EXECUTIVE PRODUCED BY BENNY BLANCO, SCOOTER BRAUN, ZVI EDELMAN AND ANDREW LUFTMAN

ART DIRECTION & DESIGN: STEVE STACEY PHOTOGRAPHY: LINDSEY BYRNES MASTERED BY CHRIS ATHENS

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LET THE ROA D

LET THE ROAD TAKE YOU HOME
AND TH N CATCH YOUR EYES
IF YOU DONT BELONG AND THE WORLD FEELS TOO STRONG
AND YOURE SCARED OF THE DARKNESS TO COME
OH HOLD ON
OH HOLD ON
CAUSE LOVE WILL SHOW ALL THE WAY
WHEN THE ROAD SEEMS LONG
LET THE VOICES DRIVE YOU ON
EVERY TURN THAT YOU MAKE BRINGS YOU BACK AROUND
ALL THE CHANCES YOU TAKE ON THIS BATTLEGROUND
THE ROAD WILL TAKE YOU HOME
WHEN IT FEELS LIKE YOURE CLIMBING A MOUNTAIN
GRAVITYS PULLING YOU DOWN
I KNOW ITS NOT EASY
OH I KNOW ITS NOT EASY
ITS NOT EASY
BUT JUST WHEN YOURE READY TO STOP
THINK HOW IT FEELS AT THE TOP
THE SUN DISAPPEARS
BUT YOURE THE LIGHT
EVEN IN THE DARKEST NIGHT
BECAUSE THE STARS WERE MEANT TO SHINE
THEY SHINE
WHEN THE ROAD SEEMS LONG (AND YOU CANT FIND THE WAY)
LET THE VOICES DRIVE YOU ON (WHEN YOU HEAR WHAT THEY SAY)
EVERY TURN THAT YOU MAKE BRINGS YOU BACK AROUND
ALL THE CHANCES YOU TAKE ON THIS BATTLEGROUND

TAKE IT TAKE IT, ILL GIVE MY HEART TO YOU FOR FREE GIRL
DONT YOU BREAK IT BREAK IT, ALONG WITH EVERY PIECE OF ME
ILL GO THE DISTANCE BUT NOT ALL OF THE WAY
SAY WHAT YOU MEAN TO ME AND MEAN WHAT YOU SAY
NEVER WANT TO BE YOUR EX MAN
ILL NEVER MAKE YOU FEEL IGNORED
YOU COULD GO AND FIND YOUR NEXT MAN
BUT I KNOW WHAT YOURE WAITING FOR
CHORUS
WAIT ON ME I KNOW HOW TO LOVE YOU
AND I WANT TO LOVE YOU SOME MORE
WAIT ON ME, COME A LITTLE CLOSER
WANT TO BE THE ONE TO EXPLORE
A LITTLE TROUBLE NEVER HURT NOBODY,
OOH I WANT TO FEEL YOUR BODY
WAIT ON ME I KNOW HOW TO LOVE YOU
AND I WANT TO LOVE YOU SOME MORE

WA IT O N ME
CHORUS
WAIT ON ME I KNOW HOW TO LOVE YOU
AND I WANT TO LOVE YOU SOME MORE
WAIT ON ME, COME A LITTLE CLOSER
WANT TO BE THE ONE TO EXPLORE
A LITTLE TROUBLE NEVER HURT NOBODY,
OOH I WANT TO FEEL YOUR BODY
WAIT ON ME I KNOW HOW TO LOVE YOU
AND I WANT TO LOVE YOU SOME MORE

CAUSE ITS YOU WHO

SOMEHOW IS ALWAYS THE FIRST
TO TAKE CARE OF ME AT MY WORST
YOU ARE APPRECIATED
ITS JUST TODAY
NOT TOMORROW
ALL THINGS WILL CHANGE
HEY THATS THE MOTTO
WHEN YOURE DOWN BE DOWN
WHEN YOURE OUT BE OUT
I WILL PULL YOU UP
CUZ WITHOUT A DOUBT
IF TABLES TURNED AROUND
YOUD LIFT ME OFF THE GROUND
CHORUS

SAY IT SAY IT, I KNOW THERES SOMETHING ON YOUR MIND GIRL

AND I HATE IT HATE IT, WHEN YOU JUST ACT LIKE YOURE OKAY
I WANT TO BE THE ONE AND ALL THAT YOU NEED YEA
ILL LISTEN TO YOUR HEART, I KNOW HOW IT SPEAKS YEA
I NEVER WANT TO BE YOUR EX MAN
ILL NEVER MAKE YOU FEEL IGNORED
YOU COULD GO AND FIND YOUR NEXT MAN
BUT I KNOW WHAT YOURE WAITING FOR
CHORUS

CAUSE ITS YOU WHO

SOMEHOW IS ALWAYS THE FIRST
TO TAKE CARE OF ME AT MY WORST
YOU ARE APPRECIATED
CHORUS
CAUSE ITS YOU WHO
SOMEHOW IS ALWAYS THE FIRST
TO TAKE CARE OF ME AT MY WORST
YOU ARE APPRECIATED

(I WANNA LOVE YOU SOME MORE)

BEAUTIFUL EXCUSES
COME CLOSER, YA KNOW YOU DONT FEEL LIKE BEFORE
ILL GIVE YOU WHAT YOU WANT TILL YOU WANT IT MORE
IN YOUR HEAD, IN YOUR HEART, LIKE NEVER BEFORE
IF A GOOD THING IS WHAT YOURE WAITING FOR
THEN DONT YOU LOOK NO MORE
CHORUS

(I KNOW) THE ROAD WILL TAKE YOU HOME

OH NO, THE ROAD WILL TAKE YOU HOME
(AS LONG AS YOU FOLLOW)
THE ROAD WILL TAKE YOU HOME

YOU ARE APPRECIATED

A P P RE C I AT E D
WHY DONT YOU WAIT HERE
WHILE I BORROW
SOMETHING YOU SAY DEAR
YOU SHOULD FOLLOW

I CAN BARELY SLEEP, THERES SOMETHING ON MY MIND

IM LYING IN THE DARK, SEARCHING HARD TO FIND
FOR THE LOVE THAT WE SHARED, AND THE LIFE WE LEFT BEHIND
THERES ONLY BEAUTIFUL EXCUSES IN MY EYES
YEAH, I COULD SCREAM AND SHOUT, BUT WHATS THE POINT ITS DONE
NO, TRY BEFORE YOU LEARN, FLY TOO CLOSE TO THE SUN
YOURE STARTING TO LOSE FAITH, SO HOLD ON TO YOUR PRIDE
THERES ONLY BEAUTIFUL EXCUSES IN MY EYES
WHAT MAKES AN ANGEL FALL IN LOVE
WHAT MAKES A GOOD MAN TURN AND RUN
AND HOW DO YOU KNOW IF SHES THE ONE, YEA

