Professional Documents
Culture Documents
LIST OF CREDITS IN
ORDER(BEFORE FILM
BEGINS)
Film4
UK Film Council
Film4 and UK Film Council Presents
In association with the Wales Creative IP Fund and the film agency Wales
In association with Optimum releasing and Protagonist pictures
In association with Red Hour Films
A warp films production
Title Submarine
LIST OF CREDITS IN
ORDER(DURING FILM)
Prologue
Part 1
Jordana Bevan
Part 2
Graham Purvis
Part 3
Show Down
Epilogue
LIST OF CREDITS IN
ORDER(AFTER THE FILM)
VIDEO:
Mary: My assistant at Warp at the time [2006], Ally Gipps told me about his friend, Joe [Dunthorne], who was a
writer. He gave me Joes dissertation [a shortened version of novel] which he was writing for his degree at East
Anglia University.
I read it and thought, oh my god, this is good, and I asked him to send it to me when he had expanded it into a
book, which he did, at the same time as he was sending it to publishers. I showed it to Mark and we optioned the
book. Then Joe won the Curtis Brown award for the book and everyone was talking about this kid. So it was lucky
that I got in early.
Mary: I always read books with a film in mind, and when I read it I just thought it was really funny. As an American,
I thought it had an American sensibility in terms of the humour, it felt a lot like Rushmore and was really punchy,
but also that the story is obviously very British, so I thought it would work well in both markets. Plus there was just
something really appealing about the type of fresh young comedy voice in the writing.
Mark: We had been working with Richard for a while on his Arctic Monkeys videos and we were big fans of Garth
Marenghi, so we had wanted to work with him for a while, even before This Is England.
Mary: I had been looking for a project for Richard for quite sometime, he had done some script editing on Bunny
And The Bull, so I knew the kind of writing he could produce and I thought he would be a great person to adapt it.
So I gave it to him and said, although youre not as sadistic, the character [played by Craig Roberts] reminds me of
you in some ways.
You were taking a risk with a first time feature director. Did he live up to your expectations?
INTERVIEW
WITH
PRODUCER
S:
PRODUCTION
The film was produced by Warp Films and Film4 Productions. Principal
photography began on 26 October 2009 and filming finished in December
2009. Andrew Hewitt composed the score and musician Alex Turner of Arctic
Monkeys contributed five songs.
BOX OFFICE
The film grossed $467,602 in the USA, plus $3,407,282 outside the USA, for
a combined gross of $3,874,884.
When Jordana invites Oliver to meet secretly after school, she takes pictures
of them kissing, hoping to make her ex-boyfriend jealous. The plan backfires,
but Jordana soon becomes his girlfriend.
CAMERA
A lot of close ups of main character.
Focuses attention on their emotional state and their character as they are the
ones we see develop throughout the film.
Wide Shots are used to establish setting. Eg. school grounds or the beach.
EDITING
Red Filter/glow
Kaleidoscope effect -
SOUND
Alex Turner contributed 5 songs to the movie lead singer from the Arctic
Monkeys.
MISE EN SCENE
Lighting techniques were used:
Dark scenes reflect depression and sadness of characters and events in
their lives
Red filter/glow colour represents love/danger could foreshadow
upcoming events.
MISE EN SCENE
Key locations and settings:
Empty/bland corridor of hospital
Mesh bridge over waterfall Olivers dream
Construction site Jordana didnt like romantic places shows the
personalities of characters.
MISE EN SCENE
Props/symbols:
Roses a symbol for romance
Olivers briefcase hints his intelligence.
MY THOUGHTS:
I really liked the film and I thought it was quite a unique comedy as it was
subtly funny.
I think its a good example of a teen film because it covers the major themes
that teen films cover e.g.. Love and relationship with parents.
However, I do think it was unique as the main characters were not
stereotypical teenagers. They represented a different side to teenagers.