Professional Documents
Culture Documents
FSI Spanish Basic Course Vol. 1
FSI Spanish Basic Course Vol. 1
SERVICE
INSTITUTE
P A N 1 S D
BASle eOURSE
UNITS 1-15
PAR
SPANISD
BASte eOURSE
UNITS 1-15
o.c.
1961
o E PAR T M E N T
T A T
PREFACE
SPOKEN SPANISH
Forei n Service Instttute - S anish Basic Course was first printed in 1957. The Foreign Service
Institute Schoo of anpua~es wo d have preferred to revise the text for this second printinr, but the
requirements of day to day training have forced a postponement of the task. The revisions contemplated
~~~d have affected primarily the pedapogical design rather than the analysis of Spanish structure.
In
any case the book remains thoroughly useful and useable.
This book was prepared specifically to train officers of the Forei?n Service and of other United
States Government agencies who are involved in foreign affairs and who need to learn to speak Spanish.
The course is designed to be taught by a native speaker of Spanish who has received training
specifically in the use of such materials and who teaches under the supervision of a scientific linguist.
Spanish classes at the Foreign Service Institute normally contain six students who receive six hours of
class drill daily and are expected to do at least two hours a day of preparation, mostly practice with
tapes. With this schedule average ~tudents at the Institute require approximately two to two and a half
days to assimilate one Unit thoroughly. The Institute believes that the text can be useful in other
teaching contexts, with the important provisos that the instruction be carefully supervised by an experienced professional person, preferably with training in linpuistics, and that full use be required of
the tapes.
The tape recordings which accompany this text are not available
from either the Government Printinr Gffice or the Foreirn Service
Institute.
0.1
SPOKEN SPANISH
PRrFACE
The text and accompanying tape recordings are also used in part-time training pr0Rrams in Washington
and overseas. Although they are not designed for this purpose, they are also used occasionally for individual self-study.
This manual has been prepared and reviewed by members of fifteen different Spanish-speaking countries
representinp- every major dialect area of the Hispanic world. W'lile it is broadly representative of general
Latin-American Spanish, it is readily adaptable to any particular area.
Foreign Service Institute - Spanish Basic Course was originally prepared by the Spanish starf of the
Foreign- Service Institute und~r the supervision of the linguists whose names appear on the title page. In
addition the followinp members of the Spanish sta!f have made special contributions to the book:
Linguistic sta!f:
Jack L. Ulsh
Richard Beym
Dorothy Rauscher
Instructional star!:
Guillermo Segreda
Hugo Montero U.
0.2
SPOKEN SPANISH
INTRODUCTION
The materials in this book have been developed to present Spanish as a spoken Ianguage, and the skills of
understanding and speaking are accordingly emphasized. The method of presentation will likely be new to students acquainted with more traditional methods of language teaching. In order to understand the materials, one
must first understand the method upon which they are buiIt.
Method of Teaching
The method is known as GUIIED IMITATION. It may appear to be new, but actually it has been used by a considerable number of teachers for many years, though its greatest popularity has come since the second World War.
Its goal 1s to teach one to speak easily, fluently, with very little accent, and to do this without c'Onscious
effort, just as one speaks his own language without conscious effort.
There are two very important aspects of this method. First, learning a relatively small body of material
so well that it requires very Iittle effort to produce it. This is OVERLEARNING. If a student overleans every
dialog and drill as he goes through this book, he will almost certainly experience rapid progress in learning
the language.
The second aspect is learning to authentically manipulate the sounds, sequences, and patterns of the language. The important implication here is the reaIity of both the model and the imitation. The model (teacher,
recording, etc.) must provide Spanish as people reaIIy speak it in actual conversations, and the student must be
helped to an accurate imitation. Above all, the normal tempo of pronunciation must be the classroom standard;
slowing down is, in this context, distortion.
The complete course consists of sixty units, each requiring sorne ten
side study to master. The course 1s a six-hundred-hours course which may
of about six months, or may be spread at the rate of a unit a week over a
semesters). Either a native speaker or a teacher with very little accent
model for imitation.
cIass and Iaboratory hours plus outbe studied intensively over a period
period of sixty weeks (four college
in his Spanish is necessary as the
Pronunciation
The first two units are focused pr1marily on pronunciation problems. Drills on other aspects of the language are deliberately postponed because of the importance of developing good pronunciation habits from the very
beginning of the course. Pronunciation is extremely importante It is the basis of all real fluency. A person
is readily able to understand anyth1ng he can meaningfully say himself, if the correlation between the way he
heara it and the way he says it is reasonably similar. Probably the more similar, the greater the ease of comprehension.
0.3
INTRODUCTION
SPOKEN SPANISH
The basis of the student's imitation is of course the teacher, whose pronunciation, if he is a native
speaker of an acceptable dialect of his own country, is the ultimate source of authority. The fundamental
classroom procedure for learning new material throughout this book (except the reading materials) is repetition
by the student in direct immediate imitation after the teacher. The imitative repetition may at first be done
in chorus after the teacher, and subsequently by each individual, or it may be individualized from the start.
In either case the student should wait for the teacher's modelo Imitating after another student too frequently
results in compounding the errors of both. If a person is fortunate enough to begin studying a second language
before the age of eight or ten, the powers of imitation are normally sufficient to insure excellent results in
pronunciation without resorting to technical explanations of what happens to various parts of the vocal apparatus. If occasionally an individual has managed to retain this gift that all of us had in childhood, so much
the better, but most adults need more specific guidance based on an awareness of the particular problems of
producing particular sounds. The drills and explanations in the first two units are devoted to the specific
problems an English speaker with his English habits of pronunciation will have in accurately imitating the
sounds and sequences of sounds of Spanish.
Aids to Listening
If speakers of English were not so highly literate, it might be possible to teach effectively without reference to any written symbolization, but most students are much more comfortable if some kind of representation
of what they are imitating is also available for visual reference. There is, of course, a traditional writing
system for Spanish which is used in all parts of the Spanish speaking world. It is a very adequate system for
its purpose, which might be stated as providing visual cues for persons who already speak the language. For
pedagogical purposes, a respelling, or phonetic representation of Spanish is also provided as a means of reminding the student of important features of the pronunciation which the traditional spelling system does not
provide, such as significant sound distinctions, word groupings, intonation patterns, etc. The phonetic symbolization may at first look unfamiliar and somewhat foreboding, but this very unfamiliarity is a healthy reminder that none of the English sounds (which are so easily associated with the familiar letters of the alphabet) are exact duplications of the Spanish sounds to be mastered. This is also, of course, true in the respelling when familiar symbols are used: the appearance of the letter t does not mean the familiar English tsound is indicated.
The intonations are marked in the respelling by a system of dots and accents placed at relative heights
over the vowels. The patterns recorded in this way are not necessarily the only possibilities in spoken Spanish,
but they are all normal patterns which have been thoroughly and widely tested.
0.4
INTRODUCTION
SPOKEN SPANISH
The symbolization in the respel11ng will allow for a consistent interpretation of the pronunciation of
any dialect area of the Spanish speaking world. For example, the Iftl symbol is to be interpreted as a sound
similar to the 's' of 'sink' in Spanish America, but as the 'th' of 'think' in Central Spain. other regional
pronunciat10n features are similarly marked.
The acquisition of a good pronunciation 1s first of all the result of careful listening and imitation plus
whatever help can be obtained from initial pronunciation drills and description, and from the cues provided for
continuing reference by the aids to listening. It is well to remember that a sizeable investment in pronunciation
practice early in the course will pay handsome dividends later; correct pronunciation safely relegated to habit
leaves one's full attention available for other problems of learning the language.
Every unit (after the first two) is organized in the same way: part one is the basic dialog with a few
pertinent notes; part two is grammar drills and discussion; part three is a set of recombination narratives and
dialogues; part four, beginning in Unit 16, is readings.
Basic Dialogs
Tne basic dialogs are the core of each unit. These dialogs are recreations of the real situations a student is most likely to encounter, and the vocabulary and sentences are those he is most likely to need. The
dialogs are set in a mythical country called Surlandia, which is descr1bed as a typical Latin American republic,
insofar as it is possible to extract common features from so diverse an area. To further provide information
in context, many of the notes suggest regional differences in both the language and the culture that will be
encountered in various areas of Latin America and in Spain.
In the first part of the book new vocabularly is introduced mainly in the basic dialogs. Occasionally, in
the illustrations of grammar points, new words are introduced in order to fill out patterns needed to do the
exercises. New words are always clearly indicated by placing them on a line themselves, indented between the
lines that are complete sentences. Since each new word is introduced in this fashion only once, the student
should take pains to be sure he learns each word as it is presented. Careful pains have been taken to see that
each word introduced will reappear many times later in the course, to help the student assimilate each word in
a variety of contexts.
The student should very carefully learn both the literal meanings of each individual word or phrase that is
given on an indented line and the meaning that appears in the full sentences. It should not be cause for concern if the meaning in context is strikingly different from the literal meaning. In the construction of each
dialog, the Spanish was written first, and the corresponding English is its closest equivalent and not a literal
translation. It is therefore not at all surprising if the Spanish does not seem to 'follow' the English.
0.5
SPOKEN SPANISH
INTRODUCTION
The student should learn the basic dialogs by heart. If they are committed perfectly to rote memory, the
drills will go easily and rapidly. Roughly half of the estimated ten hours that are spent in class on each
unit should normally be devoted to the basic dialogs.
INTRODUCTION
SPOKEN SPANISH
clear and readable, it has to be recognized that a description of a language is a technical subject, and simplification can only be attained by sacrificing accuracy or at a cost of a great many more words than space
allows. The student who works through these discussions by a careful reading will find that he is acquiring a
set of analytical tools that will be useful throughout the remainder of his career of interest in language.
The student may notice slight differences in the respelling used in the aids to listening and in the grammar charts and discussions. The respelling useful as a guide to pronunciation for an English speaking student,
records more details than a respelling to be used in grammar discussions where comparisons are made bet~een
Spanish forros, not between English and Spanish pronunciation.
Conversation
The conversation section of each unit is designed to help bridge the gap between the more or less mechanical
stimulus-response activity of the drills and the skill of free conversation which is the ultimate aim of the
course. These recombination monologues and dialogs extend the abilities of the student into ever more natural
situations. The narrative is sn anecdote type description of an event or situation which isthen'recast as a
directed dialog in which the teacher acts as a prompter for students who take the parts as the actcrs. The prompter gradually withdraws his help so that in the end the conversation is carried on freely.
Readings
Beginning with unit 16 reading materials are introduced for outside pr~paration with perhaps some classroom
discussion of the questions provided. These readings can also be used to provide content information for oral
surmnaries.
Up through unit 30 the readings tell s continued story about an American family living in Surlandia, expanding on matters of interest hinted at in the basic dialogs. These require no new vocabularly except for easy
and obvious cognate loan words that can readily be guessed. From unit 31 through 60 the readings are much longer
and do introduce a considerable number of new words. This vocabulary is introduced through basic sentences which
summarize the content of the following reading.
The readings are designed to provide information of interest and value about the culture which the Spanish
language reflects and to provide insight into the practical problems an American is likely to encounter in adjusting to life in a Hispanic area.
0.7
SPOKEN SPANISH
CONTENTS
Table of Contents
1.1
1.2
1.21
1.22
1.23
2.1
2.2
2.21
2.22
2.23
2.24
2.25
2.26
2.27
2.28
2.29
2.3
2.31
2.31.1
2.8
2.10
2.15
2.18
2.20
2.21
2.23
2.27
2.31
2.32
2.32
2.32
2.1
3.2
3.21
3.21.1
3.22
3.23
3.3
3.1
3.8
3.8
3.8
3.19
3.26
3.31
4.1
4.2
4.21
4.21.1
4.21.2
4.22
4.1
4.8
1.1
1.6
1.6
1-16
1-23
2.1
2.8
4.8
4.8
4.16
4.28
0.9
CONTENTS
SPOKEN SPANISH
4.23
4.3
Variation
5.1
5.2
5.21
5.21.1
5.22
5.23
5.3
Variation
6.1
6.2
6.21
6.21.1
6.22
6.23
6.24
6.3
Variation
6.30
7.1
7.2
7.21
7.21.1
7.21.2
7.22
7.23
7.1
7.6
7.6
7.6
7.14
7.28
7.24
7.3
8.1
8.2
8.21
8.21.1
8.21.2
8.22
8.23
8.24
8.3
0.10
~ills ...................................................
Pattern
~ills ...................................
Pattern
~111s .............................................
Variation
~ills .................................................
~ills .........................................................
5.1
5.5
5.5
5.5
5.15
5.21
5.26
6.1
6.6
6.6
6.6
6.19
6.25
6.29
7.34
7.39
7.40
8.1
8.6
Pattern drills
8.6
8.6
8.15
8.22
8.28
8.34
8.36
CONTENTS
SPOKEN SPANISH
9.1
9.2
921
9.21.1
9.21.2
9.22
9.23
9.24
9.3
10.1
10.2
10.21
10.21.1
10.21.2
10.21.3
10.22
10.23
10.24
10.3
11.1
11.2
11.21
11.21.1
11.21.2
11.22
11.23
11.24
11.3
12.1
12.2
12.21
12.21.1
12.21.2
12.21.3
12.21.4
9.1
9.6
9.6
.. .
Variation drills
.
Review drill - Theme elass in present tense forms ........................
Conversation stimulus ........................................................
10.1
10.6
10.6
10.6
10.15
10.27
10.32
10.38
10.42
10.43
11.1
11.5
11.5
11.5
11.15
11.20
11.26
11.32
11.33
12.1
12.6
12.6
12.6
12.11
12.17
12.21
I -dol
9.6
9.19
9.33
9.39
9.45
9.47
0.11
SPOKEN SPANISH
CONTENTS
12.22
12.23
12.24
12.3
13.1
13.2
1321
13.21.1
13.21.2
13.21.3
13.21.4
13.22
13.23
13.24
13.3
14.1
14.2
14.21
14.21.1
14.21.2
14.21.3
14.23
14.24
14.3
15.1
15.2
15.21
15.21.1
15.21.2
15.21.3
15.22
15.23
15.24
15.3
Al
Al.1
Al.2
0.12
Basie sentenees - Co1one1 Harris talks about his fami1y's arrival ..................
Dri11s and grarnrnar ..................................................................
Pattern dri11s ....................................................................
Present tense forms of the irregular verbs /ir, dar, ber/ ........................
The periphrastie future eonstruetion ...........................................
Question intonation patterns - Yes-no questions ....................................
Variation drills ..................................................................
Review dri11 - Theme e1ass in /-do/ forros of verbs ..................................
Conversation stimulus ..............................................................
Basie sentenees - Mrs. Harris goes through eustoms ..................................
Drills and grarnrnar ...................................................................
Pattern dri11s ......................................................................
lndireet e1itic pronouns - one objeet ................................................
lndireet elitic pronouns - two objeets ..............................................
Question intonation patterns - Yes questions .......................................
Replaeement drills ................................................................
Variation drills ..................................................................
Review dri11 - Possessive eonstructions ...........................................
Conversation stimu1us
.
Appendix l ..........................................................................
Vocabulary ...........................................................
Index .............................................................................
12.33
12.39
12.45
12.45
13.1
13.5
13.5
13.5
13.15
13.21
13.27
13.33
13.39
13.45
13.46
14.1
14.7
14.7
14.7
14.18
14.26
14.37
14.43
14.44
15.1
15.5
15.5
15.5
15.11
15.23
15.27
15.33
15.38
15.39
Al.l
Al.l
AI.39
UNITl
SPOKEN SPANISH
BASIC SENTENCES.
1.1
Useful phraaes.
AID TO LISTENING
ENGLISH SPELLING
SPANISH SPELLING
Good morning.
, ,
bwenozd"1s.l.
Buenos das.
,
,
bwenozd1aslseQy6rt
,
,
bwenastardslseQy6rat
bwenaznocheslseQybrta~
,
how
are (to be)
you
~ow
are you?
komo
well
cmo
,
" .(.
esta +estar
est (estar)
,
stet1' ..
usted
, ,
kom2estal,!std ...
,
~stoy''
,
byeh''
,
Astar''
estoy (esta-)
bien
thanu
and
grayas.J
,
1''
,
UNO
gracias
y
est6ybyeQlgryasl*ustedt
1.1
UNIT 1
SPOKEN SPANISH
,
very
muy~
muy
mybyelJlgriys~
,
01~
helIo, hi
hola
,
ke-tl~
what such
,
HU How goes it? (1)
01'' ketl+
Hola! Qu tal?
va (ir)
le va
..
komoleb''
,
byelJlgrys''
with
Excuse me.
Bien, gracias.
con
~1-perm1.s6''
(2)
el permiso
,
kampirm1s6.1.
,
no, not
Con permis o.
nd.l.
no
komon6''
Certainly.
Cmo no.
,
(3)
dispens'~ dlsp'nsar~
Cmo le va?
the permission
1.2
qu tal
dispense (dispensar)
,
dispenseme.l-
Dispnseme
SPOKEN SPANISH
UNIT i
,
it (1) regret (to regret, to feel)
lo-syent~ sentir~
lo siento (sentir)
mucho ~
mucho
,
I'm very sorry.
Lo siento mucho.
losyentom6cho .J.
That's okay.
Est bien.
many (f.pI.)
muchas ~
(4)
Thanks a loto
muchas
, .
muchaZ9Xys''
Muchas gracias.
de
of, from
,
nothing
nada
nad.J.
,
You're welcome.
De nada.
dena4a~
hay (haber)
,
Don't give it a thought. (5)
n~ay4ek~
No hay de qu~
..
kyero.J. kreor.J.
quiero (querer>
to present
presntar.J.
presentar
to present to you
presentarle ~
presentarle
1.3
UNIT 1
SPOKEN SPANISH
,
to
a~
e1. ~
el
a1. ~
al
to the
, .,
kyerolprAsentarl,lals~Qy6rm611n.~
the <E.sg.)
la
, . ,
kyerolpr~sentarl~lalasQy6ra~mo11na~
,
~l-gust.J.
tbe pleasure
el gusto
,
Glad to meet you.
mch6gust ~
Mucho gusto.
igwalment6~
equally (equal)
,
Same here, thanks.
19wal~
igualmente (igual)
19walment6
Igryas~
Igualmente, gracias.
eIJkntatt ~ eI)kantar~
encantado (enoantar)
knoer~
conocer
k6n6erlA ~
conocerla
1.4
CUATRO
SBOKEN SPANISH
UNIT 1
eijkanta~oI4ek6n~erla~
Encantado de conocerla.
conocerlo
m6chogustoI4kono~erlo~
Adi6s~
Goodbye.
asta~
until
hasta
tomorrow
maana
Has ta maana.
,
lwego~
then, later
luego
,
astlweg6 ~
So long.
1.10
Hasta luego.
(1)
/la ~ k~tl ~ /
Hola! Qu tal? is a greeting generally used with a person whom you already know more than casually,
/kompermso ~ /
Con permiso is used to excuse yourself when, for example, you are on an elevator and need to squeeze
between other people who are in front of you in order to get out; or, when you want to excuse yourself from a group you are talking
with. It is not ordinarily interchangeable with /d~sp~nseme ~
CINCO
dispnseme.
1.5
UNIT 1
(3)
SPOKEN SPANISH
Id1Spnseme ~ /
dispnseme is used as apology for a minor breach of etiquette, to interrupt a conversation to ask about some-
thing, etc.
(4) Note that
/mchas~/
in the phrase
/mchogs to~ /
/-S/
/mcho /
I-al
before the
/-5/
/nQydek~ / No hay de qu
(5)
is used when the other person thanlcs you for some smaU favor
YOB
De nada.
conocerla is regularly used only when you are introduced to a woman (if you
are aman). If you are a woman, a different form is used and you should not learn this sentence to use yourself.
Imchogsto
d ekono ir lo / Mucho gusto de conocerlo is what you say (if you are aman) to another man, or else just the short form
/muchogsto'' /
Mucho gusto.
In Spain, instead of
1.2
DRILLS ON PRONUNCIATION
1.21
/-10/
In learning the basic 'sentences in the first section of this unit, you should have been repeatedly corrected for your pronunciation of the
underlined vowels in snch phrases as these:
--
2. sbQyor ,
-~
3. bwen,-stardes~
-A-
-~
-e--
-A
,
4. seQyorA
1.6
-A-
1. bwen2zd'~as~
SEIS
SPOKEN SPANISH
UNIT 1
5.
,
.
bwenaznoch~s''
-1-
6.
gra~yAs''
-A-
7.
dispensem!''
,
-1-
--e
mchlizg;ra~yAs''
-li-
-e--
-A--e
--6-
--A
,
,
8.
10.
,
pri,sentarl! +
,
m61J.nA .,
11.
" +
stAmQyanA
-A-
12.
stAlwegQ +
-A-
l-
9.
..
--
-A
-6
It is perfectly normal for you to have trouhle with these vowels, because, as the dots over them indicate, theyare all under weak stress
in positions where such vowels do n,ot occur unJer weak stress in, English.
While it is normal to Make these mistakes at first, teey eonstitute a ve" serious error which must be corrected early in your efforts to
form Spanish habits of pronunciation. The following lists are for the purpose o helping you to master these vowels uruler weak stress. They
are arranged in pairs of words such that the on,l., difference bet\\een the members of each pair is in the pronunciation of one \\eak-stressed
vowel: such a pair of words is caBed a min,imally contrasting pairo
Practice repeating these after your instructor until you can make the contrast easily, just as he does, and inaist that he continue
practicing them with you until they do come easily.
SIETE
1.7
UNIT 1
:SPUK~N ~y Al'U:'
1.21.1 Exerc~ses
lal
and
on
lel
m~n~mal
~n
,
,
sap ..
,
lot
sap! ..
,
lot! +
,
..
mes!s
,
mes!s
boch!.J.
,
t~nt!
t~nt
.,
chJ.ncha
kortA ..
,
sobras ..
,
boch!+
,
,
fetal. ..
tA~y~Or
.t.
teQY1I ~
p!p~t6 ~
p!pJ. t6
skupa ..
,
.J.
.t.
,
lumbr! .t.
kort ..
,
dcdJ. t.J.
skup~''
~6ket!
,
okete .t.
alumbrf, ~
sobr~s+
,
mnaor ..
,
mf,choh
1.8
p!loh''
,
fatal.''
dd'~t
besa-r ..
,
tchoh ..
,
p~nai. ..
,
pldn ..
,
t!chdn .,
,
p~naJ. ..
,
,
birretA ..
,
pastoras .,
,
markadq
,
birret! ..
,
pastores +
,
mrkad ..
,
prtg.es!s ..
OCHO
SPOKEN SPANISH
UNIT 1
matad'
ni.d'ar ~
,
mita-d' +
,
chirlar ~
,
lAtera ~
,.
sAlero ~
piQyaJ. ~
mis~tA ~
,
literA ~
,
silero ~
pln~d'n+
pin~o-n ~
fAharon ~
piket ~
,
fiharon +
pasando +
pisandO ~
m(l)~.!d:or+
m(l)~idor~
chArlar
,
pAket
ara l
,
tl. ~
~
~er!l
,
pesa ~
pasa +
,
malA ...
,
kubl+
kubo.J..
tl.~ +
koka +
,
kok~''
~er6 ~
kara~
kar''
pes6'"
,
pasQ. ...
para+
par6+
ch:Ln! ...
ch:Ln6 ...
mal.Q. ~
kanto ...
manto +
~orro
aro
,
,
,
mes!~
meso ...
kanta ...
,
mant!+
ma~!+
ma~.Q.
~orr!~
bola +
NUEVE
..
,
bolo ...
,
,
..
1.9
UNIT1
SPOKEN SPANISH
sant6 ..
,
swegro ..
santi. ..
swegr ..
negri
negro ..
,
palmo ..
palma ..
,
pasta ..
,
trompa +
past ..
,
trompo +
rrema ..
rremo
kobra +
kobr.Q. ..
nyet ..
nyet +
,
1ndyo ...
,
kldr +
,
sposo ..
1ndya+
kalo'i:.J.
,
espos
lal
and
pahar ..
tardn
sab1<! .,
,
p,ip1t +
lul
derech ..
,
~igarr.i ..
,
drech.Q. ..
ig.arr ..
,
~apata
..
,
rmani +
,
mimosa ..
,
parehil ..
,
marei ..
,
t~rnera ..
,
~eres!
~pato
..
,
erman.Q. +
mimoso ..
,
pareho +
,
mreQ. ..
ternero ..
,
lakoniki .,
,
lakoniko ..
,
phr
turdn ..
,
Sb1<!O +
pyP1ta +
,
lanero ..
,
kar.kas .,
bX'rJ.ta .,
pargJ.ta +
,
lUnero''
k.9.r akas ..
brr1ta +
,
prg.J.t +
1.10
DIEZ
UNIT 1
SPOKEN SPANISH
mla~b
...
mula~o
kln1t
kaQya<t6
k!Qyad" ..
kn1t ..
mar~yan '"..
mr~yano
lan1ti ..
ln1ta ...
palit!e~
...
plid'ee, ..
ma11tiA ...
m011ta ...
matad'or'"
mYtd'o-z. ...
,
,
,
...
pna-r +
pinaer
pton ..
,
ploh''
,
taloh +
piton ...
,
piloh ...
tilo-n ...
psarn ..
rr,ima-r ...
,
msera ...
rrima-r'"
,
misera'"
me(l)!lr ...
/e/
,
pase
,
and
tom ...
fume ...
b1ne ...
pesad'6 ..
,
perJ.t ...
psad ..
,
pADY1ta ..
,
pisa<1o ...
pir1t ..
,
pisad ..
,
pisar6n ..
,
ml(l)~ar ...
,
piQY1ta'"
...
pepe ..
...
t1re ..
,
pepo .J.
,
t1ro ...
..
kab! +
,
b1b! .J.
,
b1b6.J.
.J.
,
,
,
kab6 ..
ONCE
1.11
SPOKEN SPANISH
UNIT 1
leche ..
lecho ..
lesyoh ..
lsyoh ..
trahA ..
traho ..
mesJ.ta ..
m2lJ.t ..
dehe ..
deho ..
blJ.t ..
bl1t ..
teh ..
teha ..
btado ..
botado ..
kyeri ..
kyero ..
psada ..
posada ..
peyne ..
peyno ..
rmJ.t ..
rmJ. t ..
kobre ..
kobro ..
grrJ.t ..
gorrl.ta ...
kante ..
kanto ..
konteste ..
kntest ..
(l)yebe ..
(l)!lebo ..
tornero ..
mand ..
mand ..
ternero ..
,
~~rrJ. t ..
kambyo ..
kbmforme ..
,
komform ..
kompre ..
kompro ..
klJ.pse ..
klJ.ps ..
plar''
polar ..
,
m.Qntoh ..
trabaha ..
trabah.Q., ..
,
,
mntoh ..
lel
and
lul
,
,
prjpsi,yoh ..
,
t!mor ..
,
le'lar ..
,
lg.ar ..
lechar ..
lchar ..
1.12
,
lechoh ..
,
festl.h ..
,
lchoh ..
fstJ.h ..
DOCE
SPOKEN SPANISH
UNIT 1
,
s~kyoh
,
..
suk~yoh
..
,
mesJ.t ..
lelJ.to ..
,
~erkad~ ..
,
terkJ.to ..
,
srkac1'o ..
/J./
and
pnsad" ..
,
tnder ..
,
pcher ..
,
perJ.t ..
,
tYrkJ.to ..
timo ..
tmd ..
,
fog.oh ..
mirad"
,
pik1.to''
fig.oh ..
,
lisa-r ..
iml.to ..
,
tint l.simo ..
,
lig.a-r ..
TRECE
..
tunder
,
pcher ..
,
rrtJ.n ..
pisada ..
,
misyoh ..
and
ptin~a'd
/J./
/u/
posad -1,
trJ. t .
,
6hJ.t ..
,
omJ.t6 ..
,
tntJ.sim ..
miro-n ..
mron ..
1.13
UNIr 1
SPOKEN SPANISH
,
,
pint'r +
,
fisyon +
fi;rJh1r
+
millo t +
imJ. t
pnoh
punta-r
+
,
f;rJhJ.r +
,
ms1ta +
,
mJ. t6 +
fsydh
,
lnos
,
tiner +
,
filera
tianer6
,
fuler
~irkJ. te
,
chinchero ..
,
chnchero ..
ni40s +
,
pid'yendo +
nJd"os .,
murahes .,
pntada
pnta4''
rrikJ.t
+
brlado~ +
b6kaOl
olate
rrukJ.ta
linars +
+
,
bkaJ.. +
,
late +
omJ. t
pyr~ta ~
,
lnars''
umJ. t
plmero .,
plmer .,
rr6kJ.ta
1.14
tyPe
pydyend +
,
rrumJ.t ~
mirahas
t2P +
rrk1t .,
CATORCE
SPOKEN SPANISH
UNIT 1
stana''
,
~tana''
prJ.to~
m.Qtila-r''
,
purJ.to,,
Aksax4.
,
auitila-r''
,
Ikusax''
under weak stress. That is, English has similar differen ces only in syllables that are noticeably louder than any of the Spanish syllables
you have been practicing. The underlined vowels in the following English words are a11 the same vowel sound in actual speech, no matter
how they are s pelled.
presl.dent
precedent
bottQ.ffi
plot'~m
ward~n
pard2.n
In learning the basic sentences you were probably also corrected fOl' placing too much stress on sorne syllables, too Httle stress on
others. There are only two levels of stress in Spanish (English has four, as we will discover). These two levels are indicated in the 'Aids
to Listening' by an acule accent / ' / over the vowels that: have louder stress and a dot /. / over the vowels that have, softer stress. We will
call these STRONG STRESS and WEAK STRESS.
QUINCE
1.15
SPOKEN SPANISH
UNIT 1
1.22
each o them the right strength. Let us examine these two aspects one at a time.
The followmg pairs of word:s differ only in the placement o stress, and, as you can see, the difference in meaning that results is considerable.
1.22.1 Exercises on minimal stress contrasts
,
1 . estA
l!Jgl~s
'thlS'
II
grelos
~sta
,
iI)glEis
'15'
'Engllsh'
'he weJ.ghedO
,
40 pern
'balto
peso
,
perno.t,
50 p~k6
'peak'
piko
'he stung D
Vbucket'
bAlde,J.
, 1 cr1ppled'
'book'
librooi
'he freed 9
'altar'
arao
topen'
~braO
'there
3. peso
bald~
llbroi
,
8. arA
,
9.
abr~
'monet.ary un1t'
,
,
,a
k~nd
of wJ.ne
w~ll
be'
,
,
addressi or Addressi
1.16
,
,
Caribben+ or CrJ.bbean~
DIECISEIS
SPOKEN SPANISH
UNIr 1
,
Chl.ln ~
,
or Chile'n ~
New Orl'ns~ or
N~w
,
6rlelns''
Since we do not have as many nice neat minimal pairs in English as there are in Spanisb
we may at
first he deceived into thinking that Spanish uses stress in a way that English does nol, but this is not lrue.
The other important thing to learn in drilling on stress is to stress syllables with the right amount of force or strength. It is at this point
tbat the four s-tresses of English interfere with tbe two atresses of Spanisb. Let us first learn what tbe four stresses of Englisb are. Listen to
yourse lf ~ay this pbrase:
elevator - operator.
Which syllable is loudest?
el-
in
elevator.
levator
aperatar.
~levator
vat -
and -
rat-
eperator.
levator
DIECISIETE
aperator.
8perator
1.17
UNIr 1
SPOKEN SPANlSH
In doing this we have marked four levels of 'stress, which we can IabeI:
prl.mary
secondary
~-
tert1ary
weak
~-
Or-
e-
"o r
This represests a great many djfferent levem of stress, but ever)!' Ea&llh speaker (native) uses all four quitf.. regularly and uncoDSciouely
every time he makes an utterance.
Now, how do these four English stresses affect your Spanish? If we remember that Spanish only has TWO stresses, then it seems likely that
you will get your FOUR mixed up with these two, with the resultthat you will put too much stress on some syllables, not enoogh on others. The
c orrespondence between the English suesses and those of Spanish is roughly this:
Spanl.sh
Engll.sh
Prl.mary
Secondary
1.18
/'1
I~I
Tertl.ary
1'1
Weak
Ivl
}
}
Strong
1'1
Weak
I ./
OIECIOCHO
SPOKEN
UNIT 1
SPANISH
Let us look back now at the basic sentences and see if any of the difficulties you had with them can be traced to this difference
between the two languages.
yam
RIGHT
1.
,
kemprm1S0
2.
dispensem
3.
presentarle
, . .
PROBABLE ERROR
k~mprml.so
dispensm~
,
presntarl
4.
lseQyora~emoln
5.
i9walmnte~
6.
Dkntado~
e~kntado
7.
astmQyan~
~stmQyana~
laseQyorademoll.n
,
igwlmente
,
Now because we consider this a very impcrtant point indeed, and because it is a point which is rarely drilled elsewhere, we have put
together the fol1owing long list, arranged according to the number of syllables and placement of stress. Until you can say these using only
the two stresses that are marked instead of the four of English you cannot expect to go on and learn complex utterances successfully. Time
spent practicing these, therefore, will be very well spent.
1.22.3
,
rroh.l.
,
much~
,
tanto
,
ast.!.
,
donde.!.
DIECINUEVE
--=-4.
.:..-..
,
komo
,
gust~
,
bweno
,
lweg.!.
,
frass
,
fumr
1.19
SPOKEN SPANISH
UNIT 1
fumo l
abrA
,
taksi
,
.1-
~el .1-
tarde
.1-
erka
,
--
-.. -
biste
,
tAmbyen
~erraar
---
TI
.1-
trabahA +
.1-
saludos +
.....
,
rayo-n
~ntnder
spAQyol+
~wtobu-s
..
uniko +
molestA
sta~yoh
barbAr6 .1,
medik6 .1,
tnyerk61s
skuch
kbraoh
,
saldaer
.1-
fosfor .1,
syentse .1,
deheme +
bentan
.1-
minutos
saba<t6
tiketes
entim6
~~ntabos .1-
1.20
,
srb1-r +
perdon
~yd'a-d .1-
,
rrapid6
,
lastima
- -- - +I
fAbor
d~J.r .1-
.1-
aQYO
+
,
lbr1r +
,
pAsaer
.1-
.1-
.1-
k6noeer
+
+
para9-wa"y {
VEINTE
UNIr 1
SPOKEN SPANISH
,
saIJ::!che +
,
rqway .,
b6lets
,
sabems ~
,
ultim
sAlbAdor .,
.,
kontestar .,
proksim .,
_
_
_
_
'_ T
I
dJ.g.ame16 +
,
prestese16 +
tlefn .,
t~leQ..ramA
simpatik6 .,
inmd'yata .,
tomsl
TI
.,
_
__
_
- -
--
de~J.d'as
,
trAbAhAr .,
.,
dsped'~<!as
.,
kAswAlid: id .,
,
liberaiyn .,
trayg.aml .,
maqn1fik .,
absOlut l
,
bilid'ad ..
beAsl .,
mchJ.sim .,
sfi~yente ~
k6mnikr~
kwentml0 .,
prposit6 .,
dandm16 .,
kamby~m16 .,
fAnatik ~
,
prdonme +
,
Al t 1ffietr6 .,
s~ksl .,
fi~urs .,
byendsel +
,
presentarle .,
seQy6rJ. ta ~
,
ferrkarrfl+
kon6yend .,
mentalid'd' ..
,
ag.rikl tr .1-
ad'elante .,
nt6nA~yOn
IJk6n trari .,
demAsyad' .,
,
panrama .,
kAminare .,
subAmlAs .,
,
AmerikA .,
,
milesim6 .,
mon6qramA .,
AmAri~ar
komAsl6 .,
tAnt1sim6 +
entend1d' .,
amane~er
buskAm16 +
bw~n1:S.imO
kmfndJ.d6 .,
failitr .,
mw~bAs16 .,
,
VEINTIUNO
- - - +
'I
,
,
.,
",
",
1.21
UNITl
SPOKEN SPANISH
----- ..
1
---+
- - --+I
,
,
presentand61.J.
,
presentayones.J.
,
mrikano.J.
,
lbrtory.J.
,
kmbersa.iyons.J.
primr~simo.J.
konsrbtory.J.
kon~yendose-l-
erkandos-l,
priyos~simo.J.
,
ntryrid:a-d-l,
psteryoridad.J.
,
kristali~iyoh.l-
,
k6mnikyoh.J.
,
nynlidad.J.
rgmnt~yoh.l-
eI)kontrandl.J.
-------.
I
- - - -- +
,
henrali~iyon.J.
espiylii ~yoh.J.
institynlidad.l-
idntifik~yoh.J.
dekontmina~yn+
impresy6nbilidad.J.
rresponsbilidad+
,
rrespetbilidd.J.
konstityonalidad.J.
sperntrlidad.J.
amerikni~yon+
irrglridad.l-
deskpitliayon.J.
sprlimentyn.J.
rrkapitl~yon.J.
,
kapi tliiaiyoh.l-
, ,
igwalment.J.
, ,
swalment.J.
1.22
,
impersnaliiiyn.J.
,
agrikltriiaiyon.J.
,
, ,
, ,
-
dzntrli~~yoh+
-----.
+'
ktwalment.J.
, ,
kordyalment.J.
, ,
hnralment.l-
, ,
mteryalment.J.
literalment.J.
lsQyorkarter+
VEINTIDOS
UNIT 1
SPOKEN SPANISH
, ,
seQyorkarter
,
dktorkamp~s
, ,
kolorberd"e
, ,
seQyorkastr6
, ,
As J.ch!le
, ,
AO)abyen
,
AlsQyorkastr6
, ,
nmoralmente
, ,
imfrmalment
espe~yalment
,
lklornegro
, ,
,
elsQyorharg.As~
y ou probably noticed, in listemng to and imltating these iterns, that they seem to be pronounced {aster than English words of similar
length. Actually they are not, but there is a big difference in rhytlun which makes it seem that they are. This difference in rhythm can be
indicated something like this, using longer lines to indicate longer syllables and shorter lines to indicate shorter syllables:
English Speaker
Spanis h Speaker
Thus the Spanish way is to make every syllable almost equally long, giving a rnachine~nn effect, whereas the English way is to make
the louder sy Hables longer. The two languages divide up their time differently.
1.23
SYLLABLE STRESS. The third problem which occurs from the very beginning and will be with yon to mar your Spanish for a very long time
is INTONATION: the rise and faH of the pitch of the voice. We have indicated this by placing our accent marks at three different heights
over the vowe h
Low pitch: directly over the vowel
VEINTITRES
/l3. 6/
1.23
SPOKEN SPANISH
UNIr 1
la 01
,
la 01
lA
r hese
al
14
,
a
al
Jj
It
l o r a slight fall
I .. I
(JI'
it may remain
I ,I .
Now let us retum to the basie sentenees and see what you were eorrected on.
RIGHT
.
bwenOz~1sJseQy6r ~
.
. ,
bwenozd18S
Isel)yor t
, . , .., .
bwenastardeslseQyorat
, . , ..., .
bwenazn~chesJseQyor1ta t
, .
1.
2.
. ,
bwenastar~eslsAQy6r4~
, . ,
,
a. bwenaznochesJsQy6ritl
,
4. komgesta~st~4 ~
5. mybyeij]gr,yAs
,
..
6.
komoleb
,
7. komon6
1.24
,.
komQesta~st4 ~
muybyeIJlgr!iyAs t
,
,
..
komoleba ~
,
'
komon ~
vmmCUATRO
SPOKEN SPANISH
,
8.
muchazgr'yAs
UNITl
,
muchazgrayAs ~
,
10.
denMA t
n~ay4ek
noayc!ek ~
" , ,
11. iqwalmente 19,ryAs ...
;,
i<,wAlment6IqryAs t
ac!Yos t
,
13. astamaQyana
,
14.
as tAlweg.6
astamaQyana t
astalweg.o t
It will be evident to you that aH of the rnistaken patterns of the right-hand colurnn aboye -are attributable to sorne very cornrnon pattern
that such utterances have in English. A few of the cornrnon non-Spanish interference patterns that English sets up are these:
2.
,
Good morn~ng IB~ll t
,
,
F~ne I thanks t
3.
1.
4.
V'EINTICINCO
How are
+
,
ydu +
,
~
5. GoOd bye
1\
6.
Good bye t
,
A
7 Many thnks
1.25
SPOKEN SPANISH
UNll' 1
The only way to get these (and other) Engliah patterus out af-your'way in talking Spanish is by the correet repetition of Spanish patterns
s o often that they automatically replace the English
OBes
when they are supposed too The following exercise is directed toward that ende
1. bengak ,J.
..
.
sonlastr's,J.
2. klarokes1,J.
Group 1
All o a 'fall1ng ' pattern
3.
4.
5.
..
.
nolokr'6 ,J.
~e9R-en.abyon''
..
nomeimp6rtA,J.
,
7. byenemaQynA,J.
,
8. O}Jegomar1,J.
6.
.
, .
kom.2est ,J.
, .
dondest
, . .
komoleb ,J.
,
9. Ak:1.sebyll ,J.
10..
11.
12.
15. kwand~g''
1.26
VEINTISEIS
UNIT 1
SPOKEN SPANISH
,
16. kwantokwsta ~
,
17. kekommos ..
18. d~dondes6n ..
19.
20.
21.
22.
,
parActondebn J.
,
porkesefw''
,
p6rkwantotymp6''
,
akwantoestmos .1-
.
.
"
,
,
1. y,aseba t
,
,
2. kyerekafe t
,
,
..
Group 2
All of a 'r1s1ng' pattern
. ..
3. bJ.llOkon.ustecrt
,.
4. komyeron~a t
. ,.
tyen~uniap1~ t
,
5.
...---------/
,. ,.
sebakonm1g,o t
,
,.
7. le~stomar1a t
,
,.
8. le~o~ldyaryo t
, .,
9. tyenenptro t
, .,
10. lpsolaleche t
6.
VEINT!SIETE
1.27
UNIT 1
..
11.
12.
,
,
trahosukarro t
,
,
legustasutrabaho t
SPOKEN SPANISH
. .
,
1.
gra~yas IseQy6r
2.
mybye~lgr~yas''
3.
4.
..
,
sJ.lseQy6ra ~
,
nolseQyorita''
,
5.
n~ayl6mbr ~
6.
be~glmaria ~
7.
,
nolmchazgryas ..
,
8.
nobyen~lent6nes ~
10.
11.
12.
1.28
Group 3
All endJ.ng J.n a low level pattern
_ _fil~)
,
sJ.lpap ~
,
nolmam ~
,
adyoslseQy6res ..
,
astamaQyanalseQy6rs ..
VEINTIOCHO
SPOKEN SPANISH
2.1
UNIT 2
ENGLISH SPELLING
AID TO USTENING
SPANISH SPELLING
ahcad, forward
"
ad:lante+
adelante
,
Come on in.
Adelante!
adelant+
syente~
syentse+
sentr +
sentarse~
tyene+ tener+
un (uno)
el lpiz
the pencil
l'
yes
UNO
tyen~unlapl.
No, 1 don't.
tiene (tener)
un+ un+
a, an (one)
sintese (sentarse)
Si~ntese.
Sit down.
siente (sentar)
Tiene un lpiz?
teI)go+ tener ~
No, no tengo.
2.1
UNIT2
SPOKEN SPANISH
S, s tengo.
Yes, 1 do.
,
rrp1ta~
,
rrepetir+
repita (repetir)
Repita.
Say it again.
tradu~k~ trad~ir~
traduzca (traducir)
Traduzca.
Translate.
another
,
otra+
the time
la-be~+
la vez
again
6 tr a-b e~ +
otra vez
otra
,
pdr+
for
the favor
por
,
por-fabdr+
please
el favor
por favor
Again, please.
.,
otrabei/pbrfab6r+
,
el-perdn+
,
,
d1ie+ de~J.r+
the pardon
(you) say (to say)
,
Excuse me, what did you say? (1)
2.2
el perdn
dice (decir)
,.,.,
per~dn~ komodJ.i~ustedt
d (dar)
to me
me
DOS
UNIT 2
SPOKEN SPANISH
,
the pen
Give me the pene
..
la-plumA.l.
,
demelaplma+
D~me
,
,
pasm+
pass me
,
el-lJ.oro+
the hook
la pluma.
la pluma
pase (pasar)
pseme
ellihro
..
pasemeQ)lbr+
Peme el libro.
is (to he)
es (ser)
that
eso
,
What's that?
kes.so.t.
Qu es eso?
this
esto
,
l-ieniiero+
the ashtray
,
This is an ashtray"
TRES
el cenicero
est~lespniniier+
,
,
kyer+ kre"r.l.
,
di J.r
,
kyr-dJ.r+
Esto es un cenicero"
quiere (querer)
decir
quiere decir
2.3
SPOKEN SPANISH
UNIT 2
What does cenicero mean?
It means ashtray.
..
, ,.."
kekyerectelr/enliro+
,
, .
,
kyereaeilrlreshtryi
di lr~
eh~
in
en
,
.
komosedlielteyb~1Ien~spaQy61~
,
..
se dice (decir)
el--espQyol+
the Spanish
s--dl~~
el espaol
,
la--mes~
the table
,
y ou say mesa. (2)
la mesa
sd:lelmesai
the English
Se dice mesa.
el ingls
,
l-slQ:Y~
the chair
..
la silla
komosealielsla~~l~~gls~
y ou say chair.
,
sec11ielchehri
Se dice chair.
where
the embassy
dnde
l~--embahacl~
la embajada
merikani
americana
American
2.4
CUATRO
UNIT2
SPOKEN SPANISH
-,
- - -
dondestall~mbahadamer1kn~
the bathroom
el bao
-,
dondestal~lbaQyb~
there
ah
at, to
,
l~-ikyer<!a~
the leEt
,
There to the leEt.
la izquierda
a1IalRikyerda~
Ahi a la izquierda.
,
la-drecha~
the right
,
There to the right.
a1Jalactrecha~
Ah a la derecha_
,
There straight ahead.
la derecha
1laetlant~
Ah ade lante.
,
take, carry (to take)
O~ebe~ O~bar~
lleve (llevar)
take us
O~ebnbs~
llvenos
el centro
Take us downtown.
-. .
royebenoslalntrb~
,
are (to be)
CINCO
stah~
,
sta-r.t.
Llvenos al centro_
estn (estar)
2.5
UNIT 2
SPOKEN SPANISH
los
dondestanlloz11brs+
,
take me
Q~ebm+
llveme
the hotel
l-te-l+
el hotel
,.
--
~ebem~lalotl+
LIveme al hotel_
sube (subir)
or
,
bah+ baha-r+
baja (bajar)
subeobha+
"
Sube o baja?
kwanto
how much
cunto
,
kwantos+
,.
Cunto es?
,
one
un.i.
uno
six
,
seVs+
seis
two
dos.i.
dos
seven
syet+
siete
och6+
ocho
nwebe+
nueve
dye-i+
diez
2.6
three
tres.i.
tres
eight
four
kwatro
,
cuatro
nine
five
~I)ko.i.
cinco
ten
SEIS
UNIT 2
SPOKEN SPANISH
,
on~e~
once
fifteen
kln~e~
twelve
do~e~
doce
sixteeo
dye!iiseys''
diecis~is
thirteeo
tre~e~
trece
twenty
beynte~
veinte
fourteen
kator~e+
catorce
twenty-one
eleveo
2.10
,
bynti.uno+
quince
veintiuno
/k6mot / '
(2)
Note that here, aod io the other phrases ahoye and helow which also have the form /se\iiie~ /
'someone' actually sayng the word is not given: rather, the word says itself, which makes this coostruction impersonal, and
which is translated ioto English as 'is said' or 'you say'. The Spaoish construction used is the reflexve constructioo, which
will he e xamined in detail in Unit 24.
(3)
SIETE
2.7
UNIT 2
2.2
SPOKEN SPANISH
DRILLS ON PRONUNCIATION
In the first unit we exarnined the vowels under weak stress, the stress system, the intonation systern, and the resulting rhythmic effect.
Before going on to an exarnination of consonants, and vowels under strong stress, notice in the lists below how in wards which sound familiar,
you are Hable to rnake sorne rather serious mistakes because of the very fami liarity of the words.
2.21
CORRECT
,
afi~J.n.J.
dktor.J.
ENGlJSH SPELLJNG
office
doctor
oportnidd.J.
,
~partuwn~tiy''
kOI)greso.J.
kIJgreso''
ka1)gr!:s.J.
congress
kmfren~y''
kamferen~y''
kanfar~ns''
conference
tropikl.J.
tr!pikl''
trap~kal''
tropical
tomika''
t'mik''
tamik-l-
atomic
andurAs.!.
,
,
6ndurs-l-
opportunity
handur~s-l-
Honduras
kombers aiyoh''
kambersa~yoh.J.
kanvrseyS'in.J.
conversation
spi ta-l.J.
aspita-l''
haspitil.J.
hospital
kontrat.J.
kantrato.J.
kantralkt.J.
,
pasibil.J.
contract
,
,
pOsJ.bl''
2.8
~fis''
afis.J. -
doktor''
FAMILIAR ENGLISH
PRONUNCIATION
,
,
,
,
possible
OCHO
UNIT 2
SPOKEN SPANISH
bmbar~e~
bambarc!e6~
b~mba rdmint ~
pront~
prnt~
prantaw~
pronto
prokslma~
praksima~
~praksim~t~
approximate
fosfr6~
fsfr6~
fasf~r~s''
phosphorous
kost''
kast~
kast~
- k~st~
cost
b ombardme nt
blaI)ka~
bl;eI)ki''
bla!~k~
blank
kansas~
k~ns!s''
ka!nziz~
Kansas
pas~
p~s~~
pa!S~
pass
klase~
kla!s~~
klals''
class
grayas
,
gr~iyis~
gr;es''
grass
lastim~
l;estimi~
l~st~
last
~spaQydl+
~SP~QYoi.
sp~ni''
Spanish
bslut~
~bs~lut~~
~bs~luwt~
absolute
,
,
From these examples it is no doubt clear that many words which look easy, because they seem very much like English w<rds, are in
fact the most misleading because of their similarity. H you are alert to the possibility of this error, however, it is a relatively easy one to
correcto
NUEVE
2.9
UNIT 2
2.22
2.22.1
SPOKEN SPANISH
Idl
in Spanish
Idl
is that it has two varieties of pronunciation which are, froro the point of view of English
speakers, actually different sounds; but froro the point of view of Spanish speakers, they are one and the same sound.
How can there be such a difference in point of view? A sound is, one would think, either the saroe as another or it isnte But
this is an instance where the ~comroon sense' viewpoint does not hold. Froro infancy speakers of Spanish are taught to ignore the difference between
comes after the
[d J and [d J. English speakers are taught to respect that difference hut ignore others (such as the puff of air that
The symhol
[d]
of spill).
represents the initial sound of English den, do, die, dare, etc., but the tip of the tongue actually touches
the hack side of the upper teeth when this sound is produced in Spanish, whereas in English it tanches somewhat fW'ther back.
The symbol
[d]
represents the initial sound of English then, thee, the, those, that, there, etc., or the middle sound of
either, mother, other, father, etc., or the final sonnd of lathe, bathe.
which English writes with th, the initial sound of thin, thiek, thistle, or the middle sound of ether, Ethel, or the final sound oC bath.
This other sonnd is written
[i]
Idl
,
~4ond.t.
dad:6+
de<to+
,
solda<to+
,
ddos+
tildad:o+
gwardado+
d~zdeQyado.t.
kardad"o.t.
d~zctichado''
2.10
I dt
,
,
DIEZ
SPOKEN SPA1'lISH
UNIT 2
y ou will of comse notice that both kinds of / d / appear here, and wonder how you can tell which variety to expect. The rule is
reasonably clear and consistent, though in sorne dialect areas, slight variations may occur:
pause
[d] appears after
x
x
[d]
instead of
[a]
d/
in the left-hand column will cause the word to he misinterpreted as heing the one in the
right-hand column.
2.22.11
Exercise on / d /
and
/ r / between vowels
acta''
orl.J.
p1ctA.J.
p1rAJ,
t046.a.
tor6~
1046.1-
lor~.I-
ka4A~
karA.I-
ko46''
kor6.l-
sera''
mu46.l-
mur&''
mo46''
mor6'"
a4AJ,
ara'"
Rl14l~
m1rl.l-
,
se4A''
,
,
,
,
2.11
UNIT 2
2.22.2
SPOKEN SPANISH
Ibl
in Spanish
Ibl
The problem of
is similar to that of
noticeably different from the English point of vew.
Id/.
There are two varieties which are the same from the Spanish point of view but
The symbol [b] represents the initial sound of English words like be e, bUl, buy, bo"ow, the middle sound in baby, tabby, tubby,
the final sound in tub, hub, rub, {lub.
The symbol [b ] represents a sound which does not exist in English. It is produced by bringing the lips close to each other, but
not allowing them to touch, so that the air passes through them with a slight friction noise. The result sounds like a cross between a b, v,
and w. The easiest way to learn to produce it is to start out as though to make a [b ] in a word like about, but not allow the lips to touch
so that the resulting sound is v.like in character (but remember that it is not a v).
Examples of
[b ]
and
[b ]
follow:
,
silbab
,
nrbaba~
,
~mbaba
ezbo~aba~
kmbyab
zbobb''
2.12
DOCE
UNIT 2
SPOKEN SPANISH
pause
/m/
Ji/
~t
/.~/
/t/
vowels
,iN..
other
consonan'~s
I
lb] appoars 0.fter
/b/
d/,
important, there is no v sound in Spanish, even though it is in the writing system. The Spanish sound which Americans mar hear as v in a
word like Havana is actually the
2.22.3
[bJ sound.
g/ io Spaoish
The problem of
/9/
is similar to that of
There are two varieties which are the same from the Spanish point of
t~,
[9] represents the initial sound of English words like go, get, got, guess, the middle sound in ago, again., the final
tag, tog.
The symbol
[g.J
represents a sound which is heard only rarely in English, in a word like sugar. lt is produced by raising the back
part of the tongue up towards the roof of the mouth as though to make a
[g ]but without allowing the tongue to touch, so that the air is free to
TRECE
2.13
UNIT 2
SPOKEN SPANISH
Examples ol
[g ]
and
[g]
lollow:
galgo-l.
stgalg6-1.
,
gag-l.
,
gregoryo-l.
,
gager-l.
,
griI)gad'o-l.
,
elgago-l.
lagr9ant~
lgorgA.J.
ezgregoryo
agI)grenars~-I.
As with /
d/
and
/b/,
zgger-l.
pause
[ 1)]
/1/
/~/
g/
/t/ vowels y
other consonants
x
x
[9]
difficult to identy \\hen you are listening to a Spanish speaker. So for the purpose of con prehension it is worth the trouble to master it.
2.14
CATORCE
UNIT 2
SPOKEN SPANISH
2.23
Vibrants
I r/
I rr /
and
in Spanish
T"
the student should take special nole of the very important fact that these
r /-sounds that occur in most varieties of English. Any attempt to transfer one's
r lover into Spamsh will result in utter failure to produce a satisfactory imitation of the Spanish sound.
You hay<,
a}r~ady (2.22.10 gOIle through a session of drill-wcrk on the difference between / r / and the variety of
2.23.1
The
Exercise on
IrI
and
r /
d/
(the one
or d or dd in words like Betty, cottage, lettuee, better, wader, waiteT, shutter, shudder) from the
I rrl is a rapid trill of the tongue-t:p, and it can usually be learned only by careful imitation.
js to help you hear and learn to reproduce the difference between the two kinds o / r l.
double / rr
l.
tt
[tet!] .. [tr!].
Irrl
between vowels
per6.1.
perr6''
kar6J.
karr6.1.
,
par~
,
barA.!.
,
kor6.s.
,
,
,
parrA'"
barrA'"
korr6''
~er6.J.
~err6''
y.ero.J.
y.err6''
foro.J.
,
fyero.!.
,
amar.!.
forr6.!.
fyerr6.a.
lmarr.J.
2.15
SPOKEN SPANISH
UNIT 2
Not only is the Spanish I r quite different from the English r when it occurs between vowels, as in the preceding drill; it is also quite
different in association with consonants. Take the Spanish word [trde~ ] for example. Your first attempt wiH probably sound something
like the English words tar day. If you will try to make it sound more like totter-they (spoken rapidly), you will come pretty close to the Spanish
pronunc iation.
The following drill will allow you to practice I r / i n aH combinations with other consonants.
2.23.2
Excercise on
Irl
pront~
kwerp~
grand~
marg~
prl.m6~
torpe~
frl.~
mrfl.l~
tres~
kart~
fra5~
perfl.l~
trat~
pwert~
farsa~
krud~
ierka~
J.r5~
,
,
,
,
,
kre~
brsl.l~
broma~
drama~
,
drog
,
graiys
2.16
,
park
,
arbl
,
- kurb
,
tard~
arhntl.n~
srhyo~
,
drmi
,
arm~
gward~
,
byernes
gr9ant~
orn~
DIECISEIS
UNIT 2
SPOKEN SPANISH
Whenever / r / occurs at the very end of an utteranee (not the end of a word, hut the end just hefore pause), and especially
when that final syllable is a stressed syllable, it has a different pronunciation from what is heard elsewhereo lt is more like
hut the vocal cords do not vibrate during ito The effeet is almost like combining
/rr/,
up at the end. This sound can he practiced by imitation o the following words.
2.23.3
Exercise on Spanish
IrI
,
s~Qyor~
Ablar~
nakar~
et~r~
,
rreb61ber+
kan!lr~
,
rrebolber+
martir+
In the preceding pages the gross differences in the pronunciation of sounds that are similar in Spanish and English have heen
illustrated aBd discussed. These are the differenees' which if unmastered will cause great diffieulty and misunderstanding in an attempt
to communicate in Spanish, and their mastery is therefore of the utmost importanee to a student. However, there are other pronunciation
features that should be understood and learned, to reduce the 'gringo accent' that will inevitably distraet the listener's attention and
thus impair the eommunication efficiencyo The following lists of similar sounding words pronounced by a Spanish speaker and an English
speaker respeetively will illustrate important differeBces in the pronunciation of what might be considered the same vowels. Note especially that the English vowels seem to he more prolonged, more drawn out, and especially note that they do not ,seem to maintain the same
quality from the beginning to the end of the vowel, whereas the Spanish vowel does.
DIECISIETE
2.17
UNIT 2
SPOKEN SPANISH
2.24
2.24.1
English
May
lay
2.24.2
E.1isIa
/owl
ud Spush
/0/
DO
low
yoe
SO
2.18
,
501
DIECIOCHO
SPOKEN SPANISH
2.24;3
EaglisL
UNIT 2
/1Y/
and Spaniah / ~/
me
tea
see
,
51...
Lee
Dee
kaee
2.24;4
Euglish
/uw/
.DeI Spaa.1t
ul
,
too
tU...
sue
SU...
peell
,
ptf.l-
eoo
ku...
DIECINUEVE
Loo
,
bu.l.
,
moo
mu''
2.19
SPOKEN SPANISH
UNIT 2
Generally if you are imitating a native or near-native pronunciation at full normal colloquial speed, errors of the type illustrated aboye
are not likely to be obtrusive. Probably the most important detail to lemember is to say words which rontain these vowels without allowing the
quality to change in the course of producing them. For
/u/
and
/0/,
this means rounding the lips during the production of the preceding
consonant so that the lips are properly rounded in anticipation of the rounding required for the vowel.
2.25
Lateral
-/1/ in Spanish
/1/ in English is a sound that is produced by raising the tip of the tongue up to touch the roof ol the mouth in such a way
that the air column is forced to pass around either side of it: tms way o producing a sound is called lateral (Le. 'side') articulation.
In Spanish, the
/1/
is actually a laterally-released
[d],
to follow by manipulating yotr oV/n tongue, a technical description wHI be helpful: produce a
[d],
/1/.
you release the whole tip of the tongue so that the air can flo'W suddenly out Beross the top of jt. Now instead of releasing the entire tongue
[d ]
position at the end of the word did but release the air through one side as though you were going lo- say
the word diddle, but without lowering the back part of the tongue as you would in diddle. If you have followed these instructions, you are producing
a Spanish
/1/.
Compare the following pairs which are approximately alike except for the
2.25.1
Exercise on Spanish
/1/
,
2.20
/1/ -sounds
feel
fl.-l
,
hotel
otel~
el
e1
,
dell
del~
coal
tall
tal~
tool
ko'1
,
tul
VEINTE
UNIT 2
SPOKEN SPANISH
2.26
Voiceless stops
2.26.1
I pI
in Spanish
It was mentioned earlier that in English there are at least two conspicuously different Idnds of p-sounds: the p of pin, pUl, which
has the puf of air called aspiration, and the p of spin, spill, which has no aspiration.
The Spanish
Ipl
is always produced without aspiration. One way for an American to get at the mastery of it is by thinking of
Ipl
The fol1owing list will give yon a hasis for comparing the p-sound in the two languages and learning to reproduce the difference.
2.26.11
Exercise on Spanish
/pl
pace
Peru
VEINTIUNO
pawn
pan~
par
par~
pore
por~
pone
pon
pooh
pu~
plan
plah~
2.21
UNIT 2
2.26.2
SPOKEN SPANISH
/t/
The
in Spanish
/t/
Ip/
problem: in English it is aspirated, in Spanish it is not. In addition, the tongue touches a point
2.26.21
Exercise on Spanish
/t/:
it literally touches the back side of the upper teeth, which it does not do in English.
/t/
,
tea
t1.-~
ten
te-n-l.
,
ta-s-l.
,
tabu-.!.
toss
taboo
2.26.3
/k/
in Spanish
2.26.31
Exercise on Spanish
/pl
and
/t/, /k/
/k/
,
Kay
kJ.lo-l.
,
ke--l.
call
ka-l.!.
can
ka-o.!.
,
cafe
kAfe- J.
kilo
,
,
2.22
UNIT 2
SPOKEN SPANISH
2.27
Voiceless spirants
2.27.1
/ s/ in Spanish
Spanish has an [S] and a [Z ] ,but unlike English they are considered as variants of a single sound, / S/ . That is to say, two
Spanish words are never distinguished solely by the difference [S-Z ] as are the English words 'seal and 'zeal'. Note the following pairs
of words in Spanish which have partIy similar sequences of sounds.
2.27.11
,
rrazgar~
,
espelta~
,
azn~
m~zmo+
h~gaer~
,
dzttQyaer.J.
,
dizgusto+
,
dezd:e~
,
,
ezd.J. (ez d)
2.27.12
esposo~
,
ask+
,
mJ.sto+
,
desteQyir.J.
,
diskurs.J.
,
,
dest~ (de
est)
,.
m, n, 1, rJ.
VElNTrrRES
/y/
/w/
2.23
SPOKEN SPANISH
UNIT 2
Since there is no choice on the part o the speaker-only one or the other
occurs in aoy given situation, but not both-they are not in contrast and belong to only one basic sound unit,
But in sorne dialects and styles of speaking Spani~hf another variety of
[S]
/5/.
,
bwena noche h .,
'h
eh' h
komoe
,.. tau,. t''
,
h
keora
,.
,..
,.
The / S / is not dropped entirely in these dialects. Actually there are sorne rather complex differences in distribution rom one
dialect to another, so that Argentineans may say that Chileans 'eat their s's't, and Colombians will say the Argentineans eat their s's,
and so on, without any of these stereotypes reflecting the facts. Thus, for example, sinee the Chileans use the
aH syllable-final occurrences, they are accused of eating their s's by Argentineans who use the
[h] variety of
/51
in
ocurrences that are foHowed by a syllable which begins with a consonant. Such details are not pertinent to the development of your pronun..
ciation, since in any case you should imitate your instructor's pronunciation. But you may hear other varieties sorne day, and it is well to
understand the patterns they follow. Remember that in no dialect does the syllable-initial /
S/ appear as
[h] .
VEIN'FICUATRO
SPOKEN SPANISH
UNIT 2
There are certain groups of words in which the / S / will bother you more than elsewhere, because the words sound familiar and lead
-channels. Such are the words listed below.
you back nto English /
z/
2.27.13
CORRECT
,
kansas-!.
,
,
kanzas''
,
imflwenza.t.
imflwen~''
bn~iwela''
~ksamen~s-!.
,
rrad'n.t.
,
dihisyon.t.
,
prposito.t.
,
prsic!ent-!.
,
prsent''
,
bisita-r-!.
,
sntarros.t.
VEINTICINCO
!nflwenz~-!.
influenza
ven~zwela''
Venezuela
exams
rrzoo.t.
,
r1yzi n .t.
dibi~yd'n-!.
reason
division
prapaz1~in''
prpo~it6-!.
pr!ittent~''
pr.!ent~.t.
,
prsnt~yons''
Kansas
,
gza!inz -!.
g~amenes-!.
,
pr~~entyonl!s''
bizita-r.t.
,
sntrrozA.t.
,
rr6zll.ndA.t.
ENGLISH SPELLING
,
ka!nzis .,
,
FAMILIAR ENGLISH
PRONUNCIATION
,
prezidint-!.
,
priyzent-!.
,
prezint-!.
,
pr~zintey~in''
,
v1zit-!.
proposition
president
present
present
presentation
visit
s~nt~ rowz~-!.
Santa Rosa
rowza11nd~-!.
Rosalinda
2.25
UNIT 2
2.27.14
SPOKEN SPANISH
American Spanish / S
and Castilian
/'i/
In Castilian Spanish, a dialect used in some areas of Spain, but having a prestige status that far outweighs ita geographical distribution,
the sounds / S /
and
/ ~ / are dUferent. The / S / is pronounced with the tongue tip raised toward the top of the mouth, so that an effect
likE" a very slight lisp s noticeable. The / ~ / is pronounced something like the tA of the English word tlain. Thus words like the fol1owing,
which are alike in other dialects, are distinguished in Castilian Spanish.
,
kasa~
,
as~
,
peses''
,
kser''
,
pOS''
,
las~
ka*la
,
ai'"
,
la~~
pe~As''
,
k~er''
,
POfi~
masa~
ma~a''
,
losa''
,
pas''
,
,
lOfia''
asa~
,
pa~6''
,
a~a~
This distinction can be ignored by anyone who expects lo use Spanish amoag speakers of American Spanish dialects.
2.27.2
/h/
in Spanish
English speaker and a Spanish speaker will illustrate the difference between English A and Spanisb
2.27.21
Exercise on Spanish
/h/
,
heater
hurrah
holly
hotter
2.26
/h/ .
h008egow
h1ra~
,
hrar''
,
hal.J.
,
hara.J.
,
h~gaet''
VEINTISEIS
SPOKEN SPANISH
UNIT 2
,
hl.ldA~
Hilda
junta
aha
Mohican
2.27.22
DiscU8sion of Spanish
/h/
When you produce h in English your tongue is relaxed and low in your mouth, so that you merely breathe easily across it befare
beginning the vowel that follows. For a Spanish
/h/,
the tongue must be tenser and higher in the mouth, near the roof but not touching
it, so that more friction noise is created when air is forced pasto It is especially difficult fer an English speaker to produce Spanish
/h/
between vowels and after a stressed syllable as in /m~hl.ko.t. d~heme/, etc. Though always stronp;er than English h Spanish
/h/
carries more or less friction noise depending on the area of the Spanish speaking world. Listen carefully and imitate what you hear
2.28
2.28.1
/n/ in Spanish
/n/ differs from English n in that it is usualIy produced against the back of the upper teeth, instead o on the guro ridge
aboye the teeth. ID this respect it is similar to Spanish /t/ and / d/ The correct articulation o /n/ is not too difficult for English
speakers, but there are a couple of combinations of /n/ plus another CODsonant that create problems.
Spanish
2.28.11
The cluster / n t
in Spanish
quantity
VEINTISIETE
Tonto
tant~
lentH
lente~
2.27
SPOKEN SPANISH
UNIT 2
,
kantb~
canto
,
antJ.d'to
,
tant16
,
pJ.nt
,
hunt
,
,
sant-monikA-!.
antidote
Tantalus
pinto
junta
Santa Mnica
The close yoking of n t in English in words like the ones aboye, especially when not pronounced slowly and in expressions like '1 wanta',
does not happen in the pronun~ion of Spanish
where the
is clearly resonated through the nose before the
begins.