IF PAIN JUST STAYS

TIL TOMORROW
THEN THATS OK
HEY, ITS ONLY SORROW

CHORUS
IVE MADE ALL THE PERFECT ALIBIS
AND IVE SUGARCOATED MY DISGUISE
BUT I CANT COVER THIS UP, WITH SWEET GOODBYES,
NO THERES ONLY BEAUTIFUL EXCUSES IN MY EYES

CHORUS
CAUSE ITS YOU WHO
TAKES CARE OF EVERYONE ELSE
YOU NEED TO ALLOW ME HELP

LOCKED UP IN OUR THOUGHTS, WE HAVENT SPOKE IN DAYS

SHES SAYING THAT IVE CHANGED, STILL STUCK IN HER WAYS
I WONT PICK UP THE PHONE, IVE SAID ALL THERE IS TO SAY
GOTTA BE STRONG BECAUSE ITS WRONG FOR ME TO STAY

WHAT MAKES AN ANGEL FALL IN LOVE

WHAT MAKES A GOOD MAN TURN AND RUN
AND HOW DO YOU KNOW IF SHES THE ONE, YEA

IT SEEMS LIKE WEVE BEEN LOSING CONTROL

SOMEBODY TELL ME IM NOT ALONE
WHEN I SAY

CHORUS

CHORUS

TOO MANY BEAUTIFUL EXCUSES, TELL ME WHAT THE USE IS

TRY TO FIND A WAY TO COME BACK HOME

H OT E L CE I L I N G

HOW CAN WE CORRECT THIS, IF WERE DISCONNECTED

I DONT KNOW, I DONT KNOW
WHAT MAKES AN ANGEL FALL IN LOVE
WHAT MAKES A GOOD MAN TURN AND RUN
AND HOW DO YOU KNOW IF SHES THE ONE
CHORUS

I CAN FEEL IT COMING ROUND FULL CIRCLES AGAIN

ON THE TV THEY SAID THEY HAD REPORTED YOU DEAD
IT WAS MY FAULT CAUSE I COULD HAVE SWORE THAT YOU SAID
IT WAS EASY TO FIND ANOTHER FOR YOUR BED
HOW DOES IT FEEL TO LEAVE ME THIS WAY
WHEN ALL THAT YOU HAVES BEEN LOST IN A DAY
AND EVERYONE KNOWS BUT NOT WHAT TO SAY
I BEEN WONDERING NOW

M E AND MY BROKEN HEART

CHORUS
ALL I NEEDS A LITTLE LOVE IN MY LIFE
ALL I NEEDS A LITTLE LOVE IN THE DARK
A LITTLE BUT IM HOPING IT MIGHT KICKSTART
ME AND MY BROKEN HEART
I NEED A LITTLE LOVING TONIGHT
HOLD ME SO IM NOT FALLING APART
A LITTLE BUT IM HOPING IT MIGHT KICKSTART
ME AND MY BROKEN HEART, YEA
SHOTGUN, AIMED AT AT MY HEART
YOU GOT ONE, TEAR ME APART
AND THEN SOME, HOW DO WE CALL THIS LOVE?
I TRY, TO RUNAWAY
BUT YOUR EYES, TELL ME TO STAY
OH WHY-Y, WHY DO WE CALL THIS LOVE?
IT SEEMS LIKE WEVE BEEN LOSING CONTROL
SOMEBODY TELL ME IM NOT ALONE
WHEN I SAY
CHORUS
I NEED A LITTLE LOVING TONIGHT
HOLD ME SO IM NOT FALLING APART
A LITTLE BUT IM HOPING IT MIGHT KICKSTART
ME AND MY BROKEN HEART

CHORUS
IVE BEEN STARING AT THE HOTEL CEILING
DRINKING EVERYTHING IVE FOUND THIS EVENING
TRYING TO HOLD ON TO THE SWEETEST FEELING
SO ILL NEVER LET YOU GO
DONT YOU LEAVE ME LONELY
START TO SEE THIS
EVERYONE I KNOW CANNOT BELIEVE THIS
TRYING TO HOLD ON TO THE SWEETEST FEELING
SO ILL NEVER LET YOU GO
DONT YOU LEAVE ME LONELY NOW
WHEN MY EYES OPEN, MORNING PULLS ME INTO THE VIEW
I GUESS IM ONLY ACTING IN THE WAY THAT YOU DO
JUST BEING ALONE NO-OOO

I LIKE GIRLS
BUT I COULD NEVER CHOOSE ONE
THAT WOULD RUIN ALL THE FUN
WOAH-OH-OH I LIKE GIRLS
(BUM BUM BUM)
OH-WOAH-WOAH-OH
I LIKE GIRLS
NOW LISTEN
I LIKE GIRLS IN THE SUMMER
GIRLS IN THE FALL
GIRLS ALL YEAR
I WISH I COULD HAVE THEM ALL
GIRLS FROM OTHER COUNTRIES, WITH CRAZY NAMES
I LOVE IT WHEN THEY TELL ME PAPI, NO INGLES
WOAH-OH-OH
WOAH-OH-OH-OH
COME A LITTLE CLOSER
CHORUS
I LIKE GIRLS ALL COLORS
I AINT GOT A TYPE
GIRLS WHO DRINK BUD, NOT SMIRNOFF ICE
GIRLS WITH BIG BOOTIES
GIRLS IN TIGHT JEANS
GIRLS WHO WANNA LAY AROUND AND WATCH TV
WOAH-OH-OH
WOAH-OH-OH-OH
COME A LITTLE CLOSER

I LOSE ALL SELF CONTROL, OH-OH

AND I KNOW BETTER THAN TO CALL BACK AGAIN
I LOSE ALL SELF CONTROL
SO PICK UP PICK UP BABY
I ONLY CALL WHEN IM DRUNK

CHORUS (REPEAT 2X)

THE SUN BRINGS ANOTHER DAY
IM SLURRING MY WORDS AWAY,
SO MANY THINGS THAT I NEVER SAID
ITS BREAKING MY HEART WHEN I PICK UP THE PHONE AGAIN
BUT I GOTTA EXPLAIN THAT
I GO OUT EVERY NIGHT
IM FINDING IT HARD TO LET YOU GO (HARD TO LET YOU GO)
YOU LEFT ME BEHIND
WE SAID OUR GOODBYES
NOW I NEED YOU TO PICK UP, PICK UP BABY (PICK UP, PICK UP)

CHORUS
START TO SEE THIS
EVERYONE I KNOW CANNOT BELIEVE THIS
TRYING TO HOLD ON TO THE SWEETEST FEELING
SO ILL NEVER LET YOU GO
DONT YOU LEAVE ME LONELY NOW
I CAN FEEL IT COMING ROUND FULL CIRCLES AGAIN
ON THE TV THEY SAID THEY HAD REPORTED YOU DEAD

MAYBE, SOME PART OF YOU

JUST HATES ME, YOU PICK ME UP
AND PLAY ME, HOW DO WE CALL THIS LOVE?

