell 'e about th!s Col" th!ng" I
11<
perused you& 3!le !n
111
human resources, youA.e ne.e& been !n any o3 the
112
armed
forces"
L1C)E IA' @ust play!ng a ga'e, +andy" ItAs 'y lunch hou&, I can play a ga'e"
+A>-, Well, tell 'e, %hatAs a
114
+alkabout* L
115
&xperience the d&ea'
116
)ourneys o3 the
117
fabled
Aust&al!an
118
,utback"L
L1C)E ,ou ha.e no &!ght tak!ng that o33 'y desk"
+A>-, So, you %ande& a&ound hunt!ng and gathe&!ng 3ood, &!ght* 1n 3oot*
L1C)E >ot that you %ould unde&stand, but a Walkabout !s a @ou&ney o3
11:
spiritual
11;
renewal, %he&e
one
12<
derives
121
strength 3&o' the ea&th and beco'es
122
inseparable 3&o' !t" I ha.e .acat!on
days, IA' go!ng, +andy" IA.e al&eady 'ade a
124
reservation"
6
?L12 Wo%" /ohn youA&e &eally do!ng !t, huh* ,ou tell Helen yet*
+A>-, Helen* Well, %hatAs th!s Locke, youA.e actually got a %o'an !n you& l!3e"
L1C)E #hatAs none o3 you& bus!ness"
+A>-, What !s !t %!th you Locke* Why do you
125
torture you&sel3* I 'ean,
126
imagining youA&e so'e
hunte&* Walkabouts*
127
+ake up, you canAt do any o3 that"
L1C)E >o&'an C&ouche&"
+A>-, What* >o&'an %hat*
L1C)E >o&'an C&ouche&" >o&'an C&ouche&, double
128
amputee, no legs" He cl!'bed to the top o3 Mt"
E.e&est" Why* It %as h!s
12:
destiny"
+A>-, #hatAs %hat you th!nk youA.e got, old 'an* -est!ny*
L1C)E /ust donAt tell 'e %hat I canAt do"
F!"HB!C# &nds
Scene 15~ In the @ungle
)A#E He$s hu&t" /ohn* Can you hea& 'e* Locke* /ohn you okay* Locke*
L1C)E I$' 3!ne" I$' 3!ne Helen, I @ust
12;
got the wind knocked out of 'e !s all"
)A#E Helen*
L1C)E What*
)A#E ,ou called 'e Helen"
L1C)E -!d I* Wh!ch %ay d!d that boa& go*
)A#E M!chael$s hu&t" We ha.e to get h!' back to ca'p"
L1C)E ,eah, you take h!' back to ca'p" I$' go!ng to get that boa&"
)A#E What a&e you talk!ng about*
L1C)E I$' 3!ne" I can do th!s"
)A#E /ohn, you can$t"
L1C)E -on$t tell 'e %hat I can$t do"
Scene 16~ In the ocean
CHA+LIE -!d you get !t*
H0+LE, -ude, u!t ask!ng 'e that"
CHA+LIE So&&y" ,ou, you sa!d you kne% ho% to 3!sh"
H0+LE, ,eah, o33 the Santa Mon!ca
14<
pier %!th 'y old 'an and a 3!sh!ng pole and
141
bait" >e.e& had to
t&y and
142
poke one %!th a
144
sharp
145
stick"
CHA+LIE Well, I &eally
146
appreciate you t&y!ng to help 'e out, thanks"
H0+LE, Anyth!ng to keep 'e 3a& a%ay 3&o' that 3uselage and that 3&eak!n$
147
redneck
148
)erk" C&ap,
c&ap, c&ap, son o3 a" " "
CHA+LIE Can I ha.e a go*
H0+LE,
14:
#nock yourself out" He&e co'es one" Eut you& %e!ght !nto !t" >o%, you see !t* Wa!t 3o& !t,
%a!t" " " no%" -ude, you$.e got to t&y to p!n !t"
CHA+LIE ,ou see ho% close I %as* >o, you @ust ha.e to co&ne& !t"
7
Scene 17~ 1n the beach
CLAI+E ECcuse 'e, you& na'e$s Say!d, &!ght*
SA,I- ,es"
CLAI+E I @ust 3ound th!s" It$s got you& na'e on !t"
SA,I- I thought I$d lost th!s" #hank you"
CLAI+E Su&e"
Scene 18~ 1n the beach