In ti ,
2.28.2
Inl
Itl
Speakers from practically aH dialect areas can, when they try, make a difference between forms with /QY/ and those with /ny/ . It
seems, however, that this difference is unimportant from the point of view of its limited usefulness, since the distinction is frequently obscured at
normal utterance speed. It is somewhat like the difference between medial tt and dd after stress in words like shutter and shudder: the difference
is there, and we can make it if we try to, but we usually do noto In the hierarchy of importance of the various details of learning Spanish pronunciation, this is one of the lasto
2.28.21
English
1.
uranium
raQYo
,
lineal
lJ.Qy~
matrimonial
2.28
,
mOQYo
,
rany
,
mtrimony6
VEINTIOCHO
SPOKEN SPANISH
UNIT 2
,
6toryo.l.
Antony.l.
vineyard
la--!>1QyA~
IAb10yA~
minion
ffi1QY.l.
ffi1ny
onion
de-moQYo~
demonyo~
Hispania
spaQyA~
ispanyA
Hispaniola
~spaQyola
ispAnyola~
canyon
skaQY~
Askany
annuaI
aQYo~
herany~
pinion, pii10n
piQYoo+
opioyoh~
Antonio
linear
English, the syllahle division is after the /n/, but in Spanish it is befare the /0/.
that purists would be uncomfortable if we failed to indicate that the contrast can he, and sometimes is, made.
2.28.3
/1 Y/ ,
2.28.31
/Q)y/,
and
/y/
,
Balearic
polio
alias
VEINTINUEVE
dahlia
baIyA''
ba~a~
ba~A''
pavillion
poly''
poO}JO''
pO~O~
stallion
aIyas''
aO~as
a!; as~
2.29
SPOKEN SPANISH
UNIT 2
malleable
Amelia
amalya~
. ('\1 ao ~
ama."
oleo
collier
olyo~
oO~o~
ama~a~
,
o~6~
oleography
goliard
olyaOr~
60)~aOr
O!:l a r~
Ilion
million
J.1yoh~
miQ~oon~
alien
billion
ely6~
eO~
Quintilian
quintillion
f:Lly6~
fJ.Q~o~
mi-y.~
The preceding lists are not so much fer dri1l as for i1lustration of an important and widespread dialect difference. To distinguish
the important dialect difference, the
[1]
/O)y/
except in sorne parts of Castile in Spain, in upland Colombia, Ecuador, Bolivia, Paraguay, and a few other areas. In rnost of these dialects
the minimal difference between
as the
/ny/ -/QY/
2028.4
/1Y/ and
/0Jy/
(the similar forms in columns 3 and 4) can be made, but has the same limited usefulness
distinction. For a1l the other dialect areas, the similar forms of columns 4 and 5 are not distinguished; both have
y/ , described
be lowo
/y/
in Spanish
/y/
has two variants which are obvious to the English ear because they are like two entirely separate sounds in English. We write
[y]
for the one that is the y's of rea, res, bar, bur, rache, etco, and with [~J for the one that varies a1l the way from
[ y] to (J) as in judge. In the English words below, either of the two words on each line begins with a sound that is equa1ly likely to occur
in the Spanish iterns of the right-hand column.
2.28.41
English
y and
and Spanish
(y]
,
yes
Jess
~eso~
yellow
2.30
jello
~e16''
TREINTA
SPOKEN SPANISH
UNIT 2
,
yah
jaw
~a~
yoe
Joe
~O~
uke
juke
yearn
germ
~U9t
,
~erno~
yabber
jabber
~abAt
yea
jay
ye~
,
,
In Spanish these are variants of the same sound. It often puzzles an Engliah speaker to hear both variants because he does not
know which one to imitate. Actually both Spanish varianta may be used by a single speaker. The significant difference in English ia no
longer significant, and you must learn to ignore it.
Not a11
/y/
's in Spanish can be pronounced both ways: only those WhlCh are ayllable initial, and especially those which are
[y] will appear at the end of a word or before or after consonants within a
word, prettY much like the English y. In other positions the Spanish
/y/
varies from a
[y],
pret as the z in azure or the j of judge. As you have probably noticed, we have transcribed this latter variant as
from the
2.29
[y],
to distinguish it
the handling o juncture - that is, the way words run together in a sequence. We call attention to this by the way in which we transcribe
utterances in the text (without spaces separating words). Anolher is the problem of pronouncing various unfamiliar consonant sequences
like
etc. These we are inclined to leave to the correction of the pronunciation of complete phrases as they
happen to turn up - not on the assumption that they are less important, but because there are no drills which will help the student learn
them except repetition o the utterances themselves. If the student has learned to make aH the contrasts describ~d in the foregoing material,
and to avoid the most serious pitfaUs that have also been described, he is weH on his way toward accurate pronunciation o Spanish and
should find that mastery of the ulterances comes much easier than it otherwise would.
TREINTA Y UNO
2.31
SPOKEN SPANISH
UNIT 2
2.3
2.31
Pattern drills
2.31.1
Sorne dernonstratives
A.
. of pattern (I)
Presentatlon
lLLUSTRATIONS
,
kes.s.J.
,
2 estle~n~eni~ero.J.
What's this?
a, an (f.)
That's a chair.
kes.sto.J.
,
un.J.
,
,
4 es~lspnaS1~a~
Qu es eso?
Esto es un cenicero.
Qu es esto?
una
(1) The 'presentation of pattern' is a device that will be used here and in subsequent pattern drills to briefly explain the grammar
principIes and chart the illustrative forms that make up the pattern. It will usuaUy consist of three parts: illustrations, extrapolation, and
notes.
The illustrations are a group of sentences, sorne of which have previously appeared as basic sentences and sorne of which have noto
New sentences can be identified by the appearance of an English translation in the left hand column. These 'structural filler' sentences con..
tain forms needed to fiU out the pattern of the point being drilled and should be memorized just as basic sentences. In these sentences the
forms to be drilled are underlined or italicized.
The extrapolation is an arrangement of the forms to be drilled that shows the relationships between these forms. These relationships are analytically 'extrapolated' and shown in a chart for the benefit of those who can grasp the relationships more easily when the; are
presented visually in a spacial configuration.
The noteli, when they occur, are designed to very briefly explain the extrapolation.
A fuller discussion of the pattern is presented after the drills in section 8, entitled 'discussion of pattern'. Further explanation
and cCXTelation with other grammar points can be Iound in the appendix.
2.32
TREINTA Y DOS
UNIT 2
SPOKEN SPANISH
That's good.
,
esoezbwn
,.
,
Translate this.
trat!u~k~stb''
Repeat that.
7 rrep1t~sb
Esa es bueno.
Traduzca esta.
Repita esa.
EXTRAPOLA TION
sto
th1S
so
that
NOTES
(1) This and subsequent response drills are made up of four groups of questions which are designed to elicit answers that require the use
of the grammar point previously illustrated, but at the same time to insure answers that are completely natural in their most probable contexts. The
four groups are: (1) choice questions, which normally require full sentence replies. (2) Information questions, the answers to which are listed and
can be given satta vace just before the questions. These will also normally require full senlence replies. (3) Yes-no questions to be answered
'no'. The correct answer is listed and can be given satta vace just before the questions. These too will normally require full sentence replies.
(4) Yes-no questions to be answered 'yes'. These will normally require just / s / or a partial sentence reply.
The student's cue for the kind of answer he should give is the presence or absence of a satta vace prompting before the question and whether
the question has an intonation ending with a / / or
The first and second groups end with / / and require answers which are chosen by the
student in group one and suggested satta vace by the instructor in group two. The third and fourth groups end with
and require /n6 / with a
correction which is given satto voce by the instructor in group three and
/with or without additional elaboration, usually in the form of a partial
sentence, in group four.
/t /.
/5
/t /
The student should not need to look at the materials to do this drill orally.
TREINTA Y TRES
2.33
UNrr 2
SPOKEN SPANISH
lladel Problem:
,.
,
( el,entro.J.]
,
[ nsyetA.J.]
,.
1 &~est2esp'Qyo1121~g16s~
,
2 kes.6so.J.
,.,
3 As..es.t2unwebe1
,
,
4 As.es.ountres t
"
Model Aua~r:
1
2
3
4
esot
6sAsplQyol~
,
,
esot 6sAltentr6.J.
,
,
,
estot nd~6~nsyete~
,
,
,
estot s i'' ,~ntres~
Model Problem:
1 Ea eato eapalol o ..Ja?
(el celltro) 2 Qu ea eso?
(- aiete) 3 Ea eato UD BlIeve?
4 Ea eso UD trea?
Model A_wer:
1 Eso? Ea ea..aol.
2 Eso? Es el ceBtro.
3 Esto? No, ea _ alete.
4 Esto? Si, es UD trea.
TBElNTA Y CUATRO
SPOKEN SPANISH
UNIT 2
..
~estQunlapl~1Qunaplma~
,.
.., . ..
2 ~est~unasl~a1QunamsA.J.
,
[n11bro+]
3 ke~sto~
..
5 ~~es~unaplumat
[nplum.J.J
6 eaestQunlapl~t
,.
,
.,
,
estot no1s~nlapi~+
,.,
,
esot no+s~nplum~
,
,.
[nlapi+]
".
..,
7 es.es~unotel t
,.
8 eaest~un~enl~erot
(un lpiz)
(una pluma)
TREINTA Y CINCO
..' .
s.esQunaslC1)jat
(un libro)
(un cenicero)
,
,
esot s;n11bro.J.
,
,
estot ~uneni~er6+
[n~nlerb.J.J 4 ke~s6''
,
,
esot -s..unapluma.J.
,.
,
estot s.unmesa.J.
,.,
,
esot s11~nbtl.J.
,.,
,
esot si+~neni~ero.J.
, .,
,
estot si.J.spns1illy.J.
3 Qu es esto?
Qu es eso?
Eso? Es un libro.
Esto? Es un cenicero.
7 Es eso un hotel?
8 Es esto un cenicero?
9 Es eso una silla?
"
2.35
SPOKEN SPANISH
UNIT 2
2.31.12
,
1 That's good.
eSQlezbwn~
Eso es bueno.
. ". .
estoln~es~spaQy61~
ketallbas6~
Qu tal va eso?
4 What's that?
kes.sb~
Qu es eso?
Qu es esto?
."
5 What's this?
,
kes.st
,
es~ezmcho
(1)
2.36
Eso es mucho.
nokyerQesQlstamaQyana~
,.
kyerS?esollwg~
Esto no es espaol.
."
syentomuch~lst6~
, ." ,
estobalmuybyn
,.
,
laseQyor1talkyersto~
Translate the English sentences to Spanish. The student should cover the Spanish answers while doing this drill orally.
TREINTA Y SEIS
UNIT 2
SPOKEN SPANISH
B.
'
'f
DISCUSSlon
o pattern (1)
Basically, / so/ is used to refer to ,an object which is relatively nearer the person being addressed than it is to the person
speaking, whereas /sto/ refers to an object relatively neare!" to the person speaking. Roughly, then, they correspond to the English
words that and this, but in Spanish the ending
on these two words indicates that th: speaker does not know what the Spanish word
for the object is (as when asking the question 'What is this?'), or that the speaker 1.S aIlswering a question in which /sto/ or /so/
/-0/
is used, or that the speaker s referring to a 5ituation or set of circumstances instead of to an object(as in /~sQesbwno"'.1.
Otherwise the speaker would choose these forms with other endings, which will be presented in Unit 7.
(1) This and subsequent discussions of pattern are not designed for use in the classroom. They are explanations of the structural
patterns of the drills for the orientation of students who feel that such explanations are helpful to their eHorts to master the langua~e. Classroom time should be reserved for drilling the language itself, leaving grammar explanations largely for home study or special grammar seSSlons
af the cIass.
TREINTA Y SIETE
2.37
UNIT 3
SPOKEN SPANISH
3.1
BASIC SENTENCES.
John White, an American arriving fOl' the first time in Surlandia, a country south of the United States, has been met at the airport aDel
seen through customs to his hotel by American friends. They leave him at the hotel, were he checks in at the desk and then is accompanied
to his room by the porter carrying his bags. He arrives in the room.
ENGLISH SPELLING
AID TO LISTENING
to you
le
,
gust~
gstaer.l.
gusta (gustar)
le gusta
,
el-kwart~
the room
Por1er
SPANISH SPELLING
el cuarto
legust~elkwartot
Mozo
Le gusta el cuarto?
,
me--gusta~
to me is pleasing
IVAite
Yes, 1 do.
S 1' mg U S t
IVAite
S, me gusta.
,
(you) want (to waDt)
me gusta
kyere~
krex.l.
the water
mineral
soda water
UNO
quiere (querer)
el agua (f.)
. ..
agwa-m~nerl
mineral
agua mineral
3.1
UNIT 3
SPOKEN SPANISH
Porter
(
Do you want soda water? 2)
...,
Mozo
Quiere usted agua mineral?
kyer~ustectlagwam1nera11
,
,
subaJ Sb~r~
suba (subir)
la (.)
it
..
(3)
brmg lt up to me
subamela~
sbamela
later
despus
White
Yes. Bring it up to me later.
,
,
ne~slt~ ne~sitar~
necesita (necesitar)
anything, something
a190~
algo
else
algo-ms~
anything else
Porter
Do you need anything else?
near
(4)
near to
here
3.2
White
S. Sbamela despus.
s~i submelaldespws~
,.
.,
ne~es1talaomast
ms
algo ms
Mozo
Necesita algo ms?
,
~erk~
cerca
~erk--de~
cerca de
aqu
DOS
UNIT 3
SPOKEN SPANISH
.. ...
White
Ves, Is the American Embassy'
,
,
,
,.
si stalembaha~amer~kanal
IVhite
Si. Est la Embajada Americana cerca de aqu?
near here?
,
far
lehs
the avenue
l~-abn~d"a
la avenida
Columbus
koloh
Coln
Porter
No. It's quite a distance.
On Columbus avenue.
, ,
n estalehs
,.
..
enlben~~al~eko16n~
Mozo
No. Est lejos.
En la avenida de Coln.
that
que
.,
(5)
. h
t here 1S t at, 1t s necessary
hay que
to take
the taxi
It's necessary to take a taxi.
,
l-taksi.f.
,
.,
ayketomaruntksi.f.
the elevator
9ra~yaS'' ak1ty~ne~
tomar
el taxi
IVhite
TRES
lejos
mucha z gryaslseQy6r.f.
IVhite
Gracias. Aqui tiene.
Mozo
Muchas gracias, seor.
el ascensor
3.3
SPOKEN SPANISH
UNIT S
... .
bahfenelas (~ensort
Baja en el ascensor?
now
or~
ahora
same
m1zm6~
mismo
right now
aora~zm6''
ahora mismo
"mte
Yes. Right now.
,.
fhite
Si, ahora mismo.
si~ aoramzm6~
la caja
,.
dondestalakha~
first
primer~
prlmer6~
the floor
el-p~sb~
el piso
the entrance
l~-entrad"a~
la entrada
Porter
On the first floor to tlle right
of the entrance.
primer (primero)
Mozo
(Mr. White goes down on the elevatar and ap to lbe cubier's window.)
3.4
pwe<!e~ p6d'er~
paede (poder)
to change, exchange
kambyr~
cambiar
to change fOl' me
kambyarm~~
cambiarme
,
,
CUATRO
UNIT 3
SPOKEN SPANlSH
,
some, a few
uns''
,
the dollar
~l-dolr.l-
el dlar
some dollars
unos dlares
IV/aite
Can you change a few don. . f. me?
Cashier
Yes. How many?
how, at what
the change, exchange
IV hite
Ten. What's the rate o exchaoge?
unos
-.
pwe4e'kmbyarmt'~n6z401are51
,
,
51-+ kwantos
,
a-komo+
,
el-kamby6.t.
,
,.,
dye''
akomo~stal~lkmby6.t.
)f/aite
Puede cambiarme unos dl.ea?
Cajero
Si. Cuntos?
a
cmo
el cambio
White
Diez. A cmo est el cambio?
,
the bill
el-biO~ete
el billete
the bilIs
16z-bi('r~etes+
los billetes
,
el-cheke
the check
Cashier
In bilIs or in a check?
,.
AmbiC',yetes IQenchk.l-
,
est+
,
byahero''
this
traveler
J' /aite
This trave ler'. check.
CINCO
,.
estecheke'hyah6r6~
el cheque
Cajero
En billetes o en cheque?
este
viajero
IV/aite
Este cheque v.iajero.
3.5
SPOKEN SPANISH
UNIT 3
,
enton~s''
then
Casbier
Five to one, then.
it
entonces
..
Cajero
A cinco por uno, entonces.
a~1~koporn~lent6nies~
lo (m.)
.
.
komoloky~re~
,
Cmo lo quiere?
Vlhite
Eight in bilIs and two in change.
la moneda
. .
,
kwesta+
,
How much does a taxi to the
American Embassy cost?
3.6
,..
,
,.
ochQemb1Q~etestidos"enmoneta~
White
Ocho en billetes y dos en
moneda.
,
kostar~
cuesta (costar)
...
kwantokwest~untaks~lal~embaha4amer1kna~
the peso
,
l-peso+
,
el peso
the pesos
los-pesos~
los pesos
less
menos~
menos
SEIS
UNIT 3
SPOKEN SPANISH
Cashier
Two pesos more
Ol'
less.
por
the information
WAite
Thanks for the information.
3.10
Cajero
Dos pesos ms o menos.
dospsz Im~mns~
la informacin
graiyas Iprl~imf6rma~yon
IfAite
Gracias por la informacin.
(1) As can be seen by comparing the literal translation in the build-up with the free translation given in this sentence, there is simply
not any literal way to equate the English idea of 'liking' something with a word in Spanish which takes an object as the English word like
does. Rather, one has to say that the object which he likes is 'pleasing' to him. Thus '1 like it' becomes 'It's pleasing to me'.
(2) Agua mineral, which literally means 'mineral water', may be carbonated 'soda water' or it may simply be purified drinking water.
The terms used for purified drinking water differ from one area to another. Sometimes such water is called by the trade name of the company
that distributes it, such as 'Agua Gitig' in Ecuador, or 'Agua Chuqtiitanta' in Peru. At other times it is called agua cristal. At any rate,
one should be certain that he finds out what to ask for, since the public water supply is safe in only a ver y few places in the Spanish-speaking
world.
/me/
/sbamela/
are called clitic pronouns, or, for short, just clitics. They will
(4) Note that the word /~rka/ 'near' modifies a verb, but does not function as a phrase relator. The English word near, however,
functions in both capacities. That is, in English we can say 'He didn't even get near' or 'He didn't even get near the house.' The Spanish
equivalent of near is /~rka/, in the first example, but /~rkal plus
'near of, near to', in the second.
del,
(5) This idiom is especially useful to bear in mind. It is the equivalent of several English expressions. The closest is 'It is necessary
to.. .', but the most frequent is 'Y ou've got to .. .' or 'Y ou have to.. .' or 'Ya gotta .. .', in all three of which the you. does not refer to you
personally, but really means something like 'Qne should.. .' or 'One ought to.. '.
SIETE
3.7
UNIT 3
SPOKEN SPANISH
3.2
3.21
Pattern drills
3.21.1
lLLUSTRATIONS
,.
1.
pasem~erol1br+
Pseme el libro.
2.
,
demelaplmA+
,
,
Dme la pluma.
3.
tyen~unlap~t
Tiene un lpiz?
..
..
,
Do you have a pen?
,.
4.
tyen~unaplumat
5.
,
muchogsto+
Mucho gusto.
,
,
tyen.J.. tener.J..
, .,
6.
tiene (tener)
tyenemuchagwat
,
,.
7.
este~hekebyahro+
8.
, .,
,.
dondestall~embahadamer1kn+
EXTRAPOLA TION
Masculine
artiele
noun
Definite
Indefinite
3.8
el
un
lbro
lbro
Feminine
artiele
noun
la
una
msa
msa
'the'
'a(n)'
OCHO
SPOKEN SPANISH
UNIT 3
Masculine
Feminine
........ a
........ e
........ e
NOTES
a. A11 Spanish nouns can be divided into two groups, or subclasses, ca11ed 'masculine' and 'feminine'.
b. Spanish articles, like many other Spanish adjectives, have distinct masculine and feminine forms.
c. The masculine form of adjectives appears only with masculine nouns, the feminine form with feminine nouns.
d. Many Spanish adjectives have gender marking endings (distinct masculine and feminineforms/mcho - mcha/); others,
primarily those ending in
or in a consonant /minerl, trs, sy~te/t etc.), do not have different endings
when used with masculine or feminine nouns.
/-e/
3 2111
' , dr'll
Substltutlon
I (1),
- Item s ub"
stItutlon
Model Problem:
AID TO LISTENING
..
SPANISH SPELLING
es t~es.unlpi~.J.
Esto es un lpiz.
_______ ~en1ro.J.
_ _ _ _ cenicero.
..
Mode 1 Answer:
.. ..
est~e~unien1ro.J.
Esto es un cenicero.
(1)
This and subsequent substitution dri11s are designed to elicit !rom the student slight variations on ~iven sentences. These variations
concern the structural relationships within the grammar point being drilled, such as the agreement between articles and nouns in the present dri11.
The model problem and answer are given only this once. A11 subsequent substitution dri11s are to be carried out in the same way.
The student should nol need to look at the materials to do this drill orally. Both the Aids too Listening and the Spanish Spelling are given
for a11 dri11s (on top haH and bottom half of page, respectively); they are for the instructor to use in class and for the student to use in home study:
not in class.
NUEVE
3.9
UNIT 3
SPOKEN SPANISH
.. .
es~eaunaplma
otl
----- .
_ _ _ _bl0\Jte
m~sa
----....;
-----11bro
...,.
~~estounabenl~at
,.
., .
-----moneaat
, .
-----'kwarto1
, .
_ _ _ _s lQ:Y a t
, .
_ _ _ _ es 01
eSQes.umbl0)jt
esoes.unams
A
,.
..
~p.
----
----libro.
2 Es esto una avenida?
moneda?
cuarto?
silla?
peso?
3.10
...,.
,
SEstounamoneaa1
,.
s.estouI)kwartot
,.
.., .
s.es tounas
10\J.a1
,.
,.
s.es toumo
es o t
,.
un bote 1.
un billete.
una mesa.
un libro.
Es o
Eso
Eso
Eso
es
es
es
es
Es
Es
Es
Es
esto
esto
esto
esto
una moneda?
un cuarto?
una silla?
un peso?
DIEZ
SPOKEN SPANISH
UNIT 3
dondestallakha~
. .
. .
-----embahaa~
. .
_ _ _ _a,s(i)ens6r~
. .
graiyas Iporlaplma~
. .. ..
___________ienl~~rO~
gra~yaslporelienl~~r
____________lmformaiy6n
graiyaslporl~lmformaiy6n~
___________ lpi~~
gra~yaslpor~lpii~
____________ chk
graiYoslporelchk~
. . .
ONCE
.,
dondestal~lseQy6r~
_________seQyorfta~
.
, . , .. .
dondestallaseQyorfta~
, . ,
. .
dondestall~embahaa~
, . ,
. .
,
_____seQy6r~
,.
,
. . . .
..
seor?
seorita?
Embajada?
ascensor?
Dnde
Dnde
Dnde
Dnde
est el seor?
est la seorita?
est la Embajada?
est el ascensor?
Grac ias
Grac ias
Grac ias
Gracias
por
por
por
por
pI urna.
cenIcero.
informacin.
lpiz.
cheque
el cenicero.
la inf ormac in.
e 1 lpiz.
el cheque.
3.11
SPOKEN SPANISH
UNIT3
,
5
a~ ~ s t a ~ 1 gw
"..
,.
a~~stalaseQy6r
___ msa
a~estalamsa+
n
___ entrda~
a~~stal~entrda
...
.,
,
,
a:Lestaeltksi+
___ tksi
6
___ seQy6ra~
dondestallaseQyoramer~kna~
,
seQyor
"
."
dondestal~lseQyoramer:Lkn+
seQy6r~ta
dondestallasQyr~tamer~kna~
tel
,
mneeta
..
, ."
,
.
dondestalelbtelamer:Lkn+
, .,
,
.
n
~.
...
dondestallamnedamer~kna
5 Ah est e 1 agua.
_ _ _ _ seora.
Ah est la seora.
_ _ _ _ mesa.
Ah est la mesa.
_ _ _ _ entrada.
Ah est la entrada.
- -_ _ taxi.
Ah est e 1 taxi.
3.12
seor
seorita
hotel
moneda
DOCE
SPOKEN SPANISH
UNIT 3
,.
a~~stallm1zmas~A+
_____
..
!ien~!iro+
_______ plma~
____________ seQy6r+
.
____________seQy6r+
,
8
,...
a1~stal~lm1zm0!ien1!ir~
,
,
,.
1~stallm1zmaplma~
,..
1~stal~lm1zmoseQy6r~
,..
~~stallm1zmaseQy6r+
1~stal~lotrochke+
_ _ _ _ _ entrd"a.1-
__________tksi+
_ _ _ _ _ _ libr.1-
a1~stall~otr~entrda+
.
1estalelotrotksi+
,
,
, .
1~staJl~otrams+
,
,
, .
,
_______ms a+
"
1~stal~lotrolibro+
_ _ _ _ _ _ pluma.
_ _ _ _ _ _ seor.
_ _ _ _ _ _ seora.
TRECE
_ _ _ _ _ entrada.
_ _ _ _ _ taxi.
_ _ _ _ _ _ mesa.
_ _ _ _ _ libro.
3.13
UNIT 3
9
SPOKEN SPANISH
tyen~lnaplumabwna+
lap1~
S1r~a
,
11bro
,
mesa
10
tyen~lnlap1~bwno+
tyen~ InaS10~abwn+
tyen~ln11brobwn6+
-1-
,
, ,
teD9oltrezd1azms-1,
__________tardez_+
,.
_ _ _ _ b10~etez _+
,
_____ nochez __+
,
_ _ _ _ _ d olarez.-+
..
,.
,.
,
,
tyen xlnamesabwn-1-
.
.
,
, ,
teD9oltrestaraezms-1,
,
,.
telJgo Itrezb1C~etezms+
, .
, ,
teD9oltreznochezms+
,
, ,.
teDgoltrez~olarezms+
______ billetes_.
___________ noches __
____________dlares__
3.14
CATORCE
SPOKEN SPANISH
,.
11
.,
UNIT 3
tyenel1~konochezms~
,
_____ d1az
,
________tardez
~
,.
_______ b1CQletez _
,
________dolarez
~
..
tyenel1~kOdOlarezms
Response drill
.,
. . .
estal~entra~~laladerechat~alR1ky~r~a
stla~recha
kyer~unlap1t2unaplma
kyr2naplum~
kyer~un11brot2unchke~
kyrQnchek
,.
..
. .
QUINCE
.,.
. .
, . , .. , .
tyene I1IJkob1C~etezms~
,. , . , . .
3.21.12
,.
tyenel1~kod1aZms~
,.
,
,
tyenel1~kotardezms~
Est a la derecha.
Quiero un cheque.
3.15
UNIT 3
SPOKEN SPANISH
. , . ,..
tyen~umb~CIMetet Qunamontt+
,. - . ,
.-.
~ayunseQyortQunaseQy6r+
, . ,dondestalasQMa+
dond~ayunptl+
4
5
,
[nplkwarto]
,
[en~lientroJ
- -
"
legust~eO)lapJ.it
[n~lientroJ
stalaseQyorldmol~nak~t
[nlapiiJ
, - -,
.
tyen~unaplumat
-
, - -
- ,
11
lgust~elientrot
12
estalaseQyorak~t
13
ayunamesa~t
3.16
,-
"
10
t~I)gQnamoned+
ynasertyora+
,
s t aen.e lkwr t 0+
~
- "- ,
,
ayunptellen~lientro+
,
[lpluma]
,
, .,
,
,
no+ megstlplum+
,
,
,
no+ estal~n~lientro+
no tI)9Qnlapii+
,
,
si+ mgstmucho+
,
,
s).-+ s~estk+
ro
,
,
s).-+ s~y+
(en el cuarto)
(en el centro)
Est en el cuarto.
Hay un hotel 'n el centro.
(la pluma)
(en el celltro)
(un lpiz)
8 Le gusta el lpiz?
9 Est la seora de Molina aqui?
11 Le gusta el centro?
12 Est la seora aqu?
13 Hay una mesa ah?
S, me gusta mucho.
S, s est aqu.
S,shay.
DIECISEIS
UNIT 3
SPOKEN SPANISH
3.21.13
Translation drill
....
1. That's a coin.
2. No, this is not a bill.
3. The young lady is at the
esS?e9.unamOnd~~
,
,
no.1- stbnQes
,
lmbiO~te~
..
lseQy6rlt~lesta~nl~embah~a~
Embassy.
4. Do yu want a chair?
..
kyer~unas lC~J at
,.
tyenelchek~ton6~
lakah~lestal~lkyrdai
,.
"
1~embha~alno~staleh6zla~3~!
kyeropresentarl~I~6n~seQy6rlt~
..
,.
La seorita est en la
embajada.
.
,
, . .
elbaQYRI~stalaQerch
,
. , .
teI)9S?uIJkvartS? I en.elotl~
, . ,.
kyer~unlapl~t
,
, .
,
, .
lesusta/labenleakolon1
,.
ne~eslt~unaplumat
esta~lotellenel~entrot
DIECISIETE
..
..
.,
3.17
UNIT 3
B
SPOKEN SPANISH
Discussion of pattern
In Spanish there is a large elass of words to which the label noun can be applied. A noun can be identied by the fact that it can have
endings added to it to change its reference from one to more than one (as explained in Unit 4) and by the fact that it belongs to one 01 two sub
elasses, called masculine and feminine. While a noun can change for number, it has only one gender or the olher, which is inherent and does
nol change. The terms masculine and feminine are convenient but more or less arbitrary tags to represent grammatical categories and have
nolhing to do with gender or sex in the real w<X'ld. Nouns that have appeared so far inelude /el-gsto, el-lpl., la-b,
el-libro, el~enl.ro, el-espaQy61, la~~a, la-embahda, el-bQYo, el~ntro, el-otl,
el-kwrto, el-gwa, la-abenda, el-tksl., el-as(~ens6r, la-kha, el-pso, la-entrda,
el~hke, el-d61ar, el-kmbyo, el-bl.~Yte, la-monda, la-l.mformay6n/.
lel/
You will notice that the word /el/ or the word /la/ precedes each noun. These are the singular forms of the definite artiele:
is masculine, and /la/ is feminine. When memorizing each noun it is well to memorize its gender at the same time. Usually this can be done
by memorizing the appropriate f<X'm of the definite artiele with the noun. ( / e l-gw
is an exception, since it is actually feminine.) The
words /el/ and /la/, called definite anides, are usually the equivalent of English 'the'. The words /un/ and /una/, called
indefinite articles, are usually the equivalent of English 'a' <X' 'an'.
a/
The artieles, and other adjectives which change for gender, must appear in the same gender category as the noun with which they are
assoc iated. This is called gender agreement, and the associated adjective is said to agree with the noun. Thus adjectives differ from nouns in
having two gender forms in <X'der to agree with nouns from either subelass.
There are two subelasses of adjectives those which show a gender change, and those fer which distinct gender forms are only potential. In
certain circumstances the latter subelass can show a change (see Unit 39 for a discussion of diminutives) but usually they have the same endings for
for masculine and
for feminine forms, though sometimes
masculine or feminine agreement. Usually the forros which change have a final
the masculine form may end in a consonant, as/espaQy6l- espaQy61a, l.ngls -l.nglsa/when these are used as adjectives.
/-0/
/-e/
-al
mcho~sto
mnos:-gsto
mno~-l.mformay6n
Note that in Spanish adjectives usually follow the noun modified: /embahda-amerikna, chke-byahro/ etc.
Some adjectives, like the artieles / el, la/, etc. always precede : Il~-abenda, d6s-ps osi , etc. These are usualIy 'number'
or 'limiting' adjectives. Some adjectives, however, may follow or precede the nouh: !plma-bwna, bwna-plma/.
3.18
DIECIOCHO
UNIT 3
SPOKEN SPANISH
3.22
'"
tyn~nlapl~t
'"
___-..lplumat
kyr~
Model Answer:
tyn~napluma1
,
kYr~naplumat
Model Problem:
Tiene un lpiz?
pluma?
Quiere
?
Model Answer:
Tiene una pluma?
Quiere una pluma?
(1) This and subsequent replacement drills are designed as a fast moving substitution-type drill on selected basic sentences, with the
substitutions occurring in different parts of the sentence, each being a single change -plus any obligatory associated change(s)- o the sentence
immediately preceding.
The student should not need to look at the materials to do this drill orally.
DIECINUEVE
3.19
UNIT3
SPOKEN SPANISH
,
.
komoestaustctt
,.
..
laseQy6r+
"
A
1
..
".
"
.
komo~stal~lseQy6r
"
."
.
dondestal~lseQy6r
, . , .. .
dondestallaseQyort
".
, .. .
komo~stallaseQyort
"
donde
,
5
. .
komo
~lseQyorhwyt+
,."
"
komo~stal~lseQyorhwyt+
dondestal~lseQyorhwyt+
"
6
7
seQyortA
"
donde
~omo~stallaseQy6ra
seQy6r+
"
.,
1
2
3 Dnde
4
5 Cmo
6
7 Dnde
3.20
....
la seora?
seor?
seorita?
el Sr. White?
?
VEINTE
SPOKEN SPANISH
UNrr 3
...
"
kyer~ustedlagwam1neralt
.,
. . algomast
,
,
.,
..
elseQyorhwaytl
,
,
,
,
, .,
kyerelseQyorhwaytlalgomast
..
.,
.,
n~es~tR
,
____usted
neis1t~elseQyorhwaytlalgornas1
n~s1t~usteQlalgomast
,
__________algot
5
,
d1i~----
n~s~t~ustedlalgo1
-----_
.,
d~i~ustedlalgot
,
.....bwnozct1ast
d1i~ustedlbwnoz~~ast
algo ms?
2 _ - el Sr. White
3 Necesita
4 _ - usted
6 Dice
7
VEINTIUNO
kyer~ustedlalgomast
algo?
?
'buenos das'?
3.21
UNIT 3
SPOKEN SPANISH
,
, .,
n~s~t~lalgomast
_____uno __t
tyen~
,
_____ ooz_ _t
kyere
.
_________ menost
,
5
6
,
ay
_____trez __t
t
,
,.,
tyen~lunomast
,.
, ,
tyene Ictozmast
,.
,
,
kyereldozmast
,.
, ,.
kyerelctozmenost
, , ,.
ayetozmenost
,
".
ayltrezmenost
uno _ _ ?
2 Tiene
?
dos _ _ ?
4 Quiere
menos?
6 Hay
3.22
,
,.,
n~es~t~lunomast
tres
VEINTIDOS
SPOKEN SPANISH
UNIT 3
.. ...
,
,
,.
'
~stall~embaha4amer1kanal~rka~~ak1t
.,
.,.,
.,.,
.,.,
..
..
,.
,
___ ~lotel------_-_-t
_______1~gles
estal~lote11~glesl~~rkad~ak1t
_ _ _ _ _ _ _ _ l~hoz
estal~lote11~glesll~hozd~ak1t
<t~A1
., .
t
t
___l~embahad'a,
________espaQYola.-----t
--
otel
estal~lotelamer1kanoli~rkad~ak1t
stal~lote11~glesll~hzd~1t
.,.
..
,.
3
4'
.,. .
lejos_?
de ah?
5 ---la Embajada
6
7 _ e l Hotel.-.
?
Espaola
?
?
stall~embahad~espaQyolallnz~~a1t
,
,
,
stal~lotelespaQyolllhozd~a~t
?
ingls
stall~embahad~1~glesall~hzd~a11
VEINTITRES
...
SPOKEN SPANISH
UNIT 3
dondestalakha~
. , .
dondestaelot~l+
,..
, . ,..
dondestalaseQy6ra~
,.
,..
ot~l
1
2
seQy6ra+
komo
komo~stalaseQy6r+
komo~stalJstd"+
".
hwn
,
donde
komoestahwn+
,...
,
,
dondestahwn+
l~entr<1a+
,.
ustc!~
4
5
.
.
dondestal~entrda~
hotel?
seora'?
3 Cmo
usted?
Juan?
6 Dnde
7
?
la entrada?
VEINTICUATRO
UNIT3
SPOKEN SPANISH
..
,
kOr:l0 lokyret
F
1
d"~t
ne~esta+
. .
3
4
5
6
,
donde
,
k6lJke
,
donde
+
{-
kyr+
Cmo lo quiere?
1 _ _ _ dice?
Cmo lo dice?
Cmo lo necesita?
necesita?
3 Dnde
?
quiere?
?
6 Dnde
Dnde lo necesita?
4 Con qu
VEINTICINCO
dondelokyr
,
dondelotyne
tyne
..
, . . . .
komolone~es1ta
, .
. .
dondeloneiest+
,
..
k6Dkelone~est
,
k6I)kelokyret
, .
komolod1~e
tiene?
Con qu lo necesita?
C on qu lo quiere?
Dnde lo quiere?
Dnde lo tiene?
3.25
UNIT 3
SPOKEN SPANISH
. . dn11 s (1)
VanatlOn
3.23
. .
demelaplma~
Dme la pluma.
,
1 Give me the book.
demeQ)lbrb~
, .
.
pasemelaplma+
denos.ea)lbro~
4 Give us that.
denos.s6+
5 Take us downtown.
Q~ebenospl~ntrb~
6 Take me downtown.
O~ebem~al~ntro~
(l)~ebem~alotl~
Dme el libro.
..
Pseme la pluma.
Dnos e 1 libro.
,
,
...
,.
,
Dnos eso.
Llvenos al centro.
Llveme al centro.
Llveme al hotel.
(1) This and subsequent variation drills consist of translations of sentences similar to and within the basic structural rame o
selected basic sentences.
The student should cover the Spanish answers while doing this drill orally.
3.26
VEINTISEIS
SPOKEN SPANISH
,.
UNIT 3
lgust~elkwrtot
lgus t~a:D11brot
Le gusta el libro?
..,
le9ust~elote11
Le gusta el hotel?
,
lgustalRembahada1
Le gusta la embajada?
lgustalaben1da1
Le gusta la avenida?
,
.,
legustRelespaQyolt
Le gusta el espaol?
. . .,.
...,.
,
6 Do you Hke (the) English?
,
nd'J.
lgust~ell.I)91est
Le gusta el cuarto?
... . , . . , .
lgustalaseQyorl.tamo11na1
Le gusta el ingls?
estal~hos''
no-
esta~rka+
,
no
estala<!er~ch
no stalil.~kyrda''
,
4 No, it'. up ahead.
no"l estad:elnt
SPOKEN SPANlSH
UNIT 3
,.
si~ ~stalaentrd~
,..
S l~
,
stak 1~
S, est aqu.
S, est ah.
.,
S, est a la entrada.
ayketomarluntaks~t
1 Is it necessary to take a room?
, .. , .
,
ayketomarluDkwartot
..
, ..,
. ,
ayketomar !elas (~) ensort
, .., , . ,
ayketomarlalgomast
., ,.
aykec!eilr/esot
. ..,
,.
aykGtradU~lrlesot
,
,
,.
aykekambyarluncheket
..
..
7 Is it necessary to have
traveler's checks?
3.28
,
,
, . . ,.
ayketenerlchekezbyaherost
VEINTIOCHO
SPOKEN SPANISH
UNlT 3
..
,.,.
pwe~elkambyarm~Jestecheket
..
,.
. .
..,
.,
...
..
,.,.
pwe~elpresentarm~lalseQyormo11nat
,.
".
,.
pwe6elkambyarmellaplumat
,.
,.
pweaelkambyarm~lundolar1
,.
..
pwedelkambyarm~lesteb1Q~etet
.,
,.
pwede/deilrm~lesot
,.
,.
pweoelrrepet1rm~lesot
Puede de c irme es o ?
..,
,
F
...
kwantokwest~untaks*lal~mbaha~amer1kna
,
1 How much does a taxi to the
Embassy cost?
VEINTINUEVE
kwantokwest~untaks*'al~embahada
,
2 How much does a taxi to the
hotel cost?
.,
kwantokwest~untaks*lltel~
3.29
UNIT 3
SPOKEN SPANISH
.
.
kwantokwestRuntakslalabn1~ako16n~
,
,
4 How much does a taxi
downtown cost?
.,
Cunto cuesta
UD
taxi al ceatro?
kwantokwestR~11br6~
,
6 How much does the room cost?
kwantokwestRuntaks*lalientr6~
,
5 How much does the book
cost?
kwantokwest~elkw~rt~
3.30
,
kwantokwest
Cunto cuesta?
TIlONTA
UNIT 3
SPOKEN SPANISH
3.3
NARRArlVE 1
"
,
,.
elsQyorhwaytlestal~n~16telko16n~
.
tyen~uDkwart9Ia
le9ust~lelkwrt6~
Le gusta el cuarto.
(1) This and subsequent conversation stimuli are designed to help bridge the gap between pattern-drill sentence practice and actual conversation. They are divided into one, two, or more combinations of narratives and dialogs. The narrative part is a translation drill of sentences in a sequence context, whichsetsthe stage for the dialog following. The dialog is elicited from the participants by the teacher, acting as
a prompter for players who have not learned the ir lines very we 11. He tells each what he should say (until such time as the lines are memorized),
making sure that the participants address each other, talk naturally and meani ngfully, and fully understand what they are saying.
The student should cover the Spanish answers while doing the narratives orally. He should not need to look at the materials to do the
dialogs orally.
The following expressions are necessary for the prompting or direction of the dialogs.
..
d 19 ale Ike
knt~st~l~lke
preg.untele I si
rrepltale/ke
..
,r
TREINTA Y UNO
Pregntele si
3.31
SPOKEN SPANISH
UNIT 3
, ,
4 He needs s omething.
n~esltalg
5 He needs to c hange a
twenty dollar bill.
n~s1takambyarl
,.
mbiQ~_ete Ictbeyntect61ars~
. ,..
..
Necesita algo.
lakah~~staladerch
DIALOG 1
,
bwen07d13s IsQy6rta~
,
bwenozd13S
IseQy6rhw&yt~
lgust~elkwartot
Le gusta el cuarto?
,
,s 1-.1- mgustamchb Igrvas
, ,
Srta., pregntele si necesita algo.
n~esltalgot
si~
3.32
,..,
kyerokambyarlmbi~etel
, . ,dbeynte~61ars+ dondestalakhi
,
TREINTA Y DOS
UNIT3
SPOKEN SPANISH
,
Srta., dgale que est ah, a la
derecha.
sta1laladrech~
,
mu eh a zg r y as ~
NARRATWE 2
,
1 He goes there.
ba:~
Va ah.
dollars.
4 And how does he want it?
,
,
kyerekambyarlbeynted61ares+
TREINTA Y TRES
..
,
,.
ikomolokyeret
,
,. ,
..
,.
.,
lkamby~estal~trespor6no~
y cmo lo quiere?
kyereldozaebeynt~lidozdeQyi+
3.33
SPOKEN SPANISH
UNIT3
D/ALOG 2
,
,.,
dispense~ akomol~sta~lkmbyb~
,
Cajero, c ontste le que est a
tres por uno.
sttresporno~
,
Juan, pregntele si puede cambiarle
este billete.
..
..
,.
pwedekambyarmesteb10~etet
,
Cajero, pregntele que de
cunto es.
dek\"Janto~s~
,
Juan, contstele que es de
veinte dlares.
".
~zQebeynted61ares~
,.
3.34
.,
dozdebeyntetidozdedy~lpOrfab6r
..
k6nmuchogsto~ komoloky6r6~
komon6~ ak1tyn6~
TREINTA Y CUATRO
SPOKEN SPANISH
UNIT 3
NARRAT/VE 3
,
.
blaembhctarnrikanalentksi+
~
, .,
estal~nlbenldako16n.l-
eltaksllkwstalaozbeyntl~1~ko+
Va a la Embajada Americana en
taxi.
..
D/ALOG 3
,.
,
,.,.
preton.l- kornodliet
'o
,
Juan, reptale que a la Embajada
Americana, y pregntele si est
muy lejos de aqu.
, .
. .
Quebeme)laembahadamerlkna+
~
,.
.,
estamuylehoz IQ~aklt
,
"
'" .
nomchb.l- est~nlz.ben~d:akoln+
~
UNIT
SPOKEN SPANISH
,
Juan, pregntele que cunto es.
kwanto~s~
,.
dozbeynt1!i1IJko,J.
,
k1tyne
,
. .
gra!iyls~
graiyaa~ustedlseQy6r~
TREINTA Y SEIS
UNIT 4
SPOKEN SPANISH
4.1
BASIC SENTENCES.
Mr. White arrives at the Embassy by taxi and pays the driver.
AID TO LISTENING
ENGLISH SPELLING
SPANISH SPELLING
debo (deber)
le debo
..
,
kwantoledbb''
White
How much do 1 oV/e you?
White
Cunto le debo?
son (ser)
,
l-chfr~
the chauffeur
el chofer
Taxi Driver
Chofer de taxi
"
,
sOI)kwatropsos''
diheron~
dJ.r~
to me (they) told
m-diheron~
dijeron (decir)
me dijeron
"hite
seran (ser)
( )
UNO
e~eltellmedihero~lk
,.
srJ.and6s''
White
EQ el hotel me dijeron que
seran dos.
4.1
SPOKEN SPANISH
UNIT 4
,
,
ddy+ dr+
doy (dar)
le--doy+
le doy
(3)
la propina
the tip
rn give
ledoytr~s+
, unodepropina+
bweno+
good, OK
Taxi dnver
O.K. Thank you, sir.
.. .
bueno
ehofer de
tqxi
Bueno, gracias, seor.
bwen+ gra~yaslsQy6r~
(Mr. White enters the Embassy and goes to the Administrative Office. He is taken to the consular section where he is going to work and
introduced to one of the young local employees with whom he is going to be associated.)
Administrative officer
(4)
Mr. Molina, this is Mr. White.
.,.
...
to work
,
nosotr6s~
we, us
4.2
Oficial administrativo
Seor Molina, ste es el seor
White.
va (ir)
seQyormol~na1 estes~lseQyorhwyt+
..
trabajar
nosotros
so much
tanto
(5)
to k now h1m
conocerlo
DOS
SPOKEN SPANIlH
1I0Hna
1'. ver, Slad to bow yo., Mr. White.
UNIT 4
.
...
.
tantogustotaekono,'r16Is6Qy6rhw'yt~
.,
miDe
"fAite
The pleasure's miDe.
MoliruJ
Tanto gusto de cODocerlo, selor
White.
mio
61gust2ezmb.&.
"hite
El gusto es mio.
,
since
dezct6''
desde
when
kwand''
cuando
Molina
How long have you been here?
.,
d6z46kwand2lestak''
yesterday
Molina
Desde c uatndo est aqu?
ayer
White
Since yesterday.
"hite
Desde ayer.
,
such
ta1A
ke-tl''
qut! tal
the trip
el-byahlt'&'
el viaje
Molina
HoY/ was the trip?
TRES
tal
, ,
ketalelbyhe
Molina
Qu tal el viaje?
4.3
UNIT 4
SPOKEN SPANISH
,
eks{~ lent-l.
excellent
White
Excellent.
excelente
White
Excelente.
k S (~lent''
the movemenl
,
el-mbimyent,l.
,
el movimiento
the section
la-sk~yoh''
la secci6n
consular
consular
...
,
kasi''
,
syempr
always
,.
,..
si,l. ksisyemprestamozlmuyokupdos''
,
,
,.
estamos (estar)
ocupados (ocupar)
Malin.a
S. Casi siempre estamos muy
ocupados.
ablA.I. ablar.l.
4.4
siempre
estamos.!. sta-r
,
,
kpads'' kpr+
White
Do you speak English, ~d". Molina?
casi
,.,
almost
Malina
hahla (hablar)
abl~usted1~gleslsQy6rmoln''
Ifhite
Habla usted ingMs, seor Molina?
CUATRO
UNIT 4
SPOKEN SPANISH
,
,
abl abla-r.J.
hablo (hablar)
poko
,
um-poko+
liule
a liule
Molina
Yeso 1 speak a Hule.
un poco
51+
poco
Molina
abl~ump6k
S, hablo un poco.
,
but
per+
deb deber+
pero
debe (deber)
to practice
/
Y01D.'
.,
the purpose
,
el-proposito
by the way
a-proposit
pronunya pronnyar+
,
,
aprndyo1 aprndr~
,
prposit
a prop6sito
pronunc ia (pronunciar)
aprendi6 (aprender)
A prop6sito.
,.
12abl~lilopr6nun~yalmuyhy~n''
,
Where did you learn it?
el prop6sito
By the way.
.. .
per~ustedf~ebeprakt1karlelespaQYo~+
CINCO
,.
practicar
. . .
donde12aprendy.J,
Dnde lo aprendi?
4.5
SPOKEN SPANlSH
UNlT 4
,
li-skwela~
the school
la escuela
,
l-lelJgw.l.
,.
la lengua
schoolof languages
eskwela-4e-16lJgws~
escuela de lenguas
!he slate
l-estad'b~
el estado
,
(Jn14'6'' n1er-l.
16s~st4'6s~n14'6s~
unido (unir)
,.
rlte
At a language achool ia the
Statea.
..
~RfASkw61l4'lelJgwaslln16~'sa4'o~un4'6s
t'laite
En UDa escuela de lenguas eB
los Estados Uaidos.
ll-kosl~
the thing
la cosa
,
,
d1g'' d, 1-r''
BOl to me .ay
n o-1De-d' 191''
no me diga
,.,
,.
lIolina
ADOlher thi.. DOD't caU me
Mr. MoliDa.
otrak6s~
..
,.
nome41gafseQyormolnl''
lIolilllJ
Otra cosa. No me diga _ _
Mola.
my (mine)
mi (mto)
the Dame
el nombre
. .
minombreshos6''
,
My
lUlDIe
ia J oe.
Mi 1IOIIlbre es Jos.
oh
ah
the miDe
elmlo
Wte
Oh. All right.
ttiae ia J.....
1 muyby'n~
.
.lm12eshwnl
,
',"e
SEIS
UNIT 4
SPOKEN SPANISH
4.10
(2) Notice that in the English translation the word /ke / 'that' is left untranslated, even though we can also say 'They told me that
it'd be two.' This omission in English is very common, but it never happens in Spanish. While there will be drills on this matter later in this
text, it would be well for the student to fix in his mind here and now the fact that the verb /de~ir/ 'to say, to tell' always requires /ke/
'that' after it if there is another verb being introduced by it.
(3) Notice that the word /le/ le is '(to) you' in the context of the complete utterance. Formal usage in contexts that mean 'you' is
actually the same as in those that mean 'him, her'. The sentence / led 6y tr S ~ /
le doy tres can be translated either '1'11 give you three',
'1'11 give him three', or '1'11 give her three', and only the context will distinguish which translation is appropriate.
(4) Que of the very common uses of the definite article in Spanish where it is never used in English is in talking about a person whose
name is cited with /sery6r/ or /seQyor tal or /sery6ra/: 'The Mister White', 'The Mrs. Smith', etc.
(5) The form /10/ lo which appears here in the literal meaning 'him', but referring to the person being addressed (that is, 'you'see note (3) aboye), often has the form / le / le in Spain. For this reason a person who plans to go to Spain should practice saying
/konorle/ conocerle as well as /konOirlo/conlPcerlo. We will not bother to point out this difference throughout this book, since
the teacher can readily point out which form he himself uses ( /
or
and that is the one the student should imitate. It may be
is used in Latin America
noted here that the difference between Spain and Latin America on this point is easily stated by rule: the form
only as an indirect elitic form but in Spain it occurs also as the direct clitic form if the reference is to a male human being where
would
be used in Latin America.
le/
(6)
aprendy6/
/10/ ),
/le/
/10/
aprendi is a regular Past 1 tense form which will be drilled in Unit 17.
(7) The form / dig a/ diga is a cornmand form which will be drilled, along with others of the type, in Unt 27. As in the present sentence,
t can be used with the meaning 'call'.
SIETE
4.7
UNIT 4
SPOKEN SPANISH
4.2
4.21
Pattern drills
4.21.1
A.
Presentation of pattern
ILLUSTRATIONS
...
,
Hand me the books .
pasemelozlbrs
demelasplmas
..
..
3 pwe~elkambyarm~lnzdolares1
Give me sorne pens.
,
demeunasolmAst
-~
7 muchaz9rjyaslsQyr~
4.8
6 bwenaznochslsQyrta~
D me unas pl zunas.
,
5 bwenozdlaslseQy6r~
OCHO
UNIT 4
SPOKEN SPANISH
EXTRAPOLA TION
Nouns and adjectives
singular
plural
..........vowel
..........vowel
.....consonant
.....consonant
-s
-es
Indefinite articles
sg
ro
un
una
pI
unos
unas
ID
sg
pI
el
la
lQ.s
las
NOTES
a. Spanish nouns, Hice English nouns, have different forms in the pi_al.
b. Spanish adjectives, unlike 8":08t English adjectives, also have diffeJ'ent forms in the pl1D'8l.
NUEVE
4.9
UNIT 4
4 o.
21 11
SPOKEN SPANISH
SubStltutlOD drll
1
o
. (1)
Domb er Sah
StltutlOD
Model Problem:
,
,
k11ynbtelbwn6l
Mode I Answer:
ak1lyn6&btelezbwnsl
,.
2
3
t~lJg2naplumSleks(we16ntAl
,
tynelm1zmolibr''
, .,
kyer2elotr~61rt
..
t~lJg2nasplumas.eks(~ elntes''
ty~n16zm1zmoz11brbs''
.,
kyerolo~otroz461arest
Model Problem:
Aqu hay
UD
hotel bueno.
Mode 1 Answer:
Aqu hay unos hoteles bueDos.
(1) Nurnher substtution involves a change between singular aod plural forms. In the present drilI these forms are nouns; change the
singular nouns (and any associated adjectives> to plural and plural nouJlS (with any associated adjectives) to singular.
DIEZ
SPOKEN SPANISH
UNIT 4
,.
4 t~ng2nchekebyah~ro~
. .
5 ablolk6nlseQyor1t~espaQy61a~
.. .
,
,
ablo Ikonla(s) se12yr1 tas.espaQy61s~
,
".
..
6 neies1tiunamesabw~na~
ne~es1tiunazmesazbw~ns~
7 ablalk6nelm1zm2amer1kn~~
ablalkon16zm1zmo~amer1knos~
,.
ONCE
..,.
,.
tngQn6schekezbyahrbs~
,.
..
,.
...
4.11
UNIT 4
4.2L12
SPOKEN SPANISH
Response drill
,
[nlmes]
kyrepokagw~tomcha~
,
.,
,
,
abl~uste~lknlm1zmoseQyortokon~tr~
tyn~lotraplum~tolam!zm
tl)gotr
hliustdlmuch2eSpaQyolfop6k~
blpok
tyn~lotroz11brostolozmzms~
teI)gollbzm1zms''
,
,
,
dondestallsQyr1tiespaQy61
, .,
,
dondestallamonedamer1kn
..
..
..
. ..
. .
[nlientro]
"
...
kyrpok
,
,
ablolknklm1zmb~
,
,
. .
lsQyr1t~espaQyolilst~n
l~entr~
,
lmndmrikan'esta~nlam~s''
Quiero poca.
Tengo otra.
Hablo poco.
(en el centro)
(en la mesa)
4.12
DOCE
SPOKEN SPANISH
.,
.
,
SDl1brbbwen2Iestak!~
,.
8 dondestal~11brobw'n6~
[aki~ ]
.
,
, ..
,.
,
abliuste~lkon16(~seQyorea1ijglesest
no~
,
, . , , ., .
10 tyen~ustedlotrol~brot
,
,
.
,
,
. . ,
11 abl~ustedlmuchQespaQyolt
,
[k6nl(s) seQyoras~] 9
,
[elm~zmo]
[poko~]
..
, .
,
ablo Iknla(s) seQyora5.1ijgl'sls~
,
no~ t~ijg~~lm1zm~
no~
..,.
,.
.,
12 aylmucho~otelezbwenoslak1t
"
si~
.
, .. , .
,.,
tyen~almuchazmonedaslam~rikanast si
,
, ... ,
,
"
13
14 aylmuchomob~myentQlenlask~y6ij
,
konslart
1S ne~es1t~ln6schkezbyahero5t
TRECE
UNIT 4
,
blopok''
ymuchs~
ty~nemuchas~
si~ ymucho''
"
5i~ ne~51t~ns''
S, hay muchos.
S, tiene muchas.
S, hay mucho.
S, necesito unos.
4.13
UNIT 4
4.21.13
SPOKEN SPANISH
Translation drill
2 There's an excellent
school there.
,1
note~gollb~otrozdolaresla6ri
,..
, .
tDglmuypokozbJ.~~~ts.l-
,.
pasem~lotrolpi~~
demello~otroschkes.l-
",.
.,.,
pwe~ekambyarm~ln~zmneda~amerlkanast
,.
4.14
'..
'/.
syempr~ablolkbnlizmlzma(~seQy6rs~
".,..
,.-
'
,.
..
aklylmucha~eskwelazbwns~
".
,;
""
, "
syempre~oylprplnazbwnas
CATORCE
UNIT 4
SPOKEN SPANISH
. of pattera (1)
B n18e_10D
Both English and Spanish use the cODcept of number, which distiDguishes Ofle (singular) from more than Ofle (plural). English nouns
regularly add an ending for plural forms, e.g., the endings of the words 'cat!., dog!, hors~', the particular ending that appears depending on
what sound the singular form ends with. In Spanish the plural eDding aIso depends on the last 80und of the singular lorm, though witl~ a different formula: words ending with a vowel add
with a conSODant, /-es/, as /msa - msa~ otl- otl,W .
/-S/,
Adjectives in English do not usually change in form when modifying plural nouos: 'the hoy - the hoys, good book - good books'.
However, the indefinite article ~ (a special kind of adjective) can appear only with singular DOUDS: 'a boy' but 'some boys'; and tbe dernonstratives (another special kind of adjective, often used wben pointing) genuinely change wheD modying plural nouns: 'this bo)' - these boys,
that book - those booo'.
Almost all Sanish adjectives change forms for siDgular and plmal in the same way nouns do; that is, add
in a vowel, /-eS/ if in a consonant.
/-S/
The patterns of pluralization ol the articles {the special adjectives, equivalent to 'a, an, sorne, the' in EDglish, used before Douns to
limit tbeir application, definitely or iDdefinitely} are slightly irregular. Tbe irregularities are cbarted iD tbe presentatioD 01 panern that began
tMs section- witb irregular elements underliDed.
(1)
QUINCE
4.15
UNIT 4
4.21.2
A.
SPOKEN SPANISH
The irregular verb
es tr/
Presentation of pattern
ILLUSTRATIONS
,
1
stoybyfjlgr~yas
~o~stoylen~lbQY
you (fam.)
3
4
yo
..
es tas es tar
,
,
komoestast+
"'--,
,
komoestaustd+
.
.
'"
'"
,
,
komoestal
"'-,
she
,
How is she?
7
(you) are (pi.) (to be)
4.16
Yo estoy en el bao.
t6
ests (estar)
Cmo ests t?
Cmo est usted?
l
How is he?
eC~a+
Cmo est l?
ella
kom~estaQ~a
,
,.
,..
ksisyemprestamoz ImuyokupdS~
,
,
estah estar
DIECISEIS
UNIT 4
SPOKEN SPANISH
,
steds~
you (pI.)
ustedes
, .
.
kom2estanPst~des~
,
Cmo es tn ustedes?
,
they (m.)
eQ}JS~
ellos
kom2estan.~os~
EXTRAPOLA TION
sg
1st person
est6y
2nd person
familiar
ests
2nd person
formal
est
pi
estmos
estn
3rd person
NOTES
a. Spanish verbs change to agree with their subject for singular and plural, for first person (1), second
person (you), and third person (he or anything else).
b. Second person is further distinguished for familiar or formal.
c. Second person formal and third person take the same verb forro in the singular; all second and third
person take the same forro in the plural.
DIECISIETE
4.17
UNO' 4
4.21.21
SPOKEN SPANISH
....
stamo~en~lot'l~
Model Answer:
estoyen.elot~lt
1 estanA~
~sta~
2 star~ozbyn~
estoyby,"~
Model Problem :
Estamos en el hotel.
Model Answer:
Estoy en el Letel
1 F.tlfn ah.
2 Estamos hieL
Est' 1.
Estoy Liea.
4.11
DIECIOCHO
SPOKEN SPANISH
tJNIT 4
estbyen I~k
stal~nl~eskw~l~
st~nl~nl~~skw~la
5
6
. . .
".
estamoslenl~embahda~
no~staby~nla1
no~stambynl
;..
. .
stoylenl~embahda~
/ .
DIECINUEVE
,
estmbyenlki
..
stamoslenel~~ntro
, ..
estoyen.el~ntr+
4 Est en la escuela.
Estn en la escuela.
5 Estoy en la Embajada.
Estamos en la Embajada.
7 Estamos en el centro.
Estoy en e l centro.
4.19
SPOKEN SPANISH
UNIT 4
Person - number substitution
Model Prob lem:
.,.
~ntonYQlesta~n~l~ntr~
stedes
~,'iodel
Answer:
~l~y g.
.}
st Imuyby~n.ak1~
nos6trs
.}
stmoz Imuybynakl~
stnlmuybynak~
s td
~1odel
estlmuybynakl~
Problem:
------
Model Ans\',-er:
Estn en el centro.
aqu~.
------
Alicia
Nosotros
Alicia y Antonio
Usted
------
4.20
VEINTE
SPOKEN SPANISH
UNIT 4
pahl~lesta~nl~embahda~
estoyenl~embahd~
ntony~
.t.
, .
loseQyores
,
.t.
sta~nl~embahda~
,.
..
estanenl~embahda
lsQyor1t~---------_.t.
esta~nl~embahd
. .
..
,..
.t.
~o
.,
,..O'.
'1
11iya*~ol~stamo~en~lot~1~
.t.
~o
, ..
stedes
,
,
elkantony2
,
. .. .
stoyen,elot~l..
..
.t.
estanenelot~l.t.
.t.
estanenelot~l''
--..
eIDJ~,
..
, .
..
, .. .
estaenelotl.t.
n
2 P ah lo est en la Embajada.
y0
Antonio
Los seores
La seorita,
Estoy en la Embajada.
Est en la Embajada.
Estn en la Embajada.
Est en la Embajada.
- - - - - -__
VEINTIUNO
Ustedes
El y Antonio
_
_
EHa
Estoy en el hote 1.
Estn en el hotel.
Estn en el hotel.
Est en el hotel.
4.21
UNIT 4
1..21.22
SPOKEN SPANISH
Response drill
. . ,
. . .
~enl~embahd~
, . . ".
,
estalaseQyor~lnAlotelt
,
st~nl~mbahad~
,.
stanlozblO~eteslkltQa~
,.
,.
,
stan~stedeslnl~skwelat
oen.elotl~
,.
..
"..
"..
stanlo(s)seQyores /aklt
,
S t m s.n 1 ~ s kwe1 .t.
,
stnnl~entr~
~ en.e1 ~ n tr.t.
,
[byn.l- ]
[en.elientro.t. ]
[oye-n.!. ]
dondesta~lotl~
lO
, ..
komQestan~stds~
,
st6ybyeQ'griyas~
st~n.lientr.t.
,
stmzbyeQlgriyas.!-
Est en la Embajada_
Estn aqu.
Estamos en la escuela.
Estn en el centro.
(en el centro)
Est en el centro.
(bien)
(bien)
4.22
, . ,
komoestaustet.t.
,..
,.
, - , ..
VEINTIDOS
SPOKEN SPANISH
U~Ir
[erka~]
[en~lentr~]
[nl~mbahada~] 10
11
12
13
(cerca)
(en el centro)
.",.
.,
",
~stalRembahc~allehozdel~entrot
,
,.
,
. .
,.
~staustedlnh16telt
,.
,,,.
''''
sta~azlbyenak1t
,.
,.
estanuste~eslkupadost
"
,
sta~stedlkpadot
no' est~erka+
,
,
n01
,
noi
estnenlientr~
,/
st6ynl~mbahada
,
s11 stnmuybyn+
,
,
s11 stmzmuylkpdosi
,
,
sJ.1 estymuylkpd
,
VEINTITRES
4.23
UNIT 4
4.21.23
SPOKEN SPANISH
Translation drill
.
.
,. .
loz11broslestanenlams~
,
"..
estamoslenUnbtelllehoz~~ak1~
kom2esta~std~
"
,
estausted/6kpadot
,..
elas(~ensorlestal~1~kyrd+
,
,
dondestallakh+
"
lben1dklonfestmuy~erka/d~k+
.
.
eOOyoslstnmuyokupds~
,
,
,
,
bwenaznochs+ komoestaust~+
,..
,..
VEINTICUATRO
SPOKEN SPANISH
UNIT 4
B. Discussion of pattern
The following discussion needs the prior c1arification of two concepts:
verb - a word identified in English by the endings it can occur with, as: 'work, work~, work~, work~', oc sorne internal modification,
as: 'sing, sing~, s~ng, s!!ng, sing!.!!g.' Spanish verbs are similarly identified by comparable (though more numerous and complex)
endings and changes. Verbs in English and Spanish commonally express action, occurrence, etc.
pronoun_ one o a relatively small group o words which contain the categories o person, number, and case.
sp;
VEINTICINCO
pi
we
(you and I)
(Bill and I)
1st person
2nd person
you
you
(you and he)
(you amI Bill)
3rd person
he
she
it
(the book)
they
{he and she}
(Bill and he)
(the books)
4.25
UNIT 4
SPOKEN SPANISH
The concept of person exists in English pronouns, but has a very limited application to English verbs. Most verbs in English occur with
an ending in what might be called the 3rd person singular forms: '1 hit - he hits, I dig - he digs, I miss - he misses'. In Spanish there are usually
five (1) widely used forms, which accompany and agree with different pronoun suhjects, showing person and nurnher distinctions. The following chart
gives examples of these forms, with the verb / e s tr/ .
y6
est6y
ests
ustd
l
est
(~~ya
nos6tros
estmos
ustdes
Q)yos
Q)yas
estn
Second and third person verb forms are identical, except that the concept of familiarity makes a distinction between second person singular
familiar and second person singular formal forms. In Spanish, two persons addressing each other will select one of two suhject pronouns, i.e./US td/
or/ t;' Automatically, the accompanying verb will take specific endings depending on which pronoun has been selected. Thus, the sentence 'How
are you?' can be translated either as /k mS?-es t~s td~ / or ;K 6ms<-es ts-t+ /
This selection involves a pattern of personal relationships which is by no means simple or even the sam~ throughout the Spanish speaking
world. Furthermore, it implies that the speaker must select one set of forms or the other when addressin#?; another individual depending on their
personal relationship. For the sake of brevity, the distinctions involved have been termed formal /us t'd/and familiar/t/, and in general way
correspond to the usage of 'Sir' or 'Mister' and first names in English. However, the Spanish and English usa~es do not correlate one hundred per
cent, and in Spanish there is a finer gradation from formality to familiarity in which both the selection of/US ted/or /t/ and the use of titles, first
names, and last names play an important parto Thus, in greeting Mr. Juan Molina, there are the following possibilities:
Cmo est usted, seor Molina?
Cmo est usted, Molina?
(1) Two other forms exist: /bos 6tros/ ,a 2nd person familiar plural form, is still used in parts of Spain, though considered archaic
in other dialect areas; and /b6s/, a 2nd person familiar singular form, used in sorne areas in place of or alongside /t/, the more common formo
80th /bos 6tros/ and /"065; require separate and distinct equivalent verb forms. See Appendix.