I L I K E G I R LS

ONE TIME, TELL ME YOU NEED ME

TONIGHT, TO MAKE IT EASY
YOU LIE, AND SAY ITS ALL FOR LOVE

CHORUS
I LIKE GIRLS
OOH THEY ALWAYS LOOK SO GOOD TO ME
I LIKE GIRLS
EVEN THOUGH THEY TEASE AND TORTURE ME

I GO OUT EVERY NIGHT

IM FINDING IT HARD TO LET YOU GO
YOU LEFT ME BEHIND, WE SAID OUR GOODBYES
NOW I NEED YOU TO PICK UP, PICK UP BABY (PICK UP, PICK UP)
CHORUS
AND I KNOW BETTER THAN TO CALL BACK AGAIN

CHORUS (REPEAT 2X)

AND I KNOW BETTER THAN TO CALL BACK AGAIN

I LOSE ALL SELF CONTROL, OH-OH
AND I KNOW BETTER THAN TO CALL BACK AGAIN
SO PICK UP PICK UP BABY, I ONLY CALL WHEN IM DRUNK

(REPEAT 4X)
WHOLE

(REPEAT 4X)
PICK UP, PICK UP (PICK UP, PICK UP)
CHORUS
I KNOW BETTER THAN TO CALL BACK AGAIN
I LOSE ALL SELF CONTROL, OH-OH
AND I KNOW BETTER THAN TO CALL BACK AGAIN
SO PICK UP PICK UP BABY, I ONLY CALL WHEN IM DRUNK
W E AL L WAN T THE SAME THI N G

BABY ITS ME AGAIN IM CALLING MY ONLY FRIEND

YOU DO REMEMBER ME DONT YOU
YOURE FALLING IN LOVE AGAIN
AND I COULD TRY TO PRETEND
THAT I DONT THINK ABOUT YOU

OOOH, COME ON DONT LET GO

GET TO KNOW ME BABY
GET TO KNOW ME BABY
GET TO KNOW ME BETTER

WH OLE

CHORUS

CHORUS
PUT ME ON SPEAKERPHONE, I KNOW YOURE NOT ALONE
ENOUGH IS ENOUGH I ONLY CALL WHEN IM DRUNK
GOT MY HEART ON MY SLEEVE AGAIN,
I PLAYED YOUR SILLY GAMES
ENOUGH IS ENOUGH I ONLY CALL WHEN IM DRUNK

OOOH, WHEN YOU MOVE LIKE THAT ITS OVER BABY

YOU GOT A HOLD ON ME THAT I CANT DENY

CHORUS

SP EAK ERP HO N E
ONLY TIME TELLS ME MORE THAN I HOPED ALL THAT I KNOW IS
ILL BE FINE IN A FORTNIGHT AND LO AND BEHOLD
I KNEW I SHOULDNT HAVE LET YOU GO

ALL I WANNA HEAR IS YOU WANNA GET DOWN

NOW I WANT YOU TO PROVE IT RIGHT HERE ON THE COUCH
YEA ALL I WANNA DO IS GET YOU TO MYSELF
GET GET YOU TO MYSELF, CANT HAVE NOBODY ELSE

CHORUS (REPEAT 2X)

SO TAKE MY HAND AND MAKE IT EASY FOR ME
CAUSE ITS BEEN HARD ENOUGH JUST WATCHING YOU TONIGHT
I DONT WANNA HEAR YOUR REASONS BABY
WE ALL WANT THE SAME THING, WE ALL WANT THE SAME THING
I GOTTA KNOW GIRL, WHATS YOUR NAME
YOU GOT ME WRAPPED UP TIGHT AROUND YOUR FINGER
I CHASE YOU DOWN, YOU DISAPPEAR
WISH YOU COULD TELL ME WHAT I WANNA HEAR
AND ALL I WANNA HEAR IS YOU WANNA GET DOWN
NOW I WANT YOU TO PROVE IT RIGHT HERE ON THE COUCH
YEA ALL I WANNA DO IS GET YOU TO MYSELF
GET GET YOU TO MYSELF, CANT HAVE NOBODY ELSE (ELSE)
CHORUS (REPEAT 2X)
IVE ONLY GOT MYSELF TO BLAME
YOUVE GOT ME TRAPPED LIKE LOVE IS JUST A GAME
I RUN AROUND, YOU REAPPEAR
WISH YOU COULD TELL ME WHAT I WANNA HEAR

WHEN YOU WAKE UP, AND YOU FIND THAT IM NOT THERE
CRY FOR ME
PUT ON YOUR MAKEUP, AND JUST LET DOWN YOUR HAIR
DONT LOSE SLEEP
I KNOW YOU SAID WERE FINE, BUT IM NOT SOLD
YOU TRIED TO TAKE TWO HALVES, AND MAKE THEM WHOLE

M AKE OUT
CHORUS
IF I COULD LIVE FOREVER THEN,
I DONT KNOW WHAT ID DO
FORGOT JUST WHAT I MEANT TO SAY,
BUT IM STILL IN LOVE WITH YOU
THE FUTURE SOUNDS BORING,
WITHOUT THE ONE YOU LOVE
SO WHILE WERE HERE IN HERE AND NOW,
CANT WE HAVE SOME FUN
(REPEAT 4X)
LETS MAKE OUT (OOO-OOO-OOO)
I DONT EVEN KNOW YOUR NAME
I DONT EVEN KNOW YOUR NUMBER
BUT I KNOW I NEED YOU RIGHT NOW
LIVING IN A CRAZY WORLD
YOU MAKE ME KINDA CRAZY GIRL
TELL ME IF YOU NEED ME RIGHT NOW
IF YOU LOVE SOMEBODY (HEY)
YOU SHOULD TELL SOMEBODY
DO YOU LOVE SOMEBODY (HEY)
GO AND TELL SOMEBODY
T-T-TELL SOMEBODY
CHORUS

CHORUS (REPEAT 7X)

AND MAKE THEM WHOLE
WHEN I WAKE UP, AND I REACH ACROSS THE BED
YOURE NOT THERE
TRY TO SAVE US, BUT NO ONE EVER SAID
LOVE WAS FAIR
I KNOW YOU SAID WERE FINE, BUT IM NOT SOLD
YOU TRIED TO TAKE TWO HALVES, AND MAKE THEM WHOLE
CHORUS (REPEAT 5X)
AND MAKE THEM WHOLE
I KNOW YOU SAY YOURE FINE,
BUT IM NOT HERE TO SAY GOODBYE
IM SICK OF WASTING ALL THIS TIME
WHEN WE BOTH KNOW, YEA

