THE DELHI SULTANATES WERE A SERIES OF FIVE DIFFERENT
DYNASTIES THAT RULED NORTHERN INDIA BETWEEN 1206 AND 1526. MUSLIM FORMER SLAVE SOLDIERS, OR MAMLUKS, FROM THE TURKIC AND PASHTUN ETHNIC GROUPS ESTABLISHED EACH OF THESE DYNASTIES IN TURN. ALTHOUGH THEY HAD IMPORTANT CULTURAL IMPACTS, THE SULTANATES THEMSELVES WERE NOT STRONG AND NONE OF THEM LASTED PARTICULARLY LONG.
THE DELHI SULTANATES BEGAN A PROCESS OF ASSIMILATION AND ACCOMMODATION BETWEEN THE MUSLIM CULTURE AND TRADITIONS OF CENTRAL ASIA, AND THE HINDU CULTURE AND TRADITIONS OF INDIA, WHICH WOULD LATER REACH ITS APOGEE UNDER THE MUGHAL DYNASTY (1526 - 1857). THAT HERITAGE CONTINUES TO INFLUENCE THE INDIAN SUBCONTINENT TO THIS DAY. FIVE FAMILIES RULED THE DELHI SULTANATES OVER THE CENTURIES: THE MAMLUK DYNASTY (1206 - 1290); THE KHILJI DYNASTY (1290 - 1320); THE TUGHLAQ DYNASTY (1320 - 1414); THE SAYYID DYNASTY (1414 - 1451); AND THE LODI DYNASTY (1451 - 1526). GEOGRAPHY OF DELHI SULTANATE
CULTURE DURING THE DELHI SULTANATE NOBLES WERE LEADERS AND CHOSE THE SULTANS PEOPLE HAD TO LEARN ARABIC, PERSIAN, AND TURKISH TO COMMUNICATE WITH EACH OTHER PEOPLE HAD TO WEAR A TURBINE AND A CAPE TO ENTER A MOSQUE PEOPLE HAD TO PRAY 5 TIMES A DAY MANY WERE IN THE ARMY SINCE THE DELHI SULTANATE'S HATED THE MONGOL ARMIES AND SOUGHT TO DESTROY THEM AND SUCCEEDED MANY TIMES THE GOVERNMENT BUILT MARKETS TO PROMOTE THE GROWTH OF THE MOSQUES
ADMINISTRATION THE ADMINISTRATION SYSTEM OF DELHI SULTANATE WERE DIRECTED AND GOVERNED BY THE QURANIC INJUNCTIONS. THE QURANIC LAW WAS THE SUPREME LAW OF THE EMPIRE. THE CALIPH WAS THE SUPREME SOVEREIGN ACCORDING TO THE ISLAMIC THEORY OF SOVEREIGNTY. ALL MUSLIM KINGS THROUGH THE WORLD WERE HIS SUBORDINATES. THE REAL HEAD OF THE ADMINISTRATION OF DELHI SULTANATE WAS THE KING OR SULTAN HIMSELF.
SOCIETIES/RELIGION OF THE DELHI SUL TANATE PREDOMINANTLY DIVIDED INTO THREE SECTIONS: FOREIGN MUSLIMS, INDIAN MUSLIMS AND HINDUS THE FOREIGN MUSLIMS (ARABS, AFGHANS, PERSIANS, TURKS, ETC.) W ERE CONSIDERED TO BE THE ELITE/RULING CLASS, BUT WERE NOT UNI TED DUE TO CULTURAL DIFFERENCES RESERVED ALL HIGH OFFICES OF THE STATE LOOKED DOWN UPON INDIAN MUSLIMS BECAUSE THEY WERE FORMERL Y LOW-CASTE INDIANS
DIVISIONS WERE MAINTAINED BASED ON PREVIOUS CASTES, NATIO NALITIES, RELIGIOUS SECT, EDUCATION, ETC. SLAVE SYSTEM WAS PREVALENT, HOWEVER SLAVES WERE GIVEN ED UCATION AND OPPORTUNITIES TO RISE UP IN LIFE AN EXAMPLE IS THAT OF QUTUB-UD-DIN AIBAK, WHO WAS THE FOUN DER OF THE MAMLUK SULTUNATE HE WAS FORMERLY A SLAVE OF MOHAMMAD GHORI WOMEN IN MUSLIM SOCIETIES HAD TO OBSERVE THE PURDAH SYS TEM POLYGAMY WAS COMMON MOST MUSLIM WOMEN WERE DEVOID FROM EDUCATION HINDU WOMEN WERE TREATED RELATIVELY BETTER, WITH EDUCATIO N AND RESPECT BEING HIGHLY EMPHASIZED HOWEVER, EVEN HINDU SOCIETIES WERE RIDDLED WITH SOCIAL EVI LS, WITH ACTS SUCH AS WIDOW REMARRIAGE BEING BANNED HINDUS AND MUSLIMS BOTH HAD GOOD HOUSES TO LIVE IN THEY WORE CLOTHES MADE OF SILK, COTTON, WOOD ETC. THE USE OF DIAMONDS, RUBIES AND OTHER PRECIOUS STONES WAS COMMON PARTICIPATION IN SPORTS SUCH AS POLO, HUNTING AND WRESTLIN G WAS DONE BY BOTH MUSLIMS AND HINDUS ARCHITECTURE/MONUMENTS OF THE D ELHI SULTANATE A STRONG TURKISH INFLUENCE US FOUND IN THE BUILDINGS OF THE DELHI SULTANATE VERY INTRICATE AND WELL-APPOINTED ARCHES AND DOMES CO ULD BE FOUND IN TURKISH PALACES QURANIC TEACHES AND FLORAL PATTERNS WERE COMMON HINDU MOTIFS SUCH AS BELLS, FLOWERS AND SWASTIKAS COU LD BE FOUND IN THE BUILDINGS OF THAT TIME PERIOD FAMOUS BUILDINGS INCLUDE THE QUWAT-UL-ISLAM AND THE QUTAB MINAR THE QUWAT-UL-ISLAM WAS FINISHED DURING THE REIGN OF QUTABUDDIN A IBAK, BUT THE QUTAB MINAR WAS FINISHED BY ALTAMASH, HIS SUCCESSO R AND SON-IN-LAW DURING THE KHALJI SULTANATE, ALAUDDIN KHALJI BUILT THE ALAI DARWAZ A INCORPORATED CHARACTERISTICS OF BOTH MUSLIM AND HINDU ART AS MENTIONED BEFORE, THE MONUMENT FEATURED INTRICATE DESIGNS PAT TERNS AND DECORATIONS THE MONUMENTS OF THE TUGHLAQ WERE DIFFERENT FROM THOSE OF THE KHALJI DYNASTY TUGHLAQ ARCHITECTURE FEATURED MORE INTRICATE DESIGNS OF BUILDI NGS, ALTHOUGH THEY WERE NOT AS ORNATE AS THOSE OF THE KHALJIS EXAMPLES INCLUDE THE FEROZABAD PALACE BUILT BY FIROZ SHAH TUGHL UQ AND THE ADILABAD FORT, BUILT BY MUHAMMAD BIN TUGHLUQ THE SAYYIDS AND LODIS DID NOT BUILD HUGE BUILDINGS AND MONUMENT S THEY WERE KNOWN FOR THEIR MAUSOLEUMS AND TOMBS INDUSTRY/TRADE EACH REGIONS OF SUBCONTINENT HAD DIFFERENT TYPES OF INDUSTRIES, BUT MOST POPULAR ONES WERE CARPET INDUSTRY, AND HANDMADE OBJECTS. FLUENT TRADE STARTED AFTER BALBAN(SULTAN) ORDERED PEOPLE TO BUILD ROADS TO SECURE PEOPLE AND MERCHANTS FROM BANDITS. THEY IMPORTED FOREIGN GOODS MORE THAN EXPORTING THEIR GOODS. THERE WERE INTERNAL TRADE AND EXTERNAL TRADE.
INTERNAL TRADE WAS USUALLY WITH NORTH AND SOUTH INDIA, BUT EXTERNAL TRADE WAS MOSTLY OVERLAND TRADE. TRADE ITEMS WERE USUALLY HANDMADE PRODUCTS, SHAWLS, AND CARPETS. MOST OF THE TRADING WAS HIGHLY RISKY DUE TO ROBBERS, DACOITS, AND VARIOUS MARAUDING TRIBES LEARNING/LITERATURE SULTANS AND MANY RULERS PRIORITIZED EDUCATIONS AND LITERATURE, SO THEY PROVIDED SHELTERS AND MANY NEEDS SCHOLARS. SULTANS OF DELHI USUALLY GAVE SERIOUS INTERESTS TOWARDS PROGRESS OF PERSIAN LITERATURE. MOST OF THE BOOKS WERE WRITTEN IN THE FORM OF PROSE, DRAMA, AND POETRY. AS LITERATURES DEVELOPED, VARIOUS LANGUAGES WERE INTRODUCED TO THE DELHI SULTANATE. ART/MUSIC DURING THE PERIOD OF DELHI SULTANATE (1206-1526), THERE WERE VARIOUS TYPES OF MUSIC SUCH AS CARNATIC, AND HINDUSTANI. DUE TO SULTANS LARGE INTERESTS IN CULTURE AND ARTISTIC FEATURES, THESE TWO TYPES OF MUSIC EVOLVED THROUGHOUT THOSE YEARS. MOST OF THE ART IN DELHI SULTANATE CONSISTED ARCHITECTURES. THERE WERE NUMEROUS SULTANS SUCH AS QUTBUDDIN AIBEK OF SLAVE DYNASTY WHO WERE INTERESTED IN MAKING STRUCTURES SUCH AS GARDENS, ROYAL TOMBS, AND MOSQUES. SOURCES HTTP://WWW.HISTORYDISCUSSION.NET/HISTORY-OF-INDIA/TRADE-AND- COMMERCE-DURING-THE-SULTANATE-AND-MUGHAL-PERIOD-INDIAN- HISTORY/674 HTTP://WWW.INDIANETZONE.COM/46/LITERATURE_UNDER_DELHI_SULTAN ATE.HTM