4.26
VEINTISEIS
UNrr 4
SPOKEN SPANISH
It does Mt follow that in his answer to a greeting, Mr. Molina is automatically going to use the sarne set of forms selected by the first speaker.
For the status of personal relationships between two individuals depends on such factors as their diEEerence in age, period of mutual acquaintance,
sex, rank, and Eamily relatiooship.
There are no rules of thumb which can guide the student in his selection of usted or trE forms. Rather, it is a question of feeling for
differences which he will develop as he adjusts to the cultural patterns of the individuals in any specific Spanish spealcing area.
Spanish verbs, unlike English (except in the case of commands), can appear with no accompanying prODoun or noun subject with
no loss of meaning content, Le., they contain their pronominal reference. Indeed they most frequently do appear alone, unless the pronouns
are present for special empilas is or contrast or unless (as is p08sibIe with 3rd person forms) the context does nol make the reference elear.
Thus the following translation correlations are usuaUy correcto
jy6 est6y/
I am
/t ests/
YOI&
he(she)is(y. are)
/l est/
leis
/estmos/
we are
/nos6tros estmos/
we are
/estn/
they(you)are
/(l'yos estn/
cAeyare
/est6y/
1 am
ests/
10U
/e3t/
are
/-y/
are
rhe verb / e s t r/ has certain irreRularities in ita pattern, name Iy tite addition 01
to the first person singular form and
tbe occurrence ol. stress on the endinWl ol all sinRula!' and second - third_person pI. .l forma. These irregularities wiU become more obvious
by contrast with tite regular pattern which wiU Le presented in Unit 6 ..
VEIN'I1SIETE
SPOKEN SPANISH
sijkwatrosenyor!ts~
..
.
,
snochoseQy6res.l.
.
snochod61res~
, .
,
d~bochod61rs~
tijgochod61rs~
1
2
seoritas.
Es una seorita.
una
seor.
4.28
Es un seor.
Son ocho seoresv
4 --S}cho
dlares.
6 Debo
7 Tengo
VEINTIOCHO
UNIT 4
SPOKEN SPANISH
.,
dzdkwand~lestak1~
sta-------+
_ _ _ _estamos_+
stkwand2lestamoaakI+
_____________okupd'os~
stakwand~lestamoaokupdos+
d~zd'
5
6
,
.,
stkwand2lestakI+
..
---------~
, .
--------,
.,.
.,
.,
..
..
..
d~zdkwand2Iestoylnl~estadoaund6s+
dzdkwand2Iestal~nloastadoaun1dos+
1 Hasta
2
estamos_ _ ?
3
4 Desde
ocupados?
VEINTINUEVE
.,...
d~zd'ekwand2Iestamoslnloastad'oaunid'6s+
-------------
d~zdkwand~lestamoaokupd'os+
_ _ _ _estoy
,
esta
-----
.,...
nloaestado~unid'6s~
.,..
estoy
est
4.29
SPOKEN SPANISH
UNIT 4
...
,
4
,
akJ.t
_pokas
. .
,
lJ.bros
mesas
,
aorat
.aJ.f,
. ..,
, ,
.,
aymucholrnob1rny ent21ak1t
, ,
,. .,
ayrnuchaslkosaslakJ.t
kosas
ayrnuchaslkosaslaorat
, ,.
,
,
aypokas Ikosas laorat
, ,.
,
,
aypokas IkosasjaJ.t
, ,.
,
,
aypokozllJ.broslaJ.1
, ,.
,
,
aypokazlmesaslaJ.t
.. .
..
..
t
t
..
cosas
ahora?
4 _ _ pocas
4.30
..
aymucholrnob1myent2Inlas6k~yo~konsulart
ah?
libros
mesas
TREINTA
UNIT 4
SPOKEN SPANISH
s~1 ksi5yempr~lstmo5pkp~6s
3
4
5
est6y
,
__nzbeies
Iestmos.ak+
511 nazbeieslest6yokupd+
,
,
si+ 6trazbeieslst6yokpdO+
,
,
si+ 6trzbe~eslestmoshkpds+
,
,
s+ ksisyempr~lstmshkpds+
1
2
aquo
est0f.
3 _ _unas veces
4
6
7 _ _casi siempre
ocupadoo
5 _ _otras veces
TREINTA Y UNO
7 _ksisyempr~
.
estamos
,
,
,
s+ nzbe~eslest6yk+
kpdO+
si~ ksisyempr~l5t6yak+
+
+
,
_trzbeies
s1.~ ksisyempr~
ak~
_
estamos
4.31
UNIT 4
SPOKEN SPANISH
,
,.
,
, .,.
E abl~usted1~gles IseQyormo11nat
,
,
amrikano
. .,.
,.
seQyor1ta------t
.,.
. ..,..,.
,.
. , . . , .
~stdespaQyolalseQyor1tamo11na1
,
. , .. ,
. , .. ".
abl~ustedespaQyollseQyor1tamo11nat
,
.,
,
' '0
ablo~o~spaQyollseQyorltamo11na1
ablo~obyenlseQyor1tamollna1
,
byen 1
E~
" .
1 Es
2
americano
espaola
5 Habla
6 _ _ yo
7
. seorita__ ?
4.32
6~stdmerikanolseQyormo11na1
,.
~~stdmerikanalseQyor1tamo11na1
}lO
. , .
-_---_---t
~stdiDgleslseQyormo11na1
,
spAQyolal
5 abl~
.?
bien
TREINTA Y na;
UNIT 4
SPOKEN SPANISH
minombreshos
..
.
J.I)gls~
minombres.1I)gls~
ste
minombres.st
,
lJ.bron -
mi11br2es.st~
3
4
5
,
_ll.bros
bwns
----plumas
mi11br~es.eks(~
Mi nombre es Jos.
ingls.
Mi nombre es ingls.
ste.
Mi nombre es ste.
3 -libro
ti
Mi libro es ste.
excelente.
buenos.
plumas
Mi libro es excelente.
Mis libros son excelentes.
S -libros
TREINTA Y TRES
.. .
, .
.. elnt
,
miz lJ.bro(s) s on~k(~ elnts~
, .
.
mizllbro(s) sombwns
,.
.
,
eks (i) e ln t
UNIT 4
4.23
SPOKEN SPANISH
Variation drills
kWantoled"b~
Cunto le debo?
,
1 What do 1 owe you?
kele~b~
Qu le debo?
Qu le dice?
..
kelet!l.hrn~
, .. .
,
kwandole~l.hrn~
dondeledl.hrn.l.
komoledlhrn~
komoleb~
,
B
Qu le dijeron?
Cundo le dijeron?
...
Dnde le dijeron?
...
Cmo le dijeron?
..
Cmo le va?
,.. .
l~6ytres~ uno4epropna~
,
1 Dere are four, two f a tipo
,..
led6ykwatr~ dozdeprop1na~
,.
l~6ybeYJlt~ dye~4epropfna~
ld6ydye~~ i1~kodepropina~
,..
TRE~TTA
Y CUATRO
SPOKEN SPANISH
UNIT 4
.. .
l~6yonie~ uno~eprop1n~
led6yund61ar~ na~a~eprop1na~
ld6yest6~ esodeprop1na~
led6yest~
.. .
.. .
,
eson6
,
btrbaharlk6(~ns6trs~
btrbharlknst~des~
,
2 She's going lo work here.
btrabaharlak~
Va a trabajar aqu.
,
3 She's going to speak Spanish.
bblrlespl2ydl~
"
bprndrliD9 1s
Va a aprender ingls.
,
5 He's going to say something.
bde1rlg
btradi1rllnombr~~
b~strJmuyokup46~
Va a decir algo.
TREINTA Y CINCO
Va a traducir el nombre.
..
4.35
SPOKEN SPANISH
UNIT 4
511 ~~abl~ump6ko~
S, yo hablo un poco.
'.
5i~ ~2ablomch
S, yo hablo mucho.
,
5i
, "
si elablam6ns~
".
stedablams~
~6tQg~lQkoa61res~
si
si stedtyenekne
,
no1
no1
"
,.,
~onoteQgomcho~
S, l habla menos.
~onodebomch
,
,
pr~steldbepraktikrlel~spaQydl~
pr2steldbeprktikrleliDgls~
,
2 But you ought to say
pr2steldbe~elrlgo
something.
,
3 But Jau ought to take a
pr~steldbet6mrlntaksi
taxi.
4.36
TREINTA Y SEIS
UNIT 4
SPOKEN SPANISH
pr~steldb~ablarmns
pr~stel~b~blarms
prQsteldb~rll~mbhada
,
Pero usted debe hablar ms.
Embassy.
elevator.
,.
., .
otrak6s~ nomed19alseQy6rmolln~
,.
7
otrak6s~ nome~lg~so~
tha1.
,.
7
,..
otrak6s~ nomerreplt~so
that to me.
,.
7
,..
otrak6s~ nometradu~k~s
,.
otrak6s
nomedepropn~
me a tipo
,.
, . ,
otrak6s-!. 11011epaseO)lt>ro~
me the book.
TREINTA Y SIETE.
4.37
Ul'Hl
,.
6 Another thing, don't take
me to the hotel.
,.,.
4.3
otrak6s~ nome~eD~alot~l''
,.,...
,.
7 Another thing, don't take
me to the Embassy.
SPOKEN SPANISH
otrak6sa~ nomeQ~eb~al~embah5da~
CONVERSATION STIMULUS
NARRATWE 1
,
1 Mr. Smith and Mr. White are
at the Embassy.
elsQy6rsrnl~l*elseQy6rhwaytl
estnAnlaemb~ha~~
".
e n la Embajada.
,
2 MI'. Smith wants him to meet
MI'. Molina.
els~Qy6rsml~lkyrepr6sntarl~lil
sQyormoln~~
.,
"
lsety6rhwayt Iblariluybyen I
,
4 He learned it in school.
l~prendyol~nl~eskwela
,,,
5 Mr. Molina speaks Enp;lish a
littie, not mucho
4.38
Lo aprendi en la escuela.
elseQy6rm611n~labl~iDglesl
mpk6nomch6~
TREINTA Y OCHO
UNIT 4
SPOKEN SPANISH
DIALOG 1
,
,
,
hwan~ kyrpresentarl~llseQy6rmlln~
, -
,-
hsemoln~ muchogst~
"
igwalm~nt~ J~hwayt~
~1~eIJnlnspQy61~
lspQy61~
,
2uchazgr~ysJ,
Jos~,
ondel~aprendy6J,
ingl~s.
hwant
. . .
,
"
".,
slhwa-n-l. stedabla Imuybyn I
..
komose
Jos~:
Dnde lo aprendi?
enl~skwela *ust~~
bl~mpoklnomsJ,
aDl~lI)glest
TREINTA Y NUEVE
4.39
Ul~11
SPOKEN SPANISH
NARRAT/VE 2
,.
"
,
hwanestak1Idezd~a~r~
,
.,
,
.,
batrahahar(enlsekyoijkonsulr
Section.
lsekiy6~k6nsularl
est~nelprimerp1s
,
t:
nlasekiy6~knslr~
doing there.
..
ksisyempr~lestnmuyokupdsl
r. onsular est en el
primer piso.
estl~erechaldel~entrda
La Secc i60
pr~a6ram1zmofn~aymucho
..
mob~mynt~'1
D/ALOG 2
-,
d~zdekwand~lestak1IseQy6rhwyt
4.40
, . ,.
,
nomed1ga/seQyorhwyt
,
,
dgamja-n !hwn
UNIT 4
SPOKEN SPANISH
dzd~~r
,
11
mdiheroDlkbtrabahrlk6~nsotrbs~
Juan, dgale que s, y preg.ntele que dnde est la Secc ibn C ons ular .
n.l:)rimerps~
,
aladrecha
aelaentret-i
,.
,
11
CUARENTA Y UNO
ayimuchomoblmyentQla1~orat
"
. .
ksisyempr~lstmozlmuyoku~dsi
'",.
derecha de la entrada.
...
pr2aoramlzmotn~aymuchomoblmynt~
4.41
UNIT 5
SPOKEN SPANISH
5.1
BASIC SENTENCES.
In their office, John White and Jos Molina begin to get better acquainted.
ENGLISH SPELLING
SPANISH SPELLING
AID TO LISTENING
ser
to be
your (yours)
the desk
Molina
John, this is going to be your desk.
..
e 1 escritorio
Molina
Juan, ste va a ser su escritorio.
hwan.l- estebaserls~skritoryb
,
,
kwlkyr kwalkyer
whatever
(O
cualquier (cualquiera)
k-n~s~te ne~sitar.l-
b~s.l-
avise (avisar)
notify me
ab~sm.l-
bisar
kwalkyerkosalkene~es~tetab1sme
mch~simos~
White
O. K. Thanks a lote
avseme
...,.
,.
,
UNO
su (suyo)
,
l-eskri toryo.&.
,
muybyn
..
,
much
mCh1s~mazgr~ys~
muchsimos (mucho)
White
Muy bien. Muchisimas gracias.
5.1
SPOKEN SPANISH
UNIT 5
,
lA-part'''
the part
,.
Malina
What part of the States are you
from?
la parte
..
Malina
De qu parte de los Estados
Unidos es usted?
White
rm from San Francisco,
Californiac
soy (ser)
soyldsmfrnilSklkalifornya~
White
Soy de San Francisco,
California.
".
!US tede<1nds-!-
Malina
Malina
rm from heleo
Soy de aqu.
1 -famJ.ly-!-
the family
"
vino (venir)
,
o
la familia
bJ.nQustedlkonsufam11yat
,
bachelor
White
No~
rm a bacheloro
married (to marry)
soltero-!-
,
"
no+ s6y /sol ter6~
,
"
kasado+ kasar+
soltero
White
No, s oy s olteroc
casado (casar)
DOS
SPOKEN SPANISH
UNIT 5
*st~~ ~sksa~ot
y usted, es casado?
,
tambyen~
also, too
Malina
No, I'm a bachelor, too.
,
n01
tambin
s6yslter6ftmby~n~
the hour
Mall.na
No, soy soltero tambin.
la hora
White
What time is it?
White
Qu hora es?
,
l-kwarto~
the quarter
Malina
It's a quarter to twelve.
, .
el cuarto
s6nlaz~o~elmenoskwrt~
Malina
Son las doce menos cuarto.
es-k+
it is that
es que
already
ya
l-ambri
the hunger
tner-ambr.l.
to be hungry
TRES
e 1 hambre (E)
".
tener hambre
"".-
eslkyatyen~ambret
,
bstant~
,
l-rrst6rah~
buen (bueno)
el restorn
5.3
SPOKEN SPANISH
UNIT 5
White
Ves, quite hungryo Is there a good
,
e
,.,
si~ bastant~
e'
ayumbwen
e e,
rre5toranlerka~~ak~t
,
l-t>wel tA~
the turn
la vuelta
a la vuelta
cheap, inexpensive
bratb~
barato
,
511 y6nQllbweltal
,
Malina
S, hay uno a la vuelta
kzbwenQ1brt6~
to lunch
p6demos.t. p6d:er~
,
Almraer.f.
almorzar
together
hunt6s~
juntos
pre~~
le-pAre.f.
, e. . ,
preer.f.
p6~emo~almorarfh6nt6s~
00 K with you?
lpareet>yent
parece (parecer)
le parece
Podemos almorzar juntos.
Le parece bien?
vamos (ir)
Let's goc
podemos (poder)
,
-lA-bweltA.t.
Malina
Ves, tiJere's one around the corner
White
Sure
White
S, bastanteo Hay un buen
komon6~ bams~
White
Cmo no. Vamos o
504
CUATRO
UNIT 5
SPOKEN SPANISH
5.10
(1) /neieste/neeesite is an example of a verb form which has no exact equivalent in English. Forros of this type are called 'subjunctive.'
The particular use of a subjunctive construction illustrated in the present sentence will be drilled in Unit 40. Subjunctive forms will be designated
in English by the translation device 'that (you) may '
5.2
5.21.1
Pattern drills
5.21.1
A.
/sr/
Presentation of paUern
lLLUSTRATIONS
,
,
n01 s6yslter
,
,
eres ser
,
,
itui ~reskasadot
*ste~ ~skasaoot
y usted, es casado?
min~mbr~~h~s
Mi nombre es Jos.
,
no
1
(you) are (tobe)
And you, are you married?
.-._-
--
._--------
,
S
6m6(s) S l teros
y t, eres casado?
somos (ser)
No, somos solteros.
son (ser)
5.5
SPOKEN SPANISH
UNIT5
,
And are yon aH married?
*ste~s~ s6~kasartost
snllaz~o~emenoskwrto~
EXTRAPOLA TION
1
2
fam
2-3 for
sg
pl
s6y
s6mos
res
,
es
s6n
NOTES
a. Spanish has two verbs which translate English ato be':
/estr/, presented
in Unit 4, and
/sr/,
presented
in this unit.
5.6
SEIS
UNIT5
SPOKEN SPANISH
5.21.11
Suhstitution drills
Number substitution
1
2
,
s6yamerikano
,
s6I)kasad"os
,
S 6m6(s) S O1te l' S ~
4 s6ndek1.~
,.
,
s6ms.merikans~
~sksado
s6yslter~
~z<1eak1.~
,.
5 zd"klifornya~
s6ndekalifornya~
6 s6yd~ak1
s6mzd~ak1.~
7 ~s.amerikan~
s6n.amerikans~
SIETE
,
,
1 Soy amerioano.
Somos americanos.
2 Son casados.
Es casado.
3 Somos solteros.
Soy soltero.
4 Son de aqul.
Es de aqu.
5 Es de CalifOl"nia.
Son de California.
6 Soy de aqu.
Somos de aqu.
7 Es americano.
S.7
UNIT 5
SPOKEN SPANISH
Pcrson - nu:nh5r 's.mstitution
1 antonvoez~echil~
,
soyd'echl1et
~
,
,.
sondechle~
eZaechle~
sted
azdechle
"
ti
antonyol*1liya_.
"
p ab1 2
"
,.
,
nosotro(s) somos Imerikans
,
alliY~
, .
ustedes
---------i
" ..
')
1 '
1
as,Zlmer l.{dna+
, ,.
son.amerlkns~
..
1 Antonio es de Chile.
Yo
Soy de Chile.
Pablo
Es de Chile.
Antonio y Alicia_.
Son de Chile.
Usted
Es de Chile.
Alicia
5.8
Ustedes
Es americana.
Son americanos.
OCHO
SPOKEN SPANISH
UNIT 5
,
~o
...
, . . .
sonamerJ.knos
,
soyamerJ.kno,,
e~os
'
. .
3 ~lJ.)yge(s) soltera
. .
,
,
el.antonyo
.t-
s omo(s) soltros''
.f.
sonsolt~rs''
eCOJa
.f.
.
,
.
e (s) soltr.f.
H-O
..
soysolt~r6''
pablQl~o
Yo
Soy americano.
Ellos
Son americanos.
Somos soheros.
Son s oheros.
Ella
Yo
Soy sohero.
3 Alicia es soltera.
Pablo y yo
El y Antonio
NUEVE
Es soltera.
5.9
UNIT 5
5.21 . 12
SPOKEN SPANISH
Response drilI
. .
1 alJ.iy~e(5)
..
. .
2 e~ustdamerikanotQespaQy6l~
....
,.
3 son.OO~Ozd:chJ.l~t od:elos.es tado5.
,
(s) slter+
,
s6yamrikano~
s6nldelo~estdoaUn1~OS~
unidos.!.
.,.
[l~estd:6anJ.~os]
4 dd:ondeso~std:es+
[smfran~J.sko]
[ launa]
,
[kalifornya]
dedondes.us td+
'"
6 k~or~s+
"
7 dekeparte~~~
,
somozldelosAstdoan1dos+
;
s6ydesmfrn~J.sko+
ezl~una+
l'
zc1"eklifornya+
Es soltera.
Soy americano.
Estados Unidos?
(los Estados Unidos)
(San Francisco)
(la una)
(Californi::l )
5.10
5 De dnde es usted?
6 Qu hora es?
Es la una.
Es de California.
DIEZ
UNIT 5
SPOKEN SPANISH
,
,.
es.eldechl.let
,. ,.
[los.estds.. nldos]
[lazdoie]
,
[ksad]
,
9 s6nlazdo~elmenoskwartot
[am~rlkan6s]
. .
nd~ s6nlzdo~e~
,
.f
nd~ s6yksad6~
,.
s6~stedes lespaQyolest
,
n01
.,.
,.
11
,.
10 s~stedsolterot
Sl.~ s6yksado~
13 s6nBO~os~merl.kanost
si+
....,.
s6mo~merikans~
~2 s~stedkasadot
s6Qmerikanos~
8 Es l de Chile?
ONCE
nd~ ~zde16s.estd6sUnl.ds~
12 Es usted casado?
S, soy casado.
S, son americaDos.
5.11
UNIT 5
5.21.13
SPOKEN SPANISH
Translation drill
,
,
somoz Idsmfran1Skb+
,
OO~~eskasadaltambyn
,.
los"bteles Ison,.eks(i>elntes+
"
.. .
...
d~kepart~lezlaseQy6ra+
,
ded:ondes.us td:+
6 My name is Pancho.
minombrespnch6~
Mi nombre es Pancho.
,
soyamer1kno+
,
.
Soy americano.
De dnde es usted?
..
...
kwant~ezlapropna~
De qu parte es la seora?
..
eQMOS Is6ndelasek~yoDkonsulr+
,
..
.
kwand~e~elbyhe+
elgustQezmi+
Cunto es la propina?
Ellos son de la seccin consular.
Cundo es el viaje?
El gusto es mo.
,
12 We 're married, too.
s6m6sksa~os'tambyn+
lzrrestoraneslsombarts+
,.
5.12
"
DOCE
UNIT 5
SPOKEN SPANISH
B. Discussion of pattern
is highly irregular in the present tense, as will be seen by comparing it to regular verb patterns presented in Unit 7.
Both /estr/ and /sr/ translate the English verb 'be'. They are not, however, equivalente Rather they divide an area of
meaning which is included in the content of a single English concept, named by the verb 'be'. Therefore a confusion between the two
cannot be thought of as a relatively minor mistake simply because they express aspects of what is considered 'the same thing' in English;
in Spanish /sr/ and /estr/ are as genuinely different as any other two verbs, and the use of one when the other is expected is
painfully obvious.
The difference between /sr/ and /estr/ can perhaps best be generalized by other English concepts: /sr/ is the link
of identity, (the essential, inherent or permanent), / e s t r/
the link of association, (the casual, accidental or temporary). This generalization is more useful descriptively in sorne cases than in others. Thus when a noun follows the linking verb to express complete identity,/sr/
is always selected:
/lak~s~lesbon!ta~/
or that it presents an unusually attractive appearance on a specific occasion (1ooks pretty),
/laks~lestbonta~/
There s no way to make the mcomplete statement (from the Spanish point of view) that the house 'is' pretty; additional refinements in meaning
are oblgatory in the choice of /sr/ or /estr/ Through this choice the Spanish speaker indicates the circumstances he considers
"dentity and distinguishes them from those he considers association.
TRECE
5..13
UNIT 5
SPOKEN SPANISH
The distinction is, to be sme, forced by the structure of the language (the divided linking verb), but it is no less real to the speaker of
Spanish, who never hesitates to select the correct forme lt is only the American, whose background lacks the experience of making a meaning
distinction, nonsignificant in English but highly significant in Spanish, who experiences a confusion between the two forms. In a very real
sense, using /Sr/and /estr/ correctly involves an entire way of life, and an American seeking proficiency in spoken Spanish needs
to acquire a 'feel' for the distinction by making a large number of sentences his own through memorization in meaningf ul contexts.
When a verb modifier appears with the linking verb, assoc iation is generally se lected (/e s tr/ ), though not exclusively. Notice
the following contrasts, most of which are illustrated in basic sentences:
/estr/
association
/ S r/
identity
/k6mQestmara~/
How's Mary?
/km9smara.J.
/d6ndests~esp6s6.J./
/ded6nd(s) s\.1esp6so.J. /
/d6ndestlafysta.J./
/d6ndslafysta.J./
5.14
CATORCE
SPOKEN SPANISH
Replacement dril..
5.22
"
UNIT 5
.,
dkeparteI4~16~est4o~n1~bsl~~std+
_______________
~}J.6s+
+
+
_____________s
________kli f orny ~,
'/
d~keparteld16sAstd6s~n1d6sls6nAO~bs+
"
,
dkeparte ld"16s.stds.n1dos Is.~l+
".
,
dkepartelrtkaliforny~ls.~l+
".
dkeparteldkalifornyals6nl(~sQy6ras+
_ _ _ _-
st~d+
____________s6moz
, .,
ddondeson Il(s} s~Qy6rs+
,
d40nde,.. les.st~d+
,
d4ondls6mznos6tros+
ell08?
ea~?
..--;Calornia
QUINCE
~_?
~-=-=-las
De qu parte de Calornia es l?
seoras?
5 _dnde
6
-.?
usted?
somos _ _-J?
DOS otros ?
5.15
UNIT 5
SPOKEN SPANISH
. .., .
,.
B b1nolkonsufam11yat
______ffil.
t
1
,
2 baha
t
. .., .
,.
b1no/konm1fam11yat
,.
bahajkonm1fam11ya1
,.
bahalkonlafam11yat
,.
.,
bahalkonlasfam11yast
. .., .
'----., .
fam1lyast
,
seQyort
4
5
. .., .
. .
.
la
trbaha
.. .
.. . ,
,. . .
. ,.
trbaha Ikonlo(s} seQyorest
,.
trabahalkon~lseQyor1
t
los
,.
bahalkonelseQyort
---t
mI
2 Baja
3
4
5
6 Trabaja
7
la
familias?
seor __?
2
los_?
5.16
DIECISEIS
SPOKEN SPANISH
UNIT 5
no s6ys61ter''
1
_s6mos
..
~1l)k6''
..
3 _s6n
",
_bwenAsl
nd'' S6n1I)k6''
,
,
no'' s6mbwenas''
mas~
..
no''
~ymas''
7 _kyro_''
no''
ky~rmas''
-'v
no'' s6nmas''
1 _80mos _ _
cinco.
3 _son _ _-"
"
5
6 _hay
buenas_
~_
7 _quiero_
DIECISIETE
5.17
SPOKEN SPANISH
UNIT 5
,
*std~
s6~
2
3
s6y
,
_nosotros
~stedes~s6~kasadost
t
,
solterost
~stedes~s6ns61terost
,
le<'l~~(s) solterat
,
,
i~o'' s6yslterot
,
,
t
,
solterast
*~as''s6nslterast
t
,
___________ amrikanost
inosotrbs~s6m6(s) solterost
inosotrbs~s6m~amrikanost
Y usted, es casado?
son _ _ ?
_solteros?
3 _ella,
y ella, es soltera?
soy
_ solteras?
6 _nosotros
7
5.18
--e)y~
4
5
,
skasadot
_ americanos ?
DIECIOCHO
SPOKEN SPANISH
UNIT 5
".
1
2
btel
_muchos
4
5
.aben1das
., .
,
taks1S
. t .,.
l~embahadat
..,.
...,.
,
,
,..,
ay Imuchos.oteles I() erka<1~ak1 t
.,t
"..
"
aylnptell~erkad~ak~t
a1t
_ _ bstantes
ay
,
ay
,
ay
,
ay
"
ay
,..,
...
..
...
"
".
,..,
/bstantes.abenl.etas 1(~erkad~aJ.t
.. ,
Ibstantestaks1S 1(~~rkad~a1t
,.,.
,....".
Ibstantestaksl.s I(werkadel~embaha<:tat
,.".
1 _hotel
muchos
2 _
3 i.
avenidas
ah!?
5 -bastantes
6 '
7
DIECINUEVE
."
aylnrr~stbranl~erkad~ak~t
taxis
la Embajada?
5.19
SPOKEN SPNISH
UNIT 5
pbdemosllm6r~arlhntos~
trah~~~
1
2
,
J.r
a!~
pwed~
tamby~n~
podemoslalmor~arlotrab~~~
kyer2Ialm6r~arlotrab~~~
ky~r2J.rltrah~~
kyer2J.ra~
"'.
pwe<!~J.ra~
pwe<!~l.rltamby~n~
11
.t.
7 neies1t~
,
kyerS?
neieSl.tiJ.rltambyn~
otra vez.
2 Quiero
3 _ir
ah.
Quiero ir ah .
5 Puede_.
Puede ir ah .
Puede ir tamhin.
7 Necesita
tambin.
Necesita ir tambin.
5.20
VEINTE
UNIT 5
SPOKEN SPANISH
5.23
Variation drilIs
,
A
lst~~ de~ond~s~
,
1 And where's the gentleman
from?
*elsQyr~ dedonds~
..
ilAs~Qyoramolfn~ d~dond~s~
,.lelch6frdetaksi~ dedond~s
y el chofer
,
,
*elmoi dedonds
,
,
lelkahero
dedonds
,.
..
VEINTIUNO
,
ihwanlhos
de~taxi,
de dnde es?
,.
dedondes6n~
,
,.
ilzmllna ddondes6n
5.21
UNIT 5
SPOKEN SPANISH
s6y~esamfrani1sk6Iklifornya~
soyldelo~estdo~n1dos~
,
2
s6ydeflor1da~
Soy de Florida.
,
3 I'm from here.
s6Yd~aki~
Soy de aqu.
,
4 I'm a bachelor.
s6ysolter~
s6ych6f~rdtaksi~
6 We're married.
s6moskasad"6s~
Somos casados.
7 We 're s ingle.
,
S 6m6(s) S lterbs.J.
Somos solteros.
Soy soltero.
,
Soy chofer de taxi.
Qu hora es?
5.22
Qu da es?
Qu lengua es?
VEINTIDOS
SPOKEN SPANISH
UNIT 5
, ,
k~otelsJ.
Qu hotel es ?
keskwel~s~
Qu escuela es?
, ,
kemesa(s) s6n-l.
Qu mesas son?
ke11bro(s) s6n-l.
, ,
Qu libros son?
, ,
7 What (kind of a) thing is it?
kekosis~
Qu cosa es?
,
,
s6nllzdo~emenoskwrt6''
.".
56nllaz~o~emenosk!nie~
56nlla~on~emenozdyi~
s6nll(~syetemenozb'ynt6''
,
,
56n )lznwebemeno(s) ~1!Jkb-l.
.".
,
...
. .
VEINTlTRES
.,.
s6nlla~ochomenoskw&rtb''
SPOKEN SPANISH
UNIT 5
,
s6n )lA(s) se\ts''
6 It's su.
Es la una.
7 It's one.
,
, ,
Yatyen~ambret
.
,..
~atyenelloz401arest
, ,
. ,.
~atyen~lelcheket
, ,
.
,.
~atyen~luijkwartot
Ya tiene hambre?
, ,.
~atyen~lunamesat
..
~atyenelbeynte~olares1
,.
,
6 Does he have a hotel?
5.24
Ya tiene un cuarto?
.,
..,
tyen~unJ)telt
Ya tiene el cheque?
..,.
Tiene un hotel?
tyen~untaks~ t
Tiene un taxi?
VEINTICUATRO
UNIT 5
SPOKEN SPANISH
"
,.
,.
si~ yun2lalabweltalkezbwen21bart6~
~
"
,
S1-+ yun~ I Ak1 Ikes.eks (~elent~
511
VEINTICINCO
,. ,
,.,
yun~la1Ip~r6kwestamucho~
si~ yun2Ienl~~mbahadalpr2
,
staQkupdo''
"
"
s11 yun~1k1Ikzmuybw~not
,
3 Ves, there's one there, but it
costs a loto
,.
si~ yun~lnAlprimerp1sol
kes..merikan~
,
n''
"
n2ayotr2Ial~iky~rda''
,
"
noi n2ayotr~'eskw~ldel~~9ws~
5.25
UNIT 5
5.3
SPOKEN SPANISH
CONVERSATION STIMULUS
NARRATWE 1
,..
s oI)kas :Llaz<!6~~''
h6selbalmoriarlkoI)hwn~
"
,.
hwanlnotyenelmuchmbr~
ymbwenrrestoranlalabwltA~
lrrestoranlAzbastantebarto
.,
..
,.
El restorAn es bastante
barato.
DIALOG 1
"
.,
,
nohalmorarlhwant
"
.,
Jos: No va a almorzar,
Juan?
noteI)gomuchmbre~ k~or~s~
5.26
VEINTISEIS
SPOKEN SPANISH
UNIT 5
,..
. .
pbdemos
almorar Ihuntos t
so~kas11azdSe~
,.
muyby~m~bam6s+ a~onde
., .
poetemosr+
,
albwelta+ ylm
,
.,
bwenrrestoranla+
. .
,
,
ezbaratot
Juan: Es bal'ato?
,.
si~ ~zbastantebart6~
NARRArlVE 2
,...
.,
karmendelbaO>&~lesta~nelrrestorn''
,.
hwa~kyerekono~rla~
~Restal~nunamesalR1~kyr4a~
karmenlblRi~glezlmuyby6n~
VEINTISIETE
.,
~..
"
5.27
SPOKEN SPANISH
UNIT 5
,
5 She learned it in school, in
the States.
lQaprndyol~nlReskwel
Lo aprendi en la escuela,
..
en16~stado~un1dos~
D/ALOG 2
.
.
a1~stalkarmendelb~e+
, . . ., .
,
S1~
Quiere conocerla?
".
k6m6no1 dondest+
est11lRi~kyerda~
abl~1~gleskarment
5.28
kyerekono~erlat
"
.
.
,
~n16~stado~un1doslenl~eskwel+
,
Jos~:
VEINTIOCHO
SPOKEN SPANISH
UNIT 5
NARRATWE 3
J ohn is de lighted to
hwanlsttijkanta~ol~~kn6,era
meet Carmen.
krmeo.J.
~n;sp;Qy61''
,.
n01
eld1ielk~z~ekallfornya.J.
..,
.,
ahlalkonl~~e~~glestilwe9~
a Carmen.
ln~ez~esamfransko''
zdsndyeg,6.J.
5 He arrived yesterday.
ViDo ayer.
.. ..
7 Be's siDgle.
VEINTINUEVE
, ,
nob1nokonlafam11ya.J.
,
(s) S bl terb.J.
Es soltero.
5.29
SPOKEN SHANlSH
UNIT 5
V/ALOG 3
ollkrmen~ ketl~
bastantehY~ijlgriyas~
karmen~ kyeropresentarl~1
alseQyorhwvt~ hwaijhw~yt~
. .
muchOQust6lseQy6r~
...,
Juan~
Encantado de oonocella,
seorita.
".
podemosllrn6r$arlkonste~lkarment
usted, Carmen?
,
,
s1i k6monol
eijkntada~ syentns~
,.
ijkanta~odekonoierllseQyor!ta~
.,
,...,
...
hwanezdeka11f6rnylkrm6n~
J08~:
Juan es de California,
Carmen.
THEIN'nA
UNIT 5
SROKEN SBANISH
,.
., .
dispens~ komod1~et
...
kehwanez~eka11f6rnya~
" ,
Carmen, diga ah, s? y pregntele a Juan que de qu parte,
si de San Francisco.
als1t
,
n01
.,
TREINTA Y UNO
,
desamfrn1Skot
,
s6y4esandyeg6~
Juan: Ayer.
. .., .
,.
b1nolkonlafam11yat
dkeprte~
kwandob1n~
,.,
..
CMmen: ViDO
OQD
la familia?
5.31
SPOKEN SPANISH
6.1
UNIT 6
BASIC SENTENCES.
J ohn White
AID TO USTENING
ENGLISH SPELLING
all
d~sbkupad6~ ds6kupar~
Jose Molina
There's an empty table over there.
SPANISH SPELLING
"
~1aylunmslrts6kp~~
ourselves
sAntarnbs~ sntars~
...
nos
sentarnos (sentarse)
John White
Vamos a sentarnos.
bamos.as en trnos ~
,
let's see (to see)
bAambs~ ber~
veamos (ver)
the menu
el-menti~
el men
Jose Molina
Let's see the menu.
.. .
,
bamos.e lmen~
,
UNO
Jos Molina
All hay una mesa desocupada.
sentar
to seat
John White
Let's sit down.
desocupado (desocupar)
Jos Molina
Veamos el men.
desen~ dsar~
desean (desear)
6.1
SPOKEN SPANISH
UNIT 6
Waiter
What will
Y08
have, gentlemeD?
,
,.
ke4esean~stdeS'SeQy6res~
Mesero
el sandwich
the sandwich
,
el-hamoh~
the ham
el jamn
John White
Yo quiero un sandwich de jamll.
Jo/m White
1 want a ham sandwich.
,
the salad
l~-ensalada~
la ensalada
l-lechug.J.
,
el-tOmate.J.
la lechuga
the lettuce
the tomato
el tomate
la cerveza
the beer
ADd a beer.
..
y .Da cerveza.
a mi
to me
,
bring (to bring)
trayqa.J. trieor-l.
traiga (traer)
,
bring me
6.2
traygme~
tr ig ame
DOS
SPOKEN SPANISH
UNIT 6
l~op-l.
the soup
la sopa
,
the vegetable
la-lc;umb~-l.
,
la legumbre
the chop
la-chletil-l.
la chuleta
11eret
el cerdo
the wine
l-bl.[lo'"
el vino
Jose Molina
Bring me vegetable soup, pOl'k chope
and wine. (1)
los Moli1l4
,
chltzrt~er~Ql.bno'"
,
the dessert
l-postr'"
el postre
of (f 01') dessert
"
di!-postr
de postre
ky~rn kr~r'"
quieren (querer)
Ifaiter
Mesero
De postre, qu quieren?
the pie
el pastel
,
l-mfm~ana
the apple
la manzana
,
(we) try (to try, to taste)
John Jfhite
TRES
probamos prbbar'"
,
loprbbamost
probamos (probar)
John Ifhite
Lo probamos?
SPOKEN SPANISH
UNlT 6
,
(I) have (to have)
e'~
kom~d"o~ kome'r~
he (haber)
comido (comer)
(2)
Jose Molina
I've alrea3y had it. It's excellent.
ate'r~
-kom~d"~
he comido
, ,
Jos Molina
Yo ya lo he comido. Es bueno.
~o~alQekomdo~ ezbw~n~
,
para~
for
para
si
if
,
to treat
trata'r~
n6s-tratamoz-de-t~ tratarse-d~
tratar
~..
tyens.!.
tEme'r~
6.4
tienes (tener)
la razn
the reason
John White
y ou're right. Good idea.
,..
tyenezrra6n{
,
muyby~n~
John White
Tienes razn. Muy bien.
vas (ir)
CUATRO
UNIT 6
SPOKEN SPANISH
,
bi.bir~
to live
vivir
lose Molina
Are you going to live at the hotel?
los Molina
Vas a vivir en el hotel?
pyens~
bskar~
the apartment
el-aprtament''
pensar''
pienso (pensar)
buscar
el apartamento
loAn )fAite
No, pienso buscar un apartamento.
loAn )fAite
No, 1 plan to look lar an apartment.
fcil
easy
,
eI)k6ntrar~
to find
;sf~~~lldeI)kntrrk~t
kre~ kr~er~
encontrar
creo (creer)
los Molina
Yo creo que si.
~okr;'kes1
,
kyers
kerer~
te
,
pwed'b~
quieres (querer)
pd'er
puedo (poder)
ayudar
to belp
,
H you want,l can belp you.
sikyerest~oltepw~~dar~
CINCO
,
mo~''
l~went~
la cuenta
lkwent~
Mozol La cuenta.
6.5
UNIT 6
6.10
SPOKEN SPANISH
(1) The Spanish equivalent of 'bring me' in this sentence is [amil tr~ygame] a m trigame 'to me bring me'. The reason why a m is resent is to indicate
contrast with what the other person is having. This is shown in English by extra stress on the word me, but in Spanish one cannot make the contrast by placing stress on the
me of [trygame ]
(2) Note that there are two verbs meaning 'have' in Spanish. You have already had tener, which means 'have' in the sense of 'possess'. Thisnew verb, haber,
means 'have' the auxiliary verb form in verb constructions like 'have gone, have been,' etc. Constructions with haber will be drilled and explained in detail in Unit 9.
(3) This is the first occurrence in the dialogs of the use ol the verb and pronoun forlOS that are ordinarily caBed the familiar forms. They are in contrast with the
formal forms tl&at go with the pronouns usted and ustedes. As explained in Unit 4, the problem of when to use t and when to use usted is a very complex one indeed, and you
should observe throughout a11 the remainder of the text which people use the t forlOS with each other and which ones use usted.
(4) Notice that the single word
6.2
6.21
Pattern drills
6.21.1
A.
/-r/
'to look for', not just 'to look' - that is, no preposition is needed to translate the 'for' part of 'look for'.
yerba
Preaentation of pattern
lLLUSTRATIONS
S J..J.
~ot~a~tt6~
,
ablas.1l)glest
Ale
,
.,
buskas lun~partamentot
,
I ('ll) be lp
Y01&.
ab19ump6k6.J.
.
..
. ...
Y01&
SEIS
UNrr6
SPOKEN SPANlSH
,.,
,
5
abl~uste~1~glest
nies1talgomast
.,
"
.,
nostrtamozdetut
si
~.
,..
,
Yes, we speak a Hule.
blamos~mp6k
10
,
,
,.
kedeseanpsteds IsQy6res
11
16(s)seQyores Itomanuntksi
12
l(~sQyoraslprkt1kanmch
,.
,
,..
EXTRAPOLATION
sg
-O
(am
2_3
pI
-mos
-as
-a
-an
NOTES
a. Spanish regular verbs can be grouped iolo tAerne classes. Which set o( endings a verb takes depends on which theme c .... the verb beloag_ tOe
b. Regular
SIETE
/-r/
lal recurring in the eodings o( aIl present tense forms except 1 sg.
UNIT 6
6.21.11
SPOKEN SPANISH
,.
1
trabaholnweb~6rs~
ablan.espaQy61~
abl~espaQy61~
n6n~es~ta(~nda~
n6ne~s1tan~''
. .
trbahomch~
., ..
notrabahan.al~
"
.
ne~is1totro11br~
,
6
7
6.8
., .
notrabaha1~
, .,
neiesitamo~otro11br''
2 Hablan espaol.
Habla espalol.
3 No necesitan nada.
No necesita nada.
4 Trabajamos mucho.
Trabajo mucho.
S Hablan ingls.
Habla iDRls.
6 No trabajan ah.
No trabaja aM.
Neceeitamoe otro
.0.
OCHO
UNlT 6
SPOKEN SPANISH
P. . . -
s"titutioa
. ..,..
,
nosotrostrabahamo~ak1~
~o\.(,
a11~ya1antonyo
,
el
ste~es
D. . . . .
trbahan.ak1~
trabahak1~
~2b16p~k2~SP~Qy61~
..
.
..
trbahan.ak!~
blp~kQ~SP~Qy61~
blampk2~SP~Qy61~
yOI
trbahQak1l
~~2,
antonY2~p~bl~
Trabajo aqul.
Alicia Y Aatoaio_.
El
_
TrabajaD aqul.
Ustede:1IIl.8
TrabajaD aq.
Trabaja aqul.
Ella.
AatODio 1 Pablo.-
UNIT 6
SPOKEN SPANISB
"
11~Y~1~O~
ablm6spok2espaQy61~
ste~
blapokQespaQy61~
. .
. .
,.
,
11~yaln6ne~es1tapermis6~
,
---
n6ne~es1toperms6~
n6ne~esitamosperms6~
ef"~az
n6ne~es1tamperms6~
ste~ez
n6ne~es1tampermisb
~o
nsotroz
,
Alicia y yo
Usted
"
Nosotros
6.10
No necesito permiso.
No necesitamos permiso.
Ellas
Ustedes
No necesitan permiso.
No necesitan permiso.
DIEZ
SPOKEN SPANISH
6.21.12
UNIT 6
Response drill
trab~h~st~a~k~tQ~Dka11f6rnYl
trbhQk1''
~bl~n~st~d~zby;nl~1~sp~Qy~ltQ~1~~91s+
ablmzby~nleli~91~s+
trb~h~ll~nl~mb~h~~~t~k~
ne~es~t~~st~~I~nl~p~itQ~n~plm+
trabhk1'~
k~~blim I0ys.kl
d~nd~tr~b~hQlstal
k~~bl~lustjk~
[espQyo'l'' ]
,
[k1'' ]
(espaol)
(aqu)
(espaol)
ONCE
,
neiestQunplumal
,
bln. s pQYo1.''
,
trbhQkil
,
blQespaQyo"l''
Trabajo aqu.
Trabaja aqu.
Hablan espaol.
6 Dnde trabaja
us~ed?
Trabajo aqu.
Hablo espa6ol.
6.11
UNIT 6
SPOKEN SPANISH
,
[seys]
kw~nt~s;ras /trabahmoznos6tr6s
as ]
n~es~t~~st~d~ZIm~7m~s~st
[ S J.a~
,
[ akl. ]
10
[ iI)g 1es ]
11
trbah~eleI)kall.fornyat
,
,
,
abl~ustedbyenlelespaQyolt
12
~
13
(seis)
(smas)
(aqu)
(ingls)
6.12
.. .
trbahusteobastantet
,
,
no+ ne~s i tm6zm (s) s l.Q~ s.&.
,
,
n+ trbhakl.+
,
,
n+ b16by~~liI)gles+
si.&. st~d~slblnespQy61.&.
,
,
si1 trbhbbstante+
10 Trabaja l en California?
12 Hablamos l y yo espaol?
S, trabajo bastante.
DOCE
SPOKEN SPANISH
6.21.13
UNIT 6
Translation drill
,..
nQablamoz !muchQespaQy61+
. ..
.,
,
Cundo necesitan ustedes el escritorio?
9 Do 1 pronounce well?
Pronuncio yo bien?
,
TRECE
,..
despwes Ikmbyamo71oschks+
6.13
SPOKEN SPANISH
UNJT 6
,
12 We work in a language school.
. .
trabhamos ln~nskweladelDgwas~
B.
Discussion of pattern
Determining which verbs are regular and which are irregular in a language like Spanish is a matter of statistics. When one examines aIl the verbs in the lexicon,
the largest group which has similar changes within a patterned frame is considered regular; other verb patterns are most economically described in terms 01 their deviatioD
from this estabJished norm.
An examination of Spanish verbs shows that the infinitive forms (traditionaIly the 'center' or 'point of beginning' in the verb pattern) can be divided into three
groups, according to what vowel precedes the final
The three groups can be referred to as I-r
and I-r verbs. The identifying vowel is
caIled the theme vowel, since it recurs in many of the conjugated forms of the verbo That part of the infinitive which remains when the
(vowels plus
is
removed is known as the stem.
I-r I .
1, l-r1,
I-rl theme
From among these three subclasses of verbs, the present discussion describes those of the
I-Vrl
Ir/)
One of the characteristics of regular verbs in Spanish is that person, number, a~d tense categories are signalled by changes in the endings. In regular verbs (and in
sorne irregular verbs) there are no changes in the stem other than the occurrence or non-occurrence of strong stress, which is shifted to the ending for 1 pI forms in the
present tense:
pI
sg
~
2 fam
2-3
":a
-mos
as
-'
an
The importance of the correct placement of strong stress cannot be over-emphasized. As other tense forms are presented where the only difference from sorne of the
forms aboye is a different placement of the strong stress, it will be seen that this feature carries the entire burden of distinguishing the otherwise identical forms. A mistake
in stress placement will more likely lead to misunderstanding than a malpronunciation of several sounds. The results will be every bit as striking as 'Abbot' ,...., 'a bat'
6.14
CATORCE
SPOKEN SPANISH
UNIT 6
are in English when stress (and a structurally obligatory, corresponding vowel substitution characteristic of the English phonological pallern) is shifted from the first to the
second syllable.
/-0/
6.21.2
A.
/-S,
-mos,
-n/.
e s t (o) / and / y /
Presentation of pattern
ILLUSTRATIONS
,
1
dondesta~lDQy6
dond~ayumbQy6
,
Where is (there) a bathroom?
,.
Dnde hay un bao?
EXTRAPOLATION
Definite
~st
Indefinite
ay un...
el. .. ]
-1
NOTES
a.
b.
QUINCE
or 'isthere?'
6.15
UNIT 6
6.21.21
SPOKEN SPANISH
Substitution drill
d~nd~;y~n.;t l
___
~l--
"
ak l~S
tae 'litro+I
- - - - ~n _ _
a*~y~n~s~Qy;rta
---
la
d~nd~~y~n~(s)s"l~as
- - - - las
ak~~st~nl;7lpiiS
----- un07
e~?
Ab est la seorita.
las
_ _ _ _ un 08_ _
6.16
DlECISEIS
SPOKEN SPANISH
6.21.22
UNIT 6
Translation drilI
d~nd~~ylnrrestor~mb~rt
d~nd;st~lelrrestr~mb~rt6
a~~yIijkw~rtlpar~st~es
a~~st~l~lkw~rtlpar~stds
a~~st~nllazm~s~zd~S~k~pds
a~~ylnazm~s~z~;s~k~pdas
nQ~y~nch~f~rlak1~
n~~st~~lch~f~rlak1
,
S Is the pie good?
Is there a good pie?
DIECISIETE
esta~lpastelbwenot
,.
,
ayumpastelbwenot
st~~l~t~ll~l~bw~lt~t
~y~n~t~ll~l~bw~lt~t
~~~st~nll~zm6~s~k1~
~~yl~n~zm6~~ak1~
6.17
UNrr 6
SPOKEN SPANISH
B.
a~~d~l~nt~l~y~nrr~strn
a~~d~l~nt~l~st~~lrr~strn
Discussion of pallern
When a reference to the location of something is definite, / e s t / is used, with the definiteness marked by the occurrence of a definite artiele. When the refereDce
is nol definite, the uniquely irregular form /y/ (from the verb /abr/ ) is used, usually but not necessarily accompanied by an indefinite artiele.
When the definite reference occurs, the normal agreement for number between subject and verb prevails:
,
/d~nd~stalas 0)y /
but when indefinite reference occurs, there is no corresponding change in the verb farm; /
y/
/ay~nl~brQ~nl~msa/
/y~n;sl~br~~nl~ms/
e ompared to:
6.18
/yd~spl~ms lk1/
/lsd~spl~ms lstnk1/
DIECIOCHO
SPOKEN SPANISH
6.22
UNrr 6
Replacement c1rills
1
2
kwarto
akJ.
.1.
aQ~~~yl~kw~rt~d~s~k~pd6.1.
.1.
k~~yl~kw~rt~d~s~k~pd6.1.
aesokup<'t6s.l.
k~~ylnskw~rt~zdesokupd6~.I.
.1.
ak~~yln~)s~Q~~zdesokupdas.l.
.1.
ak~~st~llas~~~d~S~k~pd.l.
ak~~st~llas~1~~bwna.l.
k~~y lna(s) s~Q~~zbwnas.l.
Sln~az
la
bwna.l.
nas
.1.
cuarto
2 Aqu
desocupados.
sillas
7 ____ unas
la
DIECINUEVE
6.19
UNIT 6
SPOKEN SPANlSH
be~ms.lmn~
kyerolakwnt''
man~ns''
..
__dye~
b1t1 \1 ts''
. .
bamozlakwnt~
kyero
kyerolazman~ns''
.
.
kyrdye~man~nas''
kyrodye~b1Q~ts''
,.
--l1lenoz
kyr6menozb10~ts''
tl')go
tI)gomnzb~~tes''
Ve..-el_R.
6.20
kwnta~
cuema.
Veamos la cuema.
2 Quiero
Quiero la cuema.
manzanas.
_
_
_diez
__
4
billetes.
6 _ _ _menos __ o
7 Tengo
VEINTE
SPOKEN SPANISH
UNrr 6
e
std"
k~d~s~~lst4IsQY6r,J.
_kyer~
k;ky;r~lstdlsQy6r,J.
-~1!i~
,J.
k~d~!i~lstdlsQY6r,J.
komo
k~m~d~~~lst4IsQy6r,J.
__ estan
k~mQ~st~~~stds IsQy6rs~
sQyrita
,J.
detonde
k~mQ~st~~stdlsQyrita,J.
dd~nd~~~stdlseQy6rita,J.
usted,
2 _quiere _ _ ,
3 _dice_ _ _ ,
4 Cmo
5 _ _estn _ _ ,
VEINTIUNO
, seorita?
7 De dnde
6.21
UNrr 6
SPOKEN SPANISH
,
_____ poko-
~~ky~rQlmp~krt~tmte~
_________ tomte
______ s opa
~~ky~rQlnas~p~rt~t~mte~
____ la
~~ky~rllas~p~d~tmt~
_,.,~ebo-------_
~~~~bllas~p~d~tmte
nsotro7
__________ le~mbrs~
ns~trz Ir~b~mzllas~p~d~1~9mbres~
poco
sopa
6 Nosotros
7
la
5 _llevo
6.22
.. .
"
,
~okyerQlmpokorteham6n~
UNIT 6
SPOKEN SPANISH
b~~~b~h~rl~~~lt~lt
~s t~(t~aUnJ.dOS t
1
2
_ _trabahar
b~~~tr~b~h~rl~nl~~st~d~~~n~~st
dsean
ds~~ntr~b~h~rl~nl~~st~d~n~d~st
ds~~ntr~h~h~rl~nl~~mb~h~d~t
embahadat
kyere
ky~r~tr~b~h~rl~nl~~mb~h~d~t
___a lmor!i ar
ky~r~~lm~r!i~rl~nl~~mb~h~d~t
pdemos
po~~m~~~lmr~~rl;nl~mb~h~d~t
V. a vivir en el hotel?
1
Estados Unidos?
2 _ _ trabajar
_?
3 Desean
.-
VElNTITRES
b~s~h~b~rl~nls;st~ds~n~dst
?
Embajada?
5 Quiere
6 ----Jllmorz_
7 Podemos
UNIT 6
SPOKEN SPANISH
F
1
__ kyero
otl~
noi
kyerobuskarunotl~
el __ ~
no+
,
kyerobuskarelotl~
_ _ petemoz
,
S1~
. .
no~ pdemozbuskarelotl~
J.
si~ pO~m~zb~sk~rl~tl~
,
apartamntos~
. ,..
eI)kontrar__~
s~i p~m~~~I)k~ntr~r~l~tl~
si~ pd~m~~~I)k~ntr~rll~s
apartamnts~
_ _ _ _ _ _ hotel.
_ _ _ _ _ el _ _
4 _, podemos
5 S,
6_ ,
7 _,
6.24
encontrar
_
apartamentos.
VEINTICUATRO
SPOKEN SPANISH
UNrr 6
Variation drills
6.23
.. ,...
m1ItraY9amelsopa~elegmbrs~
1 Bring me a sandwich.
A mi trigame
4 Bring me a beer.
A mi dme ms sopa.
A m dme ms chuletas.
7 Hand me an "apple.
UD
sandwich.
Hay
VEINTICINCO
UD
6.25
UNIT 6
SPOKEN SPANISH
~y~n~spl~m~slnAlskrit~ryb
pr6n;s~nlm~ybwnas
Traiga ms jamn.
,
4 Hand me the water.
6.26
. .
pasemelgw
Pseme e 1 agua.
Dme ms viDo.
VEINTISEIS
UNIT 6
SPOKEN SPANISH
demelakwnta
, .,
b1Semestatr~
Dme la cuenta.
.. .
,
. ,
,
kelepare~els~blamo~espaQy61
kelepare~elsitomamozbfno~
. .
"
kelepare~e
Tienes razn.
1 You're
VEINTISIETE
ri~ht,
Josepb.
6.27
SPOKEN SPANISH
UNrr 6
3 Re's right.
,.
Tiene razn.
tyenerra!i6n~
4 I'm right.
Tengo raz6n.
5 I'm hUDgry.
Tengo hambre.
Mozor La cuenta.
,
Se6Cl1'itar La cuenta.
.,
,
2 Sir! The book.
Se6Cl1'! El libro.
Joa! EII'piz.
Mozor A la derecha.
,
5 Waiter I Mineral water.
6.28
mo~~ a9wam1neral~
Se6Cl1'a! A la izquierda.
Se6aresr Adelante.
VEINTIOCHO
SPOKEN SPANISH
6.24
UNIT 6
k~m9~st~~stdlsQy6rmolna~
k~m9~st~l~lseQy~rm~lina~
k~mQ~st~~stdlseQy6rithwyt~
k~m9~st~llaseQy6r~t~hwyt~
,
5 Mrs. Malina. how's Mrs. White?
sQy6ram611na~ komQestalaseQyorahwyt~
,
,.
,
sQy6rm611n~ dedondesllsQyorhwyt~
hwyt~
(1) Review drills will be a regular part of the format oC unit six and subsequent units. They will review and correlate structure points previously presented or will
enlarge on structural details which were not sufficient1y developed. They will usually be translation drills, though substitution and response drills will occasionally be used.
VEINTINUEVE
6.29
SPOKEN SPANlSH
UNrr 6
. . .
11aseQyorahwaytt
y la seiiora "hite?
6.3
seQyritaml~na~ ~zl~s;Qy~r~t~hw~ytl
merikanat
CONVERSATION STIMULUS
NARRATWE 1
,.
3 They want to see the menu.
kyeremberelmen~
,
,
tambyembakomerln9nsaladaele~mbres~
,
,
tyenemuchmbre
~.,
6.30
. . .
TREINTA
SPOKEN SPANISH
UNIT 6
..
lechu9~1tomte
DIALOG 1
,
Mozo, dgales 'buenos das' a los seores
y pregnteles si desean ver el men.
bw~n621aslseQy6res
s~lp6rfiL6r~ k~mQ~st~nllschOl~t~z
oe~rJ.
estnmuybwns~
. ,
dseamberelmenut
~~ozo, d~ale
TREINTA Y UNO
kelep~r;~I~ns~~ichdhm~~1
,
..
k6nlchu9~1tomt
6.31
UNIT 6
SPOKEN SPANISH
NARRATIVE 2,
,
2 It's very good.
estmuytwn~
,
5 So does John.
6.32
ihwantaP.lbyn~
y Juan tambin.
TREINTA Y DOS
UNrr 6
SPOKEN SPANIS8
D/ALOC 2
, ,
J08~,
ketalels~ichlhwn~
,-w
mgustamcho~ stmuytwno~
Jos~,
tambi~n.
ilaschlets~ ketl~
stnm~ybwnsltambYn~ kyer"
J08~:
~tr~~~rb~~~t
Jos~,
J08~: Q~
,.
J08~:
tambi~D?
S, yo tambin. Pero, qu le
parece si nos tratamos de 't'?
sinstrtamozdet~
,
,
estabyen
sitkyeres~
NARRATWE 3
Va a buscar uno.
TREINTA Y TRES
0IIe.
UNIT 6
SPOKEN SPANISH
Va a ir COD l maaDa.
p6rlamaQy;n~lb~str6kp~dlpr6
por lat~r(t In6
hW~~ky~r~~rl~l~strs
"
".
ahwanilegust~le16telldondest
UD
ap8aJDento.
DIALOG 3
6.34
hs~ ne~es~t~lbsk~r~n;p~rt~mnt
kyeres.a~uearmet
TREINTA Y CUATRO
SPOKEN SPANISH
UNIT 6
prlm~Qy~n~s1 pr606d~m~sl~r
porlatarre
Juan, pregntele que a qu hora.
Juan: A qu hora?
TREINTA Y CINCO
430623
o - 57 -
15
si pr6py~ns~lkzm~zb~r~tl
t iL irem.n,prtmnt
UNIT7
SPOKEN SPANISIl
7.1
BASIC SENTENCES.
John White and Jos Molina leave the restaurant; on the way out they p"ick up a newspaper to check on apartment leads. Theyare
walking over to Molina's car.
ENGLISH SPELLING
AID TO LISTENING
,
l-awto''
the car
Molina
This is my car.
SPANISH SPELLING
el auto
Malina
Este es mi auto.
estezm.wt6''
,
byeho''
old
,.
viejo
,.
ezhyeholperobw~no''
,
el-,:>ryo<!iko''
the newspaper
. .
UNO
el peridico
,
.,
bamos.aherlelpery6diko+
,
1 -k n tid ac:r ~
,
ke-kant1dd''
qu cantidad
the advertisement
el-nun~yo''
el anuncio
. .
,
la cantidad
UNIT 7
SPOKEN SPANISH
,.
White
What a bunch oE ads!
IV/Jite
kelknti~a4~an6ny6s~
Qu cantidad de anunoios!
too much
d~masyat!'6~
demasiado
too many
dmasyac!6s~
demasiados
por qu
why
(we) see (to see)
the Eriend
,
l-m1g6'&'
,
the agency
li-ahen~ya~
vemos (ver)
el amigo
la agencia
. .
Malina
Too many. Why don't we see
a friend oE mine who has a
(rental) agency? (1)
,
,
,
dmasyac!6s'' porkenobemosl
,
,
Malina
..
.,.
Anam1gom1olktyen~unahn~ya''
(They go to the .rental agency as Molina suggested. After the introduction oE White and other formalities, th~y inquire about apartments.)
to rent
Malina
7.2
alquilar
lsAQyorl~s41kilarlnprtament6''
Malina
El se or desea alquil.. ,un
apartamento.
DOS
UNIT 7
SPOKEN SPANISH
,
only
pbr-Aor''
,
sol-l
available~(unoccupied),
desbkOpad6-l ds6k6pr-l
right now
por ahora
s610
desocupado (desocupar)
(to vacate)
Agent
Right now 1 have only two available.
,.
,.,
prAoralsoloteQgo~6zld6s6k~p46s''
Agente
Por ahora s610 tengo dos
desocupados.
,
el-ed'if1~Y~
the building
the field, the country
el campo
. .
..
el edificio
,
el-kamp-l
,
,.
,
unQenelentrotenAled'if1yold'elkmp+
without
.
(2)
of f urmture
t he plece
the furnitures
White
Unfurnished?
lz-mweb le s
,
sinmweblesf
,
mwebla~6-l
the month
TRES
el mueble
+
,
mweblar-l
los muebles
White
Sin muebles?
amueblado (amueblar)
sin
,
el-mwebl~~
,
,
no+ mwblad'6''
Agente
No, amueblado.
el mes
,7.3
UNlT 7
SPOKEN SPANISH
al mes
per month
White
White
Cuanto al mes?
,
~yent6''
ciento
two hundred
ds(~yentos''
doscientos
to inelude
iljklw1x''
,
incluir
the light
l-lu~''
la luz
hundred
,
n1''
nor
ni
el gas
the gas
"
Agent
Two hundred not inoluding
electricity, water, or gas.
dos(~yentoslsiniljklw1rllu~1
White
And where's the other?
id'ondesta~16tr6''
. .
,
agwaln1gs''
Agente
Doscientos, sin incluir luz, agua
ni gas.
White
y dnde est el otro?
,
that
es~
the outskirts
ls-fwers~
las afueras
big, great
grande''
grande
Agent
That one 's in the outskirts and
it's bigger.
7.4
ese
,.
,.,
esestal~nlafwerast*ezmazgrnde~
Agente
Ese est en las afueras y es ms
grande.
CUATRO
UNIT 7
SPOKEN SPANISH
m-k6mbyen~ kombnir~
,.
,
,
,
kreolkemek6mbyenemasllprimer6+
White
1 think the first suits me better.
me conviene (convenir)
White
Creo que me conviene ms el primero.
,. ,
p<1emozberlot
Podemos verlo?
,
la-t1~ab''
the key
,
klarb''
clear, of course
7.10
claro
,..
,
,
s1lklr'' ak1tyenelaroyb''
Agent
Ves, of course, Here's the key.
la llave
Agente
S, claro; aqui tiene la llave.
I al
(1) The
a which appears in Ib~mos.~unamgol bemos a un amigo is not to be translated 'to' or in any of the several other
possibilities for the translation of /
It only indicates that the direct object of the verb is personalized, that is, either is a person or is
thought of as a persone It will be taken up in detail in Unit 10.
al .
(2) The Spanish word Imw~blesl muebles is an example of a count nonn (a noun that names items customarily measured by number)
which is correlated with an English word 'furniture', an example of a mass noun (one that names items customarily measured by amount). Thus
Imw~blel can be translated only in a roundabout way by saying 'a piece of furniture', since 'a furniture' is an impossible combination o
'a' directly preceding a mass noun. Further discussion and other examples will be presented in Unit 58.
CINCO
7.5
UNIT 7
SPOKEN SPANISII
7.2
7.21
Pattern drills
7.21.1
A.
/-r/
verbs
Presentation of paUern
lLLUSTRATIONS
,..
,
1
yokreokes~
Yo creo que s.
,
2
kwantoled~bo''
aprende~espa~yolt
,.
komes
stedkomelmuyp6k~
kwantoled~be~
aprndemozm6ch6''
.. .
..
,.
Aprendes espaol?
.,
le~elrrestorant
Comes en el restarn?
..
,
7.6
e unto le debo?
e unto le debe?
Aprendemos mucho.
SEIS
UNIT 7
SPOKEN SPANISH
...
,
How much do we owe you?
kwantoledebmos~
,
9
~oskome~h6ntbs~
,
Do they helieve that?
10
Cunto le debemos?
., .
kr~~n.~os.eSot
EXTRAPOLA TION
sg
2
2-3
pI
-O
fam
-emos
-es
-e
-en
NOTES
a. Where
recurring,
SIETE
7.7
UNIT 7
SPOKEN SPANISH
SabstitUlioD dril..
7.21.11
Number .ubatitutiOD
komemospastl''
dbbeyntepsos.s.
,
k6menmuchop6strA''
,
dibemos..ump6k6.J.
Aprendt1I)916sJ
~kes''
3
4
7.8
jprend2eSpaQy61''
,.
.. .
prndemo~espaQy61~
.
.
komopast61.J.
,
,
db6mbeynteps6s.l
,
k6m6muchop6str.s.
.
deb2Ump6k6''
, ..
aprenden.1I)91s.s.
,. .
,
kr~emoskes1''
1 Aprendo espaol.
Aprendemos espaol.
2 Comemos pastel.
Como pastel.
S Debemos un poco.
Debo un poco.
6 Aprende ingls.
Aprenden ingls.
Creemos que s.
OCHO
SPOKEN SPANISH
UNlf7
PersoD Dumber aubstitutioD
"
!i.Q.koIll2~.t.
a11~ya
eO>Jos
.
, . .
, . .
, .
komt~!''
,
..
komt~!''
..
kome~!''
k6memo~1''
ntonYR~o_''
-..
s tec!,
aprnd~m6zmuch2ai''
..
!:j.,
,
prnd6much2af.t,
1 Yo como alH.
Alicia
Come all.
Ellos
Comen all.
Antonio y yo
Comemos all.
Usted
Come all.
yo
NUEVE
7.9
UNrr 7
6steetes
.1.
,
a11,ya
,
,
nosotroz
.1.
pablo
,
al1~YR1karmen
..
!lO
..
7.10
.1.
pr~nd~much2a.l.
..
apr~ndemuch2aJ,
,
antonyoetebenelotl.l.
AprndnmuchQa1~
hwan
3
SPOKEN SPANISH
....
debemo~en~lot~lJ,
...
....
,
deben.elotl.l.
,
debenen.elot61.l.
,
deb2en.elot61.l.
...
Ustedes
Alicia
Juan
Nosotros
Debemos en el hotel.
Pablo
Debe en el hotel.
Alic ia y Carmen
Deben en el hotel.
Yo
Debo en el hotel.
DIEZ
UNIT 7
SPOKEN SPAWSH
7.21.12
Response drills
[enl!1~entr6.&.]
,
[ spQyo1.J
,
[dyiseysp~s6s~]
(en el centro)
(espaol)
(16 pesos)
ONCE
If
komluste!lenelentrot~enelapartam'nt6
.. , . . . , .
aprendenuste!eslespaQyolt21~gl~s~
, . , .,
.
debeneOOyozmuch2top6k6~
,
. ..
,
,
dondekomenust6!6s.&.
,
,
ke~prend~lust'~ak1~
kwanto!eb~l''
.,
k6m2nlentrbJ.
prendm6asp~ydl''
d~bmpok6''
...
. .
k6memosenel~ntr6~
~prend~espaQy61''
.