(REPEAT 4X) LETS MAKE OUT (OOO-OOO-OOO)

I JUST WANT TO HOLD YOUR HAND
I JUST WANT TO PULL YOU CLOSER
BABY DO YOU FEEL LIKE I DO
BABY IF YOU HANG AROUND
I CAN SEE IT GOING DOWN,
AND GET A LITTLE FREAKY WITH YOU
IF YOU LOVE SOMEBODY (HEY)
YOU SHOULD TELL SOMEBODY
DO YOU LOVE SOMEBODY (HEY)
GO AND TELL SOMEBODY
T-T-TELL SOMEBODY
CHORUS

LIFE CAN MOVE SO FAST, I KNOW WE RUN IN DIFFERENT PATHS

BUT CAN WE TRY TO TAKE TWO HALVES AND MAKE THEM WHOLE

(REPEAT 4X)
LETS MAKE OUT (OOO-OOO-OOO)

CHORUS (REPEAT 3X)

AND MAKE THEM WHOLE

BRIDGE
(MAKE OUT CHANTED FROM A WHISPER TO A YELL)
(REPEAT 4X)
LETS MAKE OUT (OOO-OOO-OOO)

LET THE R OAD

WRITTEN BY: JAKE ROCHE, CHARLEY BAGNALL, DANNY WILKIN, LEWI
MORGAN. PUBLISHED BY: (PRS). PRODUCED BY: BENNY BLANCO
FOR MATZA BALL PRODUCTIONS, INC. AND CHRIS SCLAFANI. MIXED
BY: JOHN HANES. INSTRUMENTATION & PROGRAMMING BY: BENNY
BLANCO AND CHRIS SCLAFANI. STRINGS BY: PHILLIP PETERSON.
VOCALS BY: JAKE ROCHE. VOCAL PRODUCTION BY: CHRIS SCLAFANI.
ADDITIONAL VOCALS BY: CHARLEY BAGNALL, DANNY WILKIN AND
LEWI MORGAN. ENGINEERED BY: CHRIS ANGER MANAGEMENT
SCLAFANI. ASSISTANT ENGINEER: RICH RICH RICH AND LUKE HASS.
PRODUCTION COORDINATION BY: ANDREW MCMUFFIN LUFTMAN,
SCOTT YARMOV YARMOVSKY AND SEIF MAGEEF HUSSAIN.
RECORDED AND TRACKED AT: DOWNTOWN STUDIOS (NEW YORK, NY),
MATZAH BALL STUDIOS (NEW YORK, NY). MIXED AT: MIXSTAR STUDIOS
(VIRGINIA BEACH, VA). ENGINEERED FOR MIX BY: JOHN HANES.
ASSISTANT ENGINEER FOR MIX BY: PHIL SEAFORD. EXECUTIVE
PRODUCED BY: BENNY BLANCO, SCOOTER BRAUN, ZVI EDELMAN
AND ANDREW LUFTMAN.

WA IT ON M E
WRITTEN BY: BENJAMIN LEVIN, TOR ERIK HERMANSEN, MIKKEL
STORLEER ERIKSEN, WAYNE HECTOR, ROSS GOLAN, JENN DECILVEO,
DAN OMELIO. PUBLISHED BY: MATZA BALLZACK MUSIC / WHERE
DA KASZ AT (BMI), EMI MUSIC PUBLISHING (ASCAP), EMI MUSIC
PUBLISHING (ASCAP), WARNER CHAPPELL MUSIC LTD (PRS), BACK IN
DJIBOUTI / WARNER-TAMERLANE PUBLISHING CORP (BMI), BMG GOLD
SONGS / JUMPIN BENZ MUSIC / ALL RIGHTS ADMINISTERED BY BMG
RIGHTS MANAGEMENT (US) LLC (ASCAP), BMG GOLD SONGS (ASCAP) /
LAFFERTY DANIEL PUBLISHING (ASCAP) / ROBOPOP MUSIK (ASCAP).
PRODUCED BY: STARGATE FOR 45TH AND 3RD MUSIC, LLC AND BENNY
BLANCO FOR MATZA BALL PRODUCTIONS, INC. MIXED BY: SERBAN
GHENEA. INSTRUMENTATION & PROGRAMMING BY: STARGATE AND
BENNY BLANCO. GUITAR BY: CHARLEY BAGNALL. ACOUSTIC GUITAR
BASS GUITAR, WHISTLE BY: CHRIS SCLAFANI. DRUMS BY: LEWI
MORGAN. KEYBOARD BY: DANNY WILKIN. VOCALS BY: JAKE ROCHE
VOCAL PRODUCTION BY: CHRIS SCLAFANI. ADDITIONAL VOCALS BY:
CHARLEY BAGNALL AND DANNY WILKIN. ENGINEERED BY: CHRIS
ANGER MANAGEMENT SCLAFANI. ASSISTED BY: JASPER LEMASTER
ADDITIONAL ENGINEERING BY: RICH RICH RICH. PRODUCTION
COORDINATION BY: ANDREW MCMUFFIN LUFTMAN, SCOTT
YARMOV YARMOVSKY, SEIF MAGEEF HUSSAIN, JEREMY JBOOGS
LEVIN, AND DAVID DSILB SILBERSTEIN. RECORDED AND TRACKED
AT: DOWNTOWN STUDIOS (NEW YORK, NY), MATZAH BALL STUDIO
(NEW YORK, NY), WESTLAKE STUDIOS (LOS ANGELES, CA), BLACKBIRD
STUDIO (NASHVILLE, TN), OCEANWAY STUDIOS (NASHVILLE, TN).
MIXED AT: MIXSTAR STUDIOS (VIRGINIA BEACH, VA). ENGINEERED
FOR MIX BY: JOHN HANES. ASSISTANT ENGINEER FOR MIX BY: PHIL
SEAFORD. EXECUTIVE PRODUCED BY: TIM BLACKSMITH & DANNY D
FOR TIM & DANNY MUSIC LLC, BENNY BLANCO, SCOOTER BRAUN, ZVI
EDELMAN AND ANDREW LUFTMAN.