+1SE H!s 3!nge&s
14;
swell"
/AC) So&&y*
+1SE 9e&na&d, 'y husband, h!s hands s%ell up %hene.e& %e 3ly"
/AC) #he
15<
altitude"
+1SE He sta&ted ha.!ng 'e hold onto h!s %edd!ng &!ng %hene.e& %e took a plane t&!p" Al%ays %o&e
!t a&ound 'y neck 3o& sa3e keep!ng, @ust unt!l %e landed" ,ou kno%, docto&, you don$t ha.e to
keep you& p&o'!se"
/AC) E&o'!se*
+1SE #he one you ga.e 'e on the plane" #he one you 'ade 'e = to keep 'e co'pany unt!l 'y
husband got back 3&o' the &est&oo'" I$'
151
letting you off the hook"
/AC) Well, you$&e not go!ng to get &!d o3 'e that eas!ly" +ose, you shouldn$t be out he&e alone"
,ou$&e
152
suffering 3&o'
154
*ost -raumatic "hock"
+1SE A&en$t %e all*
/AC) ,eah, I guess %e a&e"
+1SE ,ou ha.e a n!ce %ay about you" A good
155
soul, pat!ent, ca&!ng" I suppose that$s %hy you
beca'e a docto&"
/AC) #hanks but I %as @ust k!nd o3 bo&n !nto !t" Fa'!ly bus!ness"
F!"HB!C#
L1C)E I ha.e ne.e& 3elt so al!.e" ?ett!ng to 3!nally
156
tell +andy off %as" " "
l!3e chang!ng" I 'ean !t, no% IA' 3&ee to do all those th!ngs I e.e&
%anted to do" #h!ngs that I kno% I %as dest!ned to do, l!ke %e talked
about Helen"
HELE> #hatAs %onde&3ul /ohn" IA' happy 3o& you, &eally"
L1C)E I ha.enAt e.en told you the best pa&t" ,ou &e'e'be& the
157
authentic
158
aboriginal Walkabout*
HELE> Su&e" #hatAs all youA.e talked about 3o& %eeks"
L1C)E ,eah, %ell, IA' go!ng to do !t" IA' 3ly!ng to Aust&al!a at the end o3 the %eek" And IA.e, uh, I
bought t%o t!ckets" Helen*
HELE> /ohn, %eA.e talked about th!s" I l!ke you and IA.e en@oyed talk!ng %!th you these past 3e%
'onths"
L1C)E : 'onths"
8
HELE> IA' not
15:
allowed to 'eet custo'e&s"
L1C)E Custo'e&* Is that %hat I a' to you*
HELE> #h!s !snAt &eally
15;
normal" I 'ean, !t !snAt %hat I do" I donAt kno%, 'aybe you should 3!nd a" " " I
donAt kno%" " " a
16<
therapist*
L1C)E I ha.e a the&ap!st"
HELE> /ohn"
L1C)E I thought you unde&stood Helen" ,ou kno% 'e bette& than anyone"
HELE> /ohn, !3 %e talk any longe&, IA' go!ng to ha.e to cha&ge you 3o& anothe& hou&" #hatAs anothe&
M:;";6 and " " "
L1C)E Look, I donAt ca&e about the 'oney" I @ust" " "
HELE> IA' so&&y /ohn, IA.e got to go"
L1C)E Helen, Helen" HelenN
F!"HB!C# &nds
Scene 1:~ In the @ungle
)A#E Hey, hey %a!t a '!nute" +est he&e 3o& a '!nute"
MICHAEL I thought the guy %!th the
161
gimpy leg should be dec!d!ng %hen %e
&est" What a&e you do!ng*
)A#E #&y!ng to
162
boost the t&ansce!.e& s!gnal" I$' go!ng to cl!'b th!s t&ee
and
164
attach the antenna"
MICHAEL ,ou$&e go!ng to cl!'b that*
)A#E ,eah" -on$t %o&&y" I$.e cl!'bed a lot %o&se" Locke"
Scene 1;~ 1n the beach
SAW,E+ Hey, uh, these %e&e, u'" I 3ound these the othe& day %hen I %as
" " Al&!ght, @ust, @ust take the'"
CLAI+E #hank you"
Scene 2<~ 1n the beach
WAL# What !s that* 1h, I get !t" ItAs l!ke toothpaste" Ch!a*
Jtalk!ng to M!chaelK-ad*