,
debeI4Yiseysp~s6s''
,
Como en el centro.
Aprendemos espaol.
Deben poco.
Comemos en el centro.
Aprendo espaol.
6 Cunto debe l?
1.11
SPOKEN SPANJSH
UNff 7
[l~gumbres~]
[lApArtamento~]
[mucho~]
, , .. . ,
komeQMa Ihamont
, .. ,
..
.
11
(legumbres)
(el apartamento)
(mucho)
7.12
.,
kom~ustedlenelrrestorant
, .,
, .,
aprenden~05lpok2ak1t
..
. .,.
,..
,
kome~stedez'muchRensala4at
10
, , . .. ,
aprendelespaQyolt
n01
k6mlgumbrs~
n01
k6m2nlapartament6~
n01
Aprndnmuch6~
. .
5i~ kom~mzmuch~ensalda~
,
511
aprndspaQyol~
11 Aprende l espaol?
S, aprende espaol.
DOCE
SPOKEN SPANISH
7.21.13
UNIT 7
Translation drill
y6sye.prelk6mop6str6~
elk6.lmuchaslchletaz~e1r~6~
,..
,.
,
.
aprendemozmuch2lak1~
eroyzld'bmlbeynt~u.p's6s~
..
y6dboltodalakw'nta~
.,
dondekom~~
,.,.
aprposit~ dondekom~ust4
,.
,.,
eroyoslAprendenlmuybyn~
nOkr~eDlOslso~
No creemos eso.
kekre~lustd~
Qu cree Ud?
, ,
,
kOllelllchugat
Come l lechuga?
1.13
UNIT 7
SPOKEN SPANISH
B. Discussion o pattern
/-r/
As the extrapolation aboye shows, the pattern fOl /~r/ theme class regular verbs is very ~imilar to that of
verbs. The
only difference is the appearance of theme /-e-/ immediately after the stem and preceding the person-number indioators, the same places
where the theme
appears in
verb forms.
/-a-/
/-r/
identical for /-r/ and /-r/
7.21.2
A.
The demonstratives
/ste, se,
verbs. Strong stress occurs on the stem in aH forms except 1 pI, where the
ak~l/
Presentation of pattern
lLLUSTRATIONS
,.
estechekehyah~r6~
estasop~lsthwen~
,
,
es to (s) son Im1s wtos+
,
,
megustan lesta(s)s!O}Js''
~I~st~nlaaafweras~
~seQyor~l~amrlkana''
nokyer21~mwhles~
.,
..
,.
furniture.
7.14
CATORCE
UNIT 7
SPOKEN SPANISH
,.
,.
,
esa(s) seQyoras Is 6nAm6rikanas''
akej,''
akelez.~wt6''
Aqul es mi auto.
ak~a''
10
aqulla
..
,
ak~aseQyorl'aamrikana''
,
aqul
11
mgustnllk~6awts''
.
,.
,. . .
ak~az.esaslestandesokup4as''
,
12
EXTRAPOLA TION
near me
m
f
near him
near you
sg
pI
sg
pI
ste
sta
stos
se
sa
sos
sas
~stas
sg
akl
akQ)ya
akQ)yos
akQ)yas
NOTES
8.
Demonstratives, which are special kinds o adjectives JI have distinct forms for gender and number.
b. Spanish has one set of forms which corresponds to English 'this', two that cOlTespond to 'that'.
QUINCE
1.15
UNIT 7
i .21.21
SPOKEN SPANISH
Suhstitution drills
.
.
~esl'sta4esokup'4a~
,
st
sa
k~a
,
2
F OI'ID suhstitution
.
.
.
stA.es~lesta4esokup641''
,
, .. .
smesil'sta4esokup4.(.
,
, . . .
k~aesilesta4esokup4a.(.
,
elkwart~ezbwn6~
ste
6st~kwart2Iezbwn~~
4se
..
'skwart~lezbwno.(.
-------
Aquel.!a
2 El cuarto es bueno.
7.16
---------
Este
Ese
DIECISEIS
UNIT 7
SPOKEN SPANISH
ktSl
.
ls.partamentos'sombartos~
,
klkwart9Iezbw~n6~
~sts
~ss
kO}Js
Aquel
sts.partamentos Isombarts''
,
ss.prtmentos Isombarts''
,
,.
k~L~~partmentosIsombarts
DIECISIETE
,.
..
_
7.17
SPOKEN SPANISH
UNIT 7
Number substitutioD
..
, .,.
traygameselen1jr
..
"
,.
,..
"
ak~osledif1yoslso~9rnds~
. ,
____ect1f1~yQ
..
deSe21rl~esa~ah6n~yas
ahn~yas
,.
traygamesosl~en1~6r6s~
dseQ1r'~esahnya
-----,
3
__________~en1~r6s~
..
.,
kele~1f1~YQlezgrnde
_ _ _ _ _ agencias.
7.18
DIECIOCHO
SPOKEN SPANISH
UNIT 7
,
___skritoryo
,
., ,.
st~skritoryos(sombarts~
..
bamo&aberlesospery6dik6s~
______________pery6dik
6
k~aseQyor2Ie~espaQyla
,.
.,
stzmesaz InosoDgrnds''
~..
.,
,.
+
,
bamo&aberJesepery64ik6~
,.
,
st_m_e_s_alnQezgrnd+
, .
_mesaz
..
steskritorYQ'ezbart6~
_ _ _s eryoras
,.
,.
,.
------
perzdico.
7.19
UNIT 7
SPOKEN SPANISH
Itero substitution
.,..
,
1
kyrprsentarl~laesase~y6ra~
_ _ _ _ _ _ _ _ _ _ _seQyr~
,
_ _skwelas-------~
.,
.,..
kyr6pr.sntarl~laeseseQy6r~
ss4partamentos'sombwnos~
,
saaeskwelaslsombwnas+
,.
demeak~~ozlbr6s~
'"
dem~ak~~asplmas+
____________p16ms~
escuelas
_ _ _ _ _ plumas
7.20
VEINTE
SPOKEN SPANISH
UNIT 7
., .
pasemeselpi~
____ plm~
, ,
"
.,
...
akexyameSilestadesokupda~
6stasekyonlezgrnd~~
____A41f1~Y9
, .,
'T
...
akelawtQlestadesokupd6~
_mesi,
6
. .
,
,
pasemesaplm
ste41f1Y2Iezgrnde~
...
akexyames~lestadesokupda~
____~eskr1t6ryQ
,..
...
keleskr1t6rY2lstadesokupct~
_ _edificio
_ _ _ escritorio
VEINTIUNO
---:
7.21
UNIT 7
7.21.22
SPOKEN SPANISH
Response drill
"
O)
.,.
kyerestelap1,t~estaplma~
,
,
kyerestozlap1~est2esta5plmas~
"
..
slapi~+
,
~ssplums~
Ese lpiz.
Esas plumas.
O) The implioit spacia! reference of the demonstratives can be most effectively presented by the use of gestores to indicate positiono
Both tutor and the student should independently use /ste/ for items near themselves and /se/ for. tems near each other or away
from both.
7.22
VEINTIDOS
SPOKEN SPANISH
UNIT 7
[stoz11hrbs~]
kekyer~lst~
, ,
kekyerl
,
,.,.
,
[stasplumas~]
,
[es]
legust~leste11hrot
kyer~festozl~brost
[esos~J
[esasJ
,
[esa+]
,.
kyer~lestasplumast
lgust'estaplumat
,.,.
,
ssplums~
,.
,
esen6'!' este+
,
,
esozn est6s+
esazn6
ests~
,
esan6+ est+
....---------------------- ----------.
(estos libros)
3 Qu quiere Ud.?
Es os libros.
4 Qu quiere l?
Esas plumas,
(se)
(sos)
(sas)
(sa)
(estas plumas)
VEINTITRES
7.23
SPOKEN SPANISH
UNIT 7
11
12
13
7.24
,.,
zbwenQlesel1brot
,
10
,.,
ezbweoQlestel1brof
,
,
,.
,.,
ezbwen~lestaplumat
,
,. ,.
ezbwenlesaplumat
,. ,. ,
s6mbwenoslesozllbrost
esa1 si zmuybwna~
, .,
,
estat si+ zmuybwn
,.
,
,
estosf s11 s6nmuybwnbs~
VEINTICUATRO
UNIT 7
SPOKEN SPANISH
7.21.23
Translation drilI
'st~ensla~~lestmuybw'n~
,
,. ,
. .
..
~sekwart2al~J.~kyr4a~
kelezm'1kwrt6~
,.
Aqul es mi cuarto.
,. ,
,
poaemozherlesozmweblest
,
,
p as eme s az(})J. b es ~
. .
, .. . ,
....
akeO~aseqyor1t~le~amerikna~
~st4if1~Y2Iezgrnd~
.
, .
ne~es1t~~stoz11hrost
VEINTICINCO
.
.
es~l~zlseQyoramo11na~
,
..
nkstsek~yonlestmbzmuyokup46s~
,.
. .
7.25
SPOKEN SPANISH
UNIT 7
Bu Discussion of pattern
Derronstrati, es are worus which designate or point ouL usually in terms of spatial arrangement. but sometimes in terms of time relation.
They are a special kind o 'i~mitin~? adjectives which ah'vays precede the nouns they modifyo Besides the forms listed in the presentation above,
demonstrati\es indude definite articJes, which have been separateIy presented because of special functiom, that they haveo
Engli3h as \,,"eH as Spanish has words that can be classed as demonstrativeso The EngIish demonstratives provide a relatively rare exampIe of modifier forr;s which change in English for number reference, as the following chart shows:
near
far
sg
th~s
that
pI
these
those
This chan~e in forro i8 caBed 'infJection for number', and an agreement in form with an associated noun is obligatory~ i e,? we cannot say 'these
book' or that a?plesi'. As has already been shown in unit ..L agreement in number between nouns and adjectives in Spanish is almost always shown
by number nHect ion in the adjecti,e just as it is in this one rase in Englishc
The sjJatial contrast in English demonstratives is a t\o\o-way pattern~ near and not near. The Spanish demonstratives~ however 9 have a
three way patterll" near me ne~r you (or a short way ofO, and nar hlm (or a long way off) Thus / ak 1/ implies more distant in space or more
remote in time. 'i'his extra distinction, coupled with three distinrt gender forms, gives Spanish an inventory of 15 forms? compared to 4 in English,
as follows
9
sg
pI
sg
this
these
that
those
sos, ak1)yos
pI
-_.
ste
stos
se, ak1
sta
stas
esa, akQ)ya
sto
sas, akCDyas
so ,( akC)yo)
VEINTISEIS
SPOKEN SPANISH
UNIT 7
Note that the pattern of the Spanish forms deviates from the normal pattern of Spanish modifiers in one important respecto The regular
pattern:
sg
m
pI
-os
-as
-o
-a
/-e/
/-0/
The demonstratives can occur as modifiers (adjectives modifying nouns) or as nominalized forms (taking the place of nouns). Both
uses are illustrated in the following sentence:
/stelibrQlesmsbartolk~se~/
Note that in English the singular forms are not readily nominalized$ so that
The neuter forms almost always occur nominalized, since there are no neuter nouns they can modify.
Spelling conventions have estahlished the practice of marking a written accent on the stressed vowel in masculine and feminine
nominalized forms, except when the letter is printed with upper case type.
VEINTISIETE
7.27
UNIT 7
7.22
SPOKEN SPANISH
Replacement dri118
,
1
2
akel
~erb~~a~
kelezm*wtb~
,
keQ~~ezm~~erb~~
es~ezm~~erb~~
lpi~~
ms~
. .
, .
es~ezm~m~s+
es~ezlamsa~
esa(s} sonlazm~ss''
es~
,
esas
la
esezm~lpi~
Este es mi auto.
1 Aqul
2
Aqul es mi auto.
cerveza.
3 Esa
Aqulla es mi cerveza.
Esa es mi cerveza.
lpiz.
Ese es mi lpiz.
mesa.
Esa es mi mesa.
7 Esas
7.28
la_ _
Esa es la mesa.
Esas son las mesas.
VEINTIOCHO
SPOKEN SPANISH
UNIT 7
_seQy6ra,
3
4
-------------------,
_____________ber
los_---
~
~
..
.. . .
laseQy6rahwaytldeshskarlun~partamnt6~
~.
lseQy6rahwaytlds~abskarlunozmwbles~
..
,
"
lseQy6rahwaytldesberlmazmwbles
,
"
lsQy6rhwaytlkyreberlmazmwbls
,
,
l(~sQy6Ishwaytlkyrmbrlmazmwbls
-------
2 -seori::llo8
b~car
----_
3 -------------.muebleso
r ----4 _ _ _ _ _ _ _ _ve....
_ _ _ _ _ _ _ _ _ _ ms,
_
5
6
7 Los
VEINTINUEVE
JI
lsQy6rahwaytldsAberlunozmwbles~
kyre
"
,
maz
mwbls~
lseQy6rhwaytldsbskarlunapartamnt6~
quiere,
_
_
7.29
UNIT 7
SPOKEN SPANISH
,
,
id' ond e s t a ~ 1 t r .!.
,
. ".
idondestalams-l.
,
. ,
ms-l.
~sa
i~ondesta~sams~
-l.
5
6
*'
ikoffiQestanla(s) seQy6rsi
,
. ,
.
ikomesta~lseQy6r~
mesa?
esa _ _?
4 t
la _ _ ?
seoras?
6 t _ cmo
7 t
~illa?
'1030
seQy6ras~
el
,.
idondestanla(s) seQy6ras~
,
komo,..
la_~
s i(J\J~
el
~eoras?
TREINTA
SPOKEN SPANISH
UNIT 7
,.
kreorkemk6mby~nmaslelpr1mrb
6tro
__________ffiuchQ
gst
"--------
---------,
le
_ _ _ _ _ _ _--..IpokQ
,
-------------
6 kre~
kreolkemekomby'nmasrel6tro~
.
,.
kreolkemekbmbynmuchQle16tr6~
,.
,.
kreolkemgstamuchQle16tro
,.
,.
,
kreolklgstamuchQle16tr6
,
,'.
kreolklegstapokQle16tro
,
,
kre~lkelgstpokQle16tr6
kre~lklgstapokoll~6tr
__
.-._---~
TREINTA Y UNO
7.31
SPOKEN SPANISH
UNIT 7
,. ,
pdemozber lot
buskarlot
..
kyere
____1r
,
________t!.es pwes t
hen1r-----t
--_.......
, .
kyerem~
kyer~1rlotrahet
,.
,
pdemozbuskarlot
,
,
kyerebuskarlot
,. . ,
,.,
kyerelbuskarlQlotrabet
, , , .,
,
kyer~1rlt!espwest
.,
kyerehen1rlt!espwest
,.
.,
,
kyeremben1rJ4espwest
Podemos verlo?
buscarlo?
Podemos buscarlo?
2 Quiere
Quiere buscarlo?
otra vez?
Ir
5
6
7 Quieren
venIr
Quiere ir otra ve z?
despus?
TREINTA Y DOS
SPOKEN SPANISH
UNIT 7
"...
laz
------- ---.
2 _ _ _ _ _ _-b10)Jts
3 __a1.
-------um----.
-----------.;
,
mond
6 _ _ _ _ _--esaz----~
c "h'1
. e.<e . I. .
"....
, , . . ..
1~
,
S J..''
a1 tyene Ilozb1O~ts..
O'..
a1 tyen~ lumb1(!~tl!~
si~ a1tyen~Iunamon~a~
,
, ,
,..
si a1tyen~lesazmondas
,
, ,
,.
si a1tyen~lesech~k
1 _____ las_.
2
billetes.
3 _
ah
6
7
_
uu.,n
TREINTA Y TRES
"..
S1 kJ.tyene IlazC'yhs
esas
moneda.
_ _ _-
.....cheque.
7.33
UNIT 7
7.. 23
SPOKEN SPANISH
Variation drills
zbyeholprhweno~
, .
,
~zhyeho!prbr3t~
,.
It~s
ezgrande:p~robarato
J. b '
1 ~ A"
t"OS.I
Suffi
yenos~erubara
sI)grandes.lb w nsi
6s.!-
.
Son baratos y bnenos.
. .
bamos.aherl elpecy6d"ikb~
. .,.
bamoaaher!elapartamnt~
bamoaaberleled~fiYO~
7.34
l'
TREINTA Y CUATRO
UNrr 7
SPOKEN SPANISH
. ., .
bamo~aberlloskwrt6s~
. . ,.
bamoaakono~erlel~~ntro~
, . . . , ..
.
.
bamo~akomerlenelrrestorn~
, .. .., .
bamoaatrabaharla6ra~
, . .. , ... .
bamos,abuskar lun.apartam~ntb''
. , . ..,.
p6rkenobemosliUnpm190m1o~
. , . ..
, . . , . ..
. .
p6rkenokomemosle~elrrestor'n~
pbrkenokomemozI4espw~s~
Por qu
mo?
DO
vemos a un amiRo
p6rkenobemoslahos'~
,
. ,.
porkenobahamos
TREINTA Y CINCO
. . ,. .
,.
... .
lenelas(~ens6r~
. .
p6rken2ablamoslespaQy61~
Por qu no comemos en el
restorn?
Por qu no comemos despus?
Por qu no bajamos en el
ascensor?
Por qu no hablamos espaol?
7.35
SPOKEN SPANISH
UNIT 7
..
. .,.
, .,
,.
.. .
p6rkenohuskamoslotr2apartam'nt6~
..
p6rkenQalkl1amoslotrQed1f~y6~
...
O solote~9oldozdesokupd6s~
, .,
.,
. ,.. . .
solote~9Qlunamesaldesokupda
, . .
, . ,
, . ..,
.
,....
solote~9QlunodesokupdO~
..
solote~901~1~ko4esokup4s~
., , . , . .
soloteI)9Qlun~skr1toryoldesokupdo~
,.. . .
, .,. ,
soloteI)901~1~koS10~azldesokupdas~
,. ,. ,
,.. . .
7.36
solotyeneldoskwartoz Idesokupdos~
TREINTA Y SEIS
UNIT 7
SPOKEN SPANISH
a9wan~gs~
,
1 Three hundred, not including
electricity, water or gas.
agwan~9s''
,
2 Four hundred, not including
electricity, water oc gas.
kwatro~yents~sin.iIJklwirllu~t
..
agwan~gs~
..
agwanJ.gs~
, .
, .
syetepsos~sinj~klw!r'~erbe~a
.
n~bno~
, .
kJ.n~ed613res~sinJDklwirlel
, .
. .
taks1n11apropna~
, . ,..
.
TREINTA Y SIETE
. ,.. . .
7.37
UNIT 7
SPOKEN SPANISH
es~lst~nla~fwerasl*ezmaz
grnde~
es~lest~n~lientrol*zmazgrnd~
.
harto''
7.38
...
es~lstmuylhos''
,
7 That one is very good.
,..
esestal1iky~rd''
~.
esestalader~ch''
,.
esesta~erkaldelembhadamer1kna~
,.
4 That one is to the righto
"
es~lst~nlheni~ak61onl*ezmaz
"
,.,
es~lestmuyhwno''
TREINTA Y OCHO
UNIT 7
SPOKEN SPANISH
7.24
sr/
and
/est~r/
...
, ,
,
nosoyamerJ.kno~prQstoy In16s.
,
s tados.uni<!bs+
, ,.
. .
, ..
nosomos lamerlkn6s+prQestamosl
, . .
enls.es ta<!os.und's +
,
,...
elnQe~amerJ.kno~prQstal~nla
..
,
estados.unidos.t.
,
4 They're froro Chile, but
they're in Colombia.
" . ,
,
karmenlzdch11e~prQst~n~lpru1
,.
,.
O\l(s) s6I)ksadas I*estan~I)kalJ.f6rny.t.
,..
TREINTA Y NUEVE
JI
e~skasad'al*esta~I)kallf6rnY''
".
"."
,
ltelezhwenQlin9stalhs~
7.39
SPOKEN SPANISH
UNIT 7
,.
,
16~4if1~yosls6~grandesl*stan~rka~
,
~lrrestorn~
nQezbarto! 1-6stmuylhos''
7.3
CO:'iVERSATION STIMULUS
NARRAT/VE 1
youn~
lady
that works in the cashier's
office.
,
,
hwanlblkonlseQyor1tal
,
.
ktrbahenlakhA
trabaja en la caja.
".
,.
'6 .
eld1~elkpyensalbskaru~apartamnto'' El dice que piensa buscar un
apartamento.
for an apartmen' o
,
3 He likes this hote L
lgustest~otl~
..
prQzmazbarttbibrln~nAprta
ment~
'/.40
lokyerxlmwblado
Lo quiere amueblado.
CUARENTA
UNIT 7
SPOKEN SPANISH
. .
,
Un ami~o que trabaja con l
enlsek~y6~knslart
en la seccin consular, va a
ha~udrle~
ayudarle.
bn~1rlestatrd~
nam1golketrahahakon~1'
, ,.
tomunos1nmwblsi
,
p~rbsinQaylmwbladot
hwa~lkr~~ksfaiilleijkontrrapart
mnto.J.
DIALOG 1
..
,.....
pyensobuska~nppartamntblsQyorta+
"
CUARENTA Y UNO
n61gustest~otelt
s1s.eks(~
p~rQzmazbartt
,
bib1rlen~npartment
lent
7.41
SPOKEN SPANISH
UNIT 7
.. .
"
ste~kre~lksfa~11eQkontrart
Srta.~
, ..
kreolkes-l-
,.
lokyer~lamwehla~Qtos1nmwbls-l-
, . ,
,
mekmbyenemaslamwhlado-l-
"
,.
prosinofay1tomQunos1nmwhls~
NARRATWE 2
sOI)kas11astrs~
,....
hbse*hwamfbahanen~las(~ens6r~
.. .
,
,
,
hbsetyen~ llpryod1ko~~a~r''
benllsk~yond~ann~yos
ymucho~apartamnts
,.
7,.42
,.
... .
CUARENTA Y DOS
UNIT 7
SPOKEN SPANISH
nanun~yo4i~ prtmentol
4treskwrtos~ mwbla4o~
doscientos al mes.
~zdemasyadogrndlprhwn
D/ALOG 2
,..
so~kas11astrslhos''
tyenezrra~6m''bamos
,...
Juan,
pre~ntele si
CUARENTA Y TRES
ve algo.
..
estoralnQaymuchomob1ffiy~nt''
..
,..
.,
Q~ eb asJelperyod1k o4~a~ erf
,..
"
,.
los anuncios.
"
bes.algof
7.43
SPOKEN SPANISH
UNIT 7
"
dtreskwartostmwebla~ot
, .,
,.
agw at 1u ~ t d" os (~ yen t oS"a lm s ~
..
nomekombyne~~emsyadogrnde~
NARRAT/VE 3
,
mweblest bratot
~.
. .
no1hwanlokyer~lamwebldo+
k~lyn~partmentQlamweblad~t
,
,
id~u1Jkwrtb+
, , ,.
prQestalmuylehoz I~el~ntro~
,
,
kas*lnlas~fweras~
,
5 And Juan wants to live downtown.
7.44
. .
otrod~e+ partamento/S1n
,..,
ihwa1Jkyereb1b1rlen~1~entro+
CUARENTA Y CUATRO
SPOKEN SPANISH
UNIT 7
,
yotrbs~
,
prbs6nmuygrnd6st
2estnmuyl~hbs~
hosetyen~unam190lktrabahl
for an agency.
..,.
...
en.unah~n!iya~
Jos tiene un
am~o
que trabaja
en una agencia.
,
8 They're going to see him.
bnAber lb~
Van a verlo.
D1ALOG 3
,
Jos, dgale que aqu hay otro:
'Apartamento sin muebles,
barato "
ak*ay6tr~prtmentos1n
, .
mwbleztbrato I
~ Apartame nt o
,
"
,
n01 kyerQunQlmw~bla~b~
,
,.,
k1IynQamwehlad01id~uQkwrto~
CUARENTA Y CINCO
dJ.~e Idondestat
7.45
SPOKEN SPANISH
UNIT 7
,
Jos, contstele que si, que en
la Avenida Coln, 1621.
si~ nlabni4aklon~
dye~iseyzbeyntyn+
,
,
dondestaso-l.
,
"
mpokolehos~
,
kaslnlaafweras+
,..
,
.
,
nomekombyn+ yokyerob~b~rl
nl~entro''
7.46
,
,
muybyn-l. ~6tijgQnAm~gol
,
,.
ketrabahlenlhen~ya
, .,
,.
delb~'' p~emo~~rlahlarkon~l~
CUARENTA Y SE~
SPOKEN SPANISH
8.1
BASIC SENTENCES.
UNIT 8
After having seen several apartments that were not suitable, Jose Molina and John White return to the hotel to talk it overo
AID TO LISTENING
ENGLISH SPELLING
'"
krambA+
gosh
caramba
~he
rrkwerdb~ rrk6rdr~
Mol~na
SPANISH SPELLING
kramba.l.
~orakerrekw6r~o
neighbor
recuerdo <&ec<rdar)
Molma.
Caramba\ Ahora que
el vecino
van (li')
lo remove
mudar
the hOll.''Je
la casa
. .
md:arse-de-ksa~
the week
n~cuerdo,
mudarse de casa
la semana
".
,. o,.
,
mizh~lnOzlhanamu~arsel~kas~1
stas~mna~
(they) live tto live)
UNO
'"
bJ.ben~ bib1r~
viven (vivir)
8.1
SPOKEN SPANISH
UNIT 8
,
igwal-A.!-
igual a
,
"
b1benlen~nftpartamentQligwalalm1o
,
kar~
expensive
caro
White
Is it very expensive?
, . ,
ezmuykarot
White
Es muy caro?
l-k6ntraryo
,
l-kbntraryo
el contrario
the price
l-pre~y~
el precio
had
mal~ mal~
t he c ontrary
00
t he c ontrary
"
Molina
On the c ontrary, the price is oot hado
mal (malo)
. .
,
,
"
alkontrary~ lpre~yolnQestaml
Molina
Al contrario, e 1 precio no est mal.
da (dar)
,
dar-~
dar a
the street
l-kaG\J~
la calle
el-paty
el patio
to face
00
White
Does 1t face the street or the patio?
8.2
al contrario
, .,
. .
dalakaC~et Qalpty~
White
Da a la calle o al patio?
DOS
UNIT 8
SPOKEN SPANISH
,
bnl. to~
,
l-hJ.5 ta~
pretty
the view
Molina
The street, and it has a beautiful
vlew.
bonito
la vista
.,.
,
dalakaO~~ Ii tyn lmuybonl. tab1st~
Molina
Da a la calle y tiene muy bonita
vista.
,
l~-bi ta~yon~
the room
White
How many rooms does it have?
la habitacin
,
.
kwantaspb1taiyones Ityn~
..,
White
Cuntas habitaciones tiene?
la sala
the kitchen
la cocina
Molina
A large living room, kitchen and bath.
,.
..
Malina
,
l-drmi toryo~
the bedroom
White
Doesn't it have a bedroom?
notyenelaormitoryot
Molina
No, but the living room is quite large.
,
,.
, .
n01 prlasl~le7bastantegrnde~
the sofa
TRES
,.
".
el dormitorio
White
No tiene dormitorio?
Molina
No, pero la sala es bastante grande.
el sof
8.3
SPOKEN SPANISH
UNIT 8
,
1a-kama~
the hed
the sofa-hed
,.
la cama
,
e1-s of a-k m ~
el sof cama
.,
n1arn~atte~gQunsofakm~
,
1-rr~lid:a<t
the reality
debe ser
,
komd~
c ornfortab le
cmodo
White
Actually the apartment must be very
c omfortab le.
enrr~li~adtdbsrlmuykomOdQJ
White
En realidad, debe ser muy c6moda
el apartamento.
lpartmnt~
byens~ ben~r~
vienes (venir)
the night
l--noche~
la noche
tonight
esta noche
so
as
Molina
Why don't you come tonight and you
can see where 1 live?
ves (ver)
b~b~ bib~r~
8.4
la realidad
vivo (vivir)
"
".
, .,
prkenobyenes /estanochel
"
*Slbez /dondebb~
Molina
Por qu no vienes esta noche y
as ves dnde vivo?
CUATRO
SPOKEN SPANISH
UNIT 8
to leave, to let
dejar
,
dharm
to leave me
White
O.K. Will you let me off at the hotel?
dejarme
,
,.,
,
muybyn kyerez Ideharm~'en~lotelt
,
tner-ke.J.
to have to
tener que
myself
kambyarm-rt kambyars
cambiarme de (cambiarse)
,
l-rrop
la ropa
,..
,.
1 have to change my clothes.
teQgolkkambyarmelderr6pa~
to come by
pasar
yon
ti
at eight (o'clock)
a las ocho
-ls-och6~
Molina
Then I'll take yon (to the hoten, and
come by for yon at eight.
,.,
,
ntones /tO~ebQlipspbrt11~las
6cho
the million
(1) hope (to hope, expect, wait for)
CINCO
me
,
to change myself of (to change
oneself)
White
Muy bien, quieres dejarme en el
hotel?
Molina
Entonces te llevo y paso por ti a las
ocho.
el milln
sper
,
sprar~
espero (esperar)
8.5
SPOKEN SPANISH
UNIT 8
White
8.21
Pattern drills
8.21.1
A.
White
unm1a~ondegr~yas~ tspero~
8.2
/-ir/
verbs
Presentation of pattern
lLLUSTRATIONS
"
as1bez Idondeb1bo~
b1bQl~lprimerpso~
,
, ,.
b1bes/enelprimerp1sot
abrs~
,
br1r.l.
,
,
abres (abrir)
, ,
porkenQabres lotrahen~y.l.
Sube o baja?
,
writes (to write)
8.6
skr1b~ eskrib1r~
escribe (escribir)
SEIS
UNIT 8
SPOKEN SPANISH
,.
,.
eleskr1beldemasya~b
El escribe demasiado.
, ,
,
1s1bez
Id6ndebib1mOS~
,..
,
,
eskrib1mos eskribir
,
.,.
prkeskr1b1mostnt
b1benle~n~prtamentb~
...
10
escribimos (escribir)
Viven en un apartamento.
,.
,
suben lenelas(~ensort
Suben en el ascensor?
EXTRAPOLA TION
p!
sg
-rnos
-=o
2 fam
-es
2--3
-e
-en
NOTES
/-r/
/-r/
/-/
as the
SIETE
8.7
UNIT 8
SPOKEN SPANISH
8.21.11
. .
skrib1ffios lenleskwl~
,.
,. .
b1benllehozdel~ntro~
,
... .
subQ 'en~las(~ ens6r~
,
.
,.
1
2
8.8
noabrelerolbr~
,..
" -,-.
"
noeskr1bolmcho~
sbenlmeno~a6ra
, , - - -, -
..
. .
,. ,. .
b1bellehozdel~ntr
, . ...
.
Sb1ffiOS len.elas(~ ens6r+
, . .
nQabren Iea)libr~
,. , . .
,
skr1bQlenleskwl~
b1bol~erkad~aki
, .
nQeskrib1moz Imch6+
,
sbe Imenos.a6ra~
..
1 Escribimos en la escuela.
Escribo en la escuela
3 Subo en el ascensor.
Subimos en el ascensor.
4 No abre e 1 libro.
No abren el libro.
6 No escribo mucho.
No escribimos mucho.
OCHO
SPOKEN SPANISH
UNIT 8
Persan - number suhatitution
2 ~lskr1bels61QeniQgle~
~O.
6skr1bols61~~n1~91es~
Alieia y yo_ _. -
Ud. Ellos
-.1
--------
yo
NUEVE
8.9
UNIT 8
SPOKEN SPANISH
k armn...--.
,
nsotros
,
stedes
. --------
.,
...
skr1bels612~i~gles~
,
,
skrib1ffios Is61Qni~gles~
,
,
skr1benls61Qni~gles~
.P
eQ4oaabrenllembaha~a~
~.
~o.
karmen
nosotros
ste~es
Carmen
---
Nc&otros
Uds.
abroll~mbahada~
,.
,
abre Il~embhada..
,
,
abr1moz 112embhada
,
abrenll~embahada..
yo
Carmen
Abro la Emhajada.
_
Nosotros
Uds.
8..10
Abre la Embajada"
_
Abrimos la Embajada.
Abren la Embajada.
DIEZ
SPOKEN SPANJSH
8.21.12
UNIT 8
Response drill
. " ." . , .
eskr1h~uste~lenespaQyoltQen~~gls
,., "
.. ". :), . , ..
b~benustedes lenunapartamentotQen~naksa~
,.,
.
,
1
2
3 eskr1belmuchQtopko~
~
."
.,..
6 kwantoschekesf~skr~bl~
(en un hotel)
(en el centro)
(tres)
ONCE
eskrbepoko~
~..
[enl~entrb+J5 dondeb~b~lst~+
btb1mOslennkasa~
,.
bJ.ben Ienun.otl~
,
,.
b:tbQ Ian.el~ ntr5
4 dondeb~benl~6s
,
eskrbQeniI)gles~
,ji
eskrJ.betrs+
Escribo en ingls,
Escribe poco-
Viven en un hoteL
Vivo en el centro-
Escribe tres.
SPOKEN SPANISH
UNIT 8
,
[spQydlJ
..
,
,.
,
eskr1ben~stedes lnl~glest
,
[aprtamentJ
blbe0'y InDnkasaf
,
,
abrelllambahaaf
, .. " , .
, .
blben~stedes lenlafwerasf
10
11
(espaol)
(apartamento)
8.12
suten~0yos
,
,
,
noi skriblmos ln~spQYo~~
,
,
,
n b2b~ln~nprtament~
,
. . .
si~ abrel~embahd{
J..~
, .
NO escribImos en espaol.
9 Abre l la Embajada?
S~ abre la Embajada.
S, suben en el ascensor.
DOCE
UNIT 8
SPOKEN SPANLSH
8.21.13
TranslatioD drill
,
,.
",.
,
ak~orahrenlse~if1~YO~
4,:1
dondebJ.h~ust~d~
eskrJ.belllsanun~yost
, ,
kwandQeskr1h~ust~d~
."
dezdekwandob1benlustdeaa!~
abrelll~embahadat
"
~"
9 1 go up at eight o'clock.
,.
eO~ozb1benlen~nApartamentogrnde~
Abre l la Embajada?
.,.
~osubQ Ialas.ch6~
Yo subo a las
..
ocho~
10 They go up at seveno
,
,.
e(1}Jo(s) suben Iala(s) syte~
". , .
,.,
b1benerka 1d:~n.aml.gomJ.o~
mine~
..
b1bolenloskstad:o~un1d:os~
b1bolehozld:el~eskwelad:el~gws~
TRECE
bib~moslennakasaby~ha~
., .
..
UNIT 8
Bo
SPOKEN SPANISH
DlSC ussion
of pattern
In almos! aIl tense forms other than present tense orms there is no distinction between / - r / and / - i r / theme cIass verb endings~
and they wHI be referred to as/-r-ir/pauernsc The Importan! dHferences are In the theme vowel o the iafinidve and the 1 pI orm o (he
present \:enseo
Below is the complete pattern for regular "erbs in the prebent tense, illu~trated with three common verbs:
abl~r
kom-r
bl.b-fr
&g
bl-o
km==o
bb-o
fam
bl-as
k6m=-es
bb=es
2-3 sg
bl~a
k6m=-e
bib-e
abl~mos
koITr-'mos
bl.b-=mos
bl~an
k60Fen
bb-=en
pI
2-3 pi
,i/
,-=n/
/-0/
/-1-/
8.14
/c=r/
/-e-/
CATORCE
SPOKEN SPANISH
8.21.2
A.
UNIT 8
lLLUSTRATIONS
kyeropresentarl~lalseQyormolna~
dalakaO~et Qalpty~
, .,
. .
,
del~
,
lehoz
del
..
,.
Idl~~mbahadto~elotl~
--
,
4
~eledif1iyodelkmp~
EXTRAPOLA TION
el
la
los
las
de
al
a-la
a-los
a-las
del
de-la
de-los
de-las
NOTES
a. The contractions /
al/
and /
de 1/
8.15
UNIT 8
802L21
SPOKEN SPANISH
1 kyrmpresentarl~lalseQyor~
,
.-..
.--=o="""'e-seQYors
..
~
, ,
kyrempresentarl~ll(~seQyores~
2 l~abedelkwrt~
,
,.
3 lakas~
Iez<1elo(s) seQy6res~
~~
"
~~_seQy6r~
ji
l~abe~eloskwrts~
. . .
lakas~lez4elseQy6r~
______
2 La llave del
__ seoresc
cuarto.
_ _ _~ CUO!toso
8.16
DIECISEIS
SPOKEN SPANISH
UNIT 8
....
.
4 kyr~ablarl~elo~9partam~nts
~
.. .
___________________apartamnt6~
,
~..
ky~r2blarldelapartam~nt6~
S ~ebenoslalozrrestorn~s
~
..
---------rrestorn-i
.. . . .
Q~ebenoslalrrestorn
apartame moo
DIECISIETE
Llvenos al
restorn~
8.17
SPOKEN SPANISH
UNIT 8
Item substltution
. .
,.
1 banal~embuh~a~
.
____
otl~
..
ban.alotl~
..
2 bamos.al~ntro+
.
.
.
bamos.alahnya.t.
.
___
ah~n~ya~
.?
..
3 elotelezdelaseuy6ra
_____________seQyr~
,,.
"
elbtelez~elseQy6r
1 Van a la E mba]ada
_~~__
Van al hotel.
hotet
2 Vamos al centro.
_ _ _agenciao
Vamos a la t'lgencia.
3 El hotel es de la seoro.
seo"o
8.18
DIECIOCHO
SPOKEN SP ANISH
UNIT 8
,
,.
elkwarto IdalakQMe~
,
elkwartoldalptyo~
5 ky~rbpr~sntarl~lalseQyor~
__~__~~~~_SeQy6r1ta~
4 El e uarto da a la calle
kyr6presntarl~JlseQyor1ta
patw.
El cuarto da al patio.
-------
seorita..
DIECINUEVE
8.19
UNIT 8
802L22
SPOKEN SPANISH
Transl!ltion drill
1 They want to go to
too restaurant . .
., .
..
kyerGn~~lalrrestorn~
""
Quieren ir al restcrn..
~.
kyeren1rlalahn~ya
bdnalml.zmotl
est~ez IIM'.labcldelaksa~
,
,
QUIeren ir a la agencia..
..
"
, . . ..
..,
esta~~onnz~ab~zldelapartamnt~
9..
dos(~~yentozdolares lalms~
esteaelawtoldelseQyormol!n~
. .
. .
. .
. .
est~ezlakwentaldela16~
''''
estiezlakwentaldelgs~
VEINTE
SPOKEN SPANISH
B.
UNIT 8
Discussion of pattern
There are many instances of contraction, or telescoping of forms, in Spanish. This is particularly true when two vowels are brought together
at word boundaries. The contraction is usually complete if the two vowels involved are the same. For example, in /d6ndest/ the final
of Idnde/ and the initial
of
are telescoped in normal pronunciation. A slower pronunciation, however, would be /d6nd~
/e-/
l-el
lest/
est-l- /.
The two cases of contraction presented aboye are selected for special driU because they are obligatory; / de / and / e 1/ will always be
no matter how slowly pronounced. The two contractions / a 1/ and / de 1/ are the only ones recognized in the writing system - no others,
however they are pronounced, are written as contractions. Note that it is the weak-stressed
'the' which combines with
and
the strong-stressed /
'he' does noto
/ de 1/ '
1/
VEINTIUNO
/el/
la/
/del ;
8.21
UNIT 8
8..22
SPOKEN SPANISH
Replacement drills
b1benlenpn~partamentb~
,
1
2
kasa~
,
bibl.mos
.t.
bib~mos le~estaksa~
ote1.~
,
trabahamos
es~
trabhamoslen~s~otl~
,.
embaha<!'a~
trabhamoslenest~ot~l~
,
,..
trabhamos lenes~embah4a~
Viven en un apartamento.
casa..
2 Vivimos
esta_~
hotel.
5 Trabajamos
6
8.22
,
6
bib1mosl~nesteot~1~
,..
,
,
bibl.moslennakasa
,.
,
,
esta
b1benlennakasa~
ese _ _
embajada ..
VEINTIDOS
SPOKEN SPANISH
UNIT 8
,
'zmuykr6~
B
1
son
sbnmuykr6s-l.
s nmuybartos~
..
hart~
2 ~artos~
zmuybart~
byho~
ezmuybyho+
5 by
s ymuyby~h+
son
sonmuybyhos+
hontA.J.
Es
muy C!'lF!)~
1 Son
e--~
barato.
Es muy barato.
viejo.
Es muy viejo,
5 Soy___
6 Son~
VEINTITRES
zmuybon tA+
bonita.
Es muy bonita.
8.23
UNIT 8
SPOKEN SPANISH
, ,
,.
elpre~yoln2estamai~
"
6st6spre~yozln~stanmai~
6stakasaln~estamai~
's,
.J.
'skasaln~stamai.J.
~eblez
''
6szmweblezln2estanma~
_knti<!'ac!,
'st.
staknti<!'a4In~estamai''
'stiimfrm~yonln2stama1.J.
,
7
__--imforma~yon
, ,
, ,
"
,.
, ,
6sknti<!'ac!ln~estamai
, ,
,
, ,
1 Estos
2
3 Esa
muebles
cantidad
6 Esta
8.24
,.
'sts
,
_kasa,
VEINTICUATRO
SPOKEN SPANISH
UNIT 8
.".
, .
bwena
------- ---.
,
ityne'muybon1tabsta~
D
1
2
,.
ity~nlrnuybwenabsta
..
itynelrnuybwen~entrd:a~
entrd:a
--------
:3
_ _ _ _ _ _ _arn1gs
i tyne Irnuybwenos.arn1gos
_tI)go
,
i tI)g Irnuybwenos.arn1gos
______________~1mforma~yns
!!
,..
. . .
______rna 1 oz
~..
. .
".
itI)glrnuybwenozrnwbls~
,.
itI)golrnuyrnalozmwbls
1 _ _ _ _ _ _buena_.
------3
entrada.
_ _ _ _ _ _ _amlgos.
4 _ _tengo
5
6
7
VEINTICINCO
mw~bls
---------, .
,..
------malos
informaciones.
muebles.
8.25
SPOKEN SPANISH
UNIT 8
kwantaslbit~yonestyne~
,
1
kwantas lbita~yoness6n~
s6n~
,
~
kwartos
agw
,
se12yores
..
trabhn
kwantagwy~-
seQyoras
. .
. .
,.
,
,
kwanto(s) seQyores.y~
, .
. ,.
,
kwanto(s) se1jyores Itrabhan
son?
cuartos
hay?
agua
seores
6
7
8.26
"
kwantoskwarto~y
kwantoskwarto~s6n~
seoras
trabajan?
VEINTISEIS
SPOKEN SPANISH
,.
UNIT 8
...,
.,
kyerezldeharm~len~lotelt
,
pwedez
,
_ _ _O~ebarm~----_t
,
3
,.
----------.,
,.
,
_________________apartamentot
,.
o,.
o,
o,
pwedeslalkl1arm~lelapartamento1
-------t
kyeres
'0
o.
,.
....,.
.,
pwedeslalk11arm~lun~partamento1
.,
kyereslalk11arm~lun~partamentot
1 Puedes
2
lo
llevarme
3
4
alquilarme
5
6
7 Quieres
VEINTISIETE
..
"
pwedeslalk11armellakasat
Un
..
, ,
______alk1la rm e
-------, .
.,
pwedezIQ~ebarm~lalakasat
...,
..,
kasat
..
.,
pwe~ezl~eharm~lenelotelt
un
casa?
apartamento?
8.27
UNIT 8
8.23
SPOKEN SPANISH
Variation drilIs
,.,
A mizb~~1nozlbnm~arsel~ekas'
estas~mna~
1 My friends are going to move
lo another apartment this
week.
,
,
,
miS.am1goz Ibn.am~arse 1<!~apartamentQ I
estsemna~
,
,.,
mizbei1nOz Ibnm<!arsel<!ekwartQI
stasemn~
mizbei1nozlbnbskrlotraks~
mi&m1gozlbn~lkilrlotraksa~
,
,
miaam1goz Ib~trabaharlenunahn~y~
,
mi~am1gazrbnak6merlen~lrrestorn~
miaam19azlbn~estrk1ImaQyn~
.. . .
...
8.28
VEINTIOCHO
UNIT 8
SPOKEN SPANISH
,
"
B b1ben/ennapartamentQligwalalm!o
,
b1benlen~ijkwart2Iigwalalm16
b1benlennA~if1~YQligwalalm1
...
,
b1b en.en~n.o t1
b1beln16aesta~oaun1~6s~
5 1 live in Washington.
,
b1b Qeij'!t s biIJton
Vivo en Washington.
6 We live here.
7 We live there.
VEINTINUEVE
Viven en un hotel.
..
"
.
, . .
bib1mOS.ak!
, . .
bib1ffiOS.a
Vivimos aqu.
Vivimos ahi.
8.29
UNIT 8
SPOKEN SPANISH
. .
dlakaa~etQalptyo~
Da a la calle o al patio?
. ...
dlakaQ~etQalaben!~a~
,.
dlaben~~atQalptyo~
,
3 Does it face 20th Street or
the avenue?
. ...
Da a la Calle Veinte o a la
avenida'?
. .., .
...
,.
Da a la avenida o al patio?
dlakO)jebeyntetQalaben1d"a
,
Da a la calle o a la avenida?
dlasalatQalako~1n
Da a la sala o a la cocina?
or the kitchen?
. .
..
dldormitoryotQalkwartodebQY~
the bathroom?
Da al dormitorio o al cuarto
de bao?
...,.
,
.,
dalembaha~~lamer~kanat
Da a la Embajada Americana?
Embassy?
8.30
TREINTA
UNIT 8
SPOKEN SPANlSH
,.,
O noi p'rblasallezbastantelgrand'~
,
no
TRElNfA Y UNO
prblako~1nlzbastantelgrande~
,
no+ prla~ahitaiyones Ismbastantel
,
grands
,
,
,
,
,
no prol~b1stilzbastante'bwena~
,
,
,
,
no+ prblaka~~lezbastantelbwena+
,
,
,
,
51+ ilimbaha~'5tbastantelierkt
,
"
51+ lrr5toranlst~erk+
,
,
,
511 *lpartamentQlzbarat~
8.31
UNIT 8
SPOKEN SPANISH
, ,
nlamlaltijgQnsofakama~
enlamlaltij9Qnakam~
enlmlaltijgQnmesa~
,.
enlsalaltijgokwatros1Q~as~
nmikwartoltijgQnkskritory~
enlako~lnaltijgQnzmone~s
,
,
en~16tellt~ijgQnz~olares~
COlns.
8.32
,
,
enlmesaltij9Qn~eni~er~
TREINTA Y DOS
UNIT 8
SPOKEN SPANISH
F d~b6s~rlmuykom04Qlelapartm~nt6~
,
1 The room must be very
c omfortab le.
dbesrlmuykom6dQllkwrtb~
,
2 The house must be very
comfortable.
dbsrlmuykomodllks~
d~bsrlmuybwenQlltl~
dbsrlmuyharatQllwt~~
dhsrlmuY9randllakb~1na~
.,
large.
.,
dbnsrlmuybaratoz Il~tls
TREINTA Y TRES
,
,
dbnsrlmuybon1tz Il~prtmntbs~
8.33
UNIT 8
K24.
SPOKEN SPANISH
,
1 It's abad pene
It's abad book.
s.naplumamla~
,
s.n ll.b r omlO~
s.nsl~~abwn~
,
s~nAskritoryobw~n~
, ...,.
tyen~nakasabyha~
, .
..,
tyen~napartamentobyho~
s~nplumabwn~
s.n11brobwno~
Es un libro bueno.
s.nmesabwna~
~nbskritoryom16~
Es un escritorio malo.
..
,
It's abad desk.
,
4
8.34
Es un libro malo.
,
2
TREINTA Y CUATRO
UNIT 8
SPOKEN SPANISH
..
tyen~Unamesabonta
tyen~n~Skrltoryoby~ho~
T ie ne un escritorio v ie jo.
..
.,.
.., .
...
tyen~nakasakra
.,
tyen~napartamentokro~
b1b~nunakasabarta~
...,..
o.
.,
blb~npnapartamentobarto~
blb~npnakasak6mo~a~
blbgen~napartamentok6mo~o~
TREINTA Y CINCO
...,.
.... . , .
8.35
UNIT 8
8.3
SPOKEN SPANISH
CONVERSATION STIMULUS
NARRATIVE 1
"
,
hose*hwanIt6manntaksI
ibn.aber ln6s.apartament6s~
pesos, ms
o menos.
,
, .. , . .
hose Itynsbl<)umb1')~ eted"~ady~~~
..
,.
ihwanlunoschekezbyah~ros~
,.
. .
"
,.
enton~esltomelb1a~eteld~ady~~
,.
elchoferlnotyenekmbyo~
.. .
seyslprelbyah~likwatrodepropna~
D/ALOG 1
.
.
kwantole<t6b6+
,
8.36
TREINTA Y SEIS
UNIT 8
SPOKEN SPANISH
,
Chofer, contstele que son
seis pesos.
sbnseysp~sS''
,.,
,
,
nolseQy6r'' not~~gb''
., .
~osolote~golch~kzbyahers''
..
Juan~
.. .
tomeloz~y~~'' kwatro~epropina''
,
Chofer, contstele que un milln
de gracias.
,.
tyenekambyolpara~ye~t
, ,
Onmiroyondegr~~ys''
NARRATWE 2
. ...
h6se*hwanlablaQkonelah~nte''
...
On.aml.goc!ehos~''
The three (of them) go together
to the Del Campo building.
TREINTA Y SIETE
UD
amigo de Jos.
..
lostrezba~huntoslale~if1~yo~lkmpb''
,
,.
8.37
SPOKEN SPANISH
UNIT 8
..
They go in.
pasanadelnt~
.,.
,.
elprimerapartamentolkebent
lzgustamch~
,
5
perblkaramba~ zmuykro~
"". "".
"
".
iesols1n1Dklw1rllgas Iotras
k6sas~
,
.
yotrQln~lm1zmops~ pro
"
.
no<!a
Ialako.~
,
,.
ban.abr l~
cosas.
,
9
Van a verlo.
D/ALOG 2
,
Agente, dgales que pasen adelante.
pasenfc.1'lante~
,
Jos, dgale que le gusta mucho
este apartamento. Pregnte le a
Juan que qu le parece a l.
8.38
mgustlst~apartmnt~ *ti~
ketepar~elhwn~
UNIT 8
SPOKEN SPANISH
,..
stalbastantebonito~
,
,
perQlykeberl
"
kwantokwesta~
,
,.,
,
tres (~yentbs~ s J.n1I)k1wJ.r Ie1g as
,
*otrask6sas''
,
,
,
..
.,
.,.
notyen~la1gomazbaratot
. ,. ,
"
.
pronoda I~1akO~''
,
en~stem1zmolpJ.solteIJg6trb''
otro, pero no da a la
calle.
,. ,
podemozber10t
TREINTA Y NUEVE
,.
komon6~ konmuch09st~
8.39
UNIT 8
SPOKEN SPANISH
NARRA.r/VE 3
,.
,.
~st~otrokwesta14oS(~yentoz
. .
beynt1~I)k.1.
veinticinco.
.,..
elbaQYQlestala4er'cha~
lko~1n~lnQezmuygrandelprges
,.,.
k6mo~aJ
,.
ahsetlepare~elkelpre~yol
noestaml~
But he realIy doesn't like
it.
lzmwebleslpar~nmuybyhos~
*ypokal~.1.
8.40
,.
perQenrr~alidadtnolegsta~
CUARENTA
UNIT 8
SPOKEN SPANISH
D/ALOG 3
Agente~
,
, .
este Ikwstad"6s (~yentozl
. .
beynt1~IJko
,
Juan~
d ond es t a ~ 1b QY o
,
,
allalacerecha
ilko~ln~
CUARENTA Y UNO
,.
dondest
k6m6d~
",..,
akl~st nQezmuygrandelperQes
kekre~stlhbs''
veinticincoo
. . ,
,
.., .
elpre~yolnQestaml p~r~n
rr~alid"ad"lnomegustamcho
8.41
UNIT 8
SPOKEN SPANISH
lozmwebleslpar~enmuybyh6s~
. .
inQaymuchal~
,
,.,..
si enrr~41idad~yenezrra~6n
.'VARRATIVE 1-
,
1
,.
~lsQy6rrichrbrawmlb1ben
..
ested'1fiy
...
,
,
~ltrbahlnl~~mbahadamer1kna
propyensamu~ars~lestaseman
elapartamentQlspekeQyof
..,
,
,.
..
Tiene un apartamento en el
primer pis o.
prkomo~Q1barto
8.42
El trabaja en la Embajada
Americana.
.
El apartamento es pequeo pero
cmodo y barato.
CUARENTA Y
nos
SPOKEN SPANISH
UNIT 8
".
"
ls~QyorbrawnlnQesta1a6ra~
.
,..
perQ~lahenteltyenela~be~
,
DIALOG 4
, ,
.,
eDkep1sob1b~lelseQy6rr1charbrwn~
Agente~
elamrikanolketrabah~enl~embahadat
'0
o,
,.
e,
karamba~ ty~nrra~on~
o,
pyensalmudarsestasemna~
En qu piso vive el
Sr Richard Brown?
'0
Jos
"
aora
elestal~n~lprimerp1so
,
CUARENTA Y TRES
ityen~lnApartamntopekeQyol
,.
..
per6muykomo~21barto~
-".
sta~lseQyorbrawnla1orat
y t ie ne un a partame nt o
pequeo, pero muy cmodo
y baratoo
Jos: Est el Sr. Brown ah
ahora?
8.43
SPOKEN SPANISH
UNIT 8
no
".
p6r2ak1teijgolaroy6b6~
CUARENTA Y CUATRO
UNIT 9
SPOKEN SPANISH
9.1
BASIC SENTENCES.
ENGUSH SPELLING
AID TO LISTENING
SPANISH SPELUNG
pasa~ pasar~
pasa (pasar)
your (yours)
Molina
(1)
Come in. Make yourself at home.
tu (tuyo)
..
,.
Molina
Pasa adelante. Ests en tu
casa.
pasadelnte~ estas~ntuksa~
,
syenta+
,
sentar~
syentate~
Sit down.
sienta (sentar)
,
sentarse.J.
,
syentate+
Sintate.
If'hite
Thanks.
like, as
sintate (sentarse)
White
Gracias.
,
komo+
como
, ,
,
. . ,
baserlm*apartamentolkomQestet
,
UNO
igwal~ t6+
igwal+
igualito (igual)
9.1
SPOKEN SPANISH
UNIT 9
Malina
Malina
Igualito.
Just exactly"
,
todt>.t.
aH
todo
,
arreglado.t. arreglar.t.
arreglado (an-eglar)
to arrange)
White
This IS a11 very nicely flXed upo
yet~
sti11
White
Esto est todo muy bien arreglado.
todava
comprar
t6db1lneestokomprarlmuchask6sas.t.
,
l-sod.t.
the whiskey
the whis ke y with s oda
lO
,
k6mprar.t.
to buy
Malina
" .
estQlstt6dlmuybyenprregld6~
el-w 1
,J
. .
s k --k on-s 6c! a''
1.
Malina
Todava necesito comprar muchas
cosas.
la soda
el whiskey
el whiskey con soda
,
the idea
White
Good idea.
9.2
lR-i.deAJ.
la idea
White
Buena idea.
Das
UNIT 9
SPOKEN SPANISH
quien
who
,
l-;nchacha~
the girl
the picture
Who's that girl in the picture?
la foto
. ..
,
kyenft~esamuchachaldelaf6tO~
,
ke-bon1t-!-
how pretty
,
She s ure is pretty.
la muchacha
qu bonito
kebonita~
Qu bonita!
la-nobya~
Molma
That 's my fiance. You'll have
to meet her.
~zminoby+ tyeneskekono~rla~
a~e+ a~er+
est~and~
(she) is studying
sta~stu~ynd+
estudiando (estudiar)
est estudiando
,.,.
trbhand+
hace (hacer)
st4yar+
If' Jute
ke~~ sta~stu4yandot
,
working (to wark)
White
Molina
TRES
la novia
,
trbhar~
trabajando (trabajar)
9.3
SPOKEN SPANISH
UNIT 9
..
,
(she) lS working
es ta-trabahnd.a.
est trabajando
l-skrtary~
la secretaria
the se cretary
Molina
No. Est trabajando como
secretariia.
Molina
No~ she's working as a secretary.
la boda
the wedding
,
to have a wedding
tener-b6<t~
tener boda
soon
pr~nt~
pronto
White
Are we going to have a wedd ing
soon?
..
,.
.,
White
Vamos a tener boda pronto?
bamo~atenerhodalprontot
ems~ ber-~
hemos (haber)
,
,
de~i41d~ de~idir~
decidido (decidir)
(we)'ve decided
emoz-'!e~l.d<t''
hemos decidido
the date
l-fech~
la fecha
Molina
y es ~ but we haven't set the date
yet.
the man
,.
..,.
s11 prlnQemOzde~1d1dollafchl
t<tb~
Molina
S~ pero no hemos decidido la
fecha todava.
l-ombr''
el hombre
CUATRO
UNIT 9
SPOKEN SPANISH
Wh~te
".,.
ombri kebwenQestal~ste~ski~
White
Hombre! Qu bueno est este
whiskey.
,
drinking (to drink)
bbyend~ bber~
bebiendo (beber)
estaz-beby~nd~
ests bebiendo
itu1
,
,
.
kestazbebynd~
y t qu ests bebiendo?
,
the
'cu~a
1-1<b -11.bri
lIbre'
Molina
A 'cuba libre'.
el 'cuba libre'
Molina
Un 'cuba libre'.
I)kuba1bre~
te"
to you
te
the
the o, the matter 01
lo
(3)
lo de
,
tu~
tuyo
..
,
" .. , . . ,
,
h\'Ja"D+ ketepare~e IS1bar.\os.aber
lde1prtmeototyi
,
,
blbems~ blber~
,
We'll come back latero
CINCO
volvemos (volver)
dspwe~holbms
Despus volvemos.
9,,5
UNIT 9
9.10
SPOKEN SPANISH
(1) This expression, 'You are in your home', is paralleled by dozens of similar ones. Thus if you admire a man's car, he's likely to say,
'It's yours'. This is a polite formula, of course.
(2) This express ion is like many expressions referring to food combinations where in English two components are linked by and - whiskey
and soda, bacon and eggs, chicken and rice - but in Spanish they are linked by con - whiskey con soda, huevos con tocino, arroz con pollo.
The construction /lo-del-apartamnto-tyo/ is an example o a very important grammatical process in Spanish. This
will be further explained and drilled in Units 33 and 35, is called 'nominalization.' Stated in simple terms 'nominalization' means
the functioning as nouns by items which normally are not nouns. Thus
,usually a special kind o adjective, in this construction functions
as a noun and is itself modified by the phrase /del-apartamnto-tyo/.
literal translation of
is very difficult to devise in
English, but it implies 'the matter, the business, the idea previously mentioned: Thus the construction /lo-del-apartamnto-tyo/
is translated in a rounoabout way as 'about your apartment.'
(3)
process~ which
/10/
9.2
9.21
Pattern drills
9.21.1
A.
abr/ and
/10/
Presentation of pattern
ILLUSTRATIONS
,.
~6~a IIQekom1d~
,.
,
nQepensadQlenlab1sa~
Yo ya lo he comido.
. .
has (haber)
,
Have you already eaten it?
9.6
No he pensado en la visa.
. .,.
~alQaskom~dot
Ya lo has comido?
SEIS
UNIT 9
SPOKEN SPANISH
,.
nQas~stad9akil~stsemna~
a (haber)
,
, .,., .
bibJ.<!Qustec! len..esakaQ)~et
~spera~omuchot
si~
,
,
,
,
Ha esperado mucho?
,.. ,
prOngemOzdej16J.dolla
fechalt6etabia~
,.
,.
nQemoz Ibuskac!oks~
han (haber)
..
SIETE
10
,
,.
.,
andeiJ.dJ.dO/lafechat
,
. .
nQan/arregldQlelaprtmnto~
9.7
SPOKEN SPANISH
UNIT 9
EXTRAPOLA TION
/~o/
abr
-r
form
~r,-ir
-ido
-do
sg
1
2 fam
2-3
s
(c)
kom-ido
abl-do
pI
1
2-3
b1b--1do
mos
n
NOTES
a. The perfect construction consists of a conjugated f~m of the verb
b.
/-d O/
forms in perfect constructions are uninlected (do not change their endings); in other constructions, functioning
as mooifiers, the
forros do inlect (change their endings) for number and gender.
c. A variant /
9.8
/abr/
;-d O/
y/
OCHO
UNIT 9
SPOKEN SPANISH
9.21.11
~QelprenddomuchQlk~
~
prendidmuchQlk~
emoslprnddomuchQlki~
sted
,
prnd1domuchQlk1~
e('l~os
n~prnd1dmuchQlak1~
karmen.J.~o
~
NUEVE
karmen
Carmen y yo Ud.
_
_
Ellos
UNIT 9
SPOKEN SPANISH
,.
ntonyo/nQa~~kontra~oksa+
~o
,.
,.
karmenllntonyo
+
,
nosotroz ----------+
,
stedez
+
.,
.,
,.
,.
n~e~kontra~oks+
,
,
n2 an /eQkontradoks+
,
,
n2emOs/~Qkontradoks+
n2anl~kontradoks+
,.
~o~amb~b~d2IQ~~tambyn+
,
.,
ntonY2 / ~~o
,
sted
~mozbib~dQ/M~~tamby~n+
bib~d2/aa~1tamby~n+
Yo
---------
Carmen y Antonio
Nosotros
----
-------
---------
Uds.
No he en contrado casa.
No han encontrado casa.
No hemos encontrado casa.
No han encontrado casa.
9.10
Antonio y yo
Ud.
UNIT 9
SPOKEN SPANISH
,
,
karmen
,
.
bib1~QlaDy1tamby~n
,
, .
bib~~QlaDy~tamby~n
.,
~o
ntonYQ1pablQlntrbaha~op6ko
~o
,
karmen
trabha~op6ko+
ste~es
..
,
nosotros
ntrabaha~op6k6+
yo
Carmen
~trabha~op6k
.
,
~mbs'trbaha~op6k
yo
Carmen
ONCE
_
_
He trabajado poco.
Ha trabajado poco.
Uds.
Nosotros
9011
UNIT 9
SPOKEN SPANISH
nosotrosl~moskom1d~emasydo~
lw1 s a
~o
,
.,
antonyQ1pablQ
~k6m1d~emasyd6~
eO~as
ijkom1d~emasy~o
km1d~emasydb~
...
~kbm1d~emasydo~
...
...
you---
Antonio y Pablo - - - - - _
Ellas _
9.12
Ha comido demasiado.
He comido demasiado.
Han comido demasiado.
Han comido demasiado.
DOCE
UNIT 9
SPOKEN SPANISH
Construction suhstitution
Problem:
prnun~ya ImuybynJ.
Answer:
TRECE
prnn~yadolmuybynJ.
Problem:
Answer:
9.13
UNIT 9
SPOKEN SPANISH
"
nobuskoksa.J.
trabahamozldemasy~6t
node~dens~
n~ande~~d~dQ~s.J.
kre~t6d~
kr~dot6d6~
alk11Qunab1ta~y6n~
~lkilad~nab1tay6n''
nQebuskadoksa~
... .
..,
, .
..
...
,.
sb1mos' en.elas(~ens6r~
~m(s)b1dQ
komenlasla.J.
km1dQlenlasl.J.
~m~strabahadoldemasya~6~
/
, o...
,.
9.14
,.
,.
1 No busco casa.
No he buscado casa.
2 Trabajamos demasiaclo.
3 No deciden eso.
4 Cree todo.
6 Subimos en el ascensor.
7 Come en la sala.
Ha comido en la sala.
CATORCE
SPOKEN SPANISH
9.21.12
UNIT 9
Response drill
[laskrtary~J
stedeslnabladot~aDkom!do~
eO}Jos
,
,.
,.,.
Imbbl.dotQantrabahdo~
,.,
ellbahado1asubd~
stedlbladotQatrabahd6
,.,..
"
(en un restorn)
(la secretaria)
QUINCE
,.,.
[n1nrrstbrah~ ]
ms.blad''
,
Sb1.d6''
dond~akoml.dQ I C''J~
n;nrrst6rn~
k6Dkyenlabla~Qusta~
knlskretary~
Hemos hablado.
Han bebido.
3 El ha bajado o ha subido?
Ha subido.
He trabajado.
En un restorn.
Con la secretaria.
9.15
UNIT 9
SPOKEN SPANISH
,
[karo~J
[partament6~J
[i~gls~J
[bwena~J
nalkiladQ~stedeslunakasat
'0' . ,.
a~stadomalallasopat
11
~stadQUstedlnsmfrani1skot
12
13
,.
ntrahhadQustedezlmuchot
, ,
,
hib1dQellmpnamat
(caro)
(apartamento)
(ingls)
no1 nbladQe~~gl~s
, ,
,. ,
no1 a~stadolmuybw~n~
10
n01 emoslalkiladQlnprtmentb~
nAbladQ~oslenespaQyolt
,
sJ.
,
sJ.estd6~
"
,
o
,
si~ ~mostrhhadoldemsyad~
,
S1~ S*ab1b1do~
11
S, s he estado.
12
13
Ha vivido l en Panam?
Si, s ha vivido.
(buena) 10
9.16
. , .. , .
. , . ..,.
~~kontrad~stedltodobaratot
,
n~1 ;~k~ntr~d~~d~lmuykr~
, ,.,
,
DIECISEIS
SPOKEN SPANISH
9.21.13
UNIT 9
TranslatioD drill
~~o~nQambenidltdabia~
, "
,
nQemoz Irrkrdad Int~
,.
...
stedeslndehdtodolparamaQyna~
.
, .
,.
~stadQustedlench11et
bib1dQellijkubat
nQestadQlenesapartl4elpr~
"
Ha vivido l en Cuba?
.,.,
Peru.
""
,.
~~OZ InQan1ijklw1dQls2nlakw'nta~
, " ,
("~
11
r ve worked
, "'"
'"
,
etrabahadOlak1Ido~Qybs~
,..
DIECISIETE
10
''''
dond~akom1dI~}j-l-
,,,
.,
emo~alk11adQlnakslmuybon1t~
.,
InQasub1d Itdbi-l-
9.17
SPOKEN SPANISH
UNIT 9
B.
Discussion of pattern
The verb
vowels
le-al
/abr/ lS extremely irregular. In the present tense it has no stem 9 appearing only as a set of endings with erratic theme
and the regular person ~number endings
-mOS,
/-S,
differentiate;
/-dO/
/-1-/
-n/.
the range of meaning covered by the English verb 6 have s, though they are not diffic ult to
/abr/ is the equivalent of 6have' in sentences like 61 have eaten'.
9 possess'9 while
/-do/
/-dO/ )
/-dO/
/--/
/-dO/ )
plus
to /-r/
form is more or less equivalent to the
verbs, and
form of
-ed
rve finished,
There are a number of irregularly formed
Thus
/-dO/
In the present perfect construction, as indeed in a11 verb constructions, only the first verb is inflected ({orerson, number, tense).
is inflected, but the
form is noto (However. see Unit 10 for other constructions the
forms appear in).
/abr/
/-dO/
/-dO/
The present perfect construction in Spanish is used, although with much less frequency, in much the same way as the corresponding
construction in English.
a/
/-do/
9.18
y/
DIECIOCHO
UNIT 9
SPOKEN SPANISH
9.21.2
A.
lLLUSTRATIONS
., .
pbrkenobemosln~m1gom1+
elgustQe7m~o+
,
El gusto es mo.
,
om~)
nwestr6+
nuestro
... .
,
,
esunabei1nanwstra+
,
so~am1goznwstros+
. .