A PPRECIATED
WRITTEN BY: BENJAMIN LEVIN, ROSS GOLAN. PUBLISHED BY: MATZA
BALLZACK MUSIC / WHERE DA KASZ AT (BMI), BACK IN DJIBOUTI /
WARNER-TAMERLANE PUBLISHING CORP (BMI). PRODUCED BY: BENNY
BLANCO FOR MATZA BALL PRODUCTIONS, INC. ADDITIONAL PRODUCTION

BY: ROSS GOLAN. MIXED BY: SERBAN GHENEA. INSTRUMENTATION &

PROGRAMMING BY: BENNY BLANCO. ADDITIONAL INSTRUMENTATION:
GUITAR BY CHARLEY BAGNALL, DRUMS BY LEWI MORGAN, AND
KEYBOARD BY DANNY WILKIN. BASS BY: CHRIS SCLAFANI. ADDITIONAL
GUITAR BY: ROSS GOLAN. VOCALS BY: JAKE ROCHE. ADDITIONAL
VOCALS BY: CHARLEY BAGNALL, DANNY WILKIN, LEWI MORGAN, ROSS
GOLAN, BENJAMIN LEVIN, SCOTT YARMOVSKY, SEIF HUSSAIN, RICH
RICH, AND BECKY BOLTON. VOCAL PRODUCTION BY: CHRIS SCLAFANI
ENGINEERED BY: CHRIS ANGER MANAGEMENT SCLAFANI AND
FREDDY SCOTT. ASSISTANT ENGINEER: RICH RICH RICH.
PRODUCTION COORDINATION BY: ANDREW MCMUFFIN LUFTMAN,
SCOTT YARMOV YARMOVSKY, AND SEIF MAGEEF HUSSAIN.
RECORDED AND TRACKED AT: DOWNTOWN STUDIOS (NEW YORK, NY),
MATZAH BALL STUDIOS (NEW YORK, NY), CASA KIRKWOOD
(HOLLYWOOD, CA). MIXED AT: MIXSTAR STUDIOS (VIRGINIA BEACH,
VA). ENGINEERED FOR MIX BY: JOHN HANES. ASSISTANT ENGINEERED
FOR MIX BY: PHIL SEAFORD. EXECUTIVE PRODUCED BY: BENNY
BLANCO, SCOOTER BRAUN, ZVI EDELMAN AND ANDREW LUFTMAN.

B E AU T I F U L E XC U S E S
WRITTEN BY: JAKE ROCHE, CHARLEY BAGNALL, DANNY WILKIN, LEWI
MORGAN. PUBLISHED BY: (PRS). PRODUCED BY: DANNY WILKIN AND
CHRIS SCLAFANI. MIXED BY: JOHN HANES. INSTRUMENTATION &
PROGRAMMING BY: DANNY WILKIN AND CHRIS SCLAFANI. ADDITIONAL
INSTRUMENTATION: GUITAR BY CHARLEY BAGNALL, DRUMS BY LEWI
MORGAN, AND KEYBOARD BY DANNY WILKIN. VOCALS BY: JAKE ROCHE
VOCAL PRODUCTION BY: CHRIS SCLAFANI. ADDITIONAL VOCALS BY:
CHARLEY BAGNALL AND DANNY WILKIN. ENGINEERED BY: CHRIS
ANGER MANAGEMENT SCLAFANI. ASSISTANT ENGINEER: RICH
RICH RICH AND NOLAN WESTCOTT. PRODUCTION COORDINATION BY:
ANDREW MCMUFFIN LUFTMAN, SCOTT YARMOV YARMOVSKY AND
SEIF MAGEEF HUSSAIN. RECORDED AND TRACKED AT: DOWNTOWN
STUDIOS (NEW YORK, NY), MATZAH BALL STUDIOS (NEW YORK,
NY), INTERSCOPE STUDIOS (LOS ANGELES, CA). MIXED AT: MIXSTAR
STUDIOS (VIRGINIA BEACH, VA). ENGINEERED FOR MIX BY: JOHN
HANES. ASSISTANT ENGINEER FOR MIX BY: PHIL SEAFORD. EXECUTIVE
PRODUCED BY: BENNY BLANCO, SCOOTER BRAUN, ZVI EDELMAN
AND ANDREW LUFTMAN.

M E A N D M Y B R O K E N H E A RT
WRITTEN BY: BENJAMIN LEVIN, AMMAR MALIK, STEVE MAC, WAYNE
HECTOR, ROB THOMAS. PUBLISHED BY: MATZA BALLZACK MUSIC /
WHERE DA KASZ AT (BMI), MARU CHA CHA / LOTZAH BALLS SOUP /
WHERE DA KASZ AT (BMI), ROKSTONE MUSIC LTD UNDER EXCLUSIVE
LICENSE TO BMG RIGHTS MANAGEMENT (UK) LTD / WARNER CHAPPELL
MUSIC (PRS), WARNER CHAPPELL MUSIC LTD (PRS), U RULE MUSIC,
INC. / EMI APRIL MUSIC INC. (ASCAP). PRODUCED BY: BENNY BLANCO
FOR MATZA BALL PRODUCTIONS, INC. AND STEVE MAC. MIXED BY:
SERBAN GHENEA. INSTRUMENTATION & PROGRAMMING BY: BENNY
BLANCO AND STEVE MAC. ADDITIONAL INSTRUMENTATION: GUITAR BY
CHARLEY BAGNALL AND PAUL GENDLER. DRUMS BY LEWI MORGAN.
KEYBOARD BY DANNY WILKIN AND STEVE MAC. BASS BY: CHRIS
SCLAFANI. VOCALS BY: JAKE ROCHE. VOCAL PRODUCTION BY: AMMAR
MALIK. ADDITIONAL VOCALS BY: CHARLEY BAGNALL, DANNY WILKIN
AND WAYNE HECTOR. ENGINEERED BY: CHRIS ANGER MANAGEMENT
SCLAFANI, CHRIS LAWS, AND DAN PURSEY. ASSISTANT ENGINEER:
RICH RICH RICH. PRODUCTION COORDINATION BY: ANDREW MC-

MUFFIN LUFTMAN, SCOTT YARMOV YARMOVSKY, SEIF MAGEEF

HUSSAIN, JEREMY JBOOGS LEVIN, AND DAVID DSILB SILBERSTEIN.
RECORDED AND TRACKED AT: DOWNTOWN STUDIOS (NEW YORK,
NY), MATZAH BALL STUDIOS (NEW YORK, NY), ROKSTONE STUDIOS
(LONDON, UK). MIXED AT: MIXSTAR STUDIOS (VIRGINIA BEACH, VA)
ENGINEERED FOR MIX BY: JOHN HANES. ASSISTANT ENGINEER FOR
MIX BY: PHIL SEAFORD. EXECUTIVE PRODUCED BY: BENNY BLANCO,
SCOOTER BRAUN, ZVI EDELMAN AND ANDREW LUFTMAN.