H0+LE, So, l!ke, %hat happened out the&e*
WAL# ,ou& leg$s all
165
messed up" -oes !t hu&t*
MICHAEL It$s okay, not as bad as !t looks"
SAW,E+ #he '!ghty
166
huntress &etu&ns" What$s 3o& d!nne&, hun" " "
)A#E >ot no%"
WAL# So, !t %as l!ke a boa& 3!ght*
MICHAEL >ot too 'uch o3 a 3!ght" It %as 'o&e l!ke 'e gett!ng
167
gored"
WAL# So, u', %he&e$s M&" Locke*
Scene 21~ 1n the beach
9
911>E I don$t th!nk the hunt %ent .e&y %ell" #he
168
bald guy ne.e& ca'e back"
SHA>>1> Wa!t, they d!dn$t b&!ng back any 3ood at all*
911>E -!d you hea& %hat I @ust sa!d* So'ebody '!ght ha.e d!ed out the&e"
SHA>>1> Well, %e$&e all go!ng to d!e !3 so'ebody doesn$t do so'eth!ng"
CHA+LIE #he&e you a&e" As p&o'!sed, you and I %!ll be d!n!ng o3
16:
fresh catch o3 the day"
SHA>>1> 1h 'y godN
CHA+LIE I hope you don$t '!nd
16;
al fresco" It %as no p&oble'" ,ou kno% %hat, that one actually ga.e
'e a hell o3 a
17<
tussle, but you ha.e to get !ns!de the '!nd o3 the 3!sh, you kno%"
911>E I don$t bel!e.e you"
CHA+LIE I got !t !n the
171
shallows, I co&ne&ed !t"
SHA>>1> What$s the 'atte&* Can$t stand to see 'e
172
fend!ng 3o& 'ysel3*
911>E I$' so&&y, se&!ously"
CHA+LIE >o, !t$s okay"
SHA>>1> What a&e you
174
apologizing to h!' 3o&*
911>E Fo& you" Fo& us!ng h!' = us!ng th!s
175
poor guy l!ke you use e.e&yone else"
SHA>>1> 1h, %hate.e&"
911>E So'e%he&e !n that
176
twisted l!ttle b&a!n, you th!nk th!s
177
proves that you can take ca&e o3
you&sel3"
SHA>>1> I told you I$d catch a 3!sh, d!dn$t I*
911>E #hat$s lo% Shannon, e.en 3o& you"
SHA>>1> 1h, go
178
rescue a baby b!&d o& so'eth!ng"
Scene 22~ 1n the beach
/AC) +ose, a3te& the sun goes do%n, %e$&e go!ng to bu&n the 3uselage" It$s @ust so'eth!ng that %e
ha.e to do" #he&e$s go!ng to be a 'e'o&!al se&.!ce back at the ca'p 3o& those = 3o& those %ho
d!dn$t 'ake !t, 3o& e.e&yone to say goodbye"
+1SE I$d l!ke to be the&e 3o& that"
/AC) 1kay" Maybe !3 you$d l!ke to say so'eth!ng, you kno%,
about you& husband"
+1SE What*
/AC) I$' @ust say!ng !3 you %anted to say goodbye to 9e&na&d"
+1SE -octo&, 'y husband !s not dead"
/AC) +ose, he %as !n the ta!l sect!on o3 the plane" It b&oke o33 !n '!dB3l!ght" I$' so&&y, but e.e&yone
%ho %as !n the &ea& o3 the plane$s gone"
+1SE #hey$&e p&obably th!nk!ng the sa'e th!ng about us" -octo&* ,ou co'!ng*
Scene 24~ 1n the beach
)A#E I$' so&&y" I guess should$.e gotten a
17:
warranty"
SA,I- I suppose I$ll @ust t&y aga!n" 13 cou&se, I ha.e no
17;
welding iron, no
18<
rivets,
181
scorched
%!&!ng" And !t see's I 'ust cont!nue to l!e to anyone %ho asks 'e %hat !t !s I$' actually
do!ng"
10
)A#E Say!d, %e$ll t&y !t aga!n"
SA,I- We$ll t&y !t aga!n"
/AC) )ate"
SA,I- ECcuse 'e"
/AC) ,ou okay*
)A#E Is th!s %hen you say OI told you so*P
/AC) >o, I$' not b!g on &ubb!ng !t !n"
)A#E Locke, u'" Locke$s gone" #hat th!ng, !t %as 'o.!ng !n h!s d!&ect!on" #he&e %asn$t t!'e"
