The column of air provided by the brass player sets the vibration of the musician's lips in motion, amplifying the sound trough an expanding bell.
Memorize the four basic parts of any brass instrument: 1 - mouthpiece 2 - conical leadpipe 3 - cylindrical section of tubing (containing valves or slide) 4 - an expanding bell
Although different fundamental pitches are utilized depending on the length of a brass instrument, the structure/intervallic pattern of the overtone series (also known as harmonic series) is always the same: *So in other words, every brass instrument does not have the SAME exact overtone series, but the intervallic pattern of the harmonic series, is always the same (see Whitener, pg 5)
The fundamental is the first note in the overtone series (i.e. the lowest note that can physically be played using the length of tubing) *it should be noted that the fundamental is infrequently used in performance practice, and depending on the player and the mouthpiece being used, may not even be playable
These are the harmonic series as they appear on the trumpet. With the succession of fingerings (0, 2, 1, 1-2, etc. as seen below), the trumpet is lengthened slightly to create a new overtones series, and hence, a new set of of notes. Question: Which partial do these examples start on? Why? Which partial do they end on? Why?
Temperature can affect intonation! FLAT SHARP
In brass playing, inhalation should always occur from the mouth, NOT the nose. Why?
https://www.youtube.com/watch?v=hp-gCvW8PRY Mechanics of respiration: Inhale = contraction downward of diaphragm, flattening out; increases volume of chest horizontally and vertically; lungs should feel as if they are filling from the bottom upwards. Exhale = relaxation upward of diaphragm back to its natural dome-like state.
Common problems of breath control: 1 Shallow breaths (i.e. clavicular breathing/upper chest breathing) is indicative of a weak inhalation sound (hee) and movement of shoulders/upper body
Common problems of breath control: 2 Stale air occurs when the brass player does not expel all of their air before taking another breath, causing possible hyperventilation. Solved by encouraging fewer, larger breaths.
Common problems of breath control: 3 Setting the breath occurs when the brass player inhales and stalls the exhalation of their air for a period of time. The inhalation/exhalation process should be cyclical, meaning that the height of inhalation is when exhalation should commence without a period of holding air in- between
Common problems of breath control: 4 Slow moving columns of air are caused by unnecessary tension in the throat, abdominals, tongue and produces an unsupported weak tone. Relaxation of these points should be encouraged to release the column of air more efficiently. *See Bailey pg. 7-8 for strategies to improve inhalation/exhalation
When breathing in through the mouth, the brass player should strive to create as little resistance as possible (saying oh as inhaling, allowing the rib cage to expand, etc.) ---------------------------------- During exhalation, however, there are at least THREE major points of resistance:
1 The glottis should be open and relaxed to create as little resistance as possible during exhalation (whisper hoe)
2 The tongue placement can be used to create varying degrees of resistance, at both points of articulation, as well as in sustaining notes (i.e. vowel shapes) https://www.youtube.com/watch?v=tpOwuAMqFTA
3 The aperture is the space created between the lips (hole) as the column of air passes between them. Its size is determined by the degree of lip tension, amount of air, and the velocity of that air. Blair Bollinger playing a middle Bb on a glass trombone mouthpiece. https://www.youtube.com/watch?v=CoxnhjLMVBo