H OT E L C E I L I N G
WRITTEN BY: BENJAMIN LEVIN, ED SHEERAN. PUBLISHED BY: MATZA
BALLZACK MUSIC / WHERE DA KASZ AT (BMI), SONY/ATV MUSIC
PUBLISHING UK LTD (PRS). PRODUCED BY: BENNY BLANCO FOR MATZA
BALL PRODUCTIONS, INC. MIXED BY: SERBAN GHENEA. INSTRUMENTATION
& PROGRAMMING BY: BENNY BLANCO. ADDITIONAL INSTRUMENTATION:
GUITAR BY CHARLEY BAGNALL. DRUMS BY LEWI MORGAN. KEYBOARD
BY DANNY WILKIN. STRINGS BY: PHILLIP PETERSON.VOCALS BY: JAKE
ROCHE. ADDITIONAL VOCALS BY: CHARLEY BAGNALL AND DANNY
WILKIN. VOCAL PRODUCTION BY: CHRIS SCLAFANI. ENGINEERED BY:
CHRIS ANGER MANAGEMENT SCLAFANI. ADDITIONAL ENGINEERING
BY: RICH RICH RICH. PRODUCTION COORDINATION BY: ANDREW
MCMUFFIN LUFTMAN, SCOTT YARMOV YARMOVSKY, AND SEIF
MAGEEF HUSSAIN. RECORDED AND TRACKED AT: DOWNTOWN
STUDIOS (NEW YORK, NY), MATZAH BALL STUDIOS (NEW YORK, NY),
RECORD PLANT (LOS ANGELES, CA). MIXED AT: MIXSTAR STUDIOS
(VIRGINIA BEACH, VA). ENGINEERED FOR MIX BY: JOHN HANES.
ASSISTANT ENGINEERED FOR MIX BY: PHIL SEAFORD. EXECUTIVE
PRODUCED BY: BENNY BLANCO, SCOOTER BRAUN, ZVI EDELMAN
AND ANDREW LUFTMAN.

I L I K E G I R LS
WRITTEN BY: BENJAMIN LEVIN, AMMAR MALIK, MIKE POSNER.
PUBLISHED BY: MATZA BALLZACK MUSIC / WHERE DA KASZ AT (BMI),
MARU CHA CHA / LOTZAH BALLS SOUP / WHERE DA KASZ AT (BMI),
NORTH GREENWAY PRODUCTIONS / SONY ATV TUNES LLC (ASCAP).
PRODUCED BY: BENNY BLANCO FOR MATZA BALL PRODUCTIONS, INC.,
AND AMMAR MALIK FOR MARU CHA CHA, LLC. MIXED BY: JOHN HANES.
INSTRUMENTATION & PROGRAMMING BY: BENNY BLANCO AND
AMMAR MALIK. ADDITIONAL INSTRUMENTATION: GUITAR BY CHARLEY
BAGNALL, DRUMS BY LEWI MORGAN. KEYBOARD BY DANNY WILKIN.
VOCALS BY: JAKE ROCHE. VOCAL PRODUCTION BY: CHRIS SCLAFANI.
ADDITIONAL VOCALS BY: CHARLEY BAGNALL AND DANNY WILKIN.
ENGINEERED BY: CHRIS ANGER MANAGEMENT SCLAFANI AND KEVIN
SNEVELY. ASSISTANT ENGINEER: RICH RICH RICH. PRODUCTION
COORDINATION BY: ANDREW MCMUFFIN LUFTMAN, SCOTT YARMOV
YARMOVSKY, SEIF MAGEEF HUSSAIN, JEREMY JBOOGS LEVIN, AND
DAVID DSILB SILBERSTEIN. RECORDED AND TRACKED AT: DOWNTOWN
STUDIOS (NEW YORK, NY), MATZAH BALL STUDIOS (NEW YORK, NY), THE
PALOMA STUDIO (VENICE, CA). MIXED AT: MIXSTAR STUDIOS (VIRGINIA
BEACH, VA). ENGINEERED FOR MIX BY: JOHN HANES. ASSISTANT ENGINEER
FOR MIX BY: PHIL SEAFORD. EXECUTIVE PRODUCED BY: BENNY
BLANCO, SCOOTER BRAUN, ZVI EDELMAN AND ANDREW LUFTMAN.

SPEAKERPHONE
WRITTEN BY: JAKE ROCHE, CHARLEY BAGNALL, DANNY WILKIN, LEWI
MORGAN. PUBLISHED BY: (PRS). PRODUCED BY: DANNY WILKIN AND

CHRIS SCLAFANI. MIXED BY: JOHN HANES. INSTRUMENTATION &

PROGRAMMING BY: DANNY WILKIN AND CHRIS SCLAFANI. ADDITIONAL
INSTRUMENTATION: GUITAR BY CHARLEY BAGNALL. DRUMS BY LEWI
MORGAN. KEYBOARD BY DANNY WILKIN. BASS AND ACOUSTIC GUITAR
BY CHRIS SCLAFANI. VOCALS BY: JAKE ROCHE. VOCAL PRODUCTION
BY: CHRIS SCLAFANI. ADDITIONAL VOCALS BY: CHARLEY BAGNALL
AND DANNY WILKIN. ENGINEERED BY: CHRIS ANGER MANAGEMENT
SCLAFANI. ASSISTANT ENGINEER: RICH RICH RICH AND NOLAN
WESTCOTT. PRODUCTION COORDINATION BY: ANDREW MCMUFFIN
LUFTMAN, SCOTT YARMOV YARMOVSKY AND SEIF MAGEEF
HUSSAIN. RECORDED AND TRACKED AT: DOWNTOWN STUDIOS (NEW
YORK, NY), MATZAH BALL STUDIOS (NEW YORK, NY), INTERSCOPE
STUDIOS (LOS ANGELES, CA). MIXED AT: MIXSTAR STUDIOS (VIRGINIA
BEACH, VA). ENGINEERED FOR MIX BY: JOHN HANES. ASSISTANT
ENGINEER FOR MIX BY: PHIL SEAFORD. EXECUTIVE PRODUCED BY:
BENNY BLANCO, SCOOTER BRAUN, ZVI EDELMAN AND ANDREW LUFTMAN.

W E A L L WA N T T H E SA M E T H I N G
WRITTEN BY: BENJAMIN LEVIN, AMMAR MALIK, DAN OMELIO, JOSHUA
COLEMAN, JACOB KASHER. PUBLISHED BY: MATZA BALLZACK MUSIC
/ WHERE DA KASZ AT (BMI), MARU CHA CHA / LOTZAH BALLS SOUP
/ WHERE DA KASZ AT (BMI), BMG GOLD SONGS (ASCAP) / LAFFERTY
DANIEL PUBLISHING (ASCAP) / ROBOPOP MUSIK (ASCAP), EACH NOTE
COUNTS / PRESCRIPTION SONGS (ASCAP), SONY/ATV TUNES LLC /
KEVINTHECITY PUBLISHING / J. KASHER PUBLISHING / PRESCRIPTION
SONGS (ASCAP). PRODUCED BY: BENNY BLANCO FOR MATZA BALL
PRODUCTIONS, INC., AND ROBOPOP FOR ROBOPOP PRODUCTIONS,
LLC. MIXED BY: SERBAN GHENEA. INSTRUMENTATION & PROGRAMMING
BY: BENNY BLANCO AND DAN ROBOPOP OMELIO. ADDITIONAL
INSTRUMENTATION: GUITAR BY CHARLEY BAGNALL. DRUMS BY LEWI
MORGAN. KEYBOARD BY DANNY WILKIN. STRINGS BY: PHILLIP PETERSON.