What$s go!ng on*
/AC) #he 3uselage !s &eady to go" So'e o3 the othe&s dec!ded, u'" " " I guess the&e$s go!ng to be
so'e %o&ds sa!d o.e& the 3!&e, na'es &ead, I th!nk"
)A#E #hat$s good" I @ust don$t th!nk they$&e &eady to hea& about so'e o3 the th!ngs %e$.e" " " /ack*
/AC) Locke"
Scene 25~ 1n the beach at n!ght
CLAI+E /ud!th Ma&tha WeCle& 3&o' -enton, #Q, guess she %as
go!ng to catch a
182
connecting 3l!ght" 0', she %o&e
184
corrective lenses and she %as an
185
organ dono&, o& at
least %ould ha.e been" Ste.e and )!&sten, I don$t kno%
the!& last na'e, but they %e&e &eally !n lo.e and %e&e
go!ng to be 'a&&!ed" At least, %he&e.e& they a&e no%,
they$&e not alone" " " ".!deo sto&e
186
receipt l!sts he&
187
overdue cha&ges 3o& W!ll!e Wonka and
L!ttle E&!ncess" Looks l!ke he hadn$t t&a.eled 'uch" " " at least as 3a& as I can tell 3&o' h!s
passpo&t"
)A#E ,ou seen /ack*
CLAI+E " " " Wollste!n, Ha&old, seat 24C"
MICHAEL >!ce %o&k"
L1C)E What*
CLAI+E M!ll!cent" " "
MICHAEL #he boa&" >!ce %o&k, you kno%, k!ll!ng !t" /ust thought I should say so'eth!ng" So that th!ng,
the 'onste&, %hate.e&" She sa!d !t %as headed &!ght to%a&ds you" -!d you see anyth!ng* ?et
any k!nd o3 look at !t*
L1C)E >o"
F!"HB!C#
A?E># #he Walkabouts %e
188
arrange he&e a&e not @ust a
18:
stroll th&ough the pa&k" ItAs
18;
trekk!ng
ac&oss
1:<
vast
1:1
stretches o3
1:2
desert,
1:4
rafting bloody
1:5
treacherous %ate&s"
L1C)E Look, youA.e got no !dea %ho youA&e talk!ng to" IA' %ell
1:6
aware o3 %hatAs
1:7
involved, bel!e.e
'e" I p&obably kno% 'o&e than you on the sub@ect"
A?E># In any case, !tAs a t&y!ng
1:8
ordeal 3o& so'eone !n
1::
peak phys!cal cond!t!on, let alone" " "
L1C)E Look, I
1:;
booked th!s tou& a 'onth ago" ,ou$.e al&eady got 'y 'oney"
11
>o%, I
1;<
demand a place on that bus"
A?E># ,ou
1;1
misrepresented you&sel3" " "
L1C)E I ne.e& l!ed"
A?E># 9y
1;2
omission, M&" Locke" ,ou
1;4
neglected to tell us about you& cond!t!on"
L1C)E My cond!t!on !s not an
1;5
issue" IA.e l!.ed %!th !t 3o& 5 yea&s" ItAs ne.e& kept 'e 3&o' do!ng
anyth!ng"
A?E># Look,
1;6
unfortunately !t !s an !ssue 3o& ou& !nsu&ance co'pany" I canAt keep the bus %a!t!ng
any longe&" It !snAt
1;7
fair to the othe& people"
L1C)E Hey, donAt talk to 'e about 3a!&"
A?E># I can get you on a plane back to Sydney on ou&
1;8
dime" #hatAs the best I can do"
L1C)E >o" I donAt %ant to go back to Sydney" Look IA.e been p&epa&!ng 3o& th!s 3o& yea&s" /ust put 'e
on the bus, &!ght no%, I can do th!s"
A?E># >o, you canAt"
L1C)E Hey, hey, donAt you %alk a%ay 3&o' 'e" ,ou donAt kno% %ho youA&e deal!ng %!th" -onAt e.e&
tell 'e %hat I canAt do, e.e&" #h!s !s dest!ny" #h!s !s dest!ny" #h!s !s 'y dest!ny" IA' supposed to
do th!s, da''!t" -onAt tell 'e %hat I canAt do" -onAt tell 'e %hat I canAt" " "
F!"HB!C# &nds
12