INT, (SARAH'S HOME - KITCHEN) DAY. SCENE ONE. Sareh is standing in the Kitchen doing che washing up. she locks lifeless and drained of energy. She is unnctavated for anytning, cored or er simplistic 12f2. sme is staring out of her window, daydreaming. Cemera pans the room and then changes to shet two. wo) J have alvaya wanted chat idealistic life. Growing up, I Greamed of what my 1ife would be Like now. Everything so bright and full of life. Happiness is evergreen, never vacating or leaving. My lize 18 notning more chan @ candle light in comparison to the sun I hed promised myselt Scene changea to an envision from her childhood about what her Lite would portray at ner current age. Sarah is portrayed eucremely heppy and shown vith @ email entia. Everything seems perfect.The camera thea pans across the room te her life presenciy. wo) I often get flashbacks to my childnoes, the memories naunt me aicnougn looking az my 11Fe mo,T gn not sure which is worse. Being beaten or being lonely. My mother sliced me up from che inside but az least sne gave me something. I ze1z sonething, T have been left wich nothing. Scene two. ALL chat can been seen in this shot is her eves. As foctsteps are heard in che background, she sicwly looks up. a2 the ceiling. The ant then changes and aren then pute own the disnes ans picks up 2 itcnen mire. It 1s apparent chat she is scared. She then turns around, her body language suggests she is trying co be quiet. The camera chen pans her out che rom. ‘The caneza then watches her climb the sceize Once she reaches the cep nothing in particular locks out of Place not Saran as still on edge She 18 shown walking down the corridor with the knife still in hend. Ae she passes cach door she pure her ear to the Geor and listens for any noise. Then she hears a sudden chua. Scene chree She evings the door open to the bedroom and the camera focus! cn an open window and the pans to the mzror where Chere 1s 4 message reading "consequences", the camera chen urns beck to her face and you see a tall figure grabbing her mouth fron behind, the camera follows che knife falling co che Tloor and then end the shoz turns to black.