VOCALS BY: JAKE ROCHE. VOCAL PRODUCTION BY: AMMAR MALIK.

ADDITIONAL VOCALS BY: CHARLEY BAGNALL AND DANNY WILKIN.
ENGINEERED BY: CHRIS ANGER MANAGEMENT SCLAFANI. ASSISTANT
ENGINEER: RICH RICH RICH. PRODUCTION COORDINATION BY:
ANDREW MCMUFFIN LUFTMAN, SCOTT YARMOV YARMOVSKY, SEIF
MAGEEF HUSSAIN, JEREMY JBOOGS LEVIN, AND DAVID DSILB
SILBERSTEIN. RECORDED AND TRACKED AT: DOWNTOWN STUDIOS
(NEW YORK, NY), MATZAH BALL STUDIOS (NEW YORK, NY). MIXED AT:
MIXSTAR STUDIOS (VIRGINIA BEACH, VA). ENGINEERED FOR MIX BY:
JOHN HANES. ASSISTANT ENGINEER FOR MIX BY: PHIL SEAFORD.

WHOL E
WRITTEN BY: BENJAMIN LEVIN, AMMAR MALIK, DAN OMELIO,
JAKE ROCHE, CHARLEY BAGNALL, DANNY WILKIN, LEWI MORGAN.
PUBLISHED BY: MATZA BALLZACK MUSIC / WHERE DA KASZ AT
(BMI), MARU CHA CHA / LOTZAH BALLS SOUP / WHERE DA KASZ AT
(BMI), BMG GOLD SONGS (ASCAP) / LAFFERTY DANIEL PUBLISHING
(ASCAP) / ROBOPOP MUSIK (ASCAP), (PRS), (PRS), (PRS), (PRS).
PRODUCED BY: BENNY BLANCO FOR MATZA BALL PRODUCTIONS,
INC., AND AMMAR MALIK FOR MARU CHA CHA, LLC. MIXED BY: JOHN
HANES. INSTRUMENTATION & PROGRAMMING BY: BENNY BLANCO AND
AMMAR MALIK. ADDITIONAL INSTRUMENTATION: GUITAR BY CHARLEY
BAGNALL, DRUMS BY LEWI MORGAN, AND KEYBOARD BY DANNY
WILKIN. VOCALS BY: JAKE ROCHE. VOCAL PRODUCTION BY: CHRIS
SCLAFANI. ADDITIONAL VOCALS BY: CHARLEY BAGNALL AND DANNY
WILKIN. ENGINEERED BY: CHRIS ANGER MANAGEMENT SCLAFANI
AND D.J. KYRIAKIDES. ASSISTANT ENGINEER: RICH RICH RICH.
PRODUCTION COORDINATION BY: ANDREW MCMUFFIN LUFTMAN,
SCOTT YARMOV YARMOVSKY, SEIF MAGEEF HUSSAIN, JEREMY
JBOOGS LEVIN, AND DAVID DSILB SILBERSTEIN. RECORDED AND
TRACKED AT: DOWNTOWN STUDIOS (NEW YORK, NY), MATZAH BALL

STUDIOS (NEW YORK, NY), JON MANNS TREEHOUSE (VENICE, CA).

MIXED AT: MIXSTAR STUDIOS (VIRGINIA BEACH, VA). ENGINEERED
FOR MIX BY: JOHN HANES. ASSISTANT ENGINEER FOR MIX BY: PHIL
SEAFORD. EXECUTIVE PRODUCED BY: BENNY BLANCO, SCOOTER
BRAUN, ZVI EDELMAN AND ANDREW LUFTMAN.

M A K E OUT
WRITTEN BY: BENJAMIN LEVIN, AMMAR MALIK, ERIC FREDERIC.
PUBLISHED BY: MATZA BALLZACK MUSIC / WHERE DA KASZ AT (BMI),
MARU CHA CHA / LOTZAH BALLS SOUP / WHERE DA KASZ AT (BMI),
FREDERIC AND REID MUSIC / SONGS FROM THE BOARDWALK / SONY
ATV MUSIC PUBLISHING, LLC (BMI). PRODUCED BY: RICKY REED FROM
WALLPAPER. & BENNY BLANCO FOR MATZA BALL PRODUCTIONS, INC.
MIXED BY: BENNY BLANCO. INSTRUMENTATION & PROGRAMMING
BY: WALLPAPER & BENNY BLANCO. ADDITIONAL INSTRUMENTATION:
GUITAR BY CHARLEY BAGNALL. DRUMS BY LEWIS MORGAN, AND
KEYBOARD BY DANIEL WILKIN. BASS BY CHRIS SCLAFANI. VOCALS BY:
JAKE ROCHE. VOCAL PRODUCTION BY: AMMAR MALIK. ADDITIONAL
VOCALS BY: CHARLEY BAGNALL, DANIEL WILKIN, AND AMMAR MALIK.
ENGINEERED BY: CHRIS ANGER MANAGEMENT SCLAFANI. PRODUCTION
COORDINATION BY: ANDREW MCMUFFIN LUFTMAN, SCOTT YARMOV
YARMOVSKY, JEREMY JBOOGS LEVIN, AND DAVID DSILB SILBERSTEIN.
RECORDED AND TRACKED AT: DOWNTOWN STUDIOS (NEW YORK, NY)
& JON MANNS TREEHOUSE (VENICE, CA). MIXED AT: MATZAH BALL
STUDIOS (NEW YORK, NY). ENGINEERED FOR MIX BY: CHRIS SCLAFANI.
EXECUTIVE PRODUCED BY: BENNY BLANCO, SCOOTER BRAUN, ZVI
EDELMAN, AND ANDREW LUFTMAN. MASTERED BY: CHRIS ATHENS
FOR CHRIS ATHENS MASTERS (AUSTIN, TX).

J AKE WOULD LIKE TO THANK:

IVE WRITTEN A LIST FULL OF PEOPLE THAT HAVE HAD A HUGE
PART IN THE MAKING OF THIS ALBUM, AND RIXTON IN ITSELF,
THAT I WOULD LIKE TO THANK. BUT I THINK WRITING THEM
DOWN ON A BIT OF PAPER IS NOT ENOUGH, AND THEY KNOW
WHO THEY ARE WITHOUT SEEING THEIR NAME WRITTEN DOWN
FOR PROOF. IF YOU THINK YOURE ONE OF THEM PEOPLE IM
TALKING ABOUT, THEN YOU ARE. AND I CANT THANK YOU
ENOUGH. GENUINELY.
I JUST WANT TO MENTION ONE PERSON THOUGH. WHO WITHOUT
HER I WOULD NOT HAVE MET THE PEOPLE IVE MET. I WOULD
NOT HAVE BEEN AT THAT FIRST MEETING WITH SCOOTER, WHO
THEN LATER INTRODUCED ME TO BENNY AND THE TEAM IF SHE
HADNT HAVE TOLD ME TO DROP EVERYTHING AND GO FOR IT. I
WOULD HAVE NOT BEEN ABLE TO TRAVEL THE WORLD PLAYING
THE MUSIC WITH MY BEST MATES, IN FACT, I WOULD PROBABLY
BE LOCKED UP SOMEWHERE IN A PADDED CELL IN A STRAIGHT
JACKET. (NO SERIOUSLY).

FROM THE DAY I TURNED AROUND AND TOLD HER MUM,

I WANT TO DO MUSIC. SHE HAS BEEN NOTHING BUT MY
SUPPORT. THINK ROCKY BALBOA AND HIS COACH, SHE WAS
THE COACH, MINUS THE OLD HAT AND WRINKLY FACE, .....
OK......JUST MINUS THE HAT. BUT WHAT IM SAYING IS THAT,
SHE IS THE REASON WHY IM WRITING THESE THANK YOUS
ON OUR DEBUT ALBUM. SHE IS THE REASON WHY I GET TO
TRAVEL THE WORLD AND MEET PEOPLE FROM ALL DIFFERENT
WALKS OF LIFE. SHE IS THE REASON WHY I WENT TO DANNYS
HOUSE EVERY WEEKEND TO WRITE SONGS. SHE IS THE REASON
WHY IM HAPPY EVERY SINGLE DAY WAKING UP AND LIVING
MY DREAM, SIMPLY BECAUSE SHE MADE ME BELIEVE THAT
ANYTHING IS POSSIBLE IF YOU WORK HARD AND KEEP GOING.
MUM, MY BIGGEST CRITIC, WORDS CANT EXPRESS HOW MUCH
YOU ACTUALLY MEAN. IVE LEARNT SO MUCH FROM YOU. I LOVE
YOU AND I DEDICATE THIS ALBUM, AND EVERYTHING I DO, TO
YOU AND OF COURSE TO THE REST OF MY FAMILY AND FRIENDS
THAT HAVE SUPPORTED ME FROM DAY ONE. THANK YOU. X

DA N N Y WO U LD LIKE TO THA N K:

C HA R LEY WO U LD LIKE TO THA N K:

L E WI WOUL D L I KE TO TH ANK:

RI XTON I S:

TO EVERYONE WHO HAS PLAYED A PART IN THE RIXTON

PROJECT, I WILL BE ETERNALLY THANKFUL FOR EVERY THING
YOU HAVE DONE TO HELP US. BUT THERE ARE A FEW PEOPLE
ID LIKE TO THANK PERSONALLY...

FROM THE AGE OF 15 IVE FOUGHT TO KEEP MY DREAM OF

BEING A PROFESSIONAL MUSICIAN ALIVE. ITS BEEN AN
EXTREMELY HARD STRUGGLE ALONG THE WAY AND NOW IM
PROUD TO BE IN THE MOST AMAZING POSITION IN LIFE. MY
ADVICE TO THOSE WHO ARE STILL STRUGGLING WOULD BE TO
NEVER GIVE UP!

THANKS TO MY FRIENDS AND ANYONE WHOS SUPPORTED

US AND WHAT WE DO! SPECIAL THANKS TO MY PARENTS AND
MY FAMILY WHO WITHOUT THERE ASSISTANCE AND CONSTANT
POSITIVE VIBES I WOULDNT BE HERE NOW! THANKS TO THE
MAD LOVE TEAM, THE INTERSCOPE TEAM, THE POLYDOR TEAM,
TEAM SB, THE WOOF MONEY TEAM! AND THE BOYS PERSONALLY
AND PROFESSIONALLY!
CHEERS X

JAKE ROCHE: LEAD VOCALS, RHYTHM GUITAR

DANNY WILKIN: BASS, KEYBOARDS
CHARLEY BAGNALL: LEAD GUITAR
LEWI MORGAN: DRUMS

FIRSTLY ID LIKE TO THANK MY FAMILY, ESPECIALLY MY

PARENTS ANGIE AND IAN, WHO SUPPORTED ME THROUGH ALL
MY UPS AND DOWNS. THEY HAVE HELD ME UP AND MADE SURE
THAT I AM STILL ME. IN FACT, ID LIKE TO THANK ALL OF OUR
FAMILIES. SECONDLY, MR MATTHEW BAMBER, MY BEST FRIEND
WHO INITIALLY INTRODUCED ME TO JAKE AT THE BEGINNING
OF THIS ROLLERCOASTER, AND FOR THAT I WILL BE FOREVER
GRATEFUL. THIRD, ID LIKE TO THANK CHRIS SCLAFANI, WHO
STUCK WITH US THROUGH THE RECORDING PROCESS AND
PUT UP WITH SO MUCH SHIT, AND FOR BECOMING A GOOD
FRIEND. FINALLY ID LIKE TO THANK MY BOYS, JAKE ROCHE,
LEWI MORGAN AND CHARLEY BAGNALL, FOR SHARING THIS
JOURNEY WITH ME.

ALONG THE WAY IVE MET MANY PEOPLE WHO DESERVE A

MASSIVE THANK YOU FROM THE BOTTOM OF MY HEART BUT THE
BIGGEST ONE HAS TO GO TO MY DAD. HE WAS THE ONE WHO
NEVER LOST FAITH IN ME, THE ONE WHO DROVE ME TO EVERY
TERRIBLE GIG IMAGINABLE, THE ONE WHO ALWAYS SUPPORTED
MY DECISIONS, WHO SUPPORTED ME FINANCIALLY AND HE IS
THE MAN WHO STILL MAKES THE JOURNEY TO STAND IN THE
AUDIENCE OF NEARLY EVERY GIG.I DEDICATE MY PART OF THIS
ALBUM TO MY DAD. I HONESTLY AND TRULY BELIEVE THAT WITHOUT HIS SUPPORT, I WOULDNT BE THE PERSON I AM TODAY.
A SPECIAL THANKS HAS TO GO TO MY DEAR FRIEND CHRIS
SCLAFANI WHO WORKED INCREDIBLY HARD ON OUR ALBUM. IF
HE WASNT SUCH A GENIUS WHO THOUGHT OUