Classical Music Podcast

By Cameron Choi
PIANO SONATA NO 16 IN C MAJOR
WOLFGANG AMADEUS MOZART
Exposition
Main theme becomes transition
Instead of writing a cadence at the end of the main theme, the boundaries of the main theme
and transition are blurred. The sections are fused together
Half Cadence
Alberti Bass
PIANO SONATA NO 16 IN C MAJOR
WOLFGANG AMADEUS MOZART
Subordinate theme
Model
10
Sequence
10 10 10
Parallel 10ths in
the voice leading
PIANO SONATA NO 16 IN C MAJOR
WOLFGANG AMADEUS MOZART
Sequence
10 10
Sequence
10 10
Closing Section
PIANO SONATA NO 16 IN C MAJOR
WOLFGANG AMADEUS MOZART
Exposition
Main theme becomes transition
Instead of writing a cadence at the end of the main theme, the boundaries of the main theme
and transition are blurred. The sections are fused together
Half Cadence
PIANO SONATA NO 16 IN C MAJOR
WOLFGANG AMADEUS MOZART
Subordinate theme
Model
10
Sequence
10 10 10
Parallel 10ths in
the voice leading
PIANO SONATA NO 16 IN C MAJOR
WOLFGANG AMADEUS MOZART
Sequence
10 10
Sequence
10 10
Closing Section
PIANO SONATA NO 16 IN C MAJOR
WOLFGANG AMADEUS MOZART
Development
Model PAC
Sequence
New Model
PIANO SONATA NO 16 IN C MAJOR
WOLFGANG AMADEUS MOZART
Sequence Sequence Sequence
Recapitulation Main theme becomes transition
PIANO SONATA NO 16 IN C MAJOR
WOLFGANG AMADEUS MOZART
Passage extended with respect to exposition in order to modulate from F to C
PIANO SONATA NO 16 IN C MAJOR
WOLFGANG AMADEUS MOZART
Half Cadence
Subordinate theme
Model
10
Sequence
10 10 10
Sequence
10 10
PIANO SONATA NO 16 IN C MAJOR
WOLFGANG AMADEUS MOZART
Sequence
10 10
Closing Section
PAC
THANKS FOR WATCHING