6
7
bamo~aberlldelaprtmentot~6+
est~ezllarropat~a+
,
, ,.
estozlJ.bros IsQyr1t~ sonsu~ost
,
,
,
est~awto IseQy6res.!- e(s) su~ot
,.
,
su~o+
his
,
Mr. Smith wants a large house; his
family is coming tomorrow.
DIECINUEVE
suyo
,..,.
lseQyorsmJ.~lkyer~unakasa9rnde+
El seor Smith quiere una casa grande;
,
.,
lafamJ.lyasu~albyenelmaQyn+
9.19
SPOKEN SPANISH
UNIT 9
suyo
their(s)
.. .
10
,
,
,.
,.
nokonoiemos IAl(s) sIJyoresk1nterot
,.
,
prtenemoslun11bros~o~
EXTRAPOLA TION
Reference:
2 fam
2-3
pI
sg
m1o(s)
-a(S)
nwstro(s)
-a(s)
tyo(s)
-a(s)
Syo(s)
-a(s)
NOTES
a. Possessives are a special kind of adjective, and like other adjectives, they agree in nurnher and gender with the noun they modify.
h. There are forms for singular and plUl'al reference, hoth of which have singular and plural forms independently agreeing with the noun
modified.
c. There are different forms that can he correlated to person; the 2 - 3 forrn
9.20
/sYO/
VEINTE
UNIT 9
SPOKEN SPANISH
9.21.21
,
1
st~awtQezm1
_____ s~b
,
.
steawto
, . " , le(s)sq''
,
,
------nwstr
~st~awtQeznwstr
. .
,
stozmwebles
Ison~6s
;
______________sys+
~stzmwebles Isons~6s~
------.-:nwstrs+
stzmwebles!so(~nwstrs
"
_ _ _ _nuestro.
suyos,
_ _ _ _ _ _ _ nuestros ..
VEINTIUNO
9.21
UNIT 9
SPOKEN SPANISH
stkas~ezm1~
_____s~~
---_......nw~str~
4
,.
.
stzmonedas Isonmias~
_ _ _ _ _ _ _ _5 ~ as
--------nwstrs~
s tkas~e(s)s~
stkas~~znwstr~
,.
stzmonedastsonsyas
,.
.
stzmbnedas'so~nwstrs~
9.22
VEINTIDOS
SPOKEN SPANISH
UNIT 9
~st~telezm1+
_____S~+
-------nw~str+
st~6tele(s) s~+
st~6teleznwstrb+
VEINTITRES
9023
SPOKEN SPANISH
UNIT 9
'~t6b~etezm16~
,
____b i~etes_~
,.
'stmone~ezm~
~st6zbi~eteslsonm1os~
Number substitution
,.
~stAzm6ne~as'sonm!as~
~stcheke(~s~6~
.
6st6schekeslsons~~s~
,.
E8toe
billetes
80B
mios.
-monedas-.
Estas moaedas
SOB
mlas.
VEINTICUATRO
SPOKEN SPANISH
UNIT 9
sdif~~YQ~znwstr~
,
,,.
stzO~abeslsons~as~
, ..
-0~abe
st~abe(s) s6~~
edificios
VEINTICINCO
9.25
UNIT 9
SPOKEN SPANISH
,.
6st~sfotoslsoinw6strs+
,
___fo t 2;-------+
,
6stafot2leznw6stra+
,.
6sts()enieros fsonmbs+
,
______~eni~er2
+
9.26
6st.,6ni,er2Iezm~
SPOKEN SPANISH
UNIT 9
Item substitutioD
,
1
skase(s) s~a~
"
/'
__prtmentQ
, st~6teleznwstr~
,
__ hen~y
s~prtmentQess~6
,
.
stheny;eznwstr.l-
---kosas------~
,
st~awtezm~
_ _kas ,
stkasezmi-l-
VEINTISIETE
9,27
UNIT 9
SPOKEN SPANISH
,.
stza~abesrsonm!s~
..
__~peryod1kos
..
.
'st6sp'ryod1koslsonm6s~
,
.
.
~stoz11broslso~nw~str6s
, .
___
,
s1Q~as
'stA(s)S1~as Iso6inw6stras~
stakas~ezma~
. .
st6dif1~y~ezm6~
9.28
VEINTIOCHO
UNIT 9
SPOKEN SPANISH
9.21.22
,.
Response dflll
,
,
stllbro~ ezm10SU~O~
,.
,
[suy+ ]
.,.
(s) sU~''
,
s6nsu~s~
~Zm1+
dkyen!e~esellbr''
,
,.
,
d~kyenleaesaplum~
,
Zffi1
dekye~~on~stoz11bros
sonsu~os''
'"
, .. . ,
,
[Su~+ ]
st7.mne~s SOnm1a~OSU~as~
,
[su~~J
ezmlQesellbrot
,
,
nd zml.o+
Es suyo.
Son suyas
.,
(suyo)
,:)
(suya)
Es ma.
(mos)
Son suyos.
(suyo)
6 Es mo ese libro?
No, es mo.
VEINTINUEVE
Es mo.
UNIT 9
SPOKEN SPANISH
,.
[m1a~ ]
[m1s]
56n5u~aslestazmone~a5t
~su~Qes~awtot
(s) su~~e5tapluma1
,. ,
,.
".
,.
,.
,.
.
.,.
,
56nsu~oslesoz11hrost
11
5onsu~a5le5azmone~a5t
12
5onm1a5le5tazmone~a5t
,.
(mas)
e(s) su~ a~
,
5~
,
5bnm16s~
. .,.
.
,. ,
,
5onm105le5toz11bro5t
(mla)
no~
10
13
9.30
..
5i~ 5bn5u~65''
No, es suya.
S, es mo.
S, son mos.
S, son suyos.
TREINTA
UNIT 9
SPOKEN SPANISH
9.21.23
Translation drill
,
,
,
es t071J.bros I50(0) nw~s tros.l,
,.
esakasatyeh~le7nwstr~.l-
est~apartament9Ie2nwstro
..
, .
.,
,
,
,
dekyen.es.es te lJ.br e(s) su~ot
,
,.,.
e(s) SU~Q Iese lap~~t
.,.
,
e7m1Qlestelapl~t
,
.
sozllbros Isonmis
stzllbros
sta7m6nertas lsonmas
Es mo este lpiz?
Isons~6st
estaskosas Iso~~nwstrAs
sapbJr.19,le(s)s!jtt
TREINTA Y UNO
,.
,.
9.31
UNIT 9
B.
SPOKEN SPANISH
Discussion of pattern
Possessives differ in meaning and association from other adjectives in that they have reference to person and number. No other adjectives
have these features of similarity to pronouns and verb forms. Yet the possessives are definitely adjectives, because each form inflects for number
and gender to agree with the noun modified. One should not: confuse the number of reference, which involves selection of one form or anot:her
(/mo/-/nws trO/)with the number of agreement, which involves the omission or addition o an ending (/mo/ - /mos/). The first
choice is a matter of what one wishes to say; the second is a matter of adjective agreement, and given the noun there is no choice in the number
and gender of the possessive (or anl other adjective). Likewise /lbro-syo/ can mean 'his book' or 'her book' (or 'your book'). The form
/sYO/ does not change to /Suya/when it means 'her,' rather only when it modifies a feminine noun, as /ksa-sya/, which can mean
'his house' or 'her house' (or 'your house'). As in the case of any other adjective, the appropriately agreeing form is obligatory.
The possessives usually appear in their full forms in a position immediately after the noun they modify, or after the verb
variant form and a special construction in other positions are presented in Unit 11.
/sr/.
Both
The forros of /sYO/ can refer to the English equivalents 'your (sg or pl), his, her, its, their'. Unless the context clearly indicates
another reference, however, the most frequent reference is 'your (sg)'. If the contextual reference is not obvious other constructions are usually
used (presented in Unit 13}10 avoid any ambiguity. Thus the chart in A above could be modified as follows:
._sg
pI
mo
nwstro
2 fam
tyo
Reference
( syo)
2 for
syo
( syo)
(syo)
When these forms follow a noun they are similar to, and translated by, an English construction consisting of noun plus 'of' plus the long
forro of the possessive. In the equivalent Spanish construction there is no relator corresponding to 'of'. Thus 'a book of mine' is translated to
/un-lbro~no/ and English speakers have to remember not to translate the English 'of'.
9.32
TREINTA Y DOS
SPOKEN SPANISH
9022
UNIT 9
Replacement drills
bserlffi*apartmentolkomQestet
A
1
, ..
_ _ _----:k as a
~t
_____s,-=-
bn_ _-_~
1'.'''.
bserlmikasalkoffiQestat
,
to
5
6
"
~---------------
_ _ _ _ _5
~t
J)
".
..,
.;
tI'
..
bserlssekrtaryalkornQesat
(,
:2
su
3 Van
escritorio
TREINTA Y TRES
bserls~eskritoryolkornQestet
,
,
"
,
, ..
bserls~eskritoryokomQese1
,
, . . . . , . " ,.
bn1serlszb~:Lnoslkomgese1
ese1
__~_b e~ :Lno s
".
eskritoryo~
bserlskasalkoffiQesta1
"",,,,,
bnserlsskasaslkomQestat
G Ya
G Ya
se?
vec mos
secretaria
9.33
SPOKEN SPANISH
UNIT 9
,.
".
1
2
un
-------------,
ber
----------_ -__yke
____ pw<tQ
~mucho
todab1alns1toberlnk6s.l,
,
todab1~lykberlnk6s.l-
todab1~lyk~~erlnk6sa~
o
todab1~lyk~aerluntrabho
,
" .
t6~ab1lyk~aierlmuchotrabhb
" .
tbdb1alpwdQa~erlmuchotrabh~
una
2
3
hay que
ver
9.34
todab1alne~es1toJkmprarlnak6s~
.
trabho
--------------,
___________
.{,
.
,.
puedo
TREINTA Y CUATRO
SPOKEN SPANISH
UNIT 9
, .
,
esttrabhandolk6msekrtary
stet1s
~---------
kn
2
;
,.
,
sttrbhandolk6mQsteds~
,.
sttrbhandolkn~steds
;
_blando
stbl~nd~lkn~st~ds
esty
st6Ybl~nd~lknPst~ds
,.
ste(t+
de,..
,
szbeil.ns+
st6yblandolknstea
est6Ybl~nd~ld~st~a
,
st6yblandoldszb~~nbs+
1
2
ustedes.
con
3 _ _hablando
4 Estoy
5
6
7
TREINTA Y CINCO
usted.
..d
sus vecinos.
9..35
UNIT 9
SPOKEN SPANISH
,
, ,
bmos.atnerlbodaprontot
D
1
bs
,
kasa
5
6
bn
algo
,
ai er
,
,
,
bs,komprar Ikasaprontot
,
, ,
bs,kmprar Ikasaorat
,
, ,,
bn.kbmprar Ikasaorat
, ,
,
bnAkmprarlalgQaorat
, ,
,
.aorat
,
b~atenerlbodaprontot
,
,
,
b~atenerlkasaprontot
,
k6mprar
bn~ieralg~laorat
1 Vas
2
3
casa_ _?
comprar
5 Van
6
hacer
ahora?
algo_ _ ?
TREINTA Y SEIS
SPOKEN SPANISH
UNIT 9
41
, . .
noemoz Idesdldollafechltdba~
'"
"
________na<1"a,~.
,
.1-
____trab had"o
_ _e
5
6
much~
,
_~stdyado----_--_ _i
,
_ _ an,
.
komJ.dO
nemozld~~idJ.donadltebi
,
,
,
nQemosltrabhadonadltdb~
,
" . ,
nQeltrbhaaonaaltdba~
. ,
,
nQeltrbhadomuchltcb
,
,
,
,
,
4
, .
nQel~styadomuchltab~
nanlstdyadomuchlt~b
,
,
,
nQaDlkomld"omuchltdbi
TREINTA Y SIETF;
UNIT 9
SPOKEN SPANISH
~
~
kebwenQestl~st~1ski~
~sts
3
4
s6n
~alas
soz
kebwenaaestnl~staskss~
,
,
kebwena(s)
s6n
, ,
kemala(~s6nlstskss~
,
11bro~
5
6
kebwen~estl~stksa~
,
ks~
skiy6n~
I~stskss~
,
kemalos
lstlbr
,
,..
~
kema16{s)
s6n I~sozlbrst.
, ,
kemal~esl~ssk~y6n
9.38
TREINTA Y OCHO
UNIT 9
SPOKEN SPANISH
9.23
Variation drill
,.
A stas~entuks~
Ests en tu casa.
Ests en tu dormitorio,
Ests en tu cuarto..
Ests en tu hotel.
,.
3. "
s tasent~apart2mnt.!-
sta~ent~ed1fi~y6.!-
eS tas:enturres torn.!-
7 Y ou 're in
s tas;en t'lwt
..
".
l.
TREINTA Y NUEVE
YoW' car.
Ests en tu apartamento..
"
Ests en tu restoran
.
Ests en tu auto.
9.39
SPOKEN SPANISH
UNIT 9
,.
B tO<t~ Iestbyen.arreg1'etb.l.
,.
elpatYQlestbyenprregl<t~
elaprtmentQlest<tes6kupa~6''
eleskrltorY2Ist<tes6kpa~''
lk~1nlstbye~rregl~''
lkas~lstbyenarregld''
lskwartos lestndsokpa~s''
,
,
lskasas lstndeskpa<ts''
,.
,
El escritorio est desocupado.
,.
9.40
CUARENTA
UNIT 9
SPOKEN SPANISH
..
. .
,.
kyere~uD~lskllkonso~at
..
...
-"
kyere~UijW1Skllkonpgwamlneralt
kyeres~ijkuballbret
,
,.
kyeres~nSaij~lChldehamonf
.
" ....
,.
kyeres~naerbeia1
,.,
,.,
..
..,
...
,."
~.
kyereslunasopa Idele~umbrs''
....
.... "
kyeres~nachuletatde~erdot
kyere~unensaladaldetomate1
CUARENTA Y UNO
....
,.
,.,.
941
SPOKEN SPANISH
UNIT 9
. ..
,..
,.
,
D kyensslesamuchachaldelaf6to~
,.
..
....
..
,.
,..
..
kyeneslesamuchachaldel~embahda~
kyen~slesamuchachaldelkwartosyt~
,.
ID
..
,..
. .
kyen~s lesamuchachaldelwt~
kyen~slesaseQyor1taldelah~n~ya~
,.
,.. .,.
..
..
cuarto siete?
,.
9.42
. . . .
..
,. ,
,
,
kyeQes leseseQyorldelpr1merp!s6~
CUARENTA Y DOS
UNIT 9
SPOKEN SPANISH
,.. . .
,
ezminohya tyeneskekono~rla
,..
,
ezminohy tyeneskehrl
,
,..
ezmlam19 tyeneskebrl
,
,
,
ezlseQyoralrtemb11na tyenes
...
kekono!irl
que conocerla.
..
,
ezlaseQyr1tamo11na
,.
te~gokehrla
to see her.
,
5 It 's the s e cretary 1 have
ezlsekretary
,.. .
teijgok~a~udrl
to help her.
,
,...
zlw1s+ tnemoskesperrl+
. .
,
,.
eskarmn+ tenemoske(J~ebrla+
to take her.
CUARENTA Y TRES
9.43
UNIT 9
SPOKEN SPANISH
kel~~~ st~st~yandot
kel~e~
esttrabahandot
,
,
kelie estblandot
,
,
kele estpnsandot
kelie~ ~stbahandot
,
,
kelie stpraktikando1
,
kelie
est~sperandot
,
,
kelie estkomprandat
CUARENTA Y CUATRO
UNIT 9
SPOKEN SPANISH
9.24
tD9~okozmwbles
tDgo~webleskros
,
2 1 have too many clothes.
tDgl~masyartarr6pa
tijg~ropabarta~
..
tD9~uchoschkes~
tDg6~hekezbyahr6s~
.
tD9~ucharr6p
, . . .
,.
tDg~ropamer~kna~
,
5 1 have other furniture.
1 have cheap furniture.
tD9QJotroxmwbls~
tijg~;bl~zb~rt6s~
,.
kyerolmuchgwa~
kyer2Iagwam~nerl~
CUARENTA Y CINCO
...
9.45
SPOKEN SPANISH
UNIT 9
,.
,.
,.
kyerorropakra~
There
1S
~stoyJnlAskiYODkonsulr~
9.46
..
A11~st~lsQy6riijgles~
,.
. .
ak~lgYPQka(~seQyorits~
ak1IAysQyortas~spaQyolas~
. .
a11~st~lm1zmoseQy6r~
,.
stoylenlam1zmasekiy6n~
kyerolbastanterr6pa~
.
.
,...
trabaholkonlm1zmaseQyorta~
trabaholkonlsQyor1tamer1kn~
...
CUARENTA Y SEIS
UNIT 9
SPOKEN SPANISH
9.3
CONVERSATION STIMULUS
NARRAT/VE 1
"
hosel~estadQI~n~laprtmentol
*e~i9w11tQalsy6~
y es igualito al suyo.
,
,.
hwaI)kyerebr16
".
CUARENTA Y SIETE
"
"
hwa~lkyer~1rlmaQyna
,. ,
,
hosebablarlkonszb1n6sl
nt6nes
hosed1~etkelpwed~1rlkwlkyerd1a
ileb1sahwn~
"
y le avisa a Juan.
9.47
SPOKEN SPANISH
UNIT 9
D/ALOG 1
,.
~etuzbel.nost
Sl.~
,
es.igwll.tQalm1o''
,.
kwandokyerezb~r16~
kwlkyerd1~ mQyanlsitepar~ie~
.. .,.
,
t~a~esta~Qlenplprtmentol
,.,
. . .
muyby~n~ ~Qablolkn.~osI1t~ahs6~
NARRAr/VE 2
,. ,
hwanlnopyensaserfnad~f~statrde~
,
..
prkenobaherldondeb1behosel~nt6nes~
,."
9.48
.,
CUARENTA Y OCHO
UNIT 9
SPOKEN SPANISH
,.,
,..
"
4 He thinks it might be an
excellent idea.
AS1pWe4eberlk6m6baserls~apartAment6~
elkre~ Iks.n~ic!e~eks(~)elnte~
DIALOG 2
..
kepyen~a~a~erlstanochlhwn~
,
nat!a~ porke1
,.
, . o,
mpArei~ l\in~icte~eks()elnte~
,
Jos, dgale que as puede ver
cmo va a ser el apartamento
sUYOo
CUARENTA Y NUEVE
,.
,..
p6rkenobyene~aberlt!6nd~ob1b~
, o,,
aS1pwet!ezberlkomobaserl
,
laprtmentot~~
9.49
SPOKE-N SPANISH
UNIT 9
NARRATWE 3
. .
ens~prtmnt~~
k6sslk~kQmprr~
pr6tbdb~altyn~unmi~onde
hbsetyeneto~olmuybyenlarre91ad21
,.,.
~Ahladolkonszbe~nbs~
.
, .
lediheroijlkbn~estreijkasal
, .. .
maQyanaporlatrde
.
,...
hwnd1elkes*lotr2apartamnt~1
9.50
,.
sk6moestet16tom~
,..
CINCUENTA
SPOKEN SPANISH
UNIT 9
DIALOG 3
"
kehyenllrr691a~6Ity~n~st6~6~
,.
gra~yas~ p~rotodah1altij92
unmiO~ondek6sslk~komprr+
Juan, pregntele si no ha
hablado con sus vecinos
todava.
CINCUENTA Y UNO
,.. . ,.
n2~bladofkontuzb~i1nosltodah1a1
.
m~diheroijlk~bn~~str
, .
, .. .
~~kasalmQyanaporlatrd~+
,
s11
,
,
estabyn+ selpartmentol
,
,.,
deO~ost esk6m2estet lotomo+
9.51
UNIT 9
SPOKEN SPANISH
NARRA.TWE 4
karmenI6z1anobya~ehos'~
..
"..
,.
hwanln21~n1~2e19ustol~'
kbn6~erlaltbdab!A~
9.52
conocerla todavia.
ak~aylunafot6Id~a~ kebon1t6s~
"
,.
,.,.
hbse*karmenlnQanabla~ol
d~laboda't6~ab!a
"
, ,
p6rbhbsekre~lkebaserlpr6nt6~
CINCUENTA Y Das
UNIT 9
SPOKEN SPANISH
DIALOG 4
..
t6kono~es~karmentlanobyam1at
no~ t64ab1alnQeten1~~le190st6~
..
s116mbre~
,
k6mono1
kebont~
kwandoezlab6<1"a~
,.
CINCUENTA Y TRES
Te
Juan;
,..
,.
. .
ak*aylunafotold~a~ tgustat
, . , .,
, . ,.
~.
9.53
SPOKEN SPANISH
10.1
UNIT 10
BASIC SENTENCES.
After having spoken with the manager of the house and having rented the furnished apartment fOl" John, the two friends return to
Molina"s apartment.
ENGLISH SPELLING
AID TO LISTENING
the end
el fin
en fin
ready
listo
Malina
(l)
,
emf1h+
t-mu4as~ mudars~
"
~a~sta11stolt6~6~
yourself
. .
kwandoltem6das~
Friday
te
te mudas (mudarse)
dan (dar)
,
l-byerns+
Malina
En fin. Ya est listo todo.
Cundo te mudas?
UNO
SPANISH SPELLING
el viernes
me-mudo+ mdarse
me mudo (mudarse)
10.1
SPOKEN SPANISH
UNIT 10
e1-s ab d" o~
Saturday
White
If they give me the apartment on
Friday, 1'11 move on Saturday. (2)
el sbado
...
,
.,
,
simedanle1apartamentQlelbyernest
, .
mmud:oe 1s b~~
t'>
,.
Malina
..
la maleta
Malina
~otepweaQa~udarlkon1zma1ts+
,
lo-k+
(3)
lo que
to bother
molestar
White
1 don 't have very mucho You needn 'i
bother.
. .
no-te-molsts+
me mudo el sbado.
,
la-ma1eta+
White
Si me dan el apartamento el viernes,
espok6'loket~go+
,
mands
mblstarse~
.
.
notemo1stes+
,
no te molestes (molestarse)
White
Es poco lo que tengo. No te molestes.
,
mndar~
. .
, .,
dondemandas Iturr6p~
mandas (mandar)
,
the suit
10.2
l--trah~
el traje
DOS
SPOKEN SPANISH
UNIT 10
los
them (m)
1 a-t in t r r l. a
la tintOl'eria
mfrent
enfrente
in front
,.
Molina
1 send my s uits to the cleaner's
across the street. (4)
lstrahezllozmandQlltintrerl.al
,
kest~mfrente
the shirt
Molina
Los trajes los mando a la
tintorera que est enfrente.
la camisa
the laundry
,
l-lbanderJ.
la lavandera
the cOl'ner
la-eskl.n
,.
la esquina
,
,..
ilskm1sasJallbanderJ.a~el~eskin
,
mJ.zm
-self
~o-mzm~
,
1 myself
ls
them (O
mismo
yo mismo
las
, ,
1 take them over myself.
to clean
TRES
(6)
~oml.zmolazO~bo~
limpiar
10.3
SPOKEN SPANISH
UNIT 10
White
Who cleans the apartment fOl' you?
.,
kyente11mpy~llaprtamento~
White
Quin te limpia el apartamento?
byene~ bn1r~
viene (venir)
a11, every
todo~
todo
Thursday
l-hwebs~
el jueves
todoz-los-hw~bs~
,.
Molina
( )
A girl who comes every Thursday. 7
,.
..
unamuchachalkbyeneltodozloshwbs~
~.,
Molina
Una muchacha que viene todos
los jueves.
to her
le
,.
"
Si quieres yo le hablo.
~ol~abl~
sikyerest
White
Swell.
White
muybyn~
Muy bien.
late
tard'~
1rme~
l.rs-l.
befare
10.4
irme (irse)
"
tarde
,
antbs+
antes
CUATRO
UNIT 10
SPOKEN SPANISH
,
el-trag''
el trago
Malina
Antes, no quieres otro trago?
Molina
Won't you have another drink
first? (9)
,
,
no1mucha7gr~yas
"
White
No, thanks. Tomorrow is a
work day.
..
maQyanaylketrabahr
grateful (to be grateful)
Thanks a lot for everything.
10.10
White
No, muchas gracias. Maana
hay que trabajar.
agradecido (agradecer)
agr~e~1d agrde~er
m~y~gr~d~~~d~lp6rt~d6
(1) The utterance in Spanish says, of course,notthat you are ready but that 'everything' is aH ready already. But 'Ycu're aH set'
is more probably what we would say, since the implication of the English phrase 'Everything is aH ready' is that considerable packing has
been completed to bring the situation into a state of readiness. The Spanish remark is much more casual in its implication.
/mudrse /
mudarse also means 'to change clothes.' The context and relative time sequence are aH that reveal
whether you should consider it as referring to a change of clothes or a change of residence. Thus
/memdQenmdy~6ra/ Me
mudo en
media hora would mean '1' H change clothes in half an hour,' unless, of course, the moving van were waiting out front and the context unequiv-
(3)
The process of nominalization that is represented in this construction wiH be dealt with in Units 33 and 35.
(4)
The only reason for the particular intonation that appears in the last part of this sentence
/"
/ks temfren
t~/ instead
,..
of
is to show contrast between this cleaner's store and the laundry referred to in the next utterance. The two utterances
go together, and the intonation on the first one is not natural unless they do.
(5) Note the equivalence here of English on with Spanish de. It is almost impossible to state any generalized description of the
differences involved here and elsewhere between English and Spanish prepositions.
CINCO
10.5
SPOKEN SPANISH
UNIT 10
(6) The form /mismo/ mismo may be added to any subject pronoun
number and gender with the item it follows.
(7)
Ol'
The names of three days of the weele have now appeared. It may be convenient, therefore, to list aIl seven here together:
Monday
el lunes
Friday
el viernes
Tuesday
el martes
Saturday
el sbado
Wednesday
el mirc oles
Sunday
el domingo
Thursday
el jueves
/la/
(9)
Perhaps a more literal and equally possible translation would be, 'Before you go, won't you have another drinle?
10.2
10.21
Pattern drilIs
10.21.1
Personal /
instead of
/le/.
(8)
a/
A. Presentation of pattern
lLLUSTRATIONS
., .
10.6
pbrkenobemos'~nam1gomb~
kyroprsentarl~lalaseQyora
.
molina.l.
SEIS
UNIT 10
SPOKEN SPANISH
....
,.
bamo~akonoierl~lfm11yat
,
1 see the car, hut 1 don't see the
chauffer.
,
algyn~
"
alguien
bes.~lgyent
Ves a alguien?
,
nady+
no one
, ,.
veo (her)
beQelawtotperbnobeQ~lchofr+
anyone
Do you see anyhody?
.,.
no+
nadie
".
nobeQ~ncty~
EXTRAPOLA TION
Verb -
Verb -
ohject
lal-
object
NOTES
I al .
b. A noun direct obj~ct is one which can he substituted for the third person
direct clitic pronouns previously presented.
SIETE
10.7
SPOKEN SPANISH
UNIT 10
10.21.11 SubstitutioD drill PersoDal subatitutioD
Problem:
,.
beolaksa~
---krmen~
Answer:
be9.akrmn~
Problem:
Veo la casa.
-_Carmen.
AD8wer:
Veo a Carmen.
10.8
OCHO
SPOKEN SPANISH
..
,
1
UNIT 10
buskolaksa.J.
_ _ _seQy6rJ
... .
lelapartamntb.J.
_________hwn~
,
,.
nO~ijkontramos
------lwsa.J.
Q~ebQalw!s.J.
Busco a la seora.
No encontramos a Juan.
Llevo el auto.
_ _ _Luisa.
NUEVE
No encontramos el apartamento.
_ _ _ _ _ _ _Juan.
,.
Busco la casa.
_ _ _ _seora.
nO~ijkontramoslahwn~
O~ebgelwtb,J.
.. .
buskQalaseQy6r.J.
Llevo a Luisa.
10.9
UNIT 10
SPOKEN SPANISH
... .
.
eskwl
------, . . .
,.
bskamoz
______e~~fy
busk~eled~f1~y
,.
bskamos/alasekretrya
buskalaseQy6r~
Buscamo~
...
Buscamos la escuela.
Busca a la seora.
_ _ _ _edificio.
10.10
Il~eskw61a
a la secretar.ia.
_ _ _ _ _e.scuela.
5
Busca el edificio.
DIEZ
UNIT 10
SPOKEN SPANISH
10.21.12 Response drill
,
[alaseQyora.J.]
,
lamaryO]
,
[lotel ]
[almo6 ]
,
,
b6skanlafototQalamchacha.J.
Akyemlbuska~ustdes
..
,
,
akyem Ibusk~O~
, ,
kehuskl
,
,.
.,
buskanuste4eslalchofer f
(a la seOl"a)
ONCE
. ... .
b6skalahen~yatQalasekretry
..
,
Alasekretarya
,
almchach''
,
alaseQyora
,
amaryo''
,
e16te1.
,
,
no almoo
A la secretaria.
A la muchacha.
A la seora.
(a Mario)
A Mario.
(el hotel)
5 Qu busca l?
El hotel.
(al mozo)
No, al mozo.
10.11
UNIT 10
SPOKEN SPANISH
[karmen~J
... . , .
busk~ustedlahwant
be~stedlalaseQyor1tat
10
11
..
.
.
,
,
,.
be\) s teet 131 a(s) s eQyoras t
,
,.
.,
i'\leban.ustedes lalchofer1
,
,
,.
..
..
busk~ellalo7mo~o5t
.,.
12
,.
,.
benustedes /lakasat
13
benuste6es lelote11
".
(a Carmen)
10.12
,.
..,
nd~ akarmen~
,
,
sii lo"'~ebamos~
,
,
5)',{.. lzbuski
S1~ lbemos~
S1~ lbemo5~
No, a Carmen.
Ye Ud. a la seorita?
S, la veo.
S, las veo.
10
S, lo llevamos.
11
S, los busca.
12
S, la vemos.
13
S, lo vemos.
DOCE
UNIT 10
SPOKEN SPANISH
,.
b~ms.lawt''perOnOilchofr''
b~61akasa''pernolaseIJy6ra''
,
Veo la casa pero no a la seora.
,
,
,.
bemos leled"ifJ.~yo''pernolseQy6r''
the gentleman.
,
,
bnJ!leskri toryo''pr6no~lasekretrya''
bskamos.akrmen.l.
,.
nO~IJkontramos Iahwn.t.
nO~IJkontramoz Ilaksa.l.
buskQelapartamnto.l.
,.
Buscamos a Carmen.
..
TRECE
,.
,
,.
busko Ilazmaletast!l(s)sQyorastambyn''
No encontramos a Juan.
No encontramos la casa.
... .
Busco el apartamento.
10.13
SPOKEN SPANISH
B.
UNIT 10
Discussion of pattern
Many Spanish verbs can be followed by a noun which is not the subject of the verb, since the usual agreement of person and number between the
subject and verb is not necessary, as in/por--k-no-bmos Ila-ksa+/. Ifthe verb is not/sr/ (as in /mi-n6rnbr~ ls-hos+/
in which case the noun following the verb is identified as the same as the noun preceding), the following noun is usually described as the 'direct object
of the verbo
The direct object is often thought of as in sorne sense 'receiving' the action of the verb; thus in /bmos-Ia--ksa+ the 'house' gets see
There have been many examples of verbs followed by a direct object in previous units, such as /tyne-un-lpl~t kyre-ustd /gwam~nerl t
yo-kyro-un-sJ)YilCh Ide-ham6n+
bmos-a-br el-pery6dl.ko+
etc.
--
I,
al
When a noun functioning as tite direct object of a verb refers to specific person, it is usually marked by tite occurrence of the relater I
preceding the noun. The resulting phrase usually follows the verb, though it may precede: /por-k-no-bmos a-un-om9o-mo~/
The forms Ikyn, lgyen, nd ye/ ,though they do not necessarily refer to specific persons, are also included in this pattern. (Their
participation in the pattern is one reason they can logically be analyzed as nouns, and not pronouns as sorne analysts have maintained. AIso, since
Ikyn-kynes/ has noun-like formation o the plural, and since none of these forms have any case designation in the way that the pronouns do,
their analysis as a special kind of nouns, not occurring with articles, seems appropriate.)
The a/ which marks the person noun object may or may not appear after the verb / tenr
are possible:
The
I al
Itngom~famly~lenchle+1
/tngQamlfamly~lenchle+1
/tngod6~am90slak+/
/tngQad6~amgoslak1
may be missing after other verbs when the reference is not to a specific person:
10.14
CATORCE
SPOKEN SPANISH
10.21.2
UNIT 10
A. Presentation oE pattern
1LLUSTRAT10NS
Will you take me to the hote 1?
..
,
,
meQlebalotelt
~ebem~alotl~
Llveme al hotel.
,...,
,.
3
kyerez laharmen~lotelt
n~Q~ebal~entrot
Q~ebenosal~~ntr~
,.
Will you take us downtown?
Me lleva al hotel?
. ..
Llvenos al centro.
Te espero.
..
~stedll~amode5pws~
ahwanllQa~damcst6aos~
komolokyr~
..
Cmo lo quiere?
,
10
16syentomcho~
Lo siento mucho.
,
never
QUINCE
nUI)ka~
nunca
10.15
UNIT 10
SPOKEN SPANISH
11
,.
,.
nUI)ka/podemozbrl+
12
,
,
tyenes /kekn~er~a+
,
lstrahezlozmandQil
,
tintorerJ.a
H-0mJ.zm /lazO~bo+
,.
13
, ,
14
EXTRAPOLATION
--sg
pI
me
nos
2 fam
te
2-3
lo
la
los
las
NOTES
a. Clitic pronouns appear only with verbs, usually immediately preceding them, sometimes immediately following them.
b. Like other pronouns, clitics inflect for person, number, and in 2 -3 person forms for gender.
c. A redundant construction /a-hwn, a-ustd, los-trhes{ restating the direct object, may be added to
the sentence to c larify or emphasize the direct c litic pronoun.
10.16
DIECISEIS
UNIT 10
SPOKEN SPANISH
,.
Problem:
Answer:
lAbemos~
.... .
, .
bskamozlo~annlYos
, . .
,
lQalk11an
lozbskamos
,
lstyene
,
lokompraJ
tyene lazO~bes~
,
4 kompr~elwto~
DIECISIETE
1 alk11an~lapartamnt
Problem:
Vemos la foto.
Answer:
La vemos.
1 Alquilan el apartamento.
Lo alquilan.
Los buscamos.
Las tiene.
4 Compra el auto.
Lo compra.
10.17
SPOKEN SPANISH
UNIT 10
..
,
5
eskrl.bolozn6mbres~
ls.skrl.bo~
bemozl6r~
lbem6s~
,
8
11.mpyanla~abl.tay6nes~
10.18
..
~ebalasd'~
16be6~
,
l~eb~
Los escribo.
6 Vemos la hora.
La vemos.
7 Veo el hotel.
Lo veo.
Las limpian.
9 Lleva la soda.
La lleva.
DIECIOCHO
UNIT 10
SPOKEN SPANISH
Person- number suhstitution
~.
anosotroztnoaa~u~ahwn
..
~eO'yoz
,
am1
,
ahose
,
karmen
am1tm~~ud"ahwn~
ahosetlQa~udahwn''
,.
.
, .
Akarmentla~udahwn''
A ellos
A m
A ro me ayuda Juan.
A Jos
A Carmen
DIECINUEVE
,.
,
ef!'yozt 16s.a~udahwn''
10.19
UNIT 10
SPOKEN SPANISH
,.
am1tn6m6buskan4ye~
An6sotroz
,
,
a1w1s a~
ie1,
,.
lw1satn61abuskandy~
,.
ieltn616buskandy~
A mi no me busca nadie.
A nosotros
A ellas
A Luisa
10.20
,.
,.
~e(l~ az t n61 azbus kan 4y ~
,.
anosotroz1n6nozbuskan4y'~
~eO~az
~l
A l no lo busca nadie.
VEINTE
UNIT 10
SPOKEN SPANISH
,.
3
~e0~at laCL~ebant6ny6~
ahwan
nsotroz1n6zQ~ebant6ny6~
~e(l~ozt lozO~ebant6ny6~
'--------,
------
,.
,.
A Juan
Ami
A nosotros
-----'
A ellos
VEINTIUNO
~eO~oz
ahwan11~~ebant6nyb~
m1
anosotroz
__
10.21
SPOKEN SPANISH
UNIT 10
,.
,.
laplumat nolat'1J9 b''
16zbiO}Jetest
,.
,.
,
4
La pluma? No la tengo.
,.
Ostedlostyn~.l.
,.
lazmneetas1 stedlastyne.!.
l~imfrm~yont
,
,.
larechat nolatI)go-l-
La fecha? No la tengo.
,
,.
elpas tel t nolokyr''
El pastel? No lo quiero.
akl.laty~n~.!.
16schkzbyaherost nolos.emandd'6.l.
,.
El apartamento? No lo he
alquilado.
,.,.
Los cheques viajeros? No los
he mandado.
10.22
VEINTIDOS
UNIT 10
SPOKEN SPANISH
lasopat
,.
10 The soup? 1 haven't tried it.
nol~eprobd6
,.
(f~anuIJka Im~a~d'a~
11
12
lsyemprelnozC~b~
13
e~~oz Ime<J~eban.al~ntr6~
14
kyenlabska+
15
kyenmebska
,.
VEINTITRES
. .
La sopa? No la he probado.
"Quin la busca?
Quin me busca?
10.23
UNIT 10
SPOKEN SPANISH
B. Discussion of pattern
Clitie prooouos are so designated beeause this term describes their dependenee on verbs. They can appear only with (clinging to)
verbs, and then in a very close relationship: nothing ean ever oeeur between a clitie and the verb it appears with.
There.are three elasses of clitic pronouns in Spanish: direct, indireet, and reflexive. All elitics have eertain features in eommon:
they are weak-stressed (except for limited patteros in sorne dialeet areas), they are included in the intonation phrase with the verb, and they
oeeur in the same sequenee re lation with regard to the verbo
Clitics precede conjugated verbs (those with person-number endings) eX('l'pt for affirmative eommand forms which they must follow:
not Ime(!)yb~alotl~;:but 10)ybe~alotl~/; 'Take me to the hotel'. Clities can also,appear ~ith eertain noneonjugated
verb forms, the infinitives and the
forms (see Unit 13); the elitics follow these forms: /podemosber 101/
'Can we see it?'
The infinitive and
forms, however, frequently occur in verb construetions which inelude eonjugated verb forms. In these constructions the elitic may either precede the conjugated verb or follow the nonconjugated verb and apparently the option implies no distinction in
meaning: either /mekyresbrt or /kyresbr~t
'Do you want to see me?' Note, however, that a clitic cannot appear
between the conjugated and nonconjugated verb forms.
I-)do/
l-ndol
Direct elitic pronouns are substitutable in a frame with (can be replaced by) nouns funetioning as the direct object of a verbo Direct
object nouns are identifiable by the appearance of the relater / a/ before them, if the noun refers to a speeific persono Thus /bmo S
amar a.!- / 'We see Mary' can be restated, once we know the reference, as /]. abmo s.!- /'We see her'. Nonperson nouns functioninB as
a direct object can usually be identified by their position after the verbo Thus Ibmoslaks_~~/
'We see the house' can be restated
as /labmos! /'We see it'.
Occasionally a direct object noun and a direct clitic pronoun may both appear with one verbo With person nouns, this 'redundant
construction' may occasionally be used for contrast or clarity. The sentence / labmo S amar a! /
'We see Mary' may imply 'Mara,
not Carmen'. With nonperson nouns, a redundant construction is less common, but may occur if the noun object precedes the verb in a diHerent
intonation phrase separated usually by a terminal-rising juncture: /lostrhest 10smnd9 alat~ntorerat /
'The suits,
1 send to the eleaners'. The intonation phrase division between /trhes/and /105/ is essential as it is in an English sentence of the
same type. Constructions like * /lostrheslosmndo.!-/or * /losmndolostrhes!/do not occur. The last example
becomes possible by the addition of a terminal juncture after /mndo.!- / but this gives the second phrase the character of an afterthought:
/losmndo.!-lostrhes!/ '1 send them, I mean the suits.' Note, of course, that the personal / a / does not occur with nonperson
direct object nouns.
Direct clitic pronouns are inflected for person and number in aH forms and for genJer a]so in 2-3 forms. ~ote that /10
can mean
'you, him, it',
can mean 'you, her, it', and similar ly the plurals /10 s, la s If any confusion results from this multiple
reference possibility, it can be elarified by a redundant phras e. Along with the inflections for person, number, and gender, a few dialects,
notably in Central Spain (the dialect usually referred to as 'Castilian'), make an additional distinction in the 2-3 forms, a person-nonperson
distinetion:
11 al
10.24
t<
VEINTICUATRO
UNIT 10
SPOKEN SPANISH
a clitic form /le/ refers to persons (you, hirn -and with sorne speakers- her) and /les/ (you aH, thern), though the forrns described above
aIso appear, and are preferred in sorne constructions. Nonperson objects are always referred to by the clitics /10, la, los, las /.
The difference between Spain and Latin Arnerica on this point is shown in the chart be low:
Castilian Spain
Reference
le-bo
( 10-bo)
10-bo
a-l
la-bo
( le-bo)
la-bo
a-'J)y a
(les-~H~o )
los-bo
a-D)yos
las-bo ( les-bo)
las-bo
a-~yas
!
j
a-ustd
sg
Person
los-bo
pI
a-ustdes
I
1
sg
I
Nonperson
lo-bo
el-lbro
la-bo
la-plma
los-bo
los-lbros
las-bo
las-plmas
pI
- ---
VEINTICINCO
10.25
UNIT 10
UNIT 10
A student might do well to notice the similarity and correlation between direct clitic pronouns and definite ariieles. Both occur
normally under weak stress, both frequently occur in a position that precedes the word that they are grammatically most elosely associated
with (articles before a noun and clitics before a verb), and three of the four forros are identical in form:
Definite
Article
m sg
sg
m pI
pI
neuter
A probable answer to
of the form of the clitic.
Direct
Clitic
lo
el
la
los
las
lo
Spelling conventions recognize the close relationship of verb and clitic when the clitic follows the verb by writing both as one word.
Although this same close relationship prevails when the elitic precedes the verh, they are written in the spelling system as two words, that
is, with space hetween the clitic and verb.
10.26
VEINTISEIS
UNIT 10
SPOKEN SPANISH
10.21.3
l-doI
A. Presentation of pattern
ILLUSTRATIONS
Mary:
....
hse~ eT)kantadoeekonoirl~
....
mar1a~ eT)kntadaekono~r16+
*ste~~
y usted, es casado?
itulmar1~ ~rskasaQa1
O~ayunamesa Idesokpa<1~
soloteT)goldozdesokupdS~
kasisyempr~lestmozmuyokupds+
skasado1
.., .
, .,
.
,
...
"
..
EXTRAPOLA TION
-do(s)
-idO(:-l
-a(; I
-a (s)
NOTES
a.
l-dol
VEINTISIETE
10.27
UNIT 10
SPOKEN SPANISH
,..
,
unawto
---
___un a(s) s
------,
J.Q~ a z
sseQyorleskasd6~
saseQyor~
~
. .
,.
. ..
s(s) seQyores IsOI)kasd6s~
_ _ _unas sillas
10.28
,
, . ...
aJo Iyn(s) s J.O~ azlaesokupd" s~
_ _ _ un auto
,....
saseQyor~leskasda~
e.s(s) sQyores
J.lynawtoldesokupdO~
. .
..
a1lyunamesaldesokupda~
VEINTIOCHO
SPOKEN SPANISH
UNIT 10
.,.
l~p~rt~ment2Iestalkl1d6~
,
lakas ~
los,edifl~YOS
, .
laskamas
eldormitory~~
,.
,.
.1-
l~skamas lestanprre91ds~
eld6rmitorYQlestarreqld6~
.,.
.,.
l~sekretary~lestaQkupda~
,.
Iestan.alkl1dOS-!-
lasal~lestarre91d~~
.
. .
lakas~lestalkl1-!-
16skifl~YOS
-!-
lbzmo~os
elchfer
,.
. "..
. , .
16zmo~oslestanpkupQOs~
lchferlestaQkupd6~
Los edificios
El dormitorio
VEINTINUEVE
10.29
UNIT 10
10.21.32
SPOKEN SPANISl\I
Translation drill
. ...
,
,
teI)99 jn.p5.rtarnento /tesokupu''
,
2 That young lady is happy here.
..
okupcis.1.
lchofer/estaQkup''
lakas~/estalkJ.ld.1.
,.
tambyen/tI)9Qnakasa/desokupda.1.
O~anQe(s)
9 They're married.
10.30
...
soltr.1. eskasatta''
. .
TREINTA
UNIT 10
SPOKEN SPANISH
loskwartos lestn..alkila(los-1-
elpartamentQlestmuyarregld.J.
,.
.
El apartamento est muy arreglado.
B. Discussion of pattern
The /-dO/ forros, when they appear in constructions other than those with / abr/,
function they have full adjective inflections for number and gender. They can appear with nouns (normally following the noun): /n am s a
desokupda-1-/; after certain verbs, most commonly /sr/
ustd1
estmos.okupdos-1-
pariekansdo-1-/;
la-1-jor nomillalized:jkwles.elkasdo-1-
as nouns, which now have a single gender form with no gender alternation permitted: /l~entrda-1compare / unkonOidomo-1-
TREINTA Y UNO
unakonOidam!a-1-/.
10.31
UNIT 10
10.22
SPOKEN SPANISH
ReplacemeDt drills
memudQelsbado~
1
2
te
,
__has
, ,
tebaslestesbdo.J.
, ,
tbaslestan6ch
.1-
n6ch~
4
5
,
tebas.els badb~
este
,
temudas.elsbado.J.
el
meboyelhw~hs.J.
Me mudo el sbado.
1 Te
2
Te mudas el sbado.
_vas
Te vas el sbado.
este
4-
Me
jueves.
10.32
mboyJestehw~bes
,
hwbes
mboyestan6ch~
me
el
TREINTA
y~
SPOKEN SPANISH
UNIT 10
, ., .
dondemandas Iturr6pa
B
1
--------.;k6sas
_ _.....(J~ebas
komo
.
.
,
______estas__
,
5 ____de~~des_--_
,
6 kyen
. .
___ai~
.,
"
kyenpi~lestask6sas~
1
2
3
4
TREINTA Y TRES
,.
kyendei1d~lestask6ss
..
komode~l~eS lestask6ss~
,.
,.
komO'~1\lebas Itusk6s s~
,.
,.
,
komd;~ebas lestask6ss~
,
,
.
dondemandasltusk6ss
,
,.
dond'\lebas Itusk6sas~
cosas?
llevas
Cmo
?
estas
5 ____decides
Quin
hace
10.33
UNIT 10
SPOKEN SPANISH
. .
~6m1zmollazQ~b6
1
lan6bya
. .
, . .
lan6byAm~zmallazm&nda~
, .
. .
,
lan6byam1zmallaza~ba~
mnda
2
3 ns6tr~
nstrzffi1zmozllazmandmos
tambyen
.ams~
nosotros
,.
5
6
,
s ted
,
nuI)ka
Itmbyenlazmandms~
,.
nosotrosltmbyenlas~mos
,.
steQltmbyenlas~e
..
,
,
stec! 'nuI)kalas.~
1 La novia
2
3 Nosotros
4
10.34
,..
,.
tambin ___
hacemos.
6 Ud.
7 _nunca
TREINTA Y CUATRO
UNIT 10
SPOKEN SPANISH
,.
nmchachalkhynltodozloshw~bes~
D
1
2
semnas~
. .
,.
nmchachalkbynelto~azla(~semns
,.
. .
unmchachalkeprkt!kltodazla(~semns~
. .
,
_ombre
n~mbrelkprktkltodazla(~semns
los
los~mbres Ikeprktknltodazla(~semns~
ds
-----------------_ _ _ _ _ _ _lmpyn
_mo~os-_-
-----
,.
. .
.
,.
,.
lspmbreslkeprkt!knltodozloz~s~
,.
lspmbreslkelmpynltodozlozd!s~
,
,.
lzmo~o~l!mpYnltodozlozd!s~
_ _ _ _ _ _ _ _ _ _ _ _ semanas.
_ _ _ _ _ _ _practica
__Jombre
_
_
Los
_ _ _ _ _ _ _ _ _ _ _ _ das.
limpian
TREINTA Y CINCO
_ _ mozos
_
_
10.35
SPOKEN SPANISH
UNIT 10
,.
sikyerezf~ol~b16~
E
1
2
3
4
eskr!b6~
,
_________nosotroz
~
,
_teparee_-----
,
tu,
bls
----------, .
---Pwedes
_ _ _ _ _ _ _ _d".~ es~
,...
,.. .
sikyerez1nsotrozleskr1bms~
,.
sitpreetnsotrozleskr1bms~
,. ,.
sitpreettuleskrbs
,.
,
sitpree1tul~bls
,.
sipwedesttul~bls~
,.
,.
sipwedesttuleds
Si quieres, yo le hablo.
1
, _ _ escribo.
Si quieres, yo le escribo.
,nosotros __
3 _te parece,
, t
Si te parece, t le escribes.
, _ _ hablas.
Si te parece, t le hablas.
6 _puedes,
7
10.36
,.
sikyerezt~oleskrbo
, _ _ dices.
Si puedes, t le hablas.
Si puedes, t le dices.
TREINTA Y SEIS
SPOKEN SPANISH
UNIT 10
,.
,.
antz~nokyereslotrotragot
1
2
kosa1
-----------,
dspwez_t
aeS
,
es as
5
6
7
entonz
syentes
lwego
,.
.,.
antz~nokyereslotrakosat
,
,.,. ,
dspwez~n6kyereslotrakosat
,.,.,.
,.,.,.
dspweZ~n2a~eslotrakosat
dspwez~nQa~eslesaskosast
,.,.,
enton~z~nQa~es lesaskosast
,
,
,. ,.
nton~z~n6syenteslesaskosast
lwe90~nsyenteslesaskosast
,.,.,.
F
1
__ ,
Despus,
_ _ _, _haces
_ _ _,
Entonces,
_ _ _, _sientes
Luego,
TREINTA Y SIETE
cosa?
esafL--?
10.37
UNIT 10
10.23
SPOKEN SPANISH
Variation drills
~mf1n'' y.~sta11stot6t~
,.
emfin~ y.~sta11stQlelpastl~
emfin~ y.~sta11stallarr6p~
emfin~ y.~st11stallasp~
emfin~ ~~stbyehQelotl~
mfin~ ~starrgladQlelwt
. . .
. .
. .
~oltepw~Qay.udarlknlazmletas~
,
1
~o Itepwda~etar'knlensla~~
,
,
,
y.o Itepwd"Qay.et ar Ikn.elpos tr~
~otepwed"o Itratar~et..J.
,.
10.38
,.
.,
TREINTA Y OCHO
UNIT 10
SPOKEN SPANISH
,.
.,
~otepwedQlalk11arlaks~
~otepwed"o IO~ebaralab6d'
~otepwedoidarun~1de~ms~m~n6s~
,.
,.
,.
..
"
sekiyo~konsulr~
. .
seccin consular.
lbz11broztlozmandQ/l~eskwela
of languages.
,.
lstragoztlozmandQalkwrt6~
lskb11breztlo7mandQal
, .
TREINTA Y NUEVE
. .
,
,
lsAskritoryoztlozmandQ/l
,
..
,.
,
los(W eni!ierozt lozmandQalasl~
... ..
16straheztlozmand2alat1ntorer1~
.,..
,.
,.
,.
~otepwedolbuskarelbln6~
,.
,.
.. .
apartam~ntb~
10.39
SPOKEN SPANISH
UNIT 10
..
,
6
. .
..
.. .
labander
laundry.
....
..
.,
kyentemand~lelpery6diko
kyentekomprallaskam1sas~
. . .
, .,
. .
kyentekambyalloschkes~
,
,
...
kyent~abl~lenespaQy61~
, . ,.
,
,.
kyentespera~
.,
kyen t ec:~ eb al n t r o~
,
10.40
O kyente11mpy~lelapartamnt6~
,
laskm1saztlazmandQala
,.
.,
embahda~
the Embassy.
losp~ryo~1koztlozmandQal~
kyent~a~6~+
Quin te ayuda?
CUARENTA
UNIT 10
SPOKEN SPANISH
,
E
1
~a~strde~ t~~gbk~1rme~
It's late. I've got to study.
~a~strde~ t~gbkstdyar~
,.
,.
te~golkemu~arme~eksa~
te~gokebolb~r~
tenemoskesub1r~
tyene~kebahr~
..
. ..
maQyanaylketrabahr~
..
"
maQyanaylke11mpyr~
mQyanaylkebolbr~
"
..
,.
CUARENTA Y UNO
,.
"
,.
~a~str~e~ te~golkekambyarme
clothes.
..
...
prontaylkede~1d!r~
10.41
UNIT 10
SPOKEN SPANISH
,..,
,
4
prontQlayketraer6tr6~
. .
)luneslaykes tuety r+
, . , . . .
lbyerneslaykeprakt1kr+
, ..
, . ..
.
10.24
lsabaetolnQayketrabahr+
.,.
,
1
abl~11komemchb+
stuety11b1b~ak+
trabah~11b1b~a+
trabah~lik6mmuyp6ko~
, .
estetyamos
,
trabahamos likbmemozetemasyetb+
,
ablamos/1eskrib1mozmch+
,..
.,.
.,
10.42
..
lik6memo~ak1+
,.. .
, .
CUARENTA Y DOS
UNIT 10
SPOKEN SPANISH
,
9
..
trbahamoslibib1mOs~k
bahamos lisub1mozmuyp6ko
,.
.,.
bahanl1Subenmcho
. .
,.
,.
,
trabahanlib1benln16~estadoaun4os~
10.3
ablanl1eskr1bnmuybyn
,...
stu~yanlik6mnmuyp6ko
12
CONVERSATION STlMULUS
NARRATWE 1
....
ahwantl9ustRlelapartam~nt
batomr16
pyensamudars~lstasemana
..
,
4.
CUARENTA y TRES
Va a tomarlo.
..
/.
day.perOn2adei1d1~O Iked1A
UNIT lO
5
s*1apartamntQestl~stotse
murt~elsbado~
SPOKEN SPANISH
Si el apartamento est listo, se
muda e 1 sbado.
. ..
,
nQayketrabahr.!.
D1ALOG 1
..
,
Jos, pregntele a Juan que si le gusta
el apartamento.
,
,
s11byatomar1
t8gust~elapartamento1
estmuybonto~
. .
kwandopyensazmudrt~
..
,. ,
kreokestasern6naJ
,.
"
76eidlooikeolaf
s~1~p~rtam~ntgestllstot
,
memucl Qe 1s b c't o~
SPOKEN SPANISH
UNIT 10
si~ elsabadQles~mbwend~
. ..
,
nQayketrabahrJ.
NARRAT/VE 2
,
"
pare~elkehose*hwamlbnAsr
be~1noslent6n~es~
vecinos entonces.
..,
hoselpwd~a~drhwanlapasar
.
susk6ss-l.
,
noezmuchbI16kety~nhwn~
,..
elm17.molpv~edepasrls~
. ,..
,
CUARENTA Y CINCO
proh6se'tyen~Wt6
,
6
ezmasfa~illas.J.
Es ms fcil as.
10.45
UNIT 10
SPOKEN SPANISH
D/ALOG 2
preielkebms..asr!bil.ns!ent6n~est
Juan: As parece.
..
,.
,
,
,.
~otepwed2a~UdarlApa5arlask6ss~
..
. . ,.
".. .
nQezmucholloket~g
,
notemolstes~ ~om1zmollaspwedo
pasr~
, ,
bwen
pero~ote~gQlawto ezmasfa~illas1
,
Juan, digale que bueno, que muy
agradecido.
,...
muya~ra(~e~eto
NARRAr/VE 3
,.
,.,.,
,
otrak6sA dondepwedehwanlO~ebar
,.
surropalabr
10.46
CUARENTA Y SEIS
SPOKEN SPANISH
UNIT 10
,.
ynalabandr1lnl~sklna1
*natlntrer1alabw~1t.~
..
,
, ,
,
,.
perQelrnlzmO Inopwed e(J)'Jebar Isurropa
~stnoez
Ilos~sta~os~n6S
,..
lmchachalklmpys~prtmentot
.. ,..
1~n~blent6nies
DIALOG 3
..
lrropalabr.1.
CUARENTA Y SIETE
..
,
,
,
,
otrak6s Ihos~ :iondepwe6cf:'yebar I
ynlbanderl~lenlsklnat*n
,.
tintorrlalabwlt.1.
,
, ,
tumlzmola1yebasf
,
, ,
, ,.
nolombr.1.nuDk.1. kInQestamosI
,
nlaestdo~nl~s.1.
10.47
lJ~IT
SPOKEN SPANISH
10
,
Juan, pregntele que cmo hace
l, entonces.
kom9~eS'3nt6nis~
10.48
lamchachalke11mpyamlapartmentb~
lC\lba
CUARENTA Y OCHO
UNIT 11
SPOKEN SPANISH
11.1
BASIC SENTENCES.
ENGUSH SPELLING
,.
Maid
Good afternoon, sir.
bwenastar~s
White
Good afternoon. What can 1 do fOl' you?
bwn~stards ke~es~A
Sirvienta
Buenas tardes, seor.
IsQy6r
White
Buenas tardes, qu desea?
,
la-k
Maid
I'm the one that cleans l\'lr. Molina's
apartment.
SPANISH SPELLING
AID TO LISTENING
la que
, "
,
~osoyllAkel~mpy~!elapartmentol
,
Maid
Yo soy la que limpia el apartamento del Sr. Molina.
dlseQy6rml1.n
White
Oh, yeso Can you clean mine, too?
"
, o.,
,..,
White
Ah! l'vluy bien. Puede limpiar
el mo tambin?
,
the yours
l--su~
not
el suyo
UNO
no
11.1
SPOKEN SPANISH
UNIT 11
Maid
y ours is higger, isn't it?
Srvtenta
El suyo es ms grande, no?
el de l
Ifhue
(1)
No, it's the same size as his.
no~
,.
Whtte
No, es igual al de l.
s.igwall aldl~
,
l-dJ.~
the day
el da
, ,
What day can you come on?
ke~J.s fpw~bnir~
Matd
(2)
On Mondayso
lzluns~
Strvtenta
Los lunes.
White
No] on Mondays it's not convenient
for me.
nd~ lzl~n~zlnomek~mbyn~
Whtte
No, los lunes no me conVIene.
t he a f ternoon (3)
durmg
por la tarde
Matd
1 thmk so.
11.2
,..,
,.
kreokesf..I.
,
. .,
nopwedebenJ.rllozbyernesporlatar~et
S"rvtenta
Creo que s.
DOS
SPOKEN SPANISH
UNIT 11
. .
"
keteIJgok~a~r+
to sweep
White
Sweep the house and dust
the furmture. (4)
barrer
"
,
brrerllakastl11mpyarloamw'bles+
White
Barrer la casa y limpiar los
muebles.
,
labar~
to wash
lavar
labarflak6~1nalelbQy6~
the sheet
,
lA-saban.(.
,
la sbana
l~-funda+
la funda
the pillow
l~--almwa<!~+
la almohada
.
.
,..
ikambyarfla(~sabanaslilasfundaz<!~almw~4a+
,
cobrar
,
How much are you going to
charge me?
.
(5)
mlster
to charge
TRES
.,.
kwantobakobrrm+
e unt o va a cobrarme?
dd'n+
don
lL3
UNIT 11
Maid
SPOKEN SPANISH
(6)
,.
,.
lm1zmolk~aOijhos~
Sirvienta
Lo mismo que a don Jos.
,
l-fyest~
the party
la fiesta
White
And if 1 have a party Can
you help me out?
"hite
y si tengo una fiesta, puede
ayudarme?
,
the time
l-tyemp6~
k6n-tyempo~
el tiempo
Mad
con tiempo
,.
klaro~ sim~blsalkontympo~
dirty
Whue
(7)
This place lS quite dirty.
Sirv.e TIta
Claro, si me avisa con tiempo.
SUCIO
est2tstbastantes~y~
to begin
White
Esto est bastante sucio.
empezar
..
Mald
11.4
,
,
,
.. , .
pwedempe~arlestasemanat
,
,.
si~ nton~estst~elbyerns~
Sirvienta
CUATRO
UNIT 11
SPOKEN SPANISH
11.10
(1) This sentence o course literally says, 'It's equal to the one of him', contextually 'It's the same as his.' This construction is drilled in
Unit 13, section 13.21.3.
(2)
Note that with days of the week no word equivalent to English 'on' occurs.
(3) This is given as a unit expression because of the occurrence of the item por in the meaning 'during' or 'in', which it regularly has
only with time-words like 'morning', 'afternoon', and so on.
/-x I
(4) Note that this answer is to the question /k t Q9 ok~ a~ r / Qu tengo 1 ue hacer?, which has the
form, the infinitive,
of hacer. Consequently, the answer merely replaces hacer with a series of verbs aIl in the same
form, much as we would do in English
in such a sequence as 'What do 1 have to do?' 'You have to eat, to wash up,' etc. But notice: the 'have to' must be present in the English answer,
though it does not need to be present in the Spanish answer.
l-xl
(5) The item don is used only before the given name, the 'first' name, not the surname. It is translatable by 'mister' except that 'mister'
is used only before surnames (though in the South one may hear servants talk about 'Mister Bill' DI' the like). It is rather formal. Doa is the
feminine equivalent of don.
(6) See (5) aboye for explanation o why Mr. Molina is used to translate don losl.
(7) Bastante occurs more often in this sense of 'rather' or 'quite' than it does in the more literal sense 'enough'.
11.2
11.21
Pattern drills
11.21.1
A. Presentation pattern
1LLUSTRAT10NS
,
1
2
CINCO
new
estezm*wt
,
eZf!!!n6byai
Este es mi auto.
Es mi novia.
nuevo
11.5
UNIT 11
pasemelm~7.11broznwbs~
,.
stas,en
tuks a~
,
, .
Ests en tu casa.
dondemandas~urr6pa~
dondestantusk6sas+
estelbaserls~eskritory~
b1nQusted/konsfm11yat
su~ su~oi
. ,.. .
elm1zmo IQ)~eba~kamss~
,
..
,
hwan~su~~ds~
10
nwestro~
..
,
"
,
e~~os lnosonlnwestro~amgs~
11
su (suyo)
El mismo lleva sus camisas.
Juan y sus ideas!
our
They're not our friends.
"
his
,.
5
Where are your things?
.. .
.
SPOKEN SPANISH
nuestro
Ellos no son nuestros amigos.
su (suyo)
their
,.,.,
lzhwaytltyenenmuybon1tls
12
ks~
EXTRAPOLA TION
Heference
m1(S)
2 fam
tU(S)
2 -3
pI
sg
[nwestro(s~
a(s ]
SU(s)
NOTES
11.6
a. AH possessives except /nw S tr,q/ occur in shortened forms when placed before nouos.
b. Gender distinctions are lost in shortened forms, though agreement in number remains.
SEIS
SPOKEN SPANISH
UNIT 11
...
..
_________
".
eltyenefm1en1~rb~
,
,.
. .
"
2 yoteijgolsup16ma+
ti?
tI?.
. .
"
________~_plmas~
en1~rOS~
yoteij9olsusplmas~
eOOyozh1benle(~nwestrQed1f~y~
__________________
..
ed~fiys
Ro.
CJ
eOOyozb1ben le.(n)nwestro~ect~fiYs+
1 El tiene mi cemcero.
____________ ceniceros.
2 Yo tengo su pluma.
_ _ _ _ plumas.
SIETE
11.7
UNIT 11
SPOKEN SPANISH
. ,..
_________
eroyaskomenle~)nwestrazmsas~
,.
...;m~sa~
. ,..
. .
eroyatyenelm1zmaltas~
__________~mal~t~
eroyaskomenle~nwestrams~
..
,.
eroyatyenelm1mal'tl~
.
t~nemoslsuz11br6s
,.
_______lfbr6~
,.
tenemoslsulbr6~
,..
,.
7 eroyoz Ibanam1fy~st~
__________fystas~
,..
eroyozlbanam1sfystas~
Tenemos su libro.
11.8
OCHO
SPOKEN SPANISH
UNIT 11
F orm substitution
. ..
estiezlamal'ta~
. ..
,
.
es t~e(s) sumalta+
,
. , ..
,
--+
+
est~ezm1mal~ta~
_ _ _ _ffi1_ _
____su.
,
est~leznwestramal'ta~
____nwes tra_~
estes~lkwrtb~
_ _--m1----~
___su
. .
. .
estezmJ.kwrtb~
-+
este(s) sukwrtb+
,.
,
estezlnwestrokwrtb+
,
_---.;nwestro-+
1 Esta es la maleta.
_ _ _ ml
_ _ _ su
_ _ _ nuestra_.
Esta es mi maleta.
Esta es su maleta.
Esta es nuestra maleta.
2 Este es el cuarto.
_ _-Jml _ _
_ _ _ su_ _
_ _ _ Duestro_o
NUEVE
Este es mi cuarto.
Este es su cuarto.
Este es nuestro cuarto.
11.9
UNIT 11
SPOKEN SPANISH
. . . .
estoslsonlozbe~nbs
____~mJ.z
_____suz:-
. . .
, . . . .
esto$lsonsuzbe~!nbs~
, . .
,
. .
estoslso~nwestrozbe~!nbs~
,.
estos Isonm1zbe~!n6s~
_ _ _.sus
_ _ _ _ nuestros_
11.10
DIEZ
UNIT 11
SPOKEN SPANISH
. .
1 ThIS is my agency.
estiezm*ahn~ya~
,
est~leznwestrQed~f~y~
ea~oSISOnm1&amgos~
nwstrkas~rstadesokupda~
5 These are my
esto(s) sonm1strhes~
SUltS.
o,
,.
nu~kamandorm1strahe~a
, .
algyenltyenem1z1brbs~
m~awtol~sta~nl~eskn~
,
skas~lzmuygrnd~
,
nwstratint6rr~~lesta~mfrnt
ONCE
11.11
UNIT 11
.,
15 Bring me my thirteen
dollars.
11.12
.,..,....
syempr~ablamo~umpokolkonsuaam9s~
,.
6skm*sp~yolln2ezmuybw'no~
.,
nw~strafm~ly~lestak1~
nadyeb~b~ le6inwestraks~
SPOKEN SPANISH
..
traY9amelmistreed61ares~
DOCE
UNIT 11
SPOKEN SPANISH
Full
Shartened
mo(s)
1 sg
ma(s)
m1. (s)
tyo(s)
2 fam
tya(s)
tu(s)
syo(s)
2 .. 3
1 pI
TRECE
sya(s)
su (s)
nwstro(s)
nwstra(s)
11.13
SPOKEN SPANISH
UNIT 11
The fuIl forms always carry a strong stress: the shortened forms may, especially lf they appear 10 a contrastive construction, though
they are normaIly weak stressed. The construction with shortened forms appearing before the noun occurs much more frequently than the construction with fuIl forms appearing after the noun.
The range of possible meamng is the same for /su/ as for /sYO/ ,namely aH 2-3 forms. Hence / su / may be translated
'your (referrmg to one or more than one), hlS, her, its, thelr'. However, in the absence of contextual evidence to the contrary, it wlll refer only
to 2 sg, that is, meaning 'your' (referrmg to one person). Thus the chart presented aboye could be modified as follows:
Reference
sg
ffil(S)
2 fam
tu(s)
pI
nwstro(s)
-a (s)
[su (S) ]
11.14
2 for
Su (s)
[SU (s) ]
[su(s) ]
CATORCE
SPOKEN SPANISH
11.21.2
Ao
UNIT 11
,
,
lpre~yolno~staml
nQ~m~zldiid~d~l~fch
prkenobyeneslestan6ch
,.
'o
,.
antez Inokyereslotrotragot
nomed1galseQyormoln
notemolsts
no stlehos
lsu~QlzmazQrande~
,.
..
,
"
,
not
EXTRAPOLATION
Verb
AH irmat iveNegatlve-
Inl Verb
NOTES
QmNCE
In61 appears
lmmediately before the verb 9 or the verb along with any preposed chtics"
lL15
UNIT 11
SPOKEN SPANISH
Problem ~
,
teI)9Qmbre~
Answer:
, ,
notel)gS?mbr~
,.
.
noprakt1kamlbastnte~
.
,.
prkt1kamlbastnte~
lsQyor~lablespaQy61
,
lasQyoralnQablRespa~y61~
megust~~so~
nomegust~sb''
. .
,.
Problem:
Tengo hambre.
Answer:
No tengo hambre.
11.16
Practican bastante.
No practICan bastante
Me gusta es o.
No me gusta es o.
DIECISEIS
SPOKEN SPANISH
UNIT 11
'0.
lsabadQlst6yokpa~~
hwanlestmuyagra~e~1d~
,.
lsabadolnQestoyokupd
lhwebesltrabhamo~ak!~
,
"'0.
hwanlnQestalmuyagradei!db~
'0
,
0'0
elhwebezJnotrabahamo~aki~
lkahqJstl~ntrada~
lkahaln2estal~entrd
~trbhadoldmsyado~
komenlechg
DIECISIETE
,.
..,
n2etrabahadoldemasydo~
,
nokomenlechg''
8 He trabajado demasiado.
9 Comen lechuga.
No comen lechuga e
11017
UNIT 11
SPOKEN SPANISH
..
.,
notrabahQlen~lpr1merp1s6~
elnQa~stadQak1Ints~
.,
,
.,
karamba~ n6rrekw~rdnaaa~
emfin~ ~anoby~ne~
..
, ,
,.
,.,..
prposito~ norrekwerdo'sun6mbre~
,
~znQestanlmuyagrade~1~s~
nobarrelmuyhy~n~
"
A propsito, no recuerdo su
nombre.
,..
no11mpyanltodalaksa~
B.
"
noban'mdarsedeksa~
El no ha estado aquLantes.
Discussion of pattern
The particle /n6/ is unlOflectable, that is., lt does not change for erson number~ OF any other grammatical categoryo It is most
commonly used as a complete sentence followed by a terminal juncture, / / (often marked with a comma 10 the writing system) answering
a query 10 the negative, 01 followed by
after a statement, which means the speaker is asking for corroboration:
/t/
11.18
DIECIOCHO
UNIT 11
SPOK':N SPANISH
/n6 estlhosl/
/elsYQfesmsgrnde+n6t/
When /n6/ appears III an ntonation phrase with other words 1 it s usually placed directly hefore the verh. oc hefore the verh and
any precedmg cltc pronouns 'lhat accompany t, since the elit]CS hecome part of the verho
In the case of verh phrases:
The occurrence of
meaning of the sentence~
/-1-/
/n/ comes
hetween
/n6-1-
/n6/ and the verh ls 9 0f course, of the utmost importance. because lt can totally change the
estlhos~/
/n6~st~lhos-1-/
Both
English~
You wIlI note that the first /n6/ translates the Englsh 6no ", but the second one" the one which lmmediately precedes the verb.
translates English "not' Examme es pec ially these utterances i whICh are of very high frequency and great utibtY:i answenng the question
6Do you have It?"
o
No, I don>'to
Yes. Ido.
The pattern of negative usage in Spanish ineludes what in English is called a 'double negative', i. e. the appearance o two negative
words in the same construction. '1 don't ha~e nothing' is critic ized as socially unacceptable in English, but / n 6-t n g o-n d a/ No tengo
nada is a normal, regular pattern in Spanish. The general paUern in Spanish is: sorne negative precedes the verb in a negative sentence. Thus:
/n6-byne-ndye/
/ndye-byne/
or
DIECINUEVE
/nnka-b6y/
/n6-by-nnka/
11.19
UNrr '11
11.22
SPOKEN SPANISI!
Replacement drills
..
,
, . ,.
,
pwede11mpyarlelm1oltambyenf
A
1
2
5
6
.poraf
, .
------------,
_ _ _ _ _ _.....
kwart~
-------
.,
..
..
.,.
.,.
..
..
..
pwedebarrerlestekwart~laorat
..
..
,
,
,
,
pwedebarrerlestekwartoldespwest
,
__________despwes t
.
.
..
,
,
.,
.,.
pwede11mpyarlm1kwartQlaoraf
,
,
.,
pwedebarrerlm1kwartQlaora1
,
,
,
.,
este
..
pwede11mpyarlelkwart~laora1
m1
------~
,
---....,;barrer
'0
_______su
o,
pwedebarrerlsukwartoldespwes1
ahora?
cuarto_?
mI
4 - - barre r
este
6
7
11.20
pwede11mpyarJelm1~Jaora1
despus?
su
VEINTE
SPOKEN SPANISH
UNIT 11
lsu~Qlezmazgrnd~~not
B
1
ez
s~yo
--otro,.--------t
las
. .
, . ,.
,
lam1~lezmazbontanot
, . ,
,
.,
. .
1 Los
, _?
2 _ _ _ _ _ bonitas, _?
3 _mas
, _?
, _?
La ma es ms bonita~ no?
VEINTIUNO
, .
bontaz__1
m1 as
,.
los
es
sucio, _?
El mo es ms sucio 9 no?
6 __ otro
, _?
7 Las
, _?
11021
UNIT 11
SPOKEN SPANISH
. .
.
_____
"
keteIJgok~a~~r~
e
1
2
3
4
5
6
,
_ay
,
kwan t Q
.. .
"
keteIJgokekomprr~
komprr~
..
k~aykekomprr~
kwantQaykekomprr~
,
____tenemos_~
,.
. . ,. . .
__________~kambyr~
,
_ _ _ayke
~
kwantotenemoslkekambyr~
k~-
k~aykekambyr.!-
---~
..
"
kwantQaykekambyr+
el
comprar?
2 _ _hay
3 Cunto
4 __tenemos
cambiar?
11.22
kwantotenemoslkekomprr~
..
6 _ _hay que
7 Qu
VEINTIOOS
SPOKEN SPANISH
UNIT 11
.,.
kwantobakobrrme~
kwando------~
ablrme~
- - - -,-
prke
_____pyensaz
,
adonde------~
,.
porkelba~amudrt~
prkelpyensazmuarte~
".
. .
adondelpyensazmu~rt~~
Cunto va a cobrarme?
1 Cuando
2
3
4
(,
5 Por que
6
7 A dnde
VEINTITRES
kwando Ibas.amudrt~
-----,
,.
kwando Ihas.ablrm~
mudrte~
,p
_____bas
o,
kwandobablrm~
.,.
kwandohakobrrm~
Cuando va a cobrarme?
hablarme?
Cundo va a hablarme?
vas
?
mudarte?
?
plensas _ _?
-?
11.23
SPOKEN SPANISH
UNIT 11
est2Iestbastantes~y6~
E
1
2
,
mlkasi
,
_trahes
4
5
-~
,
muy
nw6bos~
--------.--;
ss
, .
_kam1sas------~
sOstraheslestnmuynw~bbs~
sskam1saslstnmuynw~bs~
sOskam1saslestnmuys~ys~
1 Mi casa
2 _trajeo..s
3
muy
5 Sus
6 _camisas
7
11.24
.
mlkasRI~stbastantes~ya~
, .
, .
mlstraheslestmbstantes6~y6s~
, .
,
mistraheslstnmuys6iybs~
, .
,
mistraheslestnmuynw~bbs~
,
nuevos.
sucias.
VEINTICUATRO
SPOKEN SPANISH
UNIT 11
0.'0
pwe~empeiarlestasemanat
F
1
pwedes
,
'o
o,
'0
.,
o,
0'0
pwede~empe~arlestasemanat
byernest
pwedeS2mpearlestebyernes1
'0
o., , , o
pwedestrabaharlestebyernes1
kyeres_-------t
kyerestrabaharlestenyernest
------------d"1ast
kyerestrabaharlestozd1ast
________unoz_t
kyerestrabaharlunozd1ast
---.....ben1r--------t
kyerezben1rlunozd1asf
2
o
trabahar
3
,
,.
, o
,.
o.,
o,
o,
,.
'0
,.
1 Puedes
2
viernes?
trabajar
QUIeres
das?
unos _ _ 3
VEINTICINCO
o,
venIr
11.25
UNIT 11
11.23
SPOKEN SPANISH
Variation drills
, ,.
,..
kedlas Ipwedebenr~
#',.
ked1aslpwede11mpy~r~
ke~laslpwedebarr~r~
ked1aslpwedelabr~
"0
".
,.
, . .
o.
kedlaS Ikyeretrabahr~
"0
kedlas Ikyereprakt1kr~
"',..
kedlaslpwedestudyr~
,'0
11.26
kedlaslkyerebolb~r~
VEINTISEIS
UNIT 11
SPANISH SPOKEN
, .
o,
nopwedebenJ.r Ilozbyerneslporlatardet
,.
o,
o,
nopwedebenJ.rl16zbyerneslporlanoche1
evenings?
Can~t
Can~t
,.
nopwedeben1rllzluneslporlamaQyanat
you go at three
lo.
..
nopwed~~rlalastrest
o~clock?
Can~t
Don~t
you'eat at six
o~clock?
' o o,
, . o,
Don~t
VEINTISIETE
'0.
01
, ,
,
,.
nokyerebolberlmaQyanat
,
nokyerekomerle~serrestorant
..
. .
nokyer~ab1arlespaQyolt
11027
SPOKEN SPANISH
UNIT 11
...
.,
..
tyenelkebarrerlakasRt111mpyarlozmwbles~
..
,.
..,. .
tyenelkebarrerlakoi1nat+elbQYo~
..
,.
11asf6nds~
,
~ntrance
. ,..
tyenelkekambyarla(~sabanast
"
".
to
te~golkesperrahosel*akrmn~
Carmen.
t1ntorer1~~
11.28
tyeneijlkArnAndarl16strahe~ala
" .
tenemOS Ikeb~rahosel*a15Qyormolna+
t~gokest~yarI1trabahr~
5 1 have
tyenelke11mpyarlRentra~af*elptyb~
VEINTIOCHO
UNIT 11
SPOKEN SPANISH
..
,
,
.,
D si teIJg2unafysta''pwe4~ayud'armet
..
,
1 lE 1 change the sheets,
can you help me?
.,
..
...
,.
silaholako~fna~pwed'~ayu4armet
yu help me?
,
o.
".
.,
site~92algok~a~r~pwe4~ayu4armef
can
..
,
.., .
sine,es1tRunamuchch~pwe4~ab1Sarme1
...
,.
.,
, . .,
si4eseRUnaksa~pwe~~ab1sarmet
, . .,
sibarrolaks~pwe4~ayudarmet
sikambyola(~sbnas~pwe4~ayu4armet
siboyal~6ntr6~pwed'esperarmet
11.29
SPOKEN SPANISH
UNIT 11
. .
klar~simeab~sakontymp~
,..
klar6~sim~ab1salastr~s+
klaro~sim~ab1SamaQyna~
klaro~sim~ab1s~
seven flfteen.
,
4 Sure t if
YOti
"
klarsmbuska..!-
klaro~sim~eba~
11.30
Claro 9 si me espera.
t'
klarb~sim~sper~
t'
Iala(s} syet~1kn!je+
Claro, si me busca.
"
Claro, si me lleva.
o
klar~sim~abl~e~espaQy61
TREINTA
UNIT 11
SPOKEN SPANISH
enton~est astRelby~rnes''
We11~
enton~estastamastrde~
TREINTA Y UNO
..
nton~es1ast~otroc!1~
enton~est astac!espw~s~
enton~estastamaQyn~
nton~estast~elhw~bes~
,
4 We11, 1'11 be seeing you
tomorrow.
&nton~estast~elsbadb~
&nton~estast~e(Ulns''
,
Entonces, hasta ms tarde.
11.31
UNIT 11
11.24
SPOKEN SPANISH
,
demes6pa.t.
,.
demensald"a+
dem~9wa+
demeb!n6.t.
demepast~l+
demep6strl!+
demeerb+
,
,
tyenetomatesf
Drne sopa.
Drne ensalada.
,
,
Drne agua.
Drne vino.
..
Drne pastel.
Drne postre.
Dme cerveza.
.. .
11.32
Tiene tornates?
TREINTA Y DOS
UNIT 11
SPOKEN SPANISH
.,
tyenelegumbrest
'o
Tiene legumbres?
0'0
t?
tyenechuletazldeerdot
,
"O
tyeneierbe~at
Tiene cerveza?
,
,
tyenes,opat
tyenekafet
. .
11.3
Tiene sopa?
Tiene caf?
CONVERSATION STIMULUS
NARRATWE 1
,.
lamchachalk11mpy~lelaprtam~nt6
,
,
dmoll.nR Is.ks(~ elente~
,
TREINTA Y TRES
"..
ft
ik6bramuyp6k6~ dyepesos~lda~
eS2Ie~undolarbeynt11~k6Im~6m6nos~
11:33
SPOKEN SPANISH
UNIT 11
,.
61s6Qy6rm11nalbablarkon~a~
,.
bblrkOnsOOyatprberlsiky~re
,
11mpyarlelp~rtmento~elseQyor
hwytltmbyn+
"
mQyanablako~+
DIALOG 1
"
o.
es.eks(~ lente-l.
, (/l..
11034
.,
'"
ik6brmuyp6k6+
dye~peso~ldfa+
kwant2eaesQlend61r6s+
apartam~ntlhos~
t?
Jos~
t?
ketallezlamuchachalk6te11mpyaty
.. .
unobeynt1~~k6Im~6mn6s+
TREINTA Y CUATRO
UNIT 11
SPOKEN SPANlSH
Juan~
porkenQablslk6~~a~
.,
parake~
Juan~
parher'slkyr~limpyrlm16Itamby~n~
Jos~
muyby~nt maQyanablokonAroyR'ent6n~s
,.
..
NARRATWE 2
TREINTA Y CINCO
. .
enlatrc!e~
,
~AlseQyormo11na~
~~Rlezlke11mpYRlelpartmentol
,
3 She goes over there on
Thursdays.
. .
lamuchacha'byn~aberlalseQyorhwaytl
bl.loshw~bes+
Va ah los jueveso
11.35
SPOKEN SPANISH
UNIT 11
.".
,.
~anopwedelb~n!rak1lo(~sba46s~
1~sptroz41asltyenek~1rl~otrasksas~
s6116zbyerns~
o,.
,.,
go to other hornes.
DIALOG 2
11.36
....
delt
o
.l?
s1'seQy6r~ boya11oshw~bs~
....,.
e~ustedllak11mpy~lelapartamento
,
ne~s1ta~namuchcha~
bwenastrds~ d!~e46ijh6selk~ak11
".
pwedebenJ.rakl.llo(s) sabadost
TREINT A Y SEIS
UNIT 11
SPOKEN SPANISH
,
,
nolseQy6rs61lozbyerns
.
,
, .
lsPtroz~1aslteijgok~1rl~otrasksas~
,
estahyn
,.
NARRATIVE 3
,
,.,
o,
baQyot
TREINTA Y SIETE
a~rlkamat
eZde~1rtbarrrlsp1S0s1
,
tynk~aierlto~Qeltrabahodeks~
.,..
,
4 That is to say, sweep the floors,
wash the bathroom, make the
hed
kyrberlketrabahQlayk~a~r
lamchachalkyereherelapartamnto
lbrl
peronotyene'kelbarr6p~
11.37
UNIT 11
SPOKEN SPANISH
,
o.
o.
,.,
11.38
" .
.,
.'
0'0.
barr~rlsp1sost
,
lbrelbaQyof
rlaka ma1
o
to~~eltrabahodeksa~ eZd~1rl
ketrabahQ~yk~air~
silk6mno1 pas~a~elnte~
pwe~oberlelapartamentolseQyort
lmndtodalarrop~lalalabander1a~
Dl~LOG
G.
te~gokelabarropat
TREINTA Y OCHO
UNIT 11
SPOKEN SPANISH
..
"..,
n~ lrropaykemandarl~lala
labander~
NARRAT/VE 4
or~tablando4~otrak6sa~
lmuchachalk6bradyepesoslpor
TREINTA Y NUEVE
11mpyarlelaprtamento4elseQyormoln~
"
*oralkyrkobrarlkator~eporst~
"0
n,
, . ,
prbtyenerra~6n~ estezmaZ9rnd~
'0
o,
,
o
pwedempe~armaQyna~ maQyan~ezby6rn6s~
11.39
SPOKEN SPANISH
UNIT 11
DIALOG 4
aOri~blandod~otrak6s~
pr~Ad6ijhsellk6brdy~+
Srta~,
s1tper2~st~aprtament2Iezmz
grande~
Srta.~
,.,.
,.
pwedempearmaQyanaf
11.40
s1lseQy6r+ ak~or+
bwen~muyby~n~ maQyan~ezbyrnes~
"
ktorep~SS~
kwanto
k6br~std~
,.,.
porltard~ l~unaI2alazd6s+
CUARENTA
SPOKEN SPANISH
12.1
BASIC SENTENCES.
UNIT 12
No water in White's apartment.
AID TO LISTENING
ENGLISH SPELLING
,
,
pasa pasa-r-l.
M:Jlma
SPANISII SPELLING
pasa (pasar)
Mol",w
keteps/hwn
Qu te pasa, Juan?
Wh,te
1 don 't know. There's no
water in my apartrnent.
s (saber)
,
, ,
nos n~ayagw~lenm*Aprtm~nt~~
Molma
to bathe
to bathe rnyself (to bathe
onese lf) (1)
to shave
UNO
,
de~l.r-l.
no--dJ.gas
,-
,
Molina
nome~1gs otrabe~1
,
baQya-r
,
baQyarme
,
afeyta-r
White
No s. No hay agua en mi
apartamento.
,
baQyarse~
baar
baarme (baarse)
afeitar
12.1
SPOKEN SPANISH
UNIT 12
af~ytarm~ afytars~~
....
iyolkAst6ysimbaQyarm~~s1npfeytrm6t
,
(1) was
afeitarme (afeitarse)
(to be)
I!staba~ I!star~
estaba (estar)
limpyand6m~
limpindome (limpiarse)
limpyars+
,
stba-limpyand6mt
estaba limpindome
the tooth
el diente
White
1 was brus hing my teeth.
.. .
White
Yo estaba limpindome los dientes.
iba (ir)
~b~-a-d'rmt
iba a darme
the shower
la-d'ucha~
la ducha
, .,
the joke
the hoy
12.2
..
~ol~staba11mpyandomelloz4yentest
..
1ba~arm~una4uchaltamby~n~
,
l-ch1k~
la broma
el chico
DOS
UNIT 12
SPOKEN SPANISH
Molina
Malina
kebr6mAlch1.k6.J.
Qu broma, chico!
scarcely, harely
apenas
t~neml>s''
haH
mec!y''
medio
to, in <rder to
par''
para
tAner''
tenemos (tener)
to dress
to dress ourselves (to dress
oneself)
White
We harely have haH an hour
to get dressed.
bst1rn6s''
b~st1rs6''
penaslt6n6m6zme~y~6ralprabest1.rn6s''
vestir
vestirnos (vestirse)
White
Apenas tenemos media hora
para vestirnos.
,
the moment
Just a mlDute
TRES
(4)
el~oment6''
el momento
On-ml>ment6''
IIn momento
(1) go ho gol
boy'' 1r''
Q~ ~90''
Q}J egar''
voy (ir)
lleg (llegar)
12.3
SPOKEN SPANlSH
UNIT 12
Malma
,.
,
,
,
unmomnt boyaberlsi~ego~lgw
, h
(6)
Y es, lt aso
Malina
S, ya hay.
~
l-pr~s.l-
the haste
darme-pr1sa
White
I'm going, then. I've got to
hurry.
,.
White
~~e
oye (oir)
o~
por fin
,,.,..
pOrf1nt kyembas..a~\lehr+
MoZina
Oye, p01" fin, a quin vas a llevar?
g6rd1to'' gor46.l.
,
gordito (gordo)
l-grd"~ t
la gordita
lz~afs+
las gafas
White
The chubby gal with the glasses.
12.4
p6r-fin.l-
at last
Malina
teij90ke~armeprlsa
,
1r+
o~e+
(to listen)
..
meboyent6nis.l,
listen
la prisa
.
darse-prlsa
~
. . .
lgor~1tadelazgfas
White
A la gordita de las gafas.
CUA'fRO
SPOKEN SPANISH
to leave, to go out
salir
on leaving
al salir
to caIl
llamar
Malina
Fine. l'Il call you when 1 leave. (8)
12.10
UNIT 12
bwen~ lsl~rt~m~
Malina
Bueno, al salir te llamo.
(1) Reflexive verbs such as this one are not discussed and cirilled in detail until Unit 24, but it is impossible to so arrange the
dialogs that reflexive forms will not appear before then with sorne frequency. It wiIl therefore be necessary to build up each one before
that unit in the rather fuIl forro shown here: first the non-reflexive verb, then the reflexive form which appears in the utterance, and
finaIly the reflexive citation forme
(2) This sentence is unusually difficult to approximate in a translation that reflects adequately both the structure and the meaning.
The actual meaning is best paralleled by a translation like 'And 1 haven't bathed or shaved yet!', but structurally, the cited translation is
somewhat closer and more suhject to variation drill later in this Unit.
(3) To be examined in detail in Unit 25, this use of certain clitics in a fashion that can only be translated as possessive in English
is rather common. Literally, of course, the utterance is roughly this: '1 was c1eaning for myself the teeth'e
(4) The 'just' of 'just a moment' is not stated in the Spanish, nor need it be in the English: 'One moment' would be a satisfactory,
though rather formal, translation.
(5) One of the striking differences between Spanish syntax and English syntax is illustrated in this sentence: the occurrence in
Spanish of the Past I form [m~eg6 ] lleg in a situation where only the English present perfect construction can satisfactorily occur.
(6) Here the occurrence of the present perfect construction in the English of the preceding utterance requires that the confirmation
utterance (whether negative or affirmative-here it happens to be affirmative) continue in the same way. The Spanish does not require continuation in this situation, so that the complete shift, from 'arrived' to 'already there is (sorne)', is not startling.
(7) [porfo] por fin in this utterance means 'Finally after aH that deliheration you were going through' or something similar.
The translation is therefore not as literal as 'Hey, who are you finally going to take?'
(8) Thephraserelator [a] ain [alsalir] alsalirdoesnotimplv iwhen' or 'before' or 'as' initse1f; butthecontext
indicates that IOn leaving' is equivalent to 'When 1 leave" since the more literal IOn leaving' lS much too formal an Euglish equivalente
CINCO
12.5
UNIT 12
SPOKEN SPANISH
12.2
12.21
Pattern drilIs
12.21.1
Suhject pronouDS
A. Presentation ol pattern
lDLUSTRATIONS
~okyer2unsa~W1chI4ehamdn~
Yo quiero
,
itu1
y t qu ests bebiendo?
komoestaust~d'.I.
elbyenestasemn.l.
, .,. ,
kestazbebyndo~
o.
eQ~alaha Imuyby~n.l.
,
,.
We 're Amerit:an.
nosotroslsomOS~mer1kn6s~
'0.
nsotraslsomo~amer1knas~
o.
ked'esean~st~d'es.l.
~Mozlno~stan~nlak~~e~
10
sandwich de jamn.
.:.;."--
UD
,.
12.6
..,
,.
,.
,.
,
.
. .
eocyaskyeremlfundaz4~almw4a~
Qu desean ustedes?
E llos no estn en la calle.
UNIT 12
SPOKEN SPANISH
EXTRAPOLA TION
pI
sg
f
ro
I1
y6
ro
nos6tros
nos6tras
--
t
ustd
2 fam
2 for
ustdes
f:!J)yos
fJ)ya
fiJ)yas
NOTES
a o Spanish subject pronouns are usually used only for contrastive emphasis~ when the reference of the pronoun s
otherwise lear from the contexto
ho Spanish / t
is the structural equivalent of English 6thou~1 hut is much more frequently usedo
Co English has distinct gender forms in 3 sg; Spanish has distinct ~ender forms in 3 s~ and pe and also in 1 pi.
do English 3 sg 6it 7 , which
SIETE
15
12.7
SPOKEN SPANISH
UNIT 12
....
.. .
~osoysolt~ro~pr2eleskas4o~
eO~O(S) sond~ak!~pr6nosotros
,.
,.
. ..
,. .
somozt!ech11b~
".
IW1Sk1konsMa''
~lst~nblpatyot*~ienlako1n''
~a(s) son.espaQyolastinosotros
. ..
,.
tambyn~
,.
.,
bamoznosotrostohan~6s''
boy~ot2hanpst~t!~S''
12.8
,.
Voy yo o van Uds.?
OCHO
UNIT 12
SPOKEN SPANISH
. .,. .
"
J
ban~ostobamoznos6tr6s~
,..
kyeijkyereham6n~ ste4t2l~
kyentrabahilenlasekyoijkonsulr~
. .
.,
.
ste4est2~A~
, . , ,.
,
.
,
ke4ese~I~1~
,
keneeS1 tan.1 ~6s~
kyendeseilalgoms~ 6ste4t2~6s~
,
,
NUEVE
..
Qu desea l?
Qu necesitan ellos?
kekyer~ I~ll~
Qu quiere ella?
12.9
SPOKEN SPANlSH
UNIT 12
B. Discussion of pattern
In unit 4 (4.21.1) the c oncept of person was dlscussed as it applies to the proper selection of verb forms, and person-number categories
were I1lustrated by English pronouns. The same classification - that offirst, second, and thlrd categories, each ocurring in both singular and
plural forms, constitutmg a set of six categones for Spanish verbs-can be used to describe Spamsh pronouns o In addition there are dlstinct
gender forms in the 1 pI and 3 sg and pI categones and two 2nd person forms distmgUlshing formal and familiar.
This means that there are several areas of overIap between pronoun and verb patterns, as the charts below illustrate:
----~---
nos6tros
y6
nostras
bl-o
abl-mos
bl-as
t
ustdes
ustd
~;ya
t;'yos
t''yas
bl-a
bl-an
I
Note that the pattern dlscrepancies of Spalllsh, though they exist, are relatlvely mInor compared to Englisho
we
speak
you
he
she
J. t
they
speak-s
As the chart shows, only the English pronouns which are marked for gender (he, she 9 it) require a verb form that is different from the
name form or infinitive form which aH other English pronouns occur wi(ho The Spanish pronoun and verb patterns coincide except for a dis~
tinetion between 2nd formal and 3rd person formso
12010
DIEZ
SPOKEN SPANISH
UNIT 12
Smce verbs in Spanish carry person-number distinctions in their structure, pronouns that carry the same information are frequently
considered redundant and unnecessary 9 and a student's tendency to translate aH English pronouns into Spanish pronouns is very conspicuous
to a Spanish speaker. Spanish pronouns are usually used only for emphasis or contrast as in Iynolokyro ~
'1 don't want it',
Iltt kstsbebyndo~
'And what are youdrinking', ly6meby~ pr~lsekda+/'['mgoing, but he's staying', or
when they are needed to distinguish forms, as between
ll and lustdj with a verb form like bla l.
The regional American 'you all' is often used in drills in this book to signal the distinction between
that 'you' alone does not show.
Very commonly used abbreviations of usted and ustedes are Ud. and Uds.
12.21.2
A. Presentation of pattern
ILLUSTRATIONS
~~ttraygamelsopadele9mbrs
with me
He's going to work with me.
.. ,...
conmigo
,
.,
batrabaharlkonm1gbt
..,
Va a trabajar conmigo.
3 pasoport1lalaochb~
---
"
k6nt1go~
..,
contigo
4 batrabaharlkont1g6~
Va a trabajar oomig.o.
la-kartA~
the letter
ONCE
.,.
5 lkart~lesparRust~~
la carta
12.11
SPOKEN SPANISH
UNIT 12
,.
6 n~s.igwall ald~~l~
No, es igual al de l.
--------------
El
va sin ustedes.
9 syentese!ko~~~s~
EXTRAPOLATION
sg
pI
ml.
2 fan 1
2 for
ustd
nos6tros, -as
ustdes
"'-~--~--
l, (J'ya
CCyos, -as
NOTES
a Pronouns after phrase relators differ froro suhject pronouns only in 1 sg and 2 ram sg forros.
bu When the two distinct forros mentioned in (a) occur with the phrase relator
special combinations /konm gol and /kon t go/ appear.
12.12
/kon/, the
DOCE
SPOKEN SPANISH
UNIT 12
. ..,
est~esparam1tQpar~ust~~~
pr~6ste!~
eS2ez~eroy~t04~1~
deJ.~
est2ez4eroyasto4enos6tr6s~
densotrs~
.,
. ...
..., .
,
,
lzmwebleslsomparanosotrost
[nsotrs~] 5
k~kyemlbanAO~6s~
k(~nbsotrs~
(eO~A~]
kOI)kyemlbal~
kOn~~
[el~]
parakyenleaestasroy~
(nosotros)
(ella)
(l)
TRECE
.,
Para Ud.
2 Eso es de ella o de l?
De l.
De nosotros.
Para ellos.
Con nosotros.
6 Con qUIn va l?
Con ella.
Para l.
12.13
UNIT 12
SPOKEN SPANISH
[Et\ls~]
,
[ el ~ ]
[e~~~~J
lzmne<.ts~ s6mprnosotrosf
no~ pr~el':~s~
s t e<.tb a f k one':'\~ o s 1
..,
no''
,
.,
10
esteskr1torY2lespar~elt
11
estab1ta~yonlespar~ustedt
...
....,.
12
, .,
estekwartQlesparanosotrost
,
,.
13
e'""~abakonm1got
(e Has)
(l)
...
kn.l~
no~ pr~e~~!
'"
,
si+ prm1.J.
,
,
s1i prn6sotrs~
,
,
51+ knpstd.J.
No, con l.
12.14
S, para m.
S, para nosotros.
13 Ella va conmigo?
S, con Ud.
CATORCE
UNIT 12
SPOKEN SPANISH
12.21.22 Translation drill
.,.
,
1 She's going with me.
e~~abakonrnJ.96
~stsaD~J.chlespararn~
dspwezdet~oslkornehwn~
e/r~JozbJ.ben ~erkadenos6trs~
,.
,.
...
.,..
ellnotrabahakonrng6~
El no trabaja conmigo.
. ,..
. ..
Ella va conmigo.
karrnemlbJ.beko(~nos6trs~
,..
hwarn IbJ.bekon~(r~s''
,
la(s) sabanas Isornparanos6tr6s~
.. ,...
USe
9 There
.,
..
QUINCE
id6s(~yentos Ipar~O~6s''
..
..
,.,
yd6s(~yentozd."olaresIpararnJ.t
,.,
yon~edolareslpar~ustedti4ye1
paranos6trs''
,
,
10 There 9 S two hundred dollars
.,
"
,.
ynwebedolareslpar~eltikwatrol
12.15
SPOKEN SPANISH
UNIT 12
B. DIScussion o pattern
/m/
The forms of pronouns that are used after phrase relators are essentially subject pronouns, except that
and / t
replace
(y6/and /t/ In the pattern. The subject and phrase-relator pronouns can be classed as nonclitic, in contrast to the clitic pronouns
that can appear only with verbs. Thus the nonclitic pronouns can be charted as follows:
Phrase re lator
Subject
1 s~
y6
ml
2 fam sg
t
I
2 for sg
ustd
l,
SfT
"
fl'ya
1 pI
nostros, -as
2 pI
ustdes
3 pI
Q)yos, -as
The significance of the relation of the subjecr and phrase relator function in essentially a single set of forms can be seen by comparing
Spamsh and English usage. The Spanish classification of nonclitic and clitic case forms is partIy paralleled by the EngIish pattern of subject
and object case form",. However, as the folloWIng ehart sho\"!s, there is an area of overlap in appearanee after a phrase relator. In the examples,
/l/is nonclitic,
is clitie; 'he' is subject-form, and 'him' is objeet-form.
/10/
Subjeet of verb
12.16
Ob je et of verb
61estk
spar~l~
n6p'Ndobr lo
He's here.
DIECISEIS
UNIT 12
SPOKEN SPANISH
More will be said about the concept of 'nominalization' in the next discussion of pattern and elsewhere. The conct'pt assumes, in substance,
that a form that is not a noun behaves as if it were. An interesting example of 'pronoun nomin~lization' occurs in Unit 6 in the sentenc1'k lepar~e
slnostr2tmosdet~1 ,where a subject pronoun appears after a phrase relator: Itul appears where we might expect It . In this case
tl has been nominalized, it is behaving as a noun, a form which has no case forms: nouns do not change in form when used as subject of a verb or
object of a phrase relator.
12.21.3
Components of phrases
A. Presentation of pattern
ILLUSTRATIONS
. , . ..,
blnoustectlkonsufamllyat
-, . .,
. .
batrabahar Iko (n) nos 6tros~
, , .
. , .
k6nhtlartantotnQaprendezndt
-- --,
,
. .
,
1
2
By talking so much, you don't
learn anything.
3
4
,..
,..
k~a~ez IdespweZ6estudyr~
ante7 16etra611.rlrept~
,.
EXTRAPOLA TION
noun
phrase re lator
pronoun
nominalized form
NOTES
a. Phrase relators introduce nominal forms.
b. The infinitive is the nominalized form of verbs that normally occurs after phrase relators.
DIECISIETE
12.17
UNn' 12
SPOKEN SPANISH
,..
12.18
,.
. .
. .
.. .
npwed~aprenderls1nftstudyr~
. .
0~asyemprebyene IS1nO~amr~
note~gotyempo'pariestudyr~
. .
rrep1tRest2tantezdeskr1b!r16~
,
,.
,.
nosotrozbamoz Idspwezdekom~r~
"
,...
b6yl~entrQlantezd~almorr~
. . ,..
.,
O~syempre11mpyaIdespwezdekom~r''
,...
.,
lsyemprestudy~lantezdesalr~
dos(~yentos lalmes1si~iijklw1rlal~''
DIECIOCHO
SPOKEN SPANISH
UNIT 12
,.
going now.
1~akobra
..
. .,.
.,. .
Ikwatroctolarestprbarr6r I
tot1alaksa~
, .,
p6rablartantoln2apr~nd~
,.
nomegustal~1deald~1ra6ra~
..
, . .,.
, .
kelepare~el~1dealdk6mprarlaksa~
B. Discussion of pattern
A phrase is a suhordinate construction consisting of a pbrase relator and its object (plus any modifiers of the ohject). The phrase
normally modifies sorne other item (noun, verb f etc.) in an utterance, thougb it may stand alone as in /atrabahr,~ / 'Let's ~et to work'.
The term 'preposition' is often employed to designate phrase relators. In the structural discussions in this text it has been omitted
in favor of the term 'pbrase relator' to help point up structural and distributional parallels with analo~ous forms such as clause re lators
(see appendix).
The ob ject o a phrase relator is a nominal form: either a noun , a pronoun, or a nominalized forme 'Nominalization' means the selection and appearance of an item from another form-class (an adjective, modifier, verb, etc.) in a function that is normally occupied by a noun.
A nominalized form may be the subject of a sentence /elbyhoestk / 'The old man is here', the object of a verb /b9n
ar:er_~ktnQ 1/ '1 see one American' or the object of a phrase relator jstalwgo.J.j aSee you later'. It may b,e modifiec "y adjec~
tives / eltrobyho.J. /
'The other old man~, which agree in number and gender with the nomincllized form jlos.otrosbyhos! /
'The otlLer old men.' In short, nominalized forms are functionally nouns, even though they do not ha\ e the defining morphological characteristics of nouns(inflection Cor gender onlv).
The form oC the verb which is mosl readily nominalized is the infinitive, and this is the forrn which follows phrase relators. The
equivalent English construction very often shows an '-ing' form of the verb where the Spanisb infinitive occurs, and the tendency to follo\\'
DIECe UEVE
12.19
UNIT 12
SPOKEN SPANISH
the English pattern is responsihle for many mistakes of English speakers learning Spanish. Thus, /konab lrtntot /
/ s
ln~nk lw r l ~ t /
and
are equivalent to 'By talking so much.oe' and 'without including electrieity ... '
The regular exception to this generalization is the English phrase relator 'to', which takes the infinitive form, just as in Spanish.
The Spanish equivalent to English 'to' is
la,
pra,
de,
ke/, and other phrase relators, varying in different constructions. Note the
foHowing correspondences:
/bn.-trabahr~/
/tngn6ralprakomr~/
/sfil1Idenkontrrt/
15 it easy
/ty~neskekono~rla!/
~o
{iTUl?
In aH cases the Spanish construction is always cphrase relator plus in[initive'. In English, it is 'to plus, in[initive', hut ~any
~On
lalsal~r IteQ)ymo~,!;
Many phrase relators are single wordso Often, however, a verb modifier may itself be modified by a phrase in a construction which
appears to inelude a compound phrase relator. In the utterance /elotll estirka~/,the form /irka/is a verh modifier.
In lelotllest~rka Id~ak~,'the phrase /d~akl modifies /~rka/. It is nevertheless convenient sometimes to
conslder /~rkadel as a kind of compound phrase relator which takes the nominalized modifier
12.20
/ak/ as
its ohject.
VEINTE
SPOKEN SPANISH
UNIT 12
The phrase relators so far introduced into this text inc1ude: / a, sta, de, dsde, en, ke, k6mo, kon, m~nos, pra,
por, sJ.n/. Compounds inc1ude:/ntes-de, despws-de, lhos-de, ~rka-de/.
12.21.4
A. Presentation of pattern
ILLUSTRATION
121 1
,
It's near.
sta!irk~
Est cerca.
,
,
,
no stalehs
,
2
21 1 2 3 1 ~
ezmuykr~
11 ~
Es muy caro.
Al contrario.
2
tantogst6~
1 1
Tanto gusto.
lgustQezm~~
VEINTIUNO
3 1~
lkontrary6~
31 ~
El gusto es mo.
12.21
SPOKEN SPANISH
UNIT 12
EXTRAPOLA TION
Statement
Uneolored
Contrastive
/1231~/
NOTES
12.22
VEINTIDOS
SPOKEN SPANISH
UNIT 12
stoyeI)kolmbya~
Answer:
,.
estoyeI)kolombya.J,
Problem~
1 2
Estoy en Colombia.
Answer:
1 2
3 1''
Estoy en Colombia.
VEINTITRES
12.23
UNIT 12
SPOKEN SPANISH
trbahoeDkarks~
,..
.
isoyetech11e~
, .
komemozmuch~
sta<.<kupd~
estaQkupadb~
prnunyast6do~
prnunyastOQ~
Qkntramosks~
1 2
1 2
11+
11
2 y soy de Chile.
1 2
1 1
1 2
31
1 2
Comemos muchoo
1 1
3 1~
1 2
Trabajo en Caracas.
3 1
1 2
4 Est ocupado.
1 2
y soy de Chile.
3 Comemos mucho.
1 2
Dkontramoskas~
1 Trabajo en Caracas.
12.24
isoydechl.l~
,
5
kmemozmch~
trabahQeDkaraks~
. .
Est ocupado.
1 2
3 1
5 Pronuncias todo.
Pronuncias rodoo
1
2
1 1 ~
6 Encontramos casa.
3 1
VEINTICUATRO
SPOKEN SPANISH
UNIT 12
lkilamoaelkwrt6~
studyamp6ko~
,.
mp~amozmaQyna
,
10
VEINTICINCO
n~s1t~un11br
,
11
prbbamos.elp6str~
..
. ,
lkilamos~lkwartb~
stud'yampok6~
,
mpamozmaQyan
,.
..
n~s1tiun11br
,
probamoselpostr
1
2
1 1
7 AlqUilamos el cuartoo
Alquilamos el cuartoo
1 2
1 1 ~
8 Estudian poc 00
Estudian pOCOo
1
2
1 1
9 Empezamos maanao
Empezamos maanac
3 1
1 2
3 1~
3 1 ~
1 2
1 1
10 NeceSIta un libroc
NeceSIta un libroo
1 2
1 1
11 Probamos e 1 postre o
Probamos e 1 postre o
1
1 2
3 1
3
UNIT 12
SPOKEN
SPA~ISH
Problem
l~
,
dd"ondes.us td+
Answer:
Problem 2:
,
dd"ondet
Answer:
,
dchJ.l+
Problem 1:
De dnde es Ud.?
Answer:
21 ~
Soy de Chile,
Problem 2:
De dnde?
Answer:
1 31 ~
De Chile.
VEINTISEIS
SPOKEN SPANISH
UNIT 12
[doe~]
kWantoskwartos.y~
kwantost
,
[ir'ly J..~ ]
,.,
dondes ta~j'lbr6~
,
,
staO~!~
donde1
(doce)
Cuntos?
(allO
1 2 1 ~
Hay doce.,
31+
Docec
1 2 11
Est all..
1 31 1
Dnde?
VEINTiSIETE
Allio
12.27
UNIT 12
SPOKEN SPANISH
,.
[byah~]
p~r~ke&estech'k~~
,
paraket
,
[ambr~]
,
ket
,
[W1sk1kons6d~]
kekyr~
,
kI)kef
..
W1sk1kons6d~
knsOt!~
21 ~
1
(viaje)
Para el viaje.
31 ~
1
Para qu?
Para el viaje.
2
(hambre)
4 Qu tiene?
Qu?
2
(whisky con soda)
5 Qu quiere?
Con qu?
12.28
Tengo hambre.
3
1 ~
Hambre.
21~
VEINTIOCHO
SPOKEN SPANISH
UNIT 12
[~nlatintr~r1a~] 6
.,
dondetrabah~~l~
nltintrrJ.a~
,
donde1
,
[nlskritoryo~] 7
nltintrrJ.~
,.
dondestalaplma~
l\Alskritory~
,
en.elskritoryt
,
dondet
,
[bm~akbmer~]
pradondehn~
bms..kmer~
,
prdondet
21 ~
1
(en la tintorera)
6 Dnde trabaja l?
En la tintorera.
1
Dnde?
31
2 1 ~
En el escritorio.
3 1 ~
1
Dnde?
En el escritorio.
21 ~
1
(vamos a comer) 8 Para dnde van?
Vamos a comer.
1
Para dnde?
VEINTINUEVE
En la tintorera.
1
(en el escritorio) 7 Dnde est la pluma?
31
A comer.
12.29
SPOKEN SPANISH
UNIT 12
,
[atrhhr~ ]
,
9
adondebn~
kekyre~
6trakml.s~
.;
[nlk6~1n] 11
"
dondet
,
enlk~1n~
1
9 Adnde van?
Adnde?
1
31 ~
A trabajar.
21~
En la cocina.
1
Dnde?
3 1~
Otra camisa.
1
(en la cocina) 11 Dnde ha estado?
21 ~
Otra camisa.
2
Qu?
21 ~
A trabajar.
1
(otra camisa) 10 Qu quiere?
12.30'
"
dond~a~std'~
(a trabajar)
".
otrakam:Ls~
Icet
trhha"rJ.
[6trkm1Sa~] 10
d'ondet
trabhr~
31~
En la cocina.
TREINTA
UNIT 12
SPOKEN SPANISH
B. Discussion o pattern
,pitch /1,
1, t, +/.
These
patterns are different in English and Spanish, first of aIl because the number of available counters in the systems of the two languages is
different: Spanish has two stresses, English foUl"; Spanish has three pitches, English four.
In this text intonation patterns have been shown by
/'/
and / . /
This is an effective pedagogical device to present these patteros. However, Spanish intonations can most efficientiy be described by marking
aIl real or potential pitch changes, foIlowed by the terminal juncture. It has been determined that normally the points of potential pitch change
in any single phrase are aIl strong stressed syIlables plus the first and last syllables, when these are weak stressed. Thus the intonation
es t~ ~rk+/,
writing the significant numbers aboye each appropriate syIlable and marking only strong stress.
,
When the first syIlable i~ strong - stressed, the first number of the pattern formula does not actuaIly occur: /
/..
/dondes tmo s ~ /
over the last vowel,
/~s t~k~~ /
l'
11
/tyenen.6tro t / , / dondes tmo s /. When the last syllahle is strong stressed, both nUlTlhers are
1
2 11
. "1/ /. ' k '.,/
since a glide in this position can be significant; / e s tak 1.'" , e s ta 1.'" then are written / e s tk i /J
or
The last
/1/
on the first sentence may seem to be superfluous, but is needed in the analyais to contrast with the last/l/
/1/
+/
and /1231
lIt
estki+ /,
where final
/3/
is significantiy
written
, unlike
21+
/, /Why nt
/, and unless a student realizes that it has no such meaning in Spanish, he will avoid
using it, even though he may be unaware o his aversion to the pattern.
TREINTA Y UNO
12.31
SPOKEN SPANISH
UNIT 12
' which lS conttast!\-e in Sfanish, used only for special emphasis, is very similar to a pattern that means
3
normal or uncolored in English. Thus the pattern of
glng h <Sme" /,
's fram
/, if transferred to Spanish
3k S /
231
/ sdeknsas / is likely to sound over-insistent in Spanish where /12 31 ~ / means emphatico
I#m
IHi
K~ns~s
/b~Y ~ ~ ~
('ne other feature related to intonation that needs to be brought to the attention of students, since it is notably different in the structure
of the two languages, is rhythmo Rhythm is syllable-centered in Spanish, phrase-centered in Englishc This means that the recurring tempo unit
in Spanish is the syHable - each is of approximately the same lcngth; in Engli5h the recurring tempo unit is the phrase, and also each is of
approximately the same lengthe But Spanish phrases and English syllables are of differing lengths, and English phrases usually arrangc sy Hables so that two long (stronger stressed) do not occur together nor more than two short (weaker stressed) occur in uninterrupted sequenceo
Imposing the English pattern of alternate long and short syIlables on Spanish produces a distortion which will immediately come to the attention
of any Spanish speaker, cven though he may not be able to explain exactly what it is that 6 sounds funny' e This feature of rhythm was discussed
with illustratioos in sectIon 1.22.4.
Ooe of the importaot purposes of this and o subsequent intooatioo drI1ls is to bring the patterns that are involved to the awareness of
the learnero In sorne cases the patterns are similar to English patterns; in sorne cases they are very different. lt is most important that the
student master the differences, but io aH cases the manipulatioo of the patterns, with the proper correlation to the meaning significance of
their use, is valuable practice.
12.32
TREINTA Y DOS
SPOKEN SPANISH
12.22
UNIT 12
Replacement drlls
. .. .
,
"
nos n~ayagw~lenm*apartam~nt~
--pw~d"~
el
5
6
., .
akeO}Ja_i
otl
"
.....
"
..
nopw~6 n~ayagw~len~lapartamnt6
..
..
..,.
..,.
_kr6
. .. .
,
"
nopwd"6 n~aynady~lenlaks
,
"
nokr6 n~aynady~lenlaksa
,
"
nokr6 nS?aynaoy~ len.akeC\;aks5
,
"
nokr~
nS?aynadYxlenpkelotl
nad"y~
"
nopw~ n~aya9wRlenmkapartamnt
n~ayagw~lenlaks
ksa
el
'_nadie
5 _ creo'
6
TREINTA Y TRES
_
_
casa.
_
aquella
12.33
SPOKEN SPANISH
UNIT 12
. .
...
y~estaballlmpyandomeloz~ynts~
rrp~
,
komprandome
wto~
mwbls~
a~yendom~
tr9s~
,.
~2estabalkomprandom~unozmw~bls~
. ..
~2estab~laiyendom~unozmw~bls+
. ..
~~estabRlaiyendom~unostrgs~
ropa.
comprndome
auto.
un _ _
5
6
7
12.34
un
. , ...
, ,. .
, ...
~2estabalkomprandomelarr6p~
, ,. .
, ..
~~estabalkomprandomelwt~
, ,. .
, . .
~2estabaJkomprandom~unfiwt
, ,. .
, . ..
,
~~estabaI11mpyandomelarr6pa~
muebles.
hacindome
tragos.
TREINTA Y CUATRO
SPOKEN SP ANISH
UNIT 12
..
....
,
,.
, .,
penastenemozlmeoyaoralparabestlrns
_ _ _ _ _ _ _ _ _ _ _ _~baQyrns..
una
--------,
syempre
..
5
6
----------.
--------------------
.,.
.,
..
....
penastenemoslunaora/paraba~yrnos
,
,.
,.,
syempretenemoslunaora/parabaQyrns+
,
_____________af eytrnos''
,
momento
..
,
nuI)ka
..
,
ora
..
penastenemoz Imedyaoralparaba~yrns~
,
,. ,.,
,.,
syempretenemoslunaoralparafeytrns+
,
.,
syempretenemoslunmomentolparafeytrnst
, o., ,
..,. .
. ...
nUI)katenemoslunmomentolparafeytrns~
. . ,. .
. ...
.,
aoratenemos lunmomentolparafeytrns+
_~
una
3 Siempre
4
_
_
afeitarnos.
5 _ _ _ _ _ _ _ _ _ _ _ _ momento
6 Nunca
7 Ahora
TREINTA Y CINCO
UNIT 12
SPOKEN SPANlSH
.,
D mboylent6n~s te~gokeoarmeprsa
1
2
komrt
,
------------________ayke
i
-----------'trabahr
,
tnemoske
-------
.----b.estirnos+
------------. .
___________________estudyr
_______telJgok~_ _--
.
.
.
.
, .
mboylent6n~s+
..
mhoy/ent6n~s+ tnemoskebestrn6s~
,.
. .
tnemoskestudyr
,
mboy'ent6n~s teijgokestu~yr
1
2
comer.
,.hay que
trabajar.
,tenemos que _ _
vestirnos.
estudiar.
12.36
.. .
..
.
.
,
,
mboy/ent6nies+ te~gokekom~r
,
,
mboylent6n~s aykekomr
,
,
mboylent6n~s~ ayketrabahr
,
,.
mboylent6n~s tnemosketrabahr+
,
,.
,tengo que
TREINTA Y SEIS
SPOKEN SPANISH
UNIT 12
"...
~amr
,
______nton~es
,
kwando
o~+
trabahr+
----------,
_ _ _ _ _ _ _d'.onde
,
,
.. ..
,.,.
o~e entoniez Idondebas.atrabahr
,
,.,.
chJ.k nton~ez Irtondebas.atrabahr
------------,
_ _ _ _ _ _ _kol)kyem
,.
.. ..
,... .
Chlko enton~eslkoijkyemba~atrabahr
llamar?
-'l
2 _ , entonces
3 __ ,
cundo
4 _,
5 _,
TREINTA Y SIETE
.. .
enton~eslkwandoba~~amr+
,.,. . .
,.,.
o~ ntonies Ikwandobas.atrabahr
,...
Chlko
,.
--------
".. .
o~ prflnlakyemba~~amr
trabajar?
dnde
6 Chico,
7 _ _ , _ _ con quin,
12.37
UNIT 12
SPOKEN SPANISH
o~
,
,J.
9)Jgar
o~ al~~art~m
ayct6,J.
o~ l~Jgart~ay6a,J.
F
1
,
nton~es
,
empar
abs
byen
o~ ls11rteO~m,J.
.
ntones1
,
,.
alQ~gart~av6Q
nton~est l~9art~abis
,.
nton~est lmpiart~abs,J.
byen,J.
,.
lmp~art~abls,J.
1 Oye,
2 _
, _ _llegar_ _
-,
ayudo.
4 Entonces,
5
6
7 BIen,
12.38
aviso.
,empezar
TREINTA Y OCHO
UNIT 12
SPOKEN SPANISH
2.23
Vanaton dnlls
A ketepsb Ihv/nl
Qu te pasa, Juan?
ketepslhos~''
ketepar~e
..
Ihs+
Qu te pasa, Jos?
Qu te parece, Jos?
Jose?
..
ketepar~elch1ko+
ketegstalkrmn+
Qu te parece, chico?
t Qu te gusta, Carmen?
,
5 What do you want, Carmen?
keky~res Ikrmn~
keskrbslkrmn~
kestdyaslkrmn+
Qu quieres, Carmen?
,
Qu escribes, Carmen?
TREINTA Y NUEVE
Qu estudias, Carmen?
12.39
SPOKEN SPANISH
UNIT 12
. .
i~olkest6ysinlimpyarmellozdy~ntst
,
2 And here 1 am without having
changed my clothesJ
iyolkest6ysintrabhar~
iyolkbst6ysin~lmr~arl
i~olkAst6yslQk6mrt
. .
iyolkst6ysiQkmbyarmelderr6pat
brushed my teeth!
ihwaQlkestsindolars~
dollars!
,
7 And here's John without a car.
12.40
ihwaQlkstsinpwt6t
CUARENTA
UNIT ]2
SPOKEN SPANISH
ba~rm~Onaduchaltamby~n+
,
blimpyrmllozdyentes+
,
2 1 was going to change my shirt.
1bAkmbyrmellakm1sa+
bsentrm~AJ.+
,
Iba a sentarme ah.
,
4 I was going to move.
1bmdrmeldekasa+
,
5 I was going to hire a taxi.
1bAlk11rlOntaksl~
,
6 I was going to wait fOl' Jose.
bResprrfahose+
CUARENTA Y UNO
1bprktikrlespQyoi~
12.41
SPOKEN SPANISH
UNIT 12
,
11afyesti les.al(s) syete~
,
1 And the party s at nine o'clock.
ilafyest~l~alaznweb~
ilafyestRlezmaQyana~
,
3 And the party is later.
y la fiesta es maana.
ilafyest~lezdspwes+
,
4 And the party is before.
y la fiesta es despus.
ilafyest~l~antes~
y la fiesta es antes.
,
5 And the party is in my apartment.
12.42
y la fiesta es en mi apartamento.
ilafyest~leskOij~~Ski~
,
7 And there'll be 'cuba libre' at
the party.
ilafyest~le~nm*aprtment~
,
6 And there'll be whiskey at the
party.
ilfyestRlskijkbl~br~
CUARENTA Y DOS
SPOKEN SPANISH
UNIT 12
.,
unmom~ntl boyaberlsiroyego~lwtb~
..
..
unmom~nt6~ boyaberls~egom1be1no~
,.
,.,
,.
unmom~nt6 boyaberlsi~egollaseQybr1ta
unmom~nto
,
,
,
boyaber Isi'~~ego~ltksi
,.
,.,
,
,
unmomnto~ boyaLcr IsiO~eso IlklJ.mpYR
. .. .
elapartam~ntol
unmom~ntol
..
,
,
,
boyaber Isi0~ego f
,
lakelabalarr6pal
CUARENTA Y TRES
,.
,
,
,
unmomnto~ boyaber's~egolla
. .
kestudy~espaQy61~
12.43
SPOKEN SPANISH
UNIT 12
.
F lagbr~1taldelazgfs~
,
..
,.
lag6r~1taldelakha~
...
,.
La g<rdita de la caja.
..
laseQyr1taldelat1ntorera~
La seorita de la tintorera.
lmchachaldelotl~
,.
.,
lsQyoraldelpr1merp1s~
...
12.44
,
lombre~elas(~ens6r~
CUARENTA Y CUATRO
UNIT 1Z
SPOKEN SPANISH
12.24
. .
,
1 The house is pretty.
lkas~ezbon1t~
"
l~skwel~e7.bw~na~
"
lz11bro~~o~kr6s~
lahen~y~e7.mla~
,
l&aprtmentos ISODk6mdS~
,
lasekretary~ezbonta~
lseQyor~lesespaQy61a+
. .
La casa es bonita.
La escuela es buena.
La agencia es mala.
. .
. .
La seora es espaola.
. ,...
lo~awtos IsOnpmer1knos+
,.
La secretaria es bonita.
.. .
lzmletaslso~krs+
. .. .
,
lsAdif1iYOS /sombontbs
,.
CUARENTA Y CINCO
. .
lbzmwebles Isonm16s~
,.
. .
lskm1sas Isombarts+
,
..
l~)seQyoras Ison~~glss~
12.45
12.3
CONVERSATION STIMULUS
NARRAT/VE 1
,
,
stnoch~tynafyest~lnl
..
kasadeloshrris
hse*hwamlban~r
,.
. ,. ,
tyene~kestara~11~la~)syt
..
. .
mch
,
"
nQezmuybonit prQe(l)legusta
,
6 J ose is going to take his
fiance.
.,
.,
.,. .
hselbaQ~ebarasun6by
12.46
,
. ,.,
,
elbapasarporhwanrala(~seys
1mdya.l.
CUARENTA Y SEIS
UNIT 12
SPOKEN SPANISH
,.
~.
. .
lwegotpasamporlaschlkis
,
, ,
,
hselnokyer~lotrotrg~l6ra
,
tynek~l.rs
,,.
,
,
penastyenetyempolprafeytars~
. .
l.bes tlrs
DIALOG 1
,..,
,
stinoch~layunafyest~lnlks
CUARENTA Y SIETE
dlsharris rrkwerdas1
,
si k6mono
,..,
k~oraykes
taraC\J i
,
, ,
l(s) syete bs.0\J.baralgyen1
12.-17
UNIT 12
SPOKEN SPANISH
,
,
si~ lg6rd1ta~
, .,
,...
'"
aminobya~
, . , .. ,
sikyereslpasoport11
~l(~s~ys~m~ya~ ilwegolp~s~m~s
. .
,
,.,
,.
muybyn~ nkyeres~trotragot
,
Jos? contstele que no, gracias,
que Ud. ya se va. Que apenas
tiene tIempo para afe tarse y
vestirse. Que adIS.
i tu~ akyembas.a0~ebr~
porlaschikas~
Juan, dgale que muy bien, y
pregntele si no quiere otro
trago.
prQam1megustamch~
,
Jos, contstele que a su novia.
Dgale que si qUIere, Ud. pasa
por l a las seis y medIa y luego
pasan por las chicas.
,..
nQezmuybon1tal
actyds~
NARRAT/VE 2
hwa~noestalstltdbi~
"
12.48
.,
,...
nolpre~~amer1kn~
No parece americano.
CUARENTA Y OCHO
UNIT 12
SPOKEN SPANISH
,
4 And they've got to go pick up
the ~irls.
*ykepsarlprlschlks
,
/.
hwanldl~ek~aytymp
time.
knoeslk6monlastds~nlds
,..
ro
yk~~9rtard~llsfystas~
,
8 iBut the party i.s at an American
home', says Jos.
perlfyest~laeijksad~merikanzl
t~hs
ezlm~zm~lk~st~r~nl~s~stados
und's~
,..
",.
hsetyenerra6n+ hwamlbadarse
prs~lent6n~s.l,
.,
.,
11 He'll be ready in a minute.
nunmomentotestalst
,..
DIALOG 2
,
, . .
ketl/hs pasad'elnte
,
nostoyllst6ltdb.l"
CUARENTA Y NUEVE
adelante. No estoy
listo todava.
12.49
UNn' 12
Jos, dgale a Jos que Qu?
Dgale que no parece ameri
cano., Que ya son las siete
menos veinte., Y que hay que
pasar p<r las chicas.,
SPOKEN SPANISH
,
,
,
ke1 nopare~es 'mrikano~
,
,.
l'
*ykpsarlpr]sCh~kas+
,
,
aytympQl6mbr+ ytyemp+
,
. .. , . .
.,
kinoes
Ikomoenlo~estaao~und6s+
,..
,..
,
s~rperlfyest~rskDksd~
,
,
.
amrikanosl zlorn1zmol
,
kstrlnlskstd~n~dsl
ty~n~zrr~~6nl b~y~d~rm~pris~1
,
.,
.,
ent6nis~ npnmomentQlestoylisto
NARRATWE 3
,
1 Juan has to bathe, shave, and get
dressed, that's aH.
hwanltynekbQyars~f fytars~
.
,.
~bestrs+ esoest6d6+
" , ,
,
,
perlkaramba+ kepasa6ra+
nQaygw+
,
12.50
c.
npwd~afytarseln~baQyrsl
CINCUF.RI'A
UNIT 12
SPOKEN SPANISH
,
4 They'll never get to the
partyo
.,..
,
5 Jose can do one thing,
then.
hselpwed~a~erunak6s~lentn~s~
pW~epsrlprlsch~kslprimr~
,
ilwe9olpasaporhwn~
sihw~nln~~st~l~st~l~nt~n~~st
,
hselno~spra~
DIALOG 3
,
Jos, pregntele a Juan que qu
tiene que hacer.
ketyenesk~a~r~
,
,.
tDgkebaQyarm~tfeytarm~1bestirme~
,
".
,
es~est6~ ay~ karamb~
,
Jos, pregntele que qu le pasa
ahora
CINCUENTA Y UNO
.,
ketepasaor~
12.51
UNIT 12
SPOKEN SPANISH
nopwdbQyarmeln~afeytrm+
,
Jos, dgale que ino puede ser'
Que Uds. no van a llegar nunca
a la fiesta.
..
,.
nopwedesr+ nhamoslffiYgrnuijk'
lfyst
,...
,
prkenQa~eaunak6sa~
,
Jos, pregntele que qu cosa.
kek6s
Jos: Qu cosa?
,.,.,.
,.,.
12.52
prkenopasas/prlasch1kaslpr1merot
ilw~g~p~S~mp~rmi
,
,
,
,
stabyn~ prsino~staz11stQ'
,.,
entoniest
no~spri losyentomch~
Juan~
CINCUENTA Y DOS
UNIT 13
SPOKEN SPANISH
13.1
BASIC SENTENCES.
After being introduced to Carmen, Jose's fiance, and meeting his own date, John goes with the others to the party which a Latin American
official is giving in honor of the new Iy arrived Americans.
ENGLISH SPELLING
,
-menudo''
often
White
Hey, do they throw these parties here
very often? (l)
o~e~ danlestasfyesta~ak1lmyamenudot
White
Oye, dan estas fiestas aqu
muy a menudo?
de-be~-Q-kwnd~
a menudo
".,..
Molina
SPANISH SPELLING
AID TO USTENING
n01
..
,.
sololdebe~~~kwndo''
,
porke1
de vez en cuando
Molina
No, slo de vez en cuando,
por qu?
,
estpendo~
terrific
White
1 think this one's terrific.
estupendo
,
,
estalmepar~~~lstpend''
White
Esta me parece estupenda.
,
to fix
fihar~
flhate~
UNO
fijar
fihars.J.
,
,
baylando~ baylar.J.
fjate (fijarse)
bailando (bailar)
13.1
SPOKEN SPANISH
UNIT 13
,
brunette
moreno~
..
moreno
,
,.
f1hatelkomQestabaylndQlsamorna~
,
el-kwid a
the care
el cuidado
no vayas (ir)
meter
to put in
,
la-pata~
the paw
to put your foot in your mouth
Molina
Careful. Don't go making any cracks!
la pata
,
mter-la-pta
meter la pata
,
, ,. ..,
kwidacb~ noba~as lameterlapta~
Molina
Cuidado, no vayas a meter la pata!
,
1~-1ha
the daughter
13.2
. .
l-sQyor-de-la-ks~
la hija
el seor de la casa
zl~1haldlsQy6r~lakas~
,
,
mlr mira-r
,
,
krel krer
mira (mirar)
crea (creer)
eran (ser)
quiet
tranquilo
DOS
UNIT 13
SPOKEN SPANISH
Carmen
Say I 1 thought Amencans were
more reserved. (3)
Carmen
Mira. Yo cre a que los americanos eran ms tranquilos.
,
rnmstr~kl1s~
that way
por ah
the colonel
el coronel
Malina
That man gomg that way is
Colonel Harris.
Malina
Ese que pasa por ah, es el
Coronel Harris.
ven (venIr)
you~4)
b~n1it16pres~nto~
Ven y te lo presento.
l-kop~
the goblet
IJ'/ute
(5)
..
.,
la copa
IJ'hite
bamo~aQMebarnozllask6pas~
,
l-tu~~
yours
,
Here's yours.
to confuse
don't yourself confuse
(to confuse oneself)
TRES
,.
la tuya
kJ.tyenezlat~
,
kmfndir
,
. .
no-te-komfndas~ komfndJ.rse~
confundir
no te confundas
(c onfundirse)
13..1
SPOKEN SPANISH
UNIT 13
la de ella
hers
,
la-d'-karmen~
Carmen's
Molina
Don't get them mixed; that's hers p
Carmen's.
White
Oh, sorry.
the girl
at once, right away
la de Carmen
notekomfndas.1- zld~~a~
,
lac!karmn~
"
a S 1.1. perdoh
,
n-s g 1<1' .1-
,
,
bwen/chks.1- kmperm1S~
nsg1dalbolbms
,.
13.10
Mol~na
No te confundas. Es la de ella,
la de Carmen.
White
Ah, s, perdn.
la chica
en seguida
En seguida volvemos.
(1) 'Hey' is not a very good translation o /6ye/ oye, but neither is anything eIse. /6ye/ is an attention~attracterwhose equivalent in English is usually sorne sort o gesture, such as raised eye-brows, an upward lift of the head to call for attention - something to indicate
that a remark o importance, however slight, is to be made.
(2) Note that the verb form here, an irregular Past II form (to be dealt with in Unit 18), is indicated as being Past II rather than Past 1 by
the presence o two translations:simple past, 'were', and what may be called durative pasto 'were being'.
(3) /mira/ mira, like the equivalent given here, 'Say', is essentially an empty exclamation o mild surprise. It may also be used like
oye as an attention-attracter to be sure the audience is paying attention to what one is about to say.
13.4
CUATRO
UNIT 13
SPOKEN SPANISH
(4)
The occurrence of two clitics in succession will he treated in Unit 20; for the moment, he certan you realize that
lo presento means '1'11 present him to you' and not '1'11 present you to him'.
presntot Ite
I t e lo
(5) The reflexive clitics will he treated in Unit 24. Literally this sentence means 'Let's take the cups for ourselves' - i.e., 'which
helong to uso '
13.2
13.21
Pattern drills
13.21.1
/-ndo/ forms
A. Presentation of pattern
,
,.
estoylpensandgen~S~
,
,
. ,
,
.
nQestoybebyendoltantQara~
,
itu1
prf1nlestastra~ujynd~
esta~studyando1
Est estudiando?
,
.
,
sttrbahandolk6msekretarya~
CINCO
ke~stazbebynd6~
y t, qu ests bebiendo?
..
13.5
SPOKEN SPANISH
UNIT 13
,..
,
stms.sperandS? Iesemomnto~
,
,.
~a~star.lOz
,
.,.,
dzdkwand~ lestamb~byend~aki~
Ity egnd6
Ya estamos llegandoo
,
, .,
,..
kOffiQestambaylandQ leSazffiOrns~
10
EXTRAPOLA TION
estr
/-ndo/
,
-ar
form
-r, -r
-ndo
-yndo
sg
est6y
2 fam
ests
2-3
est
estmos
2-3
estn
pI
kom-yndo
abl-ndo
b~b-yndo
NOTES
13.6
bo
/-ndo/ forms
/estr/
plus the
/-ndo/
are invariable,that is. they never innect lor number, gender, etc.
SEIS
SPOKEN SPANISH
UNIT 13
,
,
eO~os lstmbskandQ Iapartamnt~
...
hwan
,
,
k arme n.J.!:l o
stectes
stmbskand~lapartamnt~
..
, .
stybskandQlapartamnto~
,
stbskand9lapartamnt~
,
,
stamoz IbskandQlapartamnt~
!:lO
,
,
~ol~st6ytrbhand~l6r~
,
nosotros
,
tu
---------
,
estmostrbhandQl6r~
eststrbh~nd9I6r~
y 0'---
Jua_D
Carmen y yo'
Uds.
SIETE
Nosotros
13.7
UNIT 13
SPOKEN SPANISH
karmen
+
+
sted'
esttrabhand9la6ra+
,
esttrabahand9/a6ra+
,
,
karmenlestprendyendomch6+
,
~o
sted'es
,
tu
nosotros
Ud.
Carmen
estoylprndyendomch+
+
+
+
stan/prendyendomch6+
estas/aprendyendomch+
,
,
estamoslprendyendomcho+
yo
Udso
T
Nosotros'---
13.8
OCHO
SPOKEN SPANISH
UNIT 13
.,
el
stakomynd6
~o
estoy~omynd~
eO~as
staIJkomynd~
sted
estakomynd~
,
5
.
.
hwa~~sta~skr~bynd6~
st~nl~skr~bYnd6
,.
. .
eO~os
el~~o
"
estamosleskr1bynd
karmeruhwan
~o
est~nl~skr~bYnd~
"
.
.
stoyleskr1bynd~
EI
yo
Est comiendo.
Estoy comiendo.
Ellas,
--'
Ud.
Estn comiendo.
Est comiendo.
NUEVE
_
-#
Estn escrIbiendo.
Estamos escribIendo.
Carmen y Juan _ _
Estn escribiendo.
y0
Estoy escribiendo.
13.9
UNIT 13
SPOKEN SPANISH
e onstruction s ubstitution
,
tomQgwa~
st6yt6mandQgw
,
",
prnunjyazbyn
..
1~mpyan~ldorm1t6ry6
. .
bib1mos.enlas.afwrs~
skr~bQenlasl+
. .
..
stnlimpyandQleldorm1t6ry~
,
.
stamoz IbibyendQe~la~afwrs
,
.
st6yskribyend~enlasl~
"..
.
.. .
bebenlagwam1nerl+
stmbbyend~lagwam1nerl+
komepk+
stkrnyendop6k+
,.
1 Tomo agua.
13.10
stsprnn~yandobyn~
Pronunc~as
,...
3 Limpl.an el dormitorio.
5 Escribo en la sala.
7 Come poco.
DIEZ
UNIT 13
SPOKEN SPANlSH
,.
estnsbyend+
,
estlimpyand+
st~st~hyendQtokomynd~
stykmyend+
kesta~yendQl~
,.
,
kestana~yendQ~s~
,
,
kestayendQust~
[skribyend~J 7
(bebiendo)
(trabajando)
(escrIbiendo)
ONCE
,
stm~st4yand+
st~~labandQtol~mpynd
[trabhandJ
,...
[bbyend+]
stn~ste~esltrbahandotQestu4ynd~
,
stn.OO~zbhand9tosuhynd+
,
.
,.
stbbyend6+
,
S t n t r ah h and +
,
est6yeskribyend+
Estamos estudiando.
Estn subIendo.
Est limpiando.
Estoy comiendo.
5 Qu est haciendo l?
Est bebiendo.
Estn trabajando.
Estoy escribiendo.
13.11
UNIT 13
SPOKEN SPANISH
.
stnstctzhhyendot
,
.
[trabahand~]
10
n01
stmskmyend~
stn.~as.std"yandot
no+
stntrabahand~
,
.
st~std"lmrandot
,,
si+
,
,
st6ylmr~and~
,..
S1+ estblandgeSpaQy61~
11
staellblndQ~spaQyolt
,
,
,
12
stastul9prndyndmuchot
si~ stoylaprendyendomch6~
13
stharryendQeyat
S1+ stbrryend~
(comiendo)
(trabajando)
13.12
,
[kmyend~]
,..,.
DOCE
UNIT 13
SPOKEN SPANISH
. .
st6ytrbahandQlenlembah4a~
,
stmzbibyendQlen~l~ntr~
,
st~skribyendQlr~
st6ybyendolazgfs~
,
Estoy viendo las gafaso
,.
,
kyen~staayamnd~
,
,.
dondestab1bynd~
kestan~prendynd~
Qu estn aprendiendo?
TRECE
,
. ,
k~or~lestan~egnd~
lmch~ch~lstrrgl~ndolaskms~
. ,..
,
stmsblandolmenos~~91s~
13.13
SPOKEN SPANISH
UNIT 13
.,..
syempr~lestan~stu~ynd~
B.
...
Discussion of pattern
The progressive c onstruction in Spanish is closely paralleled by a similar construction in English, composed of a form of the verb be plus
the -ing form of a verb: 'I'm going, he's going,' etc.
In Spanish the progressive construction consists of a form of the verb /estr/and the /-ndo/form of a verb, arranged together in a
close construction which only rarely admits the appearance of any form intervening between them. In the comparable English c onstruction, the
relationship of the constituents is not so close; 'He's just now ating' in Spanish would be /y~stkomyndo/, rather then * /esty
komyndo/.
The English -ing form can be made plural, as in Chis comings and goings', but the /-ndo/ form in Spanish is invariable -it never
changes or inflects for number, gender, etc. Analytically the /-ndo/ form is cIassed as a verb element in verb constructions, or as a verb
modifier, a function cIass of words which typical1y do not inflect: /estudyndomcho Is~aprndemcho/.
While /estr/is most frequently the conjugated verh that appears in the construction 'verh plus /-ndo/', others, such as /andr,
/benr, Q)yegr, i r , segr/ ,appear with/-ndo/forms with different but related meanings. Thus:
13.14
/estn-aprendyndo~/
'They're learning'.
/bn-aprendyndo/
/ndan-aprendyndo/
/sgen-aprendyndo/
CATORCE
UNIT 13
SPOKEN SPANISH
Usually the Spanish construction appears in contexts where the same Enghsh construction would be appropriate. One important
exceptiol1 is the use of the progressivp constructlon in Enghsh wlth reference to future time. l1's qUlte normal in English to say 'Be's
commg tonight' ~ but in Spanish
es tb1ny nd2 s tanchel /would never occur (simple present would); the construction
lS hmited to present or cllStomary actions.
*/
13.21.2
/de/
A. Presentation ol patlern
lLLUSTRATIONS
. ..
,
. .,
1 est~ezlapartel~enos6trs~
usted?
Come in; that's your tableo
..
4 lwtdelleaeks(~elnt
small
QUINCE
pequeo
,
Her room is very small.
ustedes.
,..
5 lkwrtd~~JzmuypekQy6~
13.15
UNIT 13
SPOKEN SPANISH
(f)
glasses
,...,.
porfaLdr pasemelaskopaza~as
,
,
elapartmentoldelseqyormolna
. . .
,
9
El apartamento del
Es la hija
EXTRAPOLA TION
del seor
de la casa.
Construetions
Forms
la-ks a-ma (e)
1 a-k s a-s y a
Molina.
Possessives
la--ksa-tya
seor
de ellas.
ezl~lhaldelsQyor~elaksa
la--ksa-nwstra
(a)
la-k s a-de-nos 6tros (b)
(a)
la-ksa-de-ustd
la-ksa-de-ustdes
la-ksa-de-l
NOTES
DIECISEIS
UNIT 13
SPOKEN SPANISH
13.21.21 Substitution drlll -
Construction substitution
Problem:
. .,.
esezlam1gas~
est~e(s) sukw~nt
Answer:
. .,.
es~ezlam1gadl
,
..,..
est2fezlakwentad~ust~
Problem.
Esa es la amiga s uya. (de 1)
Esta es su cuenta.
(de Ud.)
Answer:
Esa es la amiga de l.
Esta es la cuenta de Ud.
DIECISIETE
13.17
SPOKEN SPANISH
UNIT 13
,
est~ezlarropas~~
2
3
este(s) sumalta~
..
.,
.
lprtmentodeO~~ lezgrnd~
"
lnobyad~uste~lezbont~
~
ln~by~s~~~I~zb~nt~
~st~l~zl~rr~p~d~~stds~
~
lpartm~nt~s~~QI~zgrnd~
13.18
[destedes~J
[d~steds~]
,
[d~~J
. .
. .
~st~l~zl~m~l~t~d~~stds~
s l~zl~f~mlY~~O~~
DIECIOCHO
UNIT 13
SPOKEN SPANISH
. . , .
estaslso(~nwestrasf6tos~
, . .
,
s~am19~eskasd~
,.
. .
[dnsotrs'']
,
(del~
,
,.
ss.am1go(s)son301trost
[deD\l~ ]
st~ks*fst~l~d~rch~
[deCt\#.s ~ ]
DIECINUEVE
estasfsonlsfotoz6enos6trs.a.
lmgdeleskas4.a.
,.
,
.
ls~m190z~~~alsonsoltrs~
La amiga de l es casada.
13.19
SPOKEN SPANISH
UNIT 13
. . .
,
lprtmento'de~as lezhont~
El cuarto de l es el quince.
. . .
lzml~t~z Id~st~dlsnm~yhwns~
amerlkns
5 Y OU1' suitca~e'" are very good.
ln6bydelle~espaQy61
no~~kontramoz IlkasadO~~
".
13.20
.,
La
nOVia
de l es espaola.
ldrmitoryod~os lespekQY~
ykb~rll~wt~dl~
VEINTE
UNIT 13
SPOKEN SPANISH
B.
Discussion of pattern
A possessive construction is a phrase which consists of the phrase relator / d e/ plus a noun or a pronoun. This phrase appears
immediately after a noun (or sometimes after the verb / S r
and indicates the possessor or owner of the modified noun.
I )
In units 9 and 11 possessive forms were presented. 111 the present extrapolation the full forms are listed along with the equivalent
possessive constructions which OCCUf. As can be seen in the chart 9 the 2-3 form S y a/ is listed as the equivalent of at least s IX
constructionsc The fact that I sy al can be the equivalent of six different constructions implies that the constructions give the more definite
information. The phrases Ide-ustd, de-ll etc. are used when the context does not supply aIl the informatlOn needed to identify
the reference of the possessive. Since /syo ~ su/ most often means Ide-ustd/, the constructions /de-ustdes, de-l,
de-Q'ya, de-f.'yos, de-O.)yas/are more frequently used to refer to lyours 9 his, hers, theirs 9 than IS Isyo -- SU/ with these
meanings.
13.2L3
A.
is not used extensively in sorne dialects, but in others 9 as in Chile, it is used to the almost
ILLlJSTRATIONS
,
lmJ.Qeshwn~
,
,
.
,
,
pwedelJ.mpyarlelnwestrotambyen1
,
,
kJ.tyenezlat~~
lsu~Qezma79rnde~ no1
El mo es Juan.
..
..
VEINTIUNO
,
El suyo es ms grande,no?
13.21
SPOKEN SPANISH
UNIT 13
,
kat!~
each
. .
,.
ka4fUno'konlos~~
,.
cada
enldnsotroz
".
.
InS?aymuchomob~mynt~ En la de nosotros no hay mucho
movimiento.
nd~ ~i9walaldl~
Nos es igual al de l.
,
10
zld'eO>J~ ld"karmn~
11
no~ ti9walald~sl
12
snlzdeO~s lzdlsch~ks~
13.22
,
,.
nlzd~stedes'ksinQaymob~mynt~
,
Son lGs de e IlGs J lGs de lGs e Aieas.
VEINTIDOS
SPOKEN SPANISH
UNIT 13
EXTRAPOLA TlON
Nomma
' 1"lze d (a)
la-ksa-nwstra
la-mia (c)
(b)
la-ksa-de-nos6tros
la-nwstra
(b)
la~e-nostros
--(b)
la-ksa-tya
la-ksa-sya
la-sya
la-ksa-de-ustd
la-ksa-de-ustdes
(b)
la-tya
la-de-ustd
la~e--ustdes
1
I
1a-d e-1
la-ksa-de-l
la-ksa~e-(':)y a
'I
1a-d e--fJ}y a
1:
1a-d e-Q)y o s
11
la-ksa~e-}os
la-de-(I)yas
VEINTITRES
also
SPOKEN SPANISH
UNIT 13
13.21.31 Substltutlon drill - Constructon substitutlon
Problem:
,
,
,.
lzO~bzmJ.azIno~stan.aki
Answer:
,
,.
lzmJ.az'no~stanak
,
,
lkasasu~~lestairk
.,.
,
elprtmentosu~oltyn~ozhQYs
lsu~~estairk
(
,.
,
lsu~oltynedozbQy6s
Problem:
Answer:
Las mas no estn aqu.
13.24
VEINTICUATRO
UNIT 13
SPOKEN SPANISH
,
,.
,..
l(s) s J.O~ a~su~ asfs tanal1~kyrda~
"
.
lsfasu~QJesk6md
l~ht~~~lezm~yb~nta~
,.
l7mweblestu~oslsonmuybonits~
VEINTICINCO
,.
lam1alnQezbon1ta~
l~s~~~~st~~l~~ikYrda~
,
elsu~Qesk6md
"
,.
ltu~lezmuybon1ta~
, .
,.
lstu~oslsnmuybonts~
La novia ma no es bonita.
La ma no es bonita.
El suyo es cmodo.
13.25
UNIT 13
SPOKEN SPANISH
,
.,.
,
,
lfm~lyam1alnQezgrnd+ ild~sted1
,
3 This lS our tableo (WhlCh is)
theirs?
,.
est~eznwestramsa+ il~eO~os1
,
,
.
,
est~lalcheke~ehwn~ ~ldeOOyat
,..
,
..,.
,.
lfam~lyadekarmenIO~eg~elbyrns+
,
l~iham~~e(s) sol tr+ ile:teQ}Josf
about theirs?
La familia ma no es grande. y la
de Ud.?
ild~stedest
, ..
ls.aml.gozffi10z 'Q~e9an.els bd'6+
La hija ma es soltera. Y la de
ellos?
,.,.
ilzd"~stedt
8 John's apartment doesn't have
(any) gas. Does hers?
lprtm~ntd~hw~nlnty~n~9s+
,
llde0yat
9 My girl frend is staying at the
American Hotel. Where's
yours stayng?
13.26
ln~by~m~~lst~~n~1~telaffier1kn+
iltu~at
VEINTISEIS
UNIT 13
SPOKEN SPANISH
B. Discussion of pattern
Possessive forms (fuH forms only) as weH as possessive constructions can occur nominalized. These nominalized constructions
serve to make a second reference to a noun which has just been mentioned or is readily understood from the contexto
The nommalization ean be viewed as the simple omission of the noun from the constI uetion. Thus / e 1-1 bro-mo/
becomes /el-;no/~ where /mio/ 9 now nominalized 9 is the head of the phrase. Note that the English equivalent ~mine~ never
occurs preceded by ~the9. In the possessive construction /e 1-1 fbro--de-ustd/ 9 the nominalized version is /e1-de-ustd/,
where / e 1/
lS the nominalized form s modified by lhe phrase / de-u s td/.
One nomrnahzed posseSSlve s /1o-syo/s may but usually does not occur as a possessive form; tbat 18 9 t usually appears only
nominalized< ThJ5 LS not surpdsmg 9 Slnee ,he neuter /1o-syo/ cannot modify a noun~ there belng no neuter nouns n Spanish. Thus
13.21.4
A. Presentation of pattern
ILLUSTRATIONS
,
1
kes.s~
,
kes.es~
231 ~
Qu es eso?
,
,.
dondesta1akh~
,
,
dondesta1akah~
VEINTISIETE
1 1 ~
Qu es eso?
1 1~
31
13.27
SPOKEN SPANISH
UNIT 13
,
,
komQesta~lkmby
1 2
1 ~
akomQesta~lkamby6~
1 2
1~
EXTRAPOLATION
Information question
InfOlmation question
empbatic
uncolored
/1211/
/1231/
NOTES
a. The iBtoaatioD patterns of iafonnatioD questiODS perallel tbose of statements.
13.28
VEINTIOCHO
SPOKEN SPANISH
UNIT 13
Problem:
adondebms
Answer:
d'ondebams''
Problem:
1 2
1 l''
A dnde vamos?
Answer:
1 2
3 l''
A dnde vamos?
VEINTINUEVE
13.29
UNIT 13
SPOKEN SPANISH
paraketrabahms~
,
paraketrabaham6s+
ded"ondeLynen~
dectondebyenen~
,
3
dedonders~
ded"ondres~
prkestd"yan+
p6rkestudyan~
,
ikwandoloarr91n~
ikwandolQarreglan
,~
)+
}
1
2
1 GPara qUf tr1:iba]amos?
). +
3 1
1 2
1
2 De dnrle vienen?
De dnde vienen?
} 2
1}
3 (,Dt: dnde eres
2
l ) .l.
4 GPor qu estudiao?
Por qu estudian?
1 2
:1. ) ~
5 Y cundo lo arreg~an?
y cundo 10 ar.reglan?
1 2
13~30
3 1
3 )
3) ~
3 1~
TREINTA
'SPOKEN SPANISH
UNIT 13
,
6
idondelozmnds~
,
id"ondelozmands~
ikomolokyrs~
ikomolokyers
, . .
ikwandolQalkiln
ikwando19alk~ln
,
9
ikwandolobms~
ikwandolohems+
,.
ictondek6men~
ikwantodehms~
ikwantodebems''
1 2
1 1
6 Y dnde los mandas?
1 2
1 1
7 Y cmo lo quieres?
1 2
3 1
y cmo lo quieres?
1 2
11
8 Y cundo lo alquilan?
Y cundo lo alquilan?
1 2
1 1
9 Y cundo lo vemos?
1 2
3 1
Y cundo lo vemos?
1 2
1 1 ~
10 Y dnde comen?
1
1 1
1 2
1 2
31
3 1
Y dnde comen?
11 Y cunto dehemos?
TREINTA Y UNO
idondekomen
,
11
10
3 1
Y cunto debemos?
13031
UNIT 13
B.
SPOKEN SPANISH
Discussion of pattern
Information questions are those which cannot he answered hy a simple yes or no, hut rather must he answered hy a statement. Information
questions normally hegin with a question wa.-d, equivalent to 'who, what, when, why, where,' etc. in English.
The intonation patterns appropriate for information questions are the same ones used for statements:!1211 ~
normal, and /1231 /
adds special emphasis, or in sorne cases adds the idea of politeness. When a contrast is additionally implied hy the occurrence of /ent6n~es''
after an information question, the /1231 / pattern is almost compulsory:
lis
3 1
/paraktrabahmos lent6n~es~/
1 2
3 1
/ded6ndres lent6n~es/
Since these questions very often hegin with the stressed syllahle of the question word, the first nurnher of the intonation pattern formula is
ofteD lost.
13.32
TREINTA Y DOS
SPOKEN SPANISH
1322
UNIT 13
Replacement drills
o.,
o,
dan lestasfyestas.ak~Iwmenudof
.,
4
5
ai en
. ,
,.
o,.
o,
o,
~~~nl~s~tr~h~hQ~~ld~h~~~IJkw~nd~t
~~~nr~s;tr~b~hQ~~lsy~mpr~t
1
~
de vez en cuando?
ah
tragos
4 _ _esos
5 Hacen
6
7
TREINTA Y TRES
aienJesostra90~alldebe~eIJkwandot
syempret
, . .
f
,
trabahS(
danJesostra90~a1'debe~eIJkwandot
_esos
,
.~,
danlestostrago~a1Idebe~eIJkwandot
tragos
.
.
,
, .. , . , ,
.
danlesiasfyesta~ak1Idebe~eIJkwandot
, ,
,
.,. , "
danlestasfyesta~a1Idebe~eIJkwandot
debeieIJkwandof
al
trabajo
siempre?
13.33
UNIT 13
SPOKEN SPANISH
,
..
,
estalmepar~stpenda
esta7
~
v
bwens+
---------
este
-----------'
ak e 1.
ks(~ elents~
estelmpar~emal{
,
aket\]a lmepar~emal~
,
7
estemepar~bwen6~
,
mal~
~i
,
..
,
eSLazlmpar~nstpends~
,
..
,
estaz Imepar~mbwens~
11'
a"k'e\'~1az
l"""
f \
mGpare~eY).e -:;'\7)
ak~llmepr~ks(~)l~n+:e~
1 Estas
2
3 Este
5 Aquila
6
7 Aqul
ex.celente;::,
TREINTA Y CUATRO
SpOK~N
UNIT )3
SPANlSH
chiks~
--------------akea\l as_ _
_~
flhatelkomQestambaylandQlake0~aschks~
____________~bebyendQ
f~h~t~lk~mQ~st~mb~by~ndQI~k~Q~~schks~
_______________ seQy6r~
flhatelkomgestabebyendQlakelseQyr~
_ _ _ _ _ _ _ablandQ
f~b~t~lk~mQ~st~bl~ndQI~k~ls~Qy6r~
______~koDkyen
flhatelkoDkyen~staLlandQlakelseQy6r~
______________seQy6rs~
O"
,.
O'
~"
,.,
, .
o""
O".
"
"O,
O"
."
flhatelkoDkye~esta~ablandQlakeO~~~eQy6rs~
TREINTA Y CINCO
13.35
SPOKEN SPANISH
UNIT 13
ezl~~haldelseQyordelaks~
__ lhaz
__ amlgo
_otro
r.::
s6mos
.J
,
"
seQyorez
,
seQyora
..
...
s6nls~haz
alb~~g~/dlseQy;r~d~1~k5~
~otramlgoldelsQyoraa-elaksa~
~
~
,
/a-elaseQyoraaelaksll.J.
.,.
, . . .
, . .,.
, . . .
s6mos.otros arnJ.goz IdelsQyoraaelaks a~
,
. . , .
,.
..
,
s6y~tr9.~m~g~lael(~sQy;r~zu~1~ksa~
1 _ _ hijas
2
3 ._ _ amigo.
4 _otro
5 Smos
7 Soy
13.36
s6nl~~lhaz Idels&Qyordelaks~~
s6y
seores
TREINTA Y SEIS
SPOKEN SPANISH
;'
UNIT 13
o ,
0,/
__________~seQyora
'0.
C1'
esakepasalp6raltzlasQyorama~
---------------:--_-.-
ma~
o,
ji
esekepasalp6ralt~&lam190m1~
,
.,
,.
. , . ,
,.
________________s~6s~
_ _ _ _ _ _ _ _ _ _seora
_
ma.
amgo_
5 ---------unoo-s
TREINrA Y SIETE
..
,
,,
,.
keQ~alkepasalpr1ts~nmlgas~a~
___________a.mJ.ga
....
6 -------------suyos.
7 - - - - - - - - - - a m g a_ _
13.37
SPOKEN SPANISH
UNIT 13
"
akltyenezlat~~
F
1
______t~O
__~sta.
------.-;ms+
,..
ak1tyene~elt6~+
ak1~sta~lt~o+
"
k~estanlazm1as
'"
"
"
a~~stanlazmas
5
6
nw~strs
=----~--=~
l'
t'
a1.estaelnwstr~
~
""
fuyO.
2 _ _eS!d
4 Ah
mas.
-:otras_.
13.38
a1~staniotrazmas~
,
,.
"
a1~stanlotroznwstrs
otra z~~
_ - =_ _
nuestros.
el
TREINFA Y OCHO
UNIT 13
SPOKEN SPANlSH
13,23
No~
"..
n~ 5010107" omI)gs~
n.1.
no-~
no1
no
001 sol~enlatr~e
no
,
,
TREINTA Y NUEVE
".
,
porke-
,
prke.t.
~01olo7t'y4rns~
No~
No~
,..
. . .
sol~enlamaQyna
. .
sol~en1an6ch~
,
sol~e~elkw~rtt
,
prke
prket
porkt
,
prk~
13.39
SPOKEN SPANISH
UNIT 13
,
, ,
,.
B kwidad noba~as'mterlapt~
CUIdado, no vayas
fl
loeter la pata'
,
, ,
,
kwidad~ noba~aslkmersO~
,
, ,.
,
kwidad6~ noba~as'berso~
,
, ,
,
kwidado~ noba~asfabbers
,
, ,.
,
kwidad noba~asla~ers~
kwidad noba~asladei1rs
kwidad~ noba~as'akmprar~s6~
,
".
,
kwi6ad6~ noba~aslprbar~s
13.40
, ,
"
,
,CUIdado, no vayas a decir eso!
CUARENTA
SPOKEN SPANISH
I
UNIT 13
, . ,
.,.
,
,
,
rnJ.r~ yokreJ.alklb~prtAmentosl
,
rnmskaros
,
,
.,.
,
rnJ.r yokreJ.alkelbspteleslrn
,
rnskars~
,
,. ,
,
rn~r ~okreJ.alkelzrrestoranesl
,
rnrnzbarat6s
,
,.,
,
m~r ~okreJ.alkelskasasl~rn
,
rnzbratas
,
, .,.
,.
rnJ.ra ~okre~alkeloskwartosl~ran
,
rnzgrandes~
,
6 Say, 1 thought the embassy was
prettier.
CUARENTA Y UNO
.,.
rn~r ~okreJ.alklernbAhadlrA
,
mzbnJ. t
,
, .,.
,
mJ.r ~okreJ.alkel~entr9Ir
,
mzbnJ. t
13.41
UNIT 13
SPOKEN SPANISH
,.
.,
. .
D bamosl~ebarnozlask6ps~
. .
,.
.,
bamos IaG)~ebarnozlasO)~.J.
,.
., .
bamos IaO~ebarnoz laplm
,.
bamas laQ~ebarnos~lpery6Qik~
bamos IlCWebarnos.elwt+
,.
bamas llCWebarnozlaskamsas,J,
. .,
bamas IaO~ebarnaz los trhes~
,.
.,
bamos I aa~ebarnazlozmwbles~
,.
.",
ti'
.",
. . .
. .
",.
13.42
. .
CUARENTA Y DOS
UNIT 13
SPOKEN SPANISH
..
,
,
notekomfndas+ zladeO~a~
,
laaekarrnen~
No te confundas. Es la de ella, la de
Carmen.
notekomfndas~ z laQeO~\j.~
hers, Bertha's.
. .
No te confundas. Es la de ella, la de
Berta.
notekomfnds~
notekor:1fndas~ ezlaehwah~
,
le:tebert
ezlde1J lactehse'''
. .
No te confundas. Es la de l, la de
Jos.
No te confundas. Es la de Juan.
That's John's.
,
4 Don't get them mixed. That's
(m) hers.
. .
notekoiClfndas~
.
notekomf6nds-l.
,
,
es.ldeG.M-!-
No te confundas. Es el de ella.
,
es.elde0Ms~
No te confundas. Es el de ellas.
.
notekornfnds-l.
,
,
es.elde0'ys-l.
No te confundas. Es el de ellos.
notekornfndas'' snlzcieQ~5''
theirs.
CUARENTA Y TRES
13.43
SPOKEN SPANISH
UNIT 13
bwenolchkas~ kmperm1S0+
, . .
nsg1dabolbm6s+
,
1 Wdl you guls excuse us ?
We~ll be back tomOITOw.
bwenolchkas~ kmprm1S~
, .. ..
maQyanabolbms+
,
,
2 WJlll you gTrls eXCUl:tt:' Ul:t?
We~ll be back Mondar.
bwenlchkas+ kmprm1S+
..
elune"7bolbmos+
,
bwen6lchks~ krnperm1s6~
,
bwenlmchchs+ k6mprm1S+
,
dspwezbolbmos+
,
5 Well gentlemen, we' II be
back tomght.
t11abolbrnos
,
otro
..
bwenlsQyres+ stanochebolbms+
, . .
bwenlsQy6rs+ sttaraebolbms+
,
7 Well Charles, we'll be back
in the morning.
13.44
. .
bwenlkrls+ nlmQyanabolbmst
CUARENTA Y CUATRO
SPOKEN SPANISH
1324
UNIT 13
placeme nt o negative particle
"
1 rm not married.
nosoykasc!~
nosoysoltr~
nosoyespaQy61~
nosoyamer1kn~
"
6 Pm not ready.
rm not busyc
No soy ameri.:ano.
No soy ingMs,
,
No estoy l;sto.
no~stoYl'6r""6i
No e~toy Rocdo.
,
,
no~stoyk6m6d~
No estoy l.modo.
,
9
No soy f;spaol.
no~stoylst''
No soy soltero.
nosoYJ.I)glsi
,
No soy casadov
no~stoyokupd"o''
No estoy ocupado.
,
no~stoya~uetnd~
,
no~stoyestu~yndo~
,
,.
no~stoyaprendynd6~
no~stoyeskrltynd~
No
eSTOY
ayudando
No estoy estudiando.
CUARENTA Y CINCO
,.
No esloy aprendiendo.
No estoy e~crlb~endo.
13.45
UNIT 13
13.3
SPOKEN SPANISH
CONVERSATION STlMULUS
NARRAT/VE 1
.,..
estalngezlakopadehwn~
sinQezladehwantdebeserladehos~
S 1
hwanlstbbyendolkuba11br~
5 He isn't dancing.
no~stabaylndo
st~sprandQlasugOrd1t~
..
,.,
S, es la de l.
,.
,.
..
No est bailando.
...
ea~esta~nlako~1n~dand1
,
. .,
,
..
alaseQyoradelakasl~erunostr90s
13.46
...
ez lel
CUARENTA Y SEIS
SPOKEN SPANISH
UNIT 13
DIALOG 1
.."
J os ~ pregnte le a Juan
si sta es su copa o la de
s~statukop~folam~
Jos~
l.
Juan~
'"
kubalbre~
'"
'"
J OSt ~ pregnte le a Juan que
por qu no est haLlando.
Juan~
CUARENTA Y SIETE
stysprandQam1qOr~1t~
dond es t aD}j a~
st~nlk~~n~~rt~nd~lalasQyr
,
.,..
dlkas~la~erunostrgs~
13.47
UNIT 13
SPOKEN SPANISH
NARRAr/VE 2
,.
1 There' s a br.unette dancing
in front of Juan and J ose.
ynamrena/baylandQlrnfrnt
tthwan.lhos+
,
.
,
ezlasekrtaryalrtlkrnelhrris~
,
3 Juan likes her. He thinks sht:;'s
lepare~estupnda+
hwanlegsta+
Vr'j
.?
JOSE:' &
ShE ~s
terrific.
5 But
a friend of Carmt':\. ~
fIUn(:~(.
.,t1\
Per9e',I,~~
..
'.
,.
les,am1.gad"e
k armen~
I
lanobyadehos''
,
Su nombre e~ Cecilia,
,
hwaDkyerekono~rla~
prQaoralnopwd~
~...
13.48
...
st~sprandQlasugordt~
CUARENTA
Y OCHO
SPOKEN SPANISH
10 ShhhCarefulao. Here
she comes.
UNIT 13
,
,
shhl kwi~ad~ ak1byn~
DIALOG 2
,.,
..
...
mfrentedenos6tr6s~
,
Jos, contstele que es la
secretaria del Coronel
Harris. Pregntele que
por qu, que si le gusta.
prke~
tegustat
, .
mepare~~lstpend~ tlakono~est
zlskretaryaldlk6r6nelhrris~
,
,.
,.,
,.
kyen~~esamorenalkestabayland21
,
..,.
, ,
,
nomuybym~prkarmenle~am1gada~~
,
,
.
nQs,s1lkarment
,
Carmen, pregntele a Jos que
qUin.
CUARENTA Y NUEVE
kyent
Carmen: QUln?
UNIT 18
SPOKEN SPANISH
IJ
amigas~ kyerekono~erlalhwant
,..
s~i perQaoranopw~~
tfl
kl~r ~~~~~~Jsmzm~ybw~na~
st6y
esperandQam~gordita~
emfrentedenos6tros~
..
~~11ya~ lamrenalkestbay1and21
lsyentornch''
siente mucho.
13.50
~otambynf
shlkwiaa42.l.
CINCUENTA
UNIT 13
SPOKEN SPANISH
NARR4TIVE 3
, .
IS
Luz.
CINCUENTA Y UNO
hwanlhoselkrmen+
,..
hwn~ lpare~elkstmuytont~
,
,
*nrr~lidadtst~stpenda+
y en
ID
real~dad
est estupenda.
. .
hwaijlkyrbylrestalkonli+
,
6 They'll be back right away.
"0'.
o,
lUikyeresaberldekestan~blandol
,
5 Juan wants to dance this one
wth Luz.
elnombreldlagrd1t~lezl~~
nsgldabwlbn+
En seguida vuelven.
13.51
UNIT 13
SPOKEN SPANISH
DIALOG 3
.,
".,.
5tmb~iblandodel lAfye5t~~
,
,
stbn1ta
,
..
ntpAre~et
,.
"
kyerezbaylarestat
Luz: Encantada.
13.52
511 nrr~alidaQle5t~5tpendA~
kOmperm1S0+
..
n5eg1aabolb~mbs+
CINCUENTA Y DOS
U]\TIT ) 4
SPOKEN SP AN,SH
14.1
BASIC SENTENCES.
AID TO LISTENING
ENGLISH SPELLING
SPANISH SPELLING
kntento''
satisled, e ontented
contento
Wlute
Wh"te
lt
here,
Hartis
Yes, very much so.
,
S1+
Ha.,,s
S, muy contento.
muylkntnt.l.
,
dma"s.l.
besldes
adems
"
dmast mQyanat~9amifm11y''
,
(they) come (to come)
byenn.l. ben1r.l.
Vienen (venir)
the boat
l-bark.l.
el barco
m-barko''
by boat
Wh"te
Are they coming by boat?
UNO
..
,
,
byenenembarkot
en barco
White
Vienen en barco?
14J
SPOKEN SPANISH
UNIT 14
,
(they're) go(ing) to come
ban.ahenr~
van a venir
l-byoh~
el avin
pr-byoh~
por aVin
the plane
by plane
Harris
n01
,
,
bn~bn1rlpratyon~
Harris
la-swegr-!.
the mother-in-law
la suegra
to make dizzy
marear
,
s-mre~~ mrears~
,.
In
a ship.
se marea (marearse)
miswegra Ismre~er.brko~
Whae
Whae
Oh, your ITlother - in -law's cOImng t:oo?
the wife
la esposa
the chIld
el lllo
Harns
Harris
ikanlzn1QYos
the son
14.2
el hijo
DOS
UNIT 14
SPOKEN SPANISH
White
How many children do you have?
.,
White
Cuntos hijos tiene?
kwanto~hosltyne~
,
el-barn~
the male
el varn
la nia
Harris
Malina
(3)
Do you have a house yet?
,.,.
..
tres~ dozbaronesl*unan1Qy~
,.,.
Malina
Ya tiene casa?
~atyenekasat
Bellavista
Bellavista
behind
detrs
detrs de
the park
el parque
Harris
really (real)
Harris
rr~almnte~ rr~l~
,.,
1~ mbeo~abls ta ld"etraZd"elprk~
TRES
Harris
realmente (real)
vale (valer)
,.
la pena
(it) is worthwhile
bale-la-pna~
vale la pena
l-barryo~
el barrio
14.3
SPOKEN SPANISH
UNIT 14
Malina
lt's really worthwhile to live in
that section.
,..,.
r~almente'balelapenatblblrlenksebrry+
,
It's very quieto
Malina
Realmente vale la pena vivir en
ese barrio.
ezmuytraI)kl~
Es muy tranquilo.
,
above
sobr+
sobre
sobre todo
Harris
Harris
,
the sister
Molina
A married sister of mine lives there.
l-rmana.J.
n~rmnmalks~~lbb~~M+
la hermana
Malina
Una hermana ma casada vive all.
,
the airport
l-?,erpwert+
el aeropuerto
(you're) go(ing) to go
b-~-J.r.t.
va a
Harris
At one.
14.4
,.
".
,
,
k~orarba1rustecll~erpwerto+
Ir
A qu hora va a ir usted al
aeropuerto?
Harris
A la una.
CUATRO
UNIT 14
SPOKEN SPANISH
,
the order
l-orden+
,
la orden
at your servce
~s-ortenl!s''
a sus rdenes
Molma
Let me know if 1 can help you.
,.
stoyls~ordeneslpr~darl''
Molina
Estoy a sus rdenes para
ayudarle.
l-karr''
the car
the dlsposition
,
1 -d i S po S i~ yoh''
~-dispsi~ydn''
,
~ikarrQlestasud~spos1~y6n
l1arris
Thanks, [:lolina Look, the girls
are waltmg for you alL
CINCO
a su disposicin
mire (mirar)
l1arris
Gracias, Molina, l\'lire, las muchachas los estn esperando.
,
l~stn~sprand
b ms-~-ab laX'
Molma
So long. We 'll talk later. (4)
la disposicin
.. ..
el carro
stlweg'' bamos.ablardespws
vamos a hablar
Molma
Hasta luegoo Vamos a hablar
despus.
14.5
UNIT 14
14.10
SPOKEN SPANISH
(1) The translation o /kan tn te/ contento in this sentence lS far from literal, but there is no very satlsfaetory literal translation
possible. It does not mean ~eontented' or 'satisfied' or even ~happy' in the sense that Enghsh speakers would mean in a sentence like Are
you happy?", whieh implies something like 'Well, you were having problems; have things straightened out now?' The sentenee just means, Are
thmgs going smoothly, i5 life treating you right?'
f
(2) Note that English does not normally repeat the preposition before a double objeet; Spanish does: eL 'with my wife and the ehildren'
and con mi esposa y con los nios.
/y /
It shonld be noted that /bmos.ablr/ vamos a hablar eould mean 'Let's talk' instead of tWe'll talk.' That is, the form
vamos a -r is also used in the hortatory sense. It will be examined more closely and drilled in Unit 28.
/bmos. a---r/
14.6
SEIS
UNIT 14
SPOKEN SPANISH
14.2
14.21
Pattern drills
14.21.1
A. Presentation o pattern
lLLUSTRATIONS
,
mboylentn~s.l-
. .
,
Are you going to the party?
b aS.a1afye s t at
Vas a la fIesta?
,
3
Me voy, entonces.
komoleb
"Cmo le va?
. .
bamospora~
,
Are they going downtown?
ban.al~entrot
G Van
al celltro?
,..
uno~epropna
lrtoytrs
kwantoledslent6n~s~
Cunto le
. .
dalaka0\fet Qalptyo
,
How much are you giving him, then?
Vamos por ah L
..
das>
entonces?
SIETE
14.7
SPOKEN SPANISH
UNIT 14
10
,
.
l~amoslor~~m~y~
11
eslknobeomuybyn
12
"
,
S1bezldondebib~
13
akyembe~st4
,
,.
14
15
A quin ve usted?
..,.
p6rkenohemos l~unam1gomo~
ben/esamorenat
S me dan el apartamento.
, ,. ,
,
It's just that 1 don't see too well.
,
..
simdanJelapartamnt~
,..,.
EXTRAPOLA TION
sg
2 fam
2-3
ir
dAr
br
b-6y
b-s
b-
d-6y
d-s
d-
b-o
b-s
b-
b-mos
b-n
d-mos
d-n
b-mos
b-n
pI
1
2-3
NOTES
a. These verbs are irregular in their 1 sg forms.
b.
ir! has
a stem
/b-/
14.8
OCHO
SPOKEN SPANISH
UNIT 14
,.
NUEVE
,
doyprop1n~
damospropin.J.
,.
beolo~anniY~s.J.
bamoaalat1ntorer1~
doyd'emasyd'-l-
boyalat1ntorer1a~
,.
damoz<temasylf~
benelpery6~ik~
belpery6~ik''
boyenwt+
bamos.en.wt~
. .
....
,.
..
,.
bemozlos~nn~yos~
. .. ..
..
,
,
. .
1 Damos propina.
Doy propina.
3 Vamos a la tintorera.
Voy a la tintorera.
4 Doy demasIado.
Damos demasiado.
5 Ven el peridico.
Ve el peridico.
6 Voy en auto.
Vamos en auto.
14.9
UNIT 14
SPOKEN SPANISH
damperms.t.
dapermis.t.
bemozlast~s.t.
beolast~s''
balab6<.'t~
ban.alab6da
10
danchks
dachks
11
bamprnt
. .
14.10
. .
. .
baprnt
7 Dan permiso.
Da permiso.
9 Va a la boda.
Van a la boda.
10 Dan cheques.
Da cheques.
11 Van pronto.
Va pronto.
DIEZ
SPOKEN SPANISH
UNIT 14
Person - number substitution
"
,.
~odoyllarropabyha~
dalarropabyh~
hwanJ.~ 0
'"
ste~ez
'"
damozlarropabyh~
,
danlarropabyh~
,.
,
tu
'"
.
.
,.
,.
dazlarropabyha~
"..
,.
,.
'"
mr~a.
hwanrnobeloaann~ys~
ste~ez
nobenlos~nn~ys'"
nobeolosAnn~ys~
,
~o
, ,
, ,.
..
Juan y yo
Uds.
Da la ropa vieja.
Damos la ropa vieja.
____
yo
ONCE
14.11
UNIT 14
SPOKEN SPANISH
mr1~1karmen
eQ}Joz
,.,
''
baestanche~
,.
''
boyestan6ch~
hwan~karmem~
ban.estan6ch~
sted
ba~stan6ch''
eO~a
,
~o
.
.
,.
14.12
"
,
nobenlospnn~ys~
nsotroz Ibamo~estan6ch~
,
Mara y Carmen
Ellos
Ella
Va esta noche.
Yo
Juan y Carmen
Ud,
Va esta noche.
DOCE
UNIT 14
SPOKEN SPANISH
,..
,.
e[yozldnmuchaspropinas+
,
sted'
+
+
mr1~1hwan--
~o
---+
eQ~a.
. .
dnmuchaspropins
, .
.
d6ymuchaspropinas+
,
. .
,
".
,
dmuchaspropns~
dmuchaspropinas+
Mara y Juan
y0
Ella
TRECE
Da muchas propinas.
_
Da muchas propinas.
14.13
UNIT 14
SPOKEN SPANISH
~olbmuybyn.l-
ntonyo
.1-
bmuybyn.l-
.1-
bzmuybyn.l-
tu
sted*antonyo
.1-
nsotroz
.1-
bnmuyby~n.l-
bmzmuybyn.l-
14.14
Ve muy hien.
Ud. y Antonio_o
Nosotros
CATORCE .
SPOKEN SPANISH
UNIT 14
1
2
,
[ls.nun~ys
,
,.
,
ba~stedal~entrotQasuks~
,.
,.
benustedezllo~anun~yostolasf6ts+
"
. . ,. ,
..,
ban~O~os
, ,
.
beelllosperyod1kostolozlbrs
kebelJstd
,.
beolos.anniYs~
kwandobanustds
bamoz~
kyembenO~s
laoratQestanch+
. ,..
.,.
[lstkrtary]
bmzlasfots
, ,
,
b6yl~entr
,
blzll.brs~
. .
.. .
benalasekretry
,
[lskv~'atr6 ]
balaskwtr.l-
Voy al centro.
Van ahora.
Velos libros.
5 tQu ve Ud.?
Vamos ya.
(la secretaria)
Ven a la secretaria.
(a las cuatro)
8 A qu hora va l?
Va a las cuatro,
(los anuncios)
(ya)
QUINCE
14.15
UNIT 14
SPOKEN SPANISH
Lal)s4och6~ ]
[ l (S) S ~"ys ~ ] 1 O
,
,
,
no.t- bm6s.l(s) se"ys~
,
,
no~ b6ylas.och~
,.
ben.eO}joz Ilasfotost
n~ bnl~anun~ys~
12
,.
,.
,.,.
danustedez Ilostrahezbyehost
13
da~sted'laskamlsazbyehasf
14
dael/muchasprOplnast
15
d~n~O~~zll~rropabyehaf
[16s.anun~ys~] 11
"
"
"
i~ lzciams~
.,.
,
,
si.l- dmuchas~
(a las ocho)
(a las seis)
S, los damos.
S, las doy.
S, da muchas.
S, la dan.
(los anuncios)
14.16
"
ba~s ted Ialaznwebet
DIECI5EI5
UNIT 14
SPOKEN SPANISH
,
1 I'm not going now..
!:Ionoboya6ra~
Yo no voy ahora.
.,.
,
2 She's going to the wedding.
~abalab6d~
Ella va a la hoda.
.. .
bamos.ensegit!~
Vamos en seguida.
7 From.time to time I go to
that restaurant.
,
8 How many ladies are going?
kwanta(s) seQyorazbn
"
ellnodalmuchaspropins
El no da muchas propinas.
, .
,..
damozldmsya~aspropnas
DIECISIETE
14.17
UNIT 14
DlScussion of pattero
The verb /
not like an
r/
/-r/
r/
The verb / d
Elnd est6y/
/s6y~
The verb
/br/
/-r/
/b-/
/b-/
/-y/
on the 1 sg form,
Thi~ htf:;m
/-y/
dy/
.b
in
Lm hu
;rre~u!ar in I hat ~t
/be-j
/bmos/, /dmos/,
on j'lgLd
'::'
/by/ "
occurs in
and
/by / .
/bo/
/bmos/,
As monosyllahles thelf lexlcal stress appears on their endings rather than on a preceding syllable.
14.21.2
A. Presentation or pattern
, .,
. .,
boyaberls1e~ego~lgwa~
11.18
.,
...,
ba&ab1b1rlenelotelt
,
,.
.
akyembas.a0~ ebr~
,
,.
kWantobakobrrm~
Cunto va a cob,alme?
DIECIOCHO
UNIT 14
SPOKEN SPANISH
, ... ,
,. ,
bamo~atenerlbo~aprontot
..
9
10
. .
"
banakambyarSe/deks
nd b~n~b~n~rlp~r~by6n
EXTRAPOLA TION
I-Vrl
a
,
-r
-2r
-r
sg
by
2 fam
bs
2 - 3
bmos
2-3
bn
a
pI
abl-r
kom-r
bl.b-r
NOTES
a,
DIECINUEVE
I r I
I al
plus the
regularly fails to
14.19
UNIT 14
14.2121
SPOKEN SPANISH
~uhsl.itution drills
- Person~number substitution
, ,
~oboyatractu~ir''
sted
,
batradu~r~
hwan.l.~O
bamos.atractui ir
eQ~oz
banatrad'u~r~
karmem.
. .
batrad'u~ir~
n6s~tr;z Ihm6s~tr~b~h~r~i
,
''
eO~oz
,
~o
bntrbhara
b6ytr~bharai
1 Yo voy a traducir.
Ud.
Va a traducir.
Juan y yo _ _ .
Ellos'-
Van a traducir.
Carmen
_
_
Va a traducir.
14.20
Ellos
y0
VEINTE
SPOKEN SPANISH
UNIT 14
..
lw1sa*antonyo
,.
,.
eO~albkmer~espws~
bn.atrbahara1~
bs.atrabahara1.l.
tU.
.
.
b6ykmerdespws~
lw~sa*antonyo
bnakamerdespws+
lW1s1~o
bmsAkbmerdespws+
bnAkmerdespws+
~o
..
,
,
.,
stedez
Luisa y Antonio
VEINTIUNO
yo--
Luisa y Antonio
Luisa y yo
--'
Uds. - - - -
14,21
UNIT 14
SPOKEN SPANISH
Construction substitution
. .
komobastnt~
b6ykomerbastnt~
trnamoz"[)n~
bms~tmarbin
".
suben len.elas(~)ens6r
. ..
bnsblr len.elas(~)ens6r-l.
.
baylai
, .
blboemfrnt
,..
b6ybiblremfrnt~
mandanlostrhs
bnmndarlostrhs
, . .
stdyamosenelkwrt
14.22
bbylarai
bms~stdyarlenelkwrt6
1 Como I>Ets.Iailte.
2 Tomamos vino.
3 Suben en el ascensor.
4 Baila ah.
Va a bailar ah.
5 Vivo enfrente.
7 Estudiamos en el cuarto.
VEINTIDOS
SPOKEN SPANISH
UNIT 14
ba~stedlatrabahartQa~studyr+
ba~~ste6eS l~eskrlblrtQasalr+
ba~~lalabart~abarrr+
,.
~.
, ,
[eskriblr+
]
,..
,
[a~s tbyaor+ ]
,
[bebeor+ ]
,
[ntrah+]
. ..,
.,
.,
keban Ia:jerClMS+
kebaierustd+
kebanlaierustdes+
kebas lakomprart+
"
"
b6y trabhaor.1,
bmsftas llor~
o.,
"
,
,
bneskriblr+
,
o
b6ysttldya r+
,
bmos"abeber+
,
boyakompraruntrhe~
Voy a trabaJar.
Vamos a salir.
Va a berrer.
(a escrib ir)
Van a escribir.
(a estudiar)
5 Qu va a hacer Ud.?
Voy a estudiar.
VEINTITRES
~acer
(a beber)
6 Qu van a
(un traje)
Uds.?
Vamos a beber.
Voy a comprar un traje.
14023
UNIT
SPOKEN SPANISH
)4
, , ..
,
[lscheks~]
[aestdyr~J
lO
[slir~J 10
bs11relt
,.
,.
bn~skrib1rustedest
,
.
bms~k~mbyarlloschks
,
no
,
no
,
b~stetya'r
Lms~s11r~
11
"
. , .
bkmere0~a 'postret
, .
.,
S1~
er''va Ibkmerp6stre~
12
bnk6merustedeslpastelt
s11
bamos~komerpastl~
13
b~~b~r~st~~I~l~wt;t
(los cheques)
(a estudIar)
(a salIr)
14.24
kebanakambyarust~s~
,
9
,.
,
,
,.
,....,
,
S1'~ LoyaQ~ebrl.t.
9 Va a salir l?
No, va a estudIar.
S, voy a llevarlo.
VEINTICUATRO
UNIT 14
SPOKEN SPANISH
14.21.23 Translation drill
,
1 "e're going to repeat that.
b'm6srrept1rs6~
boyafeytrm~
..
keba~erustt!+
dondebatrabahr+
voy a afe.itarme.
Qu va a hacer Ud.?
,
Dnde va a trabajar?
,
5 I'm going to take a bath.
v oy a baarme.
b6ybQyarm
,
".,
., ,
elfnobameterflapatwotrab~~
,
banlprktikarms
banlAbskarks.J.
,.
.,.
bamos'a~erumbyh~
VEINTICINCO
14.25
SPOKEN SPANISH
UNIT 14
B. Presentation of pattern
The penphrastic future construction has three component forms, (1) a conjugated form of the verb / r/ ~ (2) the phrase relator /
(3) an infmitive. These elements are usually not separated by any other forms, though sometimes a pronoun subject will appear after
the form of
r
and
al .
As the name periphrastic indicates, this construction is a roundabout way of expressing future tIme. Spanish has a future tense which will
be presented in Unit 53, but the periphrastic future construction seems to occur more frequently than the future tense in most dialects. It is a
rather close equivalent of the 'to be going to.... ' construction in English.
This double English construction, combining both present progresslve and periphrastic future consJi"uctioDB,has no exact parallel in Spanish,
though its function is performed by the Spanish periphrastic future.
The periphrastic construction frequently brings into immediate sequence two and sometimes three / a/ phonemes. The normal phonetic
pallern of reduction to a single / a / in normal conversation may appear to be an omission of the relator /a/. Thus /b-a-kom~r/
becomes /bkomr/ and /b-a-ablr/becomes /bblr/ The relator becomes quickly evident again when /bn/ is suhstituted
for /b/~ /bn.akom~r / '
n.ab lr/, ShowIDg that the reduction is purely phonologicaL
/b
The periphrastic future construction ID i15 1 pI form can express future time (or intention) as in /bmo s-a-e S tudy r 's ta-n che~
'We 're going to study tonight', or it can express what might be called a hortatory c onstruction, where the speaker exhorts others to accompany him
in an action. Thus /bmos-a-komr~/appearing in its affirmative form can mean 'We're going to eat' or 'Let's eat'.
14.21.3
Ves-no questions
A. Presentation of pattern
ILLUSTRATIONS
,
y ou Hice tbe room.
1 1~
1 2
lgust~elkwrto~
lgust~elkwarto1
Le gusta el cuarto.
1 2
2 2
Le gust el cuarto?
VEINTISEIS
UNIT 14
SPOKEN SPANISH
estalhsJ,
, ,
1 2 1 1
Est lejos.
1 2 22t
~stalehost
Is it far?
Est lejos?
,
ls it very expensive?
'7muykr.J.
1 1 ~
Es Oluy caro.
,.
zmuykarot
22 t
Es muy caro?
EXTRAPOLATION
..---------------.
Statement
Ves-no question
/1211~/
I /1222t/
NOTES
a. One frequent Spanish yes-no question pattero is /1222 t /
similar lo a common English paUern, but not ending as high
as the English pattero does.
VEINTISIETE
14.27
UNIT 14
SPOKEN SPANISH
Problem:
trbahanmch''
Answer~
trbahanmuchot
,
1
lkl1an~lkwrt
lgustelpr~y
14.28
12
1 1''
Trabajan muc ho.
Answer:
1 2
2 2t
Trabajan mucho?
lgust~elpre~yot
/1211+/
Problem:
..
lkl1an.elkwartot
,
. , .
/1222 t /
1 2
1 1
1 Alquilan el cuarto.
1 2
2 2
Alquilan el cuarto?
1 2
1 1
2 Le gusta el prec io,
1 2
2 2t
Le gusta el precio?
VEINTIOCHO
SPOKEN SPANISH
UNIT 14
..
,
.
stamwebl~~
, . .
,
3
4
sbl.mos,a6ra~
,
.,
sb~mos.aorat
,
, ..
stamwebladot
,
.,
kmpramos~lwto~
kmpramos,elawtot
dselg~
dsealgot
tmamos~ntksi~
tmamos.untaksl.t
lmramoshntsJ
lmr~amoshuntost
. .
1 2
11
3 Subimos ahora.
1 1~
1 2
4 Est amueblado.
1 2 1 1~
,.
1 2
22
1 2
2 21
Est amueblado?
2 21
Compramos el auto?
Desea algo?
7 Tomamos un taxi.
Subimos ahora?
1 1~
1 2
1 2 2 2t
6 Desea algo.
1 1 ~
8 Almorzamos juntos.
VEINTINUEVE
..
lIt
5 Compramos el auto.
,,
1 2
221
Tomamos un taxi?
2 21
Almorzamos juntos?
14.29
SPOKEN SPANISH
UNIT 14
,
lpare~ekr~
lpare~ekarot
10
bskamos~tr~
,
bskamos~trot
11
kmpramo(s) S bnas.t.
kmpramo(s) sabanas t
1
2
1 1 ~
9 Le pal'ece caroo
Bo
22
Le parece caro?
1 1 ~
1 2
10 Buscamos otro.
Buscamos otro?
1
2
1
1 ~
11 Compramos sbanaso
Compramos sbanas?
1
1
2 2t
2
2
2t
Presentation of pattern
The rnost cornmon llltonation partern that OCClItS with yes-no questions, particularly when the questioner does not anticipate whether
the answer will be 'yes or 'no. lS /1222 t /
f
ThlS pattern will give English speakers relatively liule difflculty smce lt lS very similar to an English pattern with the same meaningo
The English pattern. however. ends somewhat higher, and this extra height might be lllterpreted as insistence or annoyance in Spanish.
2
Thus
14.30
22
/n-tyne- trot /
2
Don't you have another?' is normal and
23
/n-tyne-6trot /
TREINTA
SPOKEN SPANISH
14.22
UNIT 14
Heplacement drills
.,
..,
stkontentQaklfkoronelt
A
1
________________seQyorest
_______aora
____6k~artos
______________seQyorltast
____dskpadas
-- t
stQkntentos laoralseQyorest
,
. .
,.
..
...
,.
stnhkpadaslaoralseQyorltas t
stndskp~d~s 1~~r~ls~Qy~r~t~st
t
,
hose t
.".
.,
.,.
stdskupadQlaoralhoset
,
stdsokpad~laoralkarment
----------"karmen t
seores?
2 ,
ahora, _ _?
3 ___ocupados
4 t,
5
TREINTA Y UNO
.. , ..
stnhkpados laoralseQyorest
------------, .
,
.,
,.
est~kntentoslakllseQyorest
, . . , . . ,.
seoritas?
desocupadas
6 t,----
Jos?
7 .
Carmen?
14.31
SPOKEN SPANISH
UNIT 14
admast maQyanalmy9mifm~ly+
2
3
--------------rn1.90 s +
~mast maQyanaIO~9nmisaml.gs~
sus
-----------__________bynn
demast maQyanalroyganssarnl.g6s+
,
, .
,
admast maQyanalbynnsusm1gs+
+
+
-----lhwebez
_ _ _ _ _ _ _ _ _ _k~6s_-l-
------------_.....mrena+
,
_ _ _ _ _ _ _ _ _ _ _ _sQYor-l-
Ade~s,
dmast lhwebezlbynensusml.gs~
,
,.,
,
demast elhwebezlbyenenlk~s~rn19s~
.
.
,
,
demast lhwebez'byn~k~rnren~
,
,
,
admast elhwebezlbyn~klsQyor''
,
_ _ _ _ _ _ _ amigos.
sus _ _
_ _ _ _vienen
, el jueves
_ _ _ _ _ _aque llos_o
14.32
_ _ _ _ _ _ morena.
seor.
TREINTA Y DOS
SPOKEN SPANISH
UNIT 14
,
,
kwantos~hostyn~
,
,
kwantaznJ.Qyas.Y~
,
,
kwantotyempQy~
nJ.Qyas_~
1
2
y'"
tyemp2_~
kyrs~
6
,
kwantagwakyres~
bt>s~
kwantagwabbs~
kwantostragozbbes~
tragoz_'"
kwantotyempokyrs~
",
agwa
.nlOas
_ _.?
hay?
tiempo_?
4
5
quieres?
agua
6
7
TREINTA Y TRES
.,
,
kwantazn1Qyastyne~
?
bebes?
tragos
14.33
UNIT 14
SPOKEN SPANISH
,
D
. ,.
nrmanam~afksadalblb~aO~!
,
__rmanaz
!
..
,.,
nas.rmanazffi~asIkasadaz Iblben.aQ>J.J.
,.,.
..
,.,
nas.rmana(s) su~as Iks actaz Iblben.a~
. ,
,
.
n.lhosu~o /ksad"o Iblb~aO).ji.1,.,.
,.,.
~hosu~o/slterolblb~a~.1,.,.
--lho
.1-
, .
sltero
4
5
.1trabaha --~
.t.
ffiJ.O
sU~as
__amJ.goz
..
, . ,.
,
n6s.amlgozffilos Is61 teros /trbahanaQhli.J.
hermanas
suyas
___
3 _ _ hijo
soltero
trabaja_.
6
7
mo
amigos
TREINTA Y CUATRO
SPOKEN SPANISH
UNIT 14
,,
k~oralba~ruste~falReropwrt~
E
1
2
~
~
!:lO
prke
ben~r
nosotros
,
kI)kyem
fysta~
,
eOMos
...
. ..
fiesta?
nosotros _ _?
3 Con quin
4-
yo
5 Por qu
6
TREINTA Y CINCO
..
, . " . .,
ak~oralha1ruste~lalafy~sta~
,.
, .. ,
.,
.
k~orafbamosa~rnosotroslalafy~sta~
,
, .. ,
.,
kOI)kyernlbarnosa1rnosotroslalafyst~
,
,., ,
ko~kyemlboya1r~oIRlafysta~
, ,. , ,
prkelboya~~ol~lafysta~
,
".., ,
porkelboyaben1~ofRlafy~st~
, ,.
"
porkelbanaben1reOMoslalafyst~
venir
ellos
14.35
UNlT 14
SPOKEN SPANISH
stlweg~ bamos~blaraespws~
1
2
muybyn
-------------. . ,
..
bamos~blaraespws~
muybyn
,
a6r~
..
muybyn~ bamos~blara6r~
. .
_ _ _ _ _ _ _ _estud"yar_~
_________boy
adyds
_ _- __teI)gok~----_ _~
acyos+
teI)gokestudyara6ra~
_____ayke
adyds+
aykestuayara6ra~
muybyn~ bamos~estudyarara~
,
,
,
muytyr.~ boy~estudyarara~
,
aoyos+ Loyestudyarara~
,..
--
." -
/ '
. .
,.
_ _ _ _ estudiar _ _
,_voy
5 Adis,
6
_ _ - - - - - - _.. ahora.
- , tengo que
7 _ _, hay que
14.36
_
_
TREINTA Y SEIS
UNIT 14
SPOKEN SPANISH
14.23
Varation drills
..
byenen~mbarkot
Vienen en barco?
.,
byenen.en.awtot
byenen.en.abyont
. ..
Vienen en auto?
,
Vienen en avin?
, .. . ,
byenen.enlanoche t
...
,
,.
byenenenlamaQyanat
, .. . ,
byenen.enlatard"et
byenen.enSe9~dat
byenen.otrod'~at
TREINTA YSIETE
Vienen en la maana?
Vienen en la tarde?
.,.
,.
6 Are they coming right
away?
Vienen en la noche?
Vienen en seguida?
,
Vienen otro da?
14.37
SPOKEN SPANISH
UNIT 14
,
,
,
B no~ bnben1rlp6rhyoh~
,
1 No, they're coming by boat. -
no1 bnaben1rlprbark~
"~e
,
,
,
no~ bnhen1rlprlanoch~
,
4 No, they're coming in the
morning.
no+ bnAben1rlprlamaQyana~
,
7 Yes, they're coming for meo
14.38
,.
51+ bnbn1rlporm~
TREINTA Y OCHO
UNIT 14
SPOKEN SPANISH
..
,
, . ,.
kwatr~ trezbaronesl~unanQy~
,
,.
~1~ko~ umbaronlikwatroniQyas~
,
",..
tres~ lsposallswegral*elniQY~
~.,
,
'. ,
seys~ 1spoS~'2~lijkQfh6s~
TREINTA Y NUEVE
,
6 Tvo. John and Joseph.
. .
dos~ hWan.1hos~
,
,.,
tres~ elseQy6rm612naJhse*~6~
14.39
SPOKEN SPANISH
UNIT 14
"
O bllpena Ibibirn.sbrry~
,
bllapena Ibib~r lnsedify~
,
2 This is a good section to live in.
,
3 This is a good restaurant to come
to for dinner.
. .
nobalelapn~ Iblrms~
14.40
, , .
nobalelapn~ I ir~+
CUARENTA
SPOKEN SPANISH
UNIT 14
.,....
E mikarr~'estasu41spos1~y6n~
. ,..
..
mikas~lestasud~spos~~y6n~
,
.,....
m*prtmentQlestasud~spos1~y6n~
.,....
mikwart2Iestasu~1spos1~y6n~
,
m*byon'estasud1spos1~y6n~
miduch~lestasud~spos~~y6n~
. ,..
.,....
CUARENTA Y UNO
,
,..
nwstrk~~n~lestasud1spos1iy6n~
14.41
SPOKEN SPANISH
UNIT 14
,..
,.
lzmchachaz Ils.estan.espernd6~
lzmchachozllo~estan~spernd~
,..
USe
,..
,.
,..
~ozlns~stan~spernd~
,
,
mr1~1hoselmstanesperndo~
,
fOl'
l~}seQyorez 'nsAstanesperndb~
. .
,..
,.
14.42
,..
,..
l~amrikanazlmstan.espernd~
me.
CUARENTA Y
Dm
UNIT 14
SPOKEN SPANISH
14.24
l-dol
forms oC vtrbs
hahadoJi5b~dOmcho~
,..
,
,.
,
stdyadQlitradi~dolmuyp6ko~
very liule,
,.,
,
4 rve danced and gone out
very liule
bayladQlisal~dolmuyp6ko~
,
,.
5tdyadOI*aprnd~dQlump6ko~
labaaQlibarr~dot6db~
~lmbr~aQQlihb~dodemasydo~
.
,
,.
~~ebadQlitra~dQelwto~
,
,.
~rre91adQlibarr1oQelkwrto~
,
, .
kmpradQ:itr10ot~
CSf.
,
11 rve worked and lived there
CUARENTA Y TRES
,.
trbahaGQlibib1dQa~
He trabajado y vivido ah
14.43
UNIT 14
14.3
SPOKEN SPANISH
CONVERSATION STIMULUS
NARRArlVE 1
,.
.,
,
,
.
hselepresent~lelkr6nelharrlsf
asun6by~
2 The C olone 1 arrived Monday
from the States.
,
.,
,.
lkr6nel~e90t~J)lunez lt1ls
, .
stadosJJnd:s~
,
,
ellb~strkllmuchotymp~
. .
,
btrabharlkonl~embahd~
Embassy.
DIALOG 1
,
,
krnl~ kyr6prsentarl~lam1
,
,
nobya IlsQy6rl. tadelbQ~~
,
,
. .
karmen~ lkrnelhrris~
,
tanto9stlseQyrit~
CUARENTA Y CUATRO
UNIT 14
SPOKEN SPANISH
,
Carmen, dgale al Coronel que
encantada.
Carmen~
eI)kntad+
,
elkr6nelICC~1eg6~)lunez /dls
, . .
stad'osunds+
, ,
,
,.
,
,
als~t ba~starak~lmuchotyempot
~
Encantada.
,. .
,
kreokes1+ b6yatrbharlkn
,
l~mbhad'~
NARRAT/VE 2
CUARENTA Y CINCO
,
''''"
l~rpwert+ no~stafmuylehost
,
,.
.,
est'~medy~orad'~ak~l~nwtol
msmns+
4 But he doesn 9 t know how he 9 S
gong to (do) manage.
,
"
lfm~lyal~lkrnell~e9a
,
".
,.,
prQellnosabelkomoba~r~
14.45
UNIT 14
SPOKEN SPANISH
~
,.
tynltantaskosask~a~r+
hs~d~i~lkeSk~rrQlstl
Colonel's disposaL
,
..
. .
~ispsi~yonldelkoronl+
ColoneL
mQyn
mQyan~e(s) sbd+
,
9 But the Colonel can call him at
home
prQlkrnellpw d"e0\lmarlQ
. .
alaks+
,
,.
,
lkrneld1~elksi16n~s1tal
loQ~m+
DIALOG 2
,
Clll'men} pre~ntele al Coronel si
vino con su familIa,
...,
b1nQUste~lk0nSufcml1yat
,
Coronel, contstele que no Que su
familia lle~a maana Pregnte le
a Jos, a proposito, SI el aeropuerto
esta muy lej05
,.
no mifmllya
1t"~e9amaQyn
prpositlhs~
, .
,.
stamuylehosl
el~eropwertot
14A6
CUARENTA Y SEIS
UNrr 14
SPOKEN SPANISH
,.
,.,
n01 medY20rad~ak~l~nwtl
msl>mns
ns~lk~m~h~Y~~r+ t6~glt~nt~s
k~s~sk~~~rlmQYn+
,
,.
nmi~ondegr~ys
. .,. .
CUARENTA Y SIETE
,.
no1
,
maQyane(~shd+
pr
pwe4elroymrm~mikas+
stedba
,.
~starlenl~embahadalmaQyanat
,
mikarrQlsts~ispsi~yoh+
,
Coronel, dgale que un milln de
gracias. Pregntele si l va a
estar er.. la Embajada maana.
,.
muybyn siln~s1tolloOOym+
,
.
muchazgr~Ys+
14.47
UNIT 14
SPOKEN SPANISH
NARRAr/VE 3
,.
".
bynnsuseQyorattres1hosl
todasufamly+
Toda su familia.
,
, . .
btnerlkelkilarunaksa
"
house.
..
1suswgrA
",.
"..
prQellnosabelsibalelapn+
, . .,
,
d1~eDlkelAskasa~ak1Ikwestan
mch
,
,.. ,
prkarmemlb1ben~lbarryo
heC.).j ah 1s ta~
o,
14,48
,.
ilskasas,aCDJl.lsonmuyhonl.tas
. .
1harts
, ,
parbr Iked1~O~a
CUARENTA Y OCHO
U;\fIT lL
SPOKEN SPANISH
DIALOG 3
, . . . ,
byenetodasufam11yat
s11 misQyor~11tresjh6s~
tmbyembyenem1swgr
,
.
nton~eztbtnrfk~alkilr
CUARENTA Y NUEVE
.,..
nOSelSlbalelapn+
d1ie~k~ak1/
,
,.
laskasaskwestanmuch6+
,.
,
n~lbrry6ba~b1sta/d6ndyo
b~bQtyksz /m~yb~r~t~s~b~nts+
,.
,..
'"
,.,
,
Coronel, contstele que s, que
su seora y tres hijos o Que
tambin viene su suegrao
Carmen~
boyablar/knm*sposa/parbr/ke
14..49
UNIT 15
SPOKEN SPANISH
15.1
BASIC SENTENCES.
Mr. and Mrs. Harris and Molina are going to the customs office while the mother-in-law and children stay behiDd and wait for them.
AID TO LISTENlNG
ENGLI&.H SPELLING
SPANlSH SPELLING
rigorous, strict
rrigr~s~
riguroso
l~-dwana~
la aduana
Sra. Harris
Mrs. Harris
,
sgur~
sure
Molina
No, I'm sure that they won't bother you.
seguro
n~1 est6ysg~r~ldek~~st~dln~1~b~n~
molestr~
ust~d
no la
el-ekipahe~
the baRgage
Molina
No. Estoy seguro de que a
van a molestar.
el equipaje
Sra. Harris
Aqu, seor. Ya est aqu mi equipaje.
Mrs. Harris
,
kwa'l~
which
Clerk
Which is it?
cul
Empleado
Cul es?
kwals.!.
,
{Veen
UNO
bert1"e~
verde
15.1
UNIT 15
SPOKEN SPANISH
the trunk
el bal
Mrs. Harns
( )
It's these green suitcases and this small trunk. 1
Sra. Harris
pekQY~
have (to have)
tenga (tener)
la bondad
. . .
teQga-la-bondd-de~
Clerk
tenga la bondad de
Empleado
Esto, qu es?
the gift
el regalo
to declare
declarar
Mrs. Harns
,.,..
s6~nzrrgals~ todQestadeklard~
Sra. Harris
,
the list
Clerk
15.2
la-l1.st~
,
" .
alsi k1.~sta~nlalista
la lista
Empleado
el maletn
nos
UNIT 15
SPOKEN SPANISH
(for) me
me
to examine, inspect
revisar
Sra. Hnrris
t.:ste maletn, no me lo va a revisar?
Mrs. Harris
(2)
This handbag, aren't you going to check it?
,
necessary
neiesary~
necesario
Clerk
Empleado
No seora, no es necesario.
,
to you (it) lacks (to lack)
le-falta~ fltar~
Molina
le falta (faltar)
Molina
,
complete
kmpleto~
completo
Sra. Harris
No. Todo est completo.
Mrs. Harris
No, everything's here.
Molina
(3)
Did they take good care of you in Immigration?
TRES
atender
,
1~-inmi9r~yoh~
la inmi~acin
Molina
La han atendido bien en Inmigracin?
15.3
UNIT 15
SPOKEN SPANISH
,
to complain myseH (to complain
oneself)
kharm~ khars~~
quejarme (quejarse)
Sra. Harris
Mrs. Harris
Yo no me puedo quejar.
1 can't complain.
,
kind, nice, courteous
amable
amable~
,
for us
ns~
k-(l:~ebe~ 'l~ba'r~
nos
Harris
Harris
,
(I) said (to say)
d lh~
,
d~ ir~
dije (decir)
annche
last night
,
the car
l--koch-!-
caber
to fit
Molina
As 1 said last night, there's room in my car
fOl' all of us and the luggage.
el coche
".
. ..
Molina
Como le dije anoche, en mi coche
cabemos todos y el equipaje.
kabmstodoS I*eleklphe~
,
9ran~ Jrand~~
,
great Oarge)
the help
15.4
,
l~-ayueta~
gran (grande)
la ayuda
CUATRO
IJNIT 15
SPOKEN SPANISH
,
nds~
to us
to lend, to provide
Harris
You're being a great help to uso Thanks a lot,
Molina.
15.10
nos
,
prestar-l.
prestar
no~est~9r~st~ndQlnaqr~n~~da-l.
m~Ch~7.gr~yaz Imolna~
Harris
Nos est prestando una gran ayuda.
Muchas grac ias, Molina.
(1) It is perhaps worth calling to your attention the fact that in this Spanish utterance the nurnber of the verb (plural) rigorously agrees with the nurnber of the subject
(plural) even though the subject is positioned after the verbo In English the 'logical' subject is plural, but the grarnrnatical subject is it, which is singular and requires the
singular verb forrn is. The sarne situation occurs below, 'It's sorne gifts'.
(2) The occurrence of both direct and indirect clitics in the sarne phrase will be exarnined closely in Unit 20. In the rneanwhile aH that need be pointed out is that
the indirect clitic is the first of the two. Note, however, that no equivalent to the indirect /me / appears in the English translation.
(3) Notice that the Spanish present perfect construction /
This is a not infrequent translation pattero.
15.2
15.21
Pattero drills
15.21.1
A.
n-a tend id o/
is translated by the English past tense 'did they take good care of' in this sentence.
Presentation of pattero
lLLUSTRAT10NS
S1~ mgust~
S,
mkomby~n~m~s llprim~r~
Me conviene ms el primero.
ketepsa~
CINCO
me gusta.
Qu te pasa?
15.5
UNIT 15
SPOKEN SPANISH
keteflt
Qu te falta?
ls~st~~lkw~rtot
Le gusta el cuarto?
k~m~l~b
Cmo le va?
n6zq~st~~lkwrt6
nspar~i~p~kQY
kelespari
,.
10
.
Qu les parece?
, . ,
lspreiebyent
EXTRAPOLA TlON
--
sg
1
me
2 fam
te
2-3
le
pI
nos
les
NOTES
15.6
SEIS
SPOKEN SPANISH
UNIT 15
,
mgustalaksa~
n6zgustalaks'a~
nsfaltanlaskamsas
mfaltanlaskamisas
lz9ust~ele~~fiiYO
lfalt~und61ar
,
lgust~eled~fiYO
,
lsfalt~und61ar~
,
nzgustanla71egmbrs
,
,
mgustanla7.1egmbrs
leskmbyenemas~16tr
lkmbyenema~e16tr
mbamuybyn~
n6zbamuybyn~
. . .
, ,
Me gusta la casa.
2 Nos faltan las camisas.
3 Les
~usta
el edificio.
4 Le falta un dlar.
SIETE
le~umbres.
. .
. . .
Le conviene ms el otro.
7 Me va muy bien.
15.7
SPOKEN SPANISH
UNIT 15
,.
,.
legstala~rbe~atQelkuhalbre
meqst~la~~r0e~~
lzsst~elpartament9tolaksa
n79st~elprtment6
,
lfltalasop~tol~ensal~a
lfltalasopa
lzbbyent oml
l7bLye'n
[grande]
k~t~p~r~~~1~1~~r~pwrt6
mpare~e(rnd
[pkeQy6]
,
[barat6s]
,
nspr~~~p~kQY
k~l~sp~r~~~I~l~~~f~Y
k~l~sp~r~~~n Il~strhs
mfaltand~e~
,
,
[do~e.t.]
. . .
lespare~embarts~
Le falta la sopa.
Les va bien.
5 Qu te parece el aereopuerto?
Me parece grande.
(pequeo)
(baratos)
(doce)
Me faltan doce.
(grande)
15.8
OCHO
SPOKEN SPANISH
UNIT 15
,
[muybyn~]
nozbmuybyn~
komolezb~
,
[elabyoh~] 10
[lakasa~] 11
nO"~
,
legstalakasa-!,
tepr;i~m~l~ll~l~b~nd~r~~t
no'-!- mpar!iebwen-!-
13
le9~st~ll~skw~1~o~1~D9w~st
sJ.~ megstamuch6~
14
lespr~i~by~nl~l~~)sy~t~t
S1-!-
n6spareiebyn~
15
lbabyen.akJ.t
sJ.~
ltmuybyn-!-
[bwen-!-] 12
(muy bien)
(el avin)
(la casa)
(buena)
NUEVE
.,
legustelapartamentot
no-!- lezgstlabyo"n-!-
,. ,
11 Le gusta el apartamento?
S, me gusta mucho.
15 Le va bien aqu?
S, le va muy bien.
15.9
SPOKEN SPANISH
UNIT 15
16strahe7 Insp~r~mb~ratbs
l9stm~chQlesttrrya
lfaltalgot
no le(,us t. lakas at
alkantraryt mssttmucha+
Le falta algo?
,
No le gusta la casa?
,.
,.
8 We're thirteen dollars short.
n6sfaltan Itre~e~61~rs+
komole ~L+
lo( us t
9-9 12" 1
15.10
,
fl~ YOm'Jet ot
,
~'YjUyi<..3:-6~
1&k61~1)y 8nelotrot
Le conviene el otro?
DIEZ
SPOKEN SPANISH
B.
UNIT 15
Discussion of pattern
As stated in Unit 10, clitics are pronoun forms which occur with verbs. Clitics are of three kinds, direct (presented in Unit 10), indirect (presented here), and reflexive
(to be presented in Unit 24).
The selection of the clitic depends on the verb it accompanies. Sorne verbs may appear only with direct clitics, sorne only with indirect, sorne only with reflexive,
and sorne with various combinations. There is sorne overlap; sorne verbs may appear with direct or indirect ( /lo-aydo/vs/le-aydo/, /lo-espro/ vs
/le-espro/ ,/lo-(l)ymo/vs/le-(J)ymo/), and sorne verbs have a different semantic content when used withdirect or indirect clitics (/pselo/'Pass it'
vs /k -le-p sa t f'What's the matter with him').
The presentation in this section has been of constructions where a single clitic, an indirect, appears with a verbo The clitic will often be translated by 'to -'; for
example, /m/= 'to me', though sometimes the English sentence must be rearranged for this to be uue: /legst~elkwrtot/:'Does the room please you?' 01' 'Is
the room pleasing to you?' or more freely, 'Do you like the room?'
15.21.2
Indirect c litic pronouns - two objects (indirect clitic pronoun object and direct noun object)
A. Presentation of pattern
ILLUSTRATIONS
Y01r
Me prestas tu lpiz?
pencil?
,.
What ha's Mario brought you?
ONCE
kel~atraloomry
Qu le ha trado Mario?
15.11
UNIT 15
SPOKEN SPANISH
Alguien que
IWS
10
EXTRAPOLA TION
sg
1
me
2 fam
te
2-3
le
pi
nos
les
NOTES
ti.
15.12
DOCE
SPOKEN SPANISH
UNIT 15
Problem:
,...
hwanlmmandalospery6diks
(her)
Answer:
Problem:
Juan
me
(her)
Answer:
Juan le manda los peridicos.
TRECE
15.13
SPOKEN SPANISH
UNIT 15
,.
elnostra~larr6p~
(him)
"
~'letra~larr6pa~
(me)
elmetra~larr6pa~
(her)
,
,
if'letrdelarr6pa~
,1
(them)
~\lestra~larrpa+
(you)
,
"
e~'letra~larr6p+
"
El le trae la ropa.
(me)
(her)
El le trae la ropa.
(them)
(you)
15.14
CATORCE
SPOKEN SPANISH
UNIT 15
~'i~~l~s.~skr~t Il;zn6mbrs~
(us)
------------~
~\~~n;s,skr~bIl;7n6mbrs~
(him)
------------~
~\Jaleskr~b~Il;7nmbrs~
(me)
------------~
(you)
------------~
(them)
------------~
~A~~1~skr~t~ll;zn6mbrs~
.,..
~
(us)
(me)
(you)
(them)
QUINCE
(him)
15.15
UNIT 15
SPOKEN SPANISH
,
.,
EfI~oz Iledamperms
(them)
---------
~~~L Il~7d~rnp;rms..
(me)
---------
(her)
---------
~\;~z Im;ct~mp;rms
,.
.,
.
eC\Joz Ilect amperms
--------
~~~z ln~zet~mp~rms6
(yon pi)
---------
15.16
(tbem)
(me)
(her)
(us)
(roo pi)
DIECISEIS
SPOKEN SPANISH
UNIT 15
------------~
l~nrrbis~d~ll~zm~ltas~
-----------~
n~nrrbis~d~ll~zm~lts~
-----------~
lE1nrrbis~d~ll~zlt1~ltas~
(them)
___________ t
l~nrrebis~a~ll~zm~lts~
(you)
___________t
(her)
(him)
,11.
l~nrrbisaao Ilazmaltas~
DIECISIETE
(her)
(us)
(him)
(them)
(you)
15.17
SPOKEN SPANISH
UNIT 15
(me)
-----------
(bim)
----------
,
.. .
-----------
-----------
lW1sallelabalaskamsas
----------
lW1salle71abalaskamsas
,.
(you)
,
(tbem)
lW1sa/nzlabalaskamsas
,...
,...
(me)
(Mm)
(us)
15.18
(you)
(them)
DIECIOCHO
SPOKEN SPANISH
UNIT 15
Dew shirt.
My sister always brings a new shirt
to me.
,
6 My mother-in-law always gives me wine.
..,
miswegrafsyempreme~abfn~
DIECINUEVE
15.19
SPOKEN SPANISH
UNIT 15
Yo le he dado mi pluma a l.
15.20
VEINTE
SPOKEN SPANISH
UNIT 15
SeDteDce translations
Yo no le debo Dada.
,
5 How mucb do you owe me?
kwantomedeb~ustd
,.
,...
lbsharr1slsyemprelnb~ablanen~Qgl~s~
,.
, ,. .,
lozgar1alnol~anplk11ad~lelapartamntb~
Por
VEINTIUNO
qu~
15.21
UNIT 15
SPOKEN SPANISH
bou~ht
the furniture
. .
... .
nactyelle7tarrelapartamnt6
B.
Discussion of paltero
In the earlier drill sections on indirect clitics, one indirect clitic appeared as the single pronoun object of the verbo In the present drill section, two objects appear.
They could both be clitics, but since complicating changes occur among the clitics when two appear together, a drill on such combined sequences is reserved for a later unit
(Unit 20). In this section one pronoun object (expressed by an indirect clitic) and one noun object appear, controlled by the same verbo
Notice that the indirect relationship of Spanish is expressed in English with object pronouns in two positions: alone after a verb: 'He writes us a letter every day';
or with the relater 'to': 'He sent the book to os'. Notice also that the indirect clitic construction in Spanish translates several English relators other than 'to'; they seem to
15.22
VEINTID OS
SPOKEN SPANISH
UNIT 15
/L1etrelos
mean quite different things in English, though they are classified as similar by their common participation in the Spanish indirect clitic construction:
11bros~/ 'He brings the books to me'; /me0'yba Ilamalta!He carries the suitcase for me'; /[(lekmpr~ elkl'ro+ /
To, for, and from can aIl be translated by the Spanish indirect clitic.
15.21.3
A. Presentation of pattero
ILLUSTRATIONS
2
2 2t
Tiene un lpiz?
,
,.
tyen~unlapl~t
2
3 1
Tiene un lpiz?
ty~n~~nlapi~ I
,
~.
1 2
2 2 t
Podemos verlo?
pdemo7.Lerlot
11
1 2
3
Podemos verlo?
port~m~7ber16 I
,
1
2 22 t
Es muy caro?
e7muykarot
1
2 3 1
Es muy caro?
e7muykar61
EXTRAPOLA TION
Yes-no question
/1222t/
Yes question
/1231
1/
a. The /1231 / pattero signals, in appropriate contexts, a yes-no question in which a 'yes' answer is more or less expected. Note that it differs from the
emfhatic or contrasting statement pattero of units 12 and 13 ( /1231.1- /) only in the extent and abruptness of the final fade-out. This difference is transcribed by
/ ,/ vs /~/
VEINTITRES
15.23
UNIT 15
SPOKEN SPANISH
Problem:
lpare~etaratot
Answer:
. .
lpreiebarat
,
es talabwel tat
st~l~bwel ta I
l9ustal~l~eat
staoesokupaetot
l9ustal~1.<t;al
,
staaesokup~a61
n~ es 1 talmwad" as t
ne~es~talmwac!s
,
,
15.24
. . .
Problem:
1
2
2 2t
Le parece barato?
Answer:
1
2
31 I
Le parece barato?
. .
. . .
, .
1 2
2 2t
1 Est a la vuelta?
1 2
3 1
Est a la vuelta?
1 2
22t
2 Le gusta la idea?
j. Le
1 2
2 2t
3 Est desocupado?
1 2
3 11
Est desocupado?
1 2
2 2t
4 Necesita almohadas?
1 2
3 1
Necesita almohadas?
1 2
311
gusta la idea?
VEINTICUATaO
SPOKEN SPANISH
UNIT 15
,. ,
t6ctao1ahuntost
syempretrabahandot
,.
.,.
sta~nlakasat
, .
,
sta~nlakasl
enl~mbhada~er1kanal
enltn1d anwebet
enlbnd~nwebl
1
2 2 2 t
5 Todava juntos?
1 2 3 1
Todava juntos?
VEINTICINCO
Sy~mpr~tr;b~hand61
enl~mbhadamer1kanat
,
todab1ahuntos ,I
2
2 2
6 Siempre trabajando?
2
3 1
Siempre trabajando?
1 2
2 2t
7 Est en la casa?
1 2
3 1
Est en la casa?
1
2
2 2t
8 En la Embajada Americana?
1
2
3 1
En la Embajada Americana?
1
2
2 2 t
9 En la Avenida Nueve?
1
2
3 1
En la Avenida Nueve?
15.25
SPOKEN SPANISH
UNIT 15
"
ityen~ambret
11
ibebeblnot
"
"
Jo.
l(.yen~am
"
"
b re
. I
ibeLebln
10 Y tiene hambre?
1 2
3
1
y tiene hambre?
1 2
22 t
11 Y bebe vino?
1 2
31
Y bebe vino?
1 2
n.
"
10
Discussion of pattero
l.
A yes-no question, particularly in an informal situation, to which a 'yes' answer is more or less expected, is frequently uttered with the intonation pattern /1231
231
Thestatementof 112311/onaquestionanticipatin~a'yes' answercanhaveadditionalmeaning. Forinstance Ityn~unlpl~ I/mayreallymean, 'Can
1 borrow a pencil' if uttered in an appropriate context, such as with the hand of the speaker extended toward the person addressed.
As a generalization, however, it is not inappropriate to say that 'yes' is the anticipated reply to such a question.
15.26
VEINTISEIS
SPOKEN SPANISH
15.22
UNIT 15
Replacement drills
s~nm~yrr~g~r~s;s I~nl~dw~n~t
..
..
,.
esa __ t
sonmuyrrlqurosos /enesadwanat
kasat
snm~yrr~9~rs;sl~n~s~kasat
,
,.,
..
,.
amaLles
sonmuyamableslenEsakasat
traI)kllos
s~nm~ytr~I)k~l;sI~n;s~k~s~t
s~nm~ys~~y;s l~n;s~k~s~t
___ suiYoS
otelest
akel
VEINTISIETE
"
s~nm~ys~~y;s I~n;s;s;t~l~st
s~nm~ys~~y;s I~~k~l;t~lt
esa _ _ ?
casa?
3 _ _ _ amables
4 _ _ _ tranquilos
5 _ _ _ sucios
hoteles?
aquel_ _ ?
15.27
UNIT 15
SPOKEN SPANISH
~~~st~k~lm*ek1phe
bals
1
aC~1
su
~~~st~~~~ Im~7.b~les
~~~st~r~~ Is~b~l
k6sas~
t6<tat 1a
"
esas _ _
maletins~
~~~st~nd:~~ Is~sk6sas.t.
tOd"ab~~ I~st~n.~)j~ Is~sk6sas
t6d"ab~~ I~st~n.~~~ I~s~sk6sas.t.
t6dab~~I~st~n;C~~I~s~zm;1~tnes
1
2
3
bales.
all
6
7
su _ _
cosas.
5 Todava
15.28
~~~st~n~k~lm~zh~les
esas_ _
maletines.
VEINTIOCHO
SPOKEN SPANISH
UNIT 15
s~nl~n~zmaletazLr~s~
e
1
es
baul
este
mesas
~s l~mb~~lbrd"~
~s l~mb~~lp~kQYO~
~s l~st~b~~lp~kQy6~
s~nl~st~zm~s~sp~kQyas~
_otraz
s~nl~tr~7.m~S~sp~kQyas~
ay.
~yl~tr~zm~s~sp~kQyas~
1 Es
bal
3
este
_otras
7 Hay
Es un bal pequeo.
Es este bal pequeo.
mesas _ _ _
Es un bal verde.
pequeo.
VEINTINUEVE
lunamaletabrd~
es
oekQy6
15.29
UNIT 15
SPOKEN SPANISH
,
akl~stalalistc3
,
maletines
loz
3
4
_ay
ak~~st~l~st~lst
esta_
k6ss
k~~st~n I~st;zmaletnes
. ..
,
,
kl~stanlozmaletnes
ak~~ylunozm~l~tins
k~~yl~n~sksas
k~~yl;tr~sk6sas
k~~y I~tr~s6rnbres
----------------------------------_._------------
--_.-----_._-. _-------._---
esta_.
maletines.
los _ _ _
_ _ hay
6
7
15.30
cosas.
_ _otras
hombres.
TREINTA
SPOKEN SPANISH
UNIT 15
,
tOQestakompltb+
desokupet+
1
2
l7mesas
lst+
3
4
elsQyor
kontnts+
lzm~s~s I~st~nd~s~k~pds+
"
,
lmes~estalsta+
,
elseQyorestalstb+
"
l(~seQyores lestaDkontnts+
nsotros
,
ns~tr;s I~st~m;sk;ntntbs+
_~stoy:
~o~stoykontnt+
"
desocupado.
2 Las mesas
lista.
4 El seor
TREINTA Y UNO
"
"
todQesta6esokupdb~
contentos.
6 Nosotros
7 _ _ estoy
Yo estoy contento.
15.31
UNIT 15
SPOKEN SPANISH
b~y~b~sk~r~ntksi~
F
1
_ _ traer
bamos
4-
_ _ komprar _ _ ~
. .
bamoslakomprarunozl~br6s~
esoz __ ~
b~m~s I~k~mpr~rl~s~zlbrs+
,.
ksas~
tn~m~slk~
..
."
,.
bamos lakomprarlesask6sAs~
ten~m~slk~k~mpr~rl~s~sksas+
3 Vamos
4 _ _ comprar _ _
6
7 Tenemos que
15.32
. .,..
bamoslatraerunozlibrs~
boyatraerunozlibr6s~
ltr6s~
boyatraeruntksi~
esos_.
cosas.
TREINTA Y na;
SPOKEN SPANISH
15.23
UNIT 15
Variation drills
00
lo van a
rOl'
lim.
estm(~s9~r~z Idk~hw~nl*~h;s~ll;Zb~n
amandr
TREINTA Y TRES
stm(~sg~r~zldek~mr~~I*~k~rm~nll~z
. .
,
ban.amandr~
15.33
SPOKEN SPANISH
UNIT 15
"
. ..
,..
B te~galabondadl~~br1relballprimr
1 Please open the green suitcase.
. .
...,
,
,
te~galabondadldsperaralabwltat
s6nnozrregalos
,.
todQesta~eklardO
,.
,
tod~estakompr~o
s6niJno7.11brs
snimskm1Ss tOdQestalabet
15.34
TREINTA Y CUATRO
SPOKEN SPANISH
UNIT 15
o
1 Have they taken good care of you (f)
in the hotel?
TREINTA Y CINCO
,.
,
. ,
nftprnd160lmuchQespaQyolt
15.35
UNIT 15
SPOKEN SPANISH
,.
,
,
~spraoolmuchotyempot
blado
,.
.,
Ikon.eO~ost
kbnm19Qtansoomuyambls
"
konpstedtansidomuyambles+
,
, .
kon~ltnsdmuyambles
,.
,
k~nsotroztnQatrabahd
ko~n6sotroztnoasaldo
,..
,.
15.36
"
USe
,.
Con nosotros no ha salido.
TREINTA Y SEIS
UNIT 15
SPOKEN SPANISH
,.,
..
,.
, ...
mestamandandoldOs(~yentozdolareslalms~
,
7 It's bothering me a loto
TREINTA Y SIETE
..
mstamolestandomch6~
15.37
UNIT 15
15.24
SPOKEN SPANISH
,.
6 Antonio's girl is here.
15.38
,.
lan~QyaIQ~ntonyo I~stak~
TREINTA Y OCHO
SPOKEN SPANISH
15.3
UNIT 15
CONVERSATION STIMULUS
NARRAT/VE 1
16(~sQy;r~zld1inmi~r~~y~nt~nAtnd1do
m~ybYn lalafamlyaldelk6r6nlhrris~
".
per6n2estase9r6~
,..
elk6rnellnopweaepasr~
ak11 os,e s p r
TREINTA Y NUEVE
15.39
UNIT 15
SPOKEN SPANISH
D/ALOG 1
s~ lo(s)sQy~r~s 1~~tnsetom~y~miJles I
,.
,
n6~stoyse~r6
kreokes
si k1~st tooQ/estadeklard
ty~n~zl~1~st~la~t~6~sl~sk~s~slk~tr~~st
"
15.40
,.,..
noby~n~sk;~)n;s~tr;st
,
, . .
, . .
noi ~onopwedopasr kllo~espr~
CUARENTA
UNIT 15
SPOKEN SPANISH
NARRATWE 2
,
1 They're ready adw.
,
Ya estn listos.
~a~stanlsts
,
3 And why sLouldn't she? They didn't
charge her anything.
iprken6l nleDkbbraoonacal
noleet~hrn
ie0\ja Inobapreguntrlesl
,.
No le dijeroll.
,
y ella no va a preguntarles.
CUARENTA Y UNO
15.41
UNIT 15
SPOKEN SPANISH
DIALOC 2
~~I~stmzl~sts~
. ..
apre~untrles~
NARRATlVE 3
15.42
CUARENTA Y DOS
UNIT 15
SPOKEN SPANISH
,
3 They'll make two trips, then.
~ndozbyhs lnt6n~s+
pr6k~ramb~+
unmomntb+
5 Something's wrong.
Algo pasa.
Va a ir a buscarla ah.
DIALOG 3
CUARENTA Y TRES
15.43
UNIT 15
SPOKEN SPANISH
UD
,
Coronel, pregdntele que qu le pasa.
15M
aylkramba~ unmomnt6~
ketepsa~
Coronel: Qu te pasa?
CUARENTA Y CUATRO
SPOKEN SPANISH
AI.l
APPENDIX I
Vocabulary
Units 1-15
The fol1owing vocabulary list ineludes al1 words presented in Units 1-15. The entries are in a respel1ing which makes it possible to
find any item for which the pronunciation is known without being acquainted with the irregularities of the Spanish spelling system.
The first indentations under the main entry are constructions in which the entry item (or a variant form of the entry item) appears, which
are felt to be idiomatic from the point o view of English translation.
The second indentations under the maio entry consist of inflected forms which are irregular or which have not been treated yet in the
dril1s or discussion.
/roy/
Main entries are alphabetized according to the English alphabet with the fol1owing modifications:
fol1ows /1 Y/, /QY /
fol1ows /ny/, and/~/ fol1ows/ S / The respelling used in the vocabulary is the same as that used in the extrapolations and discussions, technical1y referred to as a 'phonemic transcription.' This differs from the respel1ing in the 'aid to listening' column of the
basic sentences only in omitting certain details of ;>ronunciation which can also be determined by the position of the 'phoneme' in a
sequence of sounds (for example, the phoneme /d/ is [d ] initially in an utterance, or after
or /1/ ; it is [d ] elsewhere;
both are listed /
in the vocabulary.)
/n/
d/
Nouns are identified for gender class membership by their appearance with the appropriate form of the definite article. A few nouns
which ordinarily do not appear with artieles (as sorne names of persons and places, names of the months, and sorne indefinites) are
identified by empty parentheses instead of by artieles.
Adjectives are identified by one of two ways. Those which have two gender endings are listed in their masculine form, with the feminine
ending fol1owing: /byh O ,
Those which have a common gender (both masculine and feminine agreement by a single form) are
shown with a zero fol1owing: /grnde, ~ /.
-a/.
/-Vr/
UNO
le s-/ .
AI.l
SPOKEN SPANISH
VOCABULARY
lal
The second column gives the traditional Spanish orthography of the main entries, in parentheses.
The third column gives the English translations of all the entry items.
The fourth (right hand) column gives the unit and section of the first appearance of each entry. Thus 10.1 indicates the item first appears
in the hasic dialogs of Unit 10; 10.2, in an illustration drill of the drills and grammar section in Unit 10.
In Unit 16 and after, new vocahulary also appears in the reading selections, so 16.4 would indicate that the first appearance was in the
readings section, and a second reference of 21.1 would indicate a suhsequent entry in the hasic dialogs. Two 'first' entries are necessary
hecause an 'active' knowledge is presumed for aH items presented in hasic sentences and drills, and only a 'passive' knowledge or recognition is presumed for items presented in readings. So, items presented in the readings are not used in drills until or unless they appear
later in has ic dialogs.
The following ahreviations are used:
(O
feminine
(fam)
familiar
(n)
neuter
(pI)
plural
~sg)
singular
lal
a
(a)
a-k6mo-est-( el-kmbyo)
al
a-la-bwlta
a l-i< on trryo
al-( ms)
AI.2
to
1.1
at
2.1
3.1
to the
1.1
S.l
on the contrary
8.1
per (month)
7.1
DOS
SPOKEN SPANISH
VOCABULARY
ladel
a-mendo
a-prop6sJ.to
a-su-dJ.sposJ.iyn
a-sus-6rdenes
la
( see
abenda
el
4.1
at your disposal
14.1
at your service
14.1
(ah)
oh
4.1
(avenida)
avenue
3.1
(haber)
there to be
1.1
to have
6.1
(you) have
9.2
9.2
n
s
y
9.2
1.1
(1) have
6.1
mos
y-ke
(we) have
9.1
it's necessary to
3.1
n6-y-de-i<~
1.1
(avisar)
to notify
5.1
(habitacin)
room
8.1
(hablar)
to speak, to talk
4.1
(abrir)
to open
8.2
(avin)
plane
14.1
by plane
14.1
abJ.sr
abJ.tay6n
ablr
abrir
aby6n
p o:r--aby6n
adelnte
pa s :r--ade ln te
TRES
by the way
13.1
ab~r)
ab~r
la
often
(adelante)
2.1
to come in
9.1
Al.3
SPOKEN SPANISH
VOCABULARY
ladel
la
el
las
adems
adm1n1stratf.bo, -a
adwna
ady6s
aeropwrto
,...
afeytr
afeytrse
afwras
agrade~r
agrade~ id o,
-a
besides
(administrat ivo)
administrative
4.1
(aduana)
customs office
15.1
(adis)
goodbye
(aeropuerto)
airport
14.1
(afeitar)
to shave
12.1
to shave oneself
12.1
gwa ( f)
ahniya
ahnte
af.
por-a!
akl
ak0ya ( f)
akC)yos, -as
akf.
ak-tyne
lgo
lgo-ms
( ) lgyen
alk11r
AI.4
1.1
7.1
(afueras)
outskirts
(agradecer)
to be grateful
10.1
(agrade cido)
grateful
10.1
10.1
my-agrade~f.do-por-t6do
el
la
el
14.1
(adems)
(agua)
water
3.1
(agencia)
agency
7.1
(agente)
agent
7.1
(ah)
there
2.1
that way
(aqul)
(aqu)
(algo)
13.1
7.2
7.2
those
7.2
here
3.1
3.1
here is (are)
7.1
anything, something
3.1
anything else
3.1
(alguien)
anyone
10.2
(alquilar)
to rent
7.1
CUATR
SPOKEN SPANISH
VOCABULARY
/as(~/
la
el
el
el
el
el
CINCO
almor~r
(almorzar)
to lunch
almwda
aC)y!
amble, ~
mbre ( f)
ten:r-mbre
amerlkno, -a
amgo
amwebldo, -a
amweblr
n (see abr)
an6che
ntes
(almohada)
pillow
(allO
6.1
(amable)
15.1
(hambre)
hunger
5.1
to be hungry
5.1
(americano)
American
2.1
(amigo)
friend
7.1
(amueblado)
furnished
7.1
(amueblar)
to furnish
7.1
(anoche)
last night
15.1
(antes)
before
10.1
ann~yo
(anuncio)
advertisement
7.1
a6ra
a6ra-msmo
por-a6ra
apartamnto
apnas
aprendr
arregldo, -a
arreglr
s ( see abr)
as!
as() ens6r
(ahora)
now
3.1
right now
3.1
right now
7.1
(apartamento)
apartment
6.1
(apenas)
scarcely, barely
(aprender)
to learn
4.1
(arreglado)
fixed, arranged
9.1
(arreglar)
to fix, to arrange
9.1
(asO
so
8.1
(ascensor)
elevator
3.1
5.1
11.1
12.1
AI.5
VOCABULARY
/ast/
el
la
SPOKEN SPANISH
until
1.1
so long
1.1
1.1
(hacer)
to do, to make
9.1
(atender)
(auto)
car
7.1
(ayer)
yesterday
4.1
(ayuda)
help
(ayudar)
to help
6.1
(bajar)
to go down
2.1
(valer)
to he worth
14.1
to he worthwhile
14.1
to hathe
12.1
to hathe oneself
12.1
sta
sta-lwgo
sta-maQyna
(hasta)
a~r
atendr
wto
,
ay (see
ayr
ayda
ayudr
15.1
ab~r)
15.1
/ b /
el
el
el
AI.6
b (see r)
bahr
balr
balr-la-pna
bmos (see r)
bn ( see r)
baQyr
baQyrse
bnyo
barto, -a
brko
em-brko
bar6n
barrr
(haar)
(hao)
hathroom
2.1
(harato)
cheap, inexpensive
5.1
(harco)
hoat
14.1
hy hoat
14.1
(varn)
male
14.1
(harrer)
to sweep
11.1
SEIS
VOCABULARY
SPOKEN SPANISH
/ber/
el
el
( )
brryo
bs (see ir)
bastnte, -i?5
bal
byas (see ir)
(barrio)
(bastante)
(bal)
trunk
15.1
baylr
b (see br)
bemos (see br)
bebr
beQ)yabis ta
bn (see benir, br)
benir
bn
bno
byne
bynen
bynes
bo (see br)
br
b
bemos
bn
bo
bs
(bailar)
to dance
13.1
(beber)
to drink
9.1
(Be llavista)
Bellavista
(venir)
to come
brde, ~
SIETE
(ver)
(verde)
14.1
5.1
14.1
5.1
come (fam)
13.1
(you) carne
5.1
(she) comes
10.1
(they) come
14.1
8.1
to see
6.1
(you) see
14.2
let's see
6.1
14.2
(I) see
10.2
14.2
green
15.1
AI.7
SPOKEN SPANISH
VOCABULARY
/bes/
(see b'r)
best1r
best1rse
(vestir)
b~~
(vez)
b~s
la
12.1
to dress oneseH
12.1
2.1
time
de-b~~-en-kw'ndo
6tra-b~~
again
2.1
(vecino)
neighhor
8.1
(veinte)
twenty
2.1
bJ.br
(vivir)
to live
6.1
el
bJ.o.)y~te
(billete)
hill
3.1
el
la
la
(vino)
wine
6.1
(vista)
view
8.1
(boda)
wedding
9.1
(volver)
to return
9.1
(bondad)
kindness, goodness
15.1
15.1
el
be~1no
b~ynte,
bolb~r
la
la
la
AI.8
to dress
bondd
tenr-la-bondd-de
bonto, -a
by (see r)
br6ma
k-br6ma
buskr
bwlta
a-la-bwlta
bw~no, -a
13.1
8..1
(bonito)
pretty
(broma)
joke
12.1
what a fic
12.1
(buscar)
to look for
6.1
(vuelta)
turn
5.1
around the
(bueno)
good
COl'Der
5.1
1.1
OCHO
SPOKEN SPANISH
VOCABULARY
/chul/
el
el
bwn
bwnos-dlas
bwnas--n6ches
bwnas-trdes
byhe
byahro, -a
byho, -a
byn
est-byn
byne (see benir)
bynen (see ben1r)
bynes (see ben1r)
byrnes
OK
4.1
good
5.1
good morning
1.1
good evening
1.1
good afternoon
1.1
(viaje)
trip
4.1
(viajero)
traveler
3.1
(vie jo)
old
7.1
(bien)
well, fine
1.1
that's O.K., OK
1.1
(viernes)
Friday
10.1
(che~)
cReck
1.1
(chi<:a)
girl
13.1
(ckicg)
boy
12.1
(chofer)
chauffelif
4.1
(chuleta)
chop
6.1
/ch/
el
la
el
el
la
NUEVE
chke
ch1ka
chko
chofr
chulta
AI.9
SPOKEN SPANISH
VOCABULARY
/dan/
/dl
d(n) ( see dr)
dr
d
dn
ds
d
d6y
d r-a-( 1a-k O)ye )
drse-prsa
drse-una-dcha
ds ( see dr)
de
la
AI.lO
(dar)
(de)
to give
2.1
(it) gives
8.1
(they) give
10.1
14.2
give
2.1
(1) give
4.1
8.1
to hurry (oneself)
12.1
to take a shower
12.1
oC, from
1.1
de-b~-en-kwndo
del
de-nda
8.2
you're welcome
1.1
lo~e
9.1
4.1
8.1
(dejar)
to leave, to let
8.1
(declarar)
to declare
15.1
(demasiado)
too much
7.1
too many
7.1
(derecha)
right
2.1
(desde)
since
4.1
4.1
d (see dr)
debr
dbe(n)-sr
dehr
deklarr
demasydo, -a
demasydos, -as
dercha
dsde
dsde-kwndo
(deber)
13.1
DIEZ
VOCABULARY
/dl.s/
SPOKEN SPANISH
deser
des okupdo, -a
desokupr
despws
(desear)
to wish
6.1
(desocupado)
empty, unoccupied
6.1
(desocupar)
to vacate, to empty
6.1
(despus)
later
3.1
de~l.d1r
(decidir)
to decide
9.1
de~r
(decir)
to say, to tell
2.1
say
4.1
dga
dgas
dhe
dl.hron
15.1
(you) say
2.1
de~1rse
2.1
kerr-de~r
to mean
2.1
behind
14.1
14.1
detrs
detrs-de
da
bVJnos-das
diga (see de~r)
dgas ( see der)
dhe (see de~r)
(detrs)
day
1.1
good morning
1.1
(dispensar)
to excuse
1.1
disposition
14.1
at your disposal
14.1
(da)
de~r)
dlSPOSl.~y6n
a-su-dlsposl.y6n
ONCE
(1) said
4.1
dl.hron (see
dl.spensgr
la
12.1
(they) told
d~e
el
tell (fam)
AI.II
SPOKEN SPANISH
VOCABULARY
/dJ./
d!~e
el
el
el
d6lar
domingo
d6n
d6nde
dormJ.t6ryo
d6s, ~
d6~e,
la
el
(see der)
(dlar)
dollar
3.1
(domingo)
Sunday
10.1
(don)
mister
11.1
(dnde)
where
2.1
(dormitorio)
bedroom
8.1
(dos)
two
2.1
(doce)
twelve
2.1
(ducha)
shower
12.1
to take a shower
12.1
tooth
12.1
12.1
(diente)
(diez)
ten
2.1
edJ.fi~yo
(edificio)
building
7.1
ekJ.phe
eks()elnte, ~
el
la
los, las
al
(equipaje)
baggage
15.1
(excelente)
excellent
4.1
(el)
the
1.1
the (f)
1.1
the (pI)
2.1
to the
1.1
lel
el
el
AI.12
(see abr)
DOCE
VOCABULARY
SPOKEN SPANISH
/erm/
l
la
el
la
la
la
TRECE
he
4.2
she
4.2
they
4.2
(embajada)
embassy
2.1
(enfrente)
10.1
(empezar)
to begin
11.1
(empleado)
clerk
15.1
(en)
in
2.1
on
3.1
at
4.1
(l)
(JJ)ya
C])yos, (M)yas)
embahda
emfrnte
mos (see abr)
emper
empledo
en
em-brko
by boat
14.1
en-rr~al~dd
actually
8.1
en- s eg1da
enkantdo, -a
enkantdo-de-konoirla
enkantr
enkontrr
ensalda
ent6nies
entrda
ran (see sr)
res (see sr)
ermna
13.1
enchanted
1.1
1.1
(encantar)
to enchant
1.1
(enc ontrar)
to find
6.1
(ensalada)
salad
6.1
(entonces)
then
3.1
(entrada)
entrance
3.1
(hermana)
sister
(encantado)
14.1
AI.13
SPOKEN SPANISH
VOCABULARY
lesl
(see sr)
se, -a
eskina
(ese)
that
(esquina)
corner
eskr~b1r
(escribir)
to write
8.2
eskr~t6ryo
(escritorio)
desk
5.1
eskw~la
(escuela)
school
4.1
so (n)
espaQy6l
esperr
esp6sa
est (see estr)
estdo
estdos-undos
estn (see estr)
estr
est
estn
ests
est6y
est-byn
ests-en-tu-ksa
ests (see estr)
ste, -a
sta--n6che
sto (n)
est6y (see estr)
(e'so)
that
2.1
(espaol)
2.1
(esperar)
8.1
(esposa)
wife
14.1
(estado)
state
4.1
(Estados Unida;)
United States
4.1
(estar)
to be
1.1
(you) are
1.1
(they) are
2.1
4.2
(1) am
1.1
1.1
9.1
this
3.1
tonight
8.1
this
2.1
~s
la
el
la
el
la
el
los
AI.14
(este)
(esto)
7.1
10.1
CATORCE
VOCABULARY
SPOKEN SPANISH
/gas/
estudyr
(estudiar)
to study
(estupendo)
terrific
fab6r
por-fab6r
faltr
famlya
(favor)
favor
2.1
please
2.1
(faltar)
to lack
15.1
(familia)
family
5.1
f~11, ~
(fcil)
easy
6.1
f~cha
(fecha)
date
9.1
flhr
flhrse
fn
em-fn
por-f1n
f6to
fnda
fysta
(fijar)
to fix
13.1
to pay attention
13.1
end
10.1
10.1
at last
12.1
(foto)
picture
9.1
(funda)
11.1
(fiesta)
party
11.1
(gafas)
eye glasses
12.1
(gas)
gas
estup~ndo,
-a
9.1
13.1
/f/
el
la
la
el
la
la
la
(fin)
/9/
las
el
QUINCE
gfas
gs
7.1
AI.15
SPOKEN SPANISH
VOCABULARY
/gor/
g6rdo, -a
gordito, -a
grnde, ~
grn
(gordo)
(grande)
12.1
a Hule fat
12.1
big, great
7.1
great, large
gr~yas
15.1
thanks
1.1
thanks a lot
1.1
{gustar}
to please
3.1
(gusto)
pleasure
1.1
rncho-gsto-(de-kono~rlo)
1.1
tnto-gsto-de-kono~rlo
4.1
(jamn)
ham
6.1
(Jos)
Joseph, Joe
4.1
(juntos)
together
5.1
(Juan)
John
4.1
(jueves)
Thursday
(y)
and
1.1
(idea)
idea
9.1
(gracias)
rnchas-gr~yas
el
fat
gustr
gsto
/h/
el
( )
( )
el
harn6n
hos
hntos, -as
hwn
hwbes
10.1
/1/
la
AI.16
DIECISEIS
VOCABULARY
SPOKEN SPANISH
/l.k/
la
el
la
el
la
J.gwl, ~
l.gwl-a
l.gwlmnte
J.gwalfto, -a
ha
ho
(igual)
DIECISIETE
1.1
the same as
8.1
1.1
9.1
(hija)
daughter
13.1
(hijo)
son
14.1
J.mforma~y6n
(informacin)
information
3.1
J.ng ls
J.nklwfr
(ingls)
2.1
(incluir)
lo include
7.1
J.nmJ.gra~y6n
(inmigracin)
immigration
ir
(ir)
to go
1.1
(it) goes
1.1
5.1
(they) go
8.1
(you) go (fam)
6.1
b
bmos
bn
bs
byas
b6y
iba
la
equal
irse
k6mo-le-b
1kyrda
(bquierda)
15.1
go (fam)
13.1
(1) go
12.1
12.1
to leave
10.1
1.1
left
2.1
AI.17
SPOKEN SPANISH
VOCABULARY
/k/
/kab/
la
el
la
la
el
la
el
la
( )
el
la
la
AI.18
kabr
kda, ~
kha
kahro
kQ)ye
kma
kambyr
kambyrse
kambyrse-( de-rr6pa}
kmbyo
kamisa
kmpo
kant1dd
karmba
krmen
kro, -a
krro
krta
ksa
el-seQy6r-de-la-ksa
ests-en-tu-ksa
kasdo, -a
kasr
ks1
(caber)
to fit
15.1
(cada)
each
13.2
(caja)
3.1
(cajero)
cashicr
3.1
(calle)
street
8.1
(cama)
bed
8.1
(cambiar)
to change, exchange
3.1
to change (oneseIf)
8.1
to change (clothes)
8.1
(cambio)
change, exchange
3.1
(camisa)
shirt
(campo)
7.1
(cantidad)
amount, quantity
7.1
(caramba)
gosh
8.1
(Carmen)
Carmen
(caro)
expensive
(carro)
car
14.1
(carta)
Ietter
12.2
(casa)
house
8.1
10.1
13.1
8.1
13.1
9.1
(casado)
married
5.1
(casar)
to marry
5.1
(casi)
aImost
4.1
DIECIOCHO
VOCABULARY
SPOKEN SPANISH
/kJ..n/
kat6r~e,
-9J
ke
(catorce)
fourteen
2.1
(que)
that
3.1
who
7.1
it's necessary to
3.1
y-ke
lo-ke
tenr-ke
k, -1Z5
(qu)
to have to
8.1
what
1.1
how
9.1
k-br6ma
what a fix
k~le-par~e
6.1
k-6r a-s
k-tl
what time is it
5.1
how goes it
1.1
how
4.1
12.1
k-te-psa
n6-y-de-k~
1.1
why
7.1
por-k
kehr
kehrse
kerr
kyre
kyren
kyres
kyro
kn~e,
12.1
15.1
(quejarse)
to complain
(querer)
to want
1.1
(it) wants
2.1
6.1
6.1
(1) want
1.1
to mean
2.1
fifteen
2.1
kerr-de~r
DIECINUEVE
10.1
(quince)
AI.19
SPOKEN SPANISH
VOCABULARY
/kla/
el
( )
klro, -a
klro
kobrr
k6che
ko16n
kombenir
clear
7.1
of course
7.1
(cobrar)
to charge
11.1
(coche)
car
15.1
(Coln)
Columbus
3.1
(convenir)
to suit
7.1
(it) suits
7.1
6.1
(claro)
komby~ne
kom~r
(comer)
to eat
komfundr
komfundrse
komo
k6mo
a-kmo-est-el-kmbyo
kmo-le-b
kmo-n
k6modo, -a
kompl~to, -a
komprr
k6n
kom-permso
konmgo
kontgo
kon-tympo
(confundir)
to confuse
13.1
to be confused
13.1
kono~r
(conocer)
enkantdo-de-konoirla
AI.20
(como)
like, as
9.1
(cmo)
how
1.1
3.1
1.1
certainly
1.1
(cmodo)
c omfortab le
8.1
(completo)
complete
(comprar)
to buy
9.1
(con)
with
1.1
excuse me
1.1
15.1
with me
12.2
12.2
in time
11.1
1.1
1.1
VEINTE
VOCARULARY
SPOKEN SPANISH
/kwa/
el
la
el
la
la
el
el
el
VEINTIUNO
mcho-gsto-de-konoirla
tnto-gsto-de-konoirlo
konsulr, ~
kontnto, -a
kontrryo
al-kontrryo
k6pa
koronl
ksa
kostr
kwsta
kOilna
krer
krer-ke-s!
kba-l1bre
kwl, -95
kwalkyra, ~
kwalkyr
kwndo
de-bi-en-kwndo
dsde-kwndo
kwnto, -a
kwntos, -as
kwrto
kwrto
1.1
4.1
(consular)
consular
4.1
(contento)
satisfied, contented
(contrario)
contrary
8.1
on the c ontrary
8.1
14.1
(copa)
goblet
13.1
(coronel)
colonel
13.1
(cosa)
thing
4.1
(costar)
to cost
3.1
(it) costs
3.1
(cocina)
kitchen
8.1
(creer)
to believe
6.1
to think so
6.1
(cuba libre)
cuba libre
9.1
(cul)
which (one)
(cualquiera)
whatever
5.1
whatever
5.1
(cuando)
when
4.1
(cundo)
when
4.1
15.1
13.1
4.1
how much
2.1
how many
3.1
(cuarto)
room
3.1
(cuarto)
quarter
5.1
(cunto)
AI.21
SPOKEN SPANISH
VOCABULARY
/kwa/
(cuatro)
four
2.1
la
kwtro, ~
kwnta
kwsta (see kostr)
(cuenta)
check, bill
6.1
el
kw~ddo
(cuidado)
care
13.1
(be) careful
13.1
ky~n
9.1
(quin)
who
(lavandera)
laundry
10.1
(lavar)
to wash
11.1
lp~
(lpiz)
pencil
2.1
le-
(le)
(to) you
1.1
(to) him
4.1
(to) her
10.1
(lechuga)
lettuce
6.1
(legumbre)
vegetable
6.1
(le jos)
far
3.1
(lengua)
language, tongue
4.1
(libro)
book
2.1
/1/
la
el
la
la
la
el
AI.22
lechga
legmbre
lhos
lngwa
libro
VEINTIDOS
SPOKEN SPANISH
VOCABULARY
Imall
la
el
la
l1mpyr
llmpyrse
l1mpyrse-los-dyntes
lsta
lsto, -a
lo (n)
lo-de
lo-ke
10-, la-
to clean
10.1
to clean oneself
12.1
12.1
(lista)
list
15.1
(listo)
ready
10.1
(lo)
the
9.1
9.1
(limpiar)
10.1
you
1.1
it
1.1
him (her)
4.1
them
10.1
(lunes)
Monday
10.1
l~
(luz)
light
7.1
lwgo
asta-1wgo
(luego)
then, later
1.1
so long
1.1
(llave)
key
7.1
(llamar)
to call
(llevar)
to take, carry
(llegar)
to arrive
12.1
(maleta)
suitcase
10.1
(maletn)
15.1
IQ)yl
la
C)ybe
Qlyamr
C'yebr
el...yegar
'
12.1
2.1
Iml
la
el
VEINTITRES
malta
maletn
AI.23
SPOKEN SPANISH
VOCABULARY
/mal/
la
el
mlo, -a
ml
mandr
(malo)
(mandar)
to send
man~na
(manzana)
apple
6.1
maQyna
asta-maQyna
marer
marerse
mrtes
ms
lgo-ms
me-
(maana)
tomorrow
1.1
1.1
m~dyo,
el
-a
(marear)
8.1
10.1
to get seasick
14.1
(martes)
Tuesday
10.1
(ms)
more
3.1
anything e !se
3.1
me
1.1
(to) me
2.1
myself
8.1
(me)
(medio)
half
12.1
m~nos
(menos)
less
3.1
men
mendo
(men)
menu
6.1
often
13.1
month
7.1
per month
7.1
m~s
(menudo)
(mes)
m~sa
(mesa)
tahle
2.1
mes~ro
(mesero)
waiter
6.1
met~r
(meter)
to put in
13.1
13.1
metr-la-pta
AI.24
had
14.1
al-m~s
la
el
8.1
to make dizzy
a~endo
el
had
VEINTICUATRO
VOCABULARY
SPOKEN SPANISH
/much/
el
ml, ~
mi
konmigo
mlQ)yn
mlnerl, ~
mo, -a
ml, ~
ffilrr
mismo, -a
(mi)
my
4.1
(m)
me
6.1
with me
12.2
(milln)
million
8.1
(mineral)
mineral
3.1
(mo)
mine (my)
4.1
my
4.1
to look
(mismo)
same
3.1
-self
10.1
a6ra~ismo
el
el
la
el
la
VEINTICINCO
13.1
(mirar )
right now
3.1
4.1
moblmynto
molestr
molestrse
momnto
un-momnto
monda
(movimiento)
movement, activity
(molestar)
to bother
10.1
to bother
10.1
moment
12.1
just a minute
12.1
(moneda)
con, change
3.1
m6~o
(mozo)
porter
3.1
waiter
6.1
morno, -a
muchcha
mcho, -a
mchos, -as
(momento)
13.1
(moreno)
brunette
(muchacha)
girl
9.1
(mucho)
1.1
many
1.1
mchas-gr~yas
thanks a lot
1.1
mcho-gsto-(de-kono~rlo)
1.1
AI.25
VOCABULARY
SPOKEN SPANISH
Imuchl
muchsl.mo, -a
mudr
mudrse
mudrse-de-ksa
my
el
(mudar)
5.1
to move
8.1
to change, to move
10.1
8.1
(muy)
very
1.1
(mueble)
(piece o) furniture
7.1
unfurnished
7.1
(mircoles)
Wednesday
10.1
nda
de-nda
ndye
neiesryo, -a
(nada)
nothing
1.1
you're welcome
1.1
mw~ble
sJ.n-mw~bles
el
very much
myrkoles
Inl
( )
la
el
la
la
AI.26
(nadie)
no one
10.2
(necesario)
necessary
15.1
ne~esJ.tr
(neces itar)
to need
3.1
nJ.
nQya
nJ.QYo
n6
(ni)
nar, (or)
7.1
(nia)
(small) girl
14.1
(nio)
child
14.1
(no)
no, not
(no?)
kmo-n
n6-y-d e-k
n6bya
n6che
1.1
11.1
certainly
1.1
1.1
(novia)
sweetheart, fiance
9.1
(noche)
night, evening
1.1
VEINTISEIS
VOCABULARY
SPOKEN SPANISH
/oni/
el
bwnas-n6ches
sta-n6che
n6mbre
nos-
good evening
1.1
tonight
8.1
(nombre)
name
4.1
(nos)
us
2.1
ourselves
6.1
to us
nos6tros
nos6tras
nnka
nwbe, ~
nwbo, -a
nwstro, --a
(nosotros)
we, us
15.1
4.1
we, us (f)
12.2
(nunca)
never
10.2
(nueve)
nine
2.1
(nuevo)
new
11.1
(nuestro)
our(s)
9.2
(o)
or
2.1
(ocho)
eight
2.1
Ofl~yl
(oficial)
officer
4.1
or
(or)
to listen
12.1
listen (faro)
12.1
/0/
O
6cho,
el
el
6ye
okupdo, -a
okupr
la
6mbre
6n~e,
VEINTISIETE
(ocupado)
busy
4.1
(ocupar)
to occupy
4.1
(hola)
heno, hi
1.1
(hombre)
man
9.1
(once)
eleven
2.1
AI.27
SPOKEN SPANISH
VOCABULARY
loral
la
la
el
6ra
(hcra)
k-6ra-s
6rden
a-sus-6rdenes
otl
6tro, -a
6tra-b
6ye (see or)
(orden)
hour
5.1
what time is it
5.1
order
14.1
at your service
14.1
(hotel)
hotel
2.1
(otro)
another
2.1
again
2.1
for
6.1
Ipl
pra
(para)
to, in order to
parer
el
la
el
la
AI.28
12.1
to seem
5.1
k-letJar~e
6.1
letJar~e-byn
OK with you
5.1
prke
prte
pasr
k-te-p s a
pasr-adelnte
pastl
pta
(parecer)
(parque)
park
14.1
(parte)
part
5.1
(pasar)
to pass, to hand
2.1
to come by
8.1
to come in
9.1
to happen
12.1
12.1
to come in
9.1
(pastel)
pie
6.1
(pata)
paw
13.1
VEINTIOCHO
VOCABULARY
SPOKEN SPANISH
jporj
el
la
metr-la-pta
ptyo
pekQYo, -a
pna
(pequeo)
small
13.2
(pena)
s OITOW, grief
14.1
to he worthwhile
14.1
to think, plan
6.1
(1) think
6.1
(perdn)
pardon; excuse me
2.1
(permiso)
permission
1.1
excuse me
1.1
(pero)
hut
4.1
(peridico)
newspaper
7.1
(peso)
peso
3.1
(piso)
floor
3.1
(pluma)
pen
2.1
(poder)
to he able
3.1
(you) can
3.1
(1) can
6.1
(poco)
Hule
4.1
(por)
2.1
(pensar)
pynso
el
el
el
el
el
la
perd6n
permiso
kom-permso
pro
pery6dJ.ko
pso
piso
plma
podr
pw~de
pwdo
p6ko, -a
por
VEINTINUEVE
8.1
(patio)
bal~r-la-p~na
pensr
13.1
during
11.1
hy plane
14.1
por-aby6n
por-ai
por-a6ra
that way
13.1
right now
7.1
por-fab6r
please
2.1
AI.29
SPOKEN SPANISH
VOCABULARY
/por/
el
el
la
la
el
AI.3D
por-fn
por-k
por-la-trde
p6stre
prakt1.kr
presentr
prestr
(postre)
dessert
6.1
(practicar)
to practice
4.1
(presentar)
to present
1.1
(prestar)
to lend, to provide
pr~yo
(precio)
price
8.1
prlmro, -a
(primero)
first
3.1
first
3.1
haste
12.1
to hurry oneself
12.1
(probar)
to try, to taste
6.1
(pronto)
soon
9.1
(pronunc iar)
to pronounce
4.1
(propina)
tip
4.1
(propsito)
purpose
4.1
by the way
4.1
at 1ast
why
during the afternoon
prlm~r
prlSa
drse-prisa
probr
pr6nto
pronun!jyr
propna
prop6s1to
a-prop6s1to
pwde ( see podr)
pwden (see podr)
pwdo (see podr)
pynso (see pensr)
(prisa)
12.1
7.1
11.1
15.1
TREINTA
VOCABULARY
SPOKEN SPANISH
/san/
/r/
la
rra~6n
(razn)
tenr-rra~6n
la
el
el
la
rral, ~
"
rrelmnte
(real)
rr~alldd
(realidad)
"
en-rrealJ.dd
"
rrebJ.sr
rreglo
rrekordr
rrekwrdo
rrepetr
rrepfta
rrestorn
rrJ.gur6so, -a
rr6pa
reason
6.1
to be right
6.1
real
14.1
really
14.1
reality
8.1
actually
8.1
(revisar)
to examine, inspect
15.1
(regalo)
gift
15.1
(recordar)
to remember
8.1
(1) remember
8.1
to repeat
2.1
2.1
(restorn)
restaurant
5.1
(riguroso)
rigorous, strict
(ropa)
clothes, clothing
(sbado)
Saturday
10.1
(sbana)
sheet
11.1
(saber)
to know
12.1
(1) know
12.1
(repetir)
15.1
8.1
/s/
el
la
sbado
sbana
sabr
s~
la
el
sla
salr
snwJ.ch
TREINTA Y UNO
(sala)
living room
(salir)
to leave, to go out
(sandwich)
sandwich
8.1
12.1
6.1
AI.31
SPOKEN SPANISH
VOCABULARY
/se/
se(see sabr)
segda
en-segda
segro, -a
sekretrya
seky6n
semna
sentr
synta
synt
sentrse
sentr
synto
sentrlo-mcho
seQy6r
el-seQy6r-de-la-ksa
seQy6ra
seQyorita
s6r
ran
res
s
s6mos
(se)
2.1
s~
la
la
la
el
la
la
AI.32
13.1
(seguro)
sure
lS.l
(secretaria)
secretary
9.1
(seccin)
section
4.1
(semana)
week
8.1
(sentar)
to seat
2.1
seat (fam)
9.1
seat
2.1
to sit down
2.1
to regret, to feel
1.1
(1) feel
1.1
to be very sorry
1.1
sir, mister
1.1
(sentir)
(seor)
13.1
(seora)
madam, Mrs.
1.1
(seorita)
miSS
1.1
(ser)
to be
2.1
(they) were
13.1
S.2
(it) is
2.1
(we) are
S.2
TREINTA Y DOS
VOCABULARY
SPOKEN SPANISH
/sub/
la
la
la
el
el
la
s6n
s6y
dbe(n)-sr
sys, ~
Sl.
s
krer-ke-s
,..
siQ)ya
sn
sl.n-mwbles
sl.rbynta
s6bre
s6bre-t6do
s6da
sof
sof-kma
5610
soltro, -a
s6mos (see sr)
s6n ( see sr)
s6pa
s6y ( see sr)
s, ~
(they) are
4.1
(1) am
5.1
8.1
(se is)
six
2.1
(si)
if
6.1
(s)
yes
2.1
to think so
6.1
(silla)
chair
2.1
(sin)
without
7.1
unfurnished
7.1
(sirvienta)
maid
H.l
(sobre)
above
14.1
14.1
(soda)
soda
9.1
(sof)
sofa
8.1
(sof cama)
sofa-bed
8.1
(slo)
only
7.1
(soltero)
5.1
(sopa)
soup
6.1
(su)
5.1
his, their
subir
TREINTA Y TRES
(subir)
to go up
11.2
2.1
AI.33
SPOKEN SPANISH
VOCABULARY
/SU~/
SiYo, -a
syo, -a
dirty
(suyo)
5.1
9.2
5.1
s, ~
la
11.1
(sucio)
his, their
11.2
(suegra)
mother-in-law
14.1
(siempre)
always
4.1
(siete)
seven
2.1
~enl~ro
(cenicero)
ashtray
2.1
intro
ierbia
(centro)
2.1
(cerveza)
beer
6.1
~rdo
(cerdo)
pork, pig
6.1
i rka
(cerca)
near
3.1
near to
3.1
(cinco)
five
2.1
(ciento)
hundred
7.1
hundreds
7.1
swgra
sympre
synta ( see sentr)
synte (see sentr)
synto ( see sentr)
syte, ~
/~/
el
el
la
el
~rka-de
~fnko, ~
~ynto,
~yntos,
AI.34
-as
TREINTA Y CUATRO
VOCABULARY
SPOKEN SPANISH
Itenl
/tl
el
la
tksl.
tl, ~
k-tl
tambyn
tnto, -a
tnto-gsto-de-konoirlo
trde
trde
bwnas-trdes
por-la-trde
te
tenr
tnga
tngo
tyne
tynes
ak1-tyne
tenr-mbre
tenr-i<e
ten r-la-bond d-de
TREINTA Y CINCO
(taxi)
taxi
3.1
(tal)
such
1.1
how goes it
1.1
how
4.1
(tambin)
also, too
5.1
(tanto)
so much
4.1
4.1
10.1
(tarde)
late
(tarde)
afternoon
1.1
good afternoon
1.1
(tener)
11.1
6.1
to you
9.1
yourself
9.1
to have
2.1
have
15.1
(1) have
2.1
(you) have
2.1
6.1
3.1
here is (are)
7.1
to be hungry
5.1
to have to
8.1
15.1
AI.35
SPOKEN SPANISH
VOCABULARY
/ten/
to be right
6.1
you (fam)
8.1
with you
12.2
(tintorera)
cleaner's shop
10.1
(todava)
yet, still
9.1
(todo)
aH
9.1
tenr-rra~6n
la
el
(ti)
AI.36
tr~~e, ~
14.1
3.1
(tomate)
tomato
6.1
(trabajar)
to work
4.1
(traducir)
to translate
2.1
translate
2.1
to bring
6.1
bring
6.1
(traer)
trgo
trhe
trank1lo, -a
tratr
tratrse-de
tryga (see trar)
trs, ~
tryga
el
el
10.1
(tomar)
trad~ka
trar
every
(trago)
swallow, drink
10.1
(traje)
suit
10.1
(tranquilo)
quiet
13.1
(tratar)
to treat
6.1
to address as
6.1
(tres)
three
2.1
(trece)
thirteen
2.1
TREINTA Y SEIS
VOCABULARY
SPOKEN SPANISH
jyoj
el
tu, ~
t
tyo, -a
tu, ~
tympo
kon--tympo
tyne (see ten~r)
tynes (see ten~r)
(tu)
your (fam)
9.1
(t)
you (fam)
4.2
(tuyo)
your(s) (fam)
9.1
your (fam)
9.1
time
11.1
in time
11.1
(unido)
united
4.1
(unir)
to unite
4.1
(uno)
one
2.1
a, an
2.3
a, an
2.1
sorne, a few
3.1
(usted)
you
1.1
(whiskey)
whiskey
9.1
(ya)
already
S.l
(tiempo)
/u/
undo, -a
unr
no, -a
un
nos, -as
ustd
/w/
el
wskJ.
jyj
y
yo
TREINTA Y SIETE
(yo)
yet
14.1
now
lS.l
4.2
AI.37
SPOKEN SPANISH
AI.2
INDEX
Index
3.21.1
10.21.3
ADJECTIVES
Agreement of adjeetives
3.21.1B
8.24
12.24
Possessives
full forms
shortened forros
9.21.2
13.21.3
11.21.1
3.21.1
10.21.3
Number
4.21.1
Position
9.24
11.21.1B
Artieles, definite
/el, la/
with titles
in ohligatory contractions
3.21.1
4.10(4)
4.21.1
6.21.2B
6.24
8.21.2
2.31.11(1)
Demonstratives
/sto, so/
/ste, se, akl/
/akl(l)yo/
UNO
3.21.1
4.21.1
6.21.2B
7.21.2B
2.31.1
7.21.2
7.21.2B
Al.39
SPOKEN SPANISH
INDEX
Number
4.21.1
10.21.L\
In possessive constructions
13.21.2
2.29
10.21.2B
12.21.4B
PARTICLE
NOUNS
11.21.2
13.24
3.21.1
4.21.1
3.21.1B
8.24
3.21.1
12.21.3
Possessive construction
with Idel
13.21.2
Redundant construction
10.21.1A
AI.40
CUARENTA
SPOKEN
SPANISH
INDEX
Clities, reflexive
2.10(2)
10.21.2B
12.10(1)
15.21.1B
12.21.2
13.21.2B
12.21.3B
PRONUNCIATION
PRONOUNS
4.21.2B
Person
4.21.2B
6.1.0(3)
Gender
10.21.2
12.21.1
Numher
4.21.2B
Case
4.21.2B
12.21.2B
Suhjeet pronouns
4.21.2B
12.21.1
Clitie pronouns
10.21.2B
Clities, direet
10.21.2
Aspiration
2.26
2.22
Ibl
Idl
Ig/
2.22.2
2.22.1
2.22.3
Ipl
Itl
1k.1
2.26
2.26.1
2.26.2
2.26.3
Isl
/hl
2.27
2.27.1
2.27.2
Intonation
1.23
12.21.4B
Clities, indireet
Intonation patterns
CUARENTA Y UNO
s ingle objeet
15.21.1
two objeets
15.21.2
Information questions
Normal and eontrastive
statements
Yes-no questions
13.21.4
12.21.4
14.21.3
AI.41
SPOKEN SPANISH
INDEX
Yes questions
Lateral
11/
Nasals
Inl
Iqy/
Palatals
I(l)yI
Iyl
Pitch
Rhythm
Stress s ystem
Leve ls of stress
Strong stress
15.21.3
2.25
2.28
2.28.1
2.28.2
2.28
2.28.3
2.28.4
1.23
12.21.4B
2.21
Weak stressed
1.21
12.21.3B .
Phrase relators
12.21.3
13.21.2
10.10(5)
1.22.4
12.21.4B
1.22
1.21.2
1.21.2
6.21.1B
7.21.1B
11.21.1B
12.21.3B
12.21.3
14.21.2
P ers onal / al
10.21.1
Weak stress
1.21.2
1.21
1.22
SyIlables
AI.42
4.21.2B
VERBS
2.23
Vowels
2.24
Ending
Number
6.21.1B
4.21.2
CUARENTA Y DOS
SPOKEN SPANISH
INDEX
Person
familiar'" formal
4.21.28
4.21.28
Tense
6.21.18
Theme vowel
6.21.1B
theme cIass
Stem
/sr/ vs /estr/
10.21.3B
Nonconjugated
/-ndo/ forms
functioning as
modifiers
8.21.1B
14.24
/-do/
6.21.1B
VERB FORMS
6.21.2B
Command forms
4.10(7)
10.21.2B
14.21.'2B
4.10(1,6)
13.10(2)
/-r/
Conjugated - irregular
6.21.1
7.21.1
8.21.1
/ estr/ vs /&y /
/r/
/sr/
CUARENTA Y TRES
12.21.3B
VERB CONSTRUCTIONS
Absolute
10.21.3B
Hortatory
14.21.2B
Periphrastic futlD'e
14.21.2
Present perfect
9.21.1
12.10(5)
Present progressive
13.21.1
11.21.2A
12.21.3B
13.21.1B
5.21.1B
VERB MODIFIERS
6.21.1B
9.21.1
14.21.1
14.21.1
4.21.2
13.21.1
6.21.2
14.21.1
5.21.1
10.21.3
6.21.1B
14.21.2
9.21.1
13.21.1
10.21.3B
forms
Infinitives
Conjugated - regular
5.21.1B
7.24
(.~ ee
pronunc iation)
AI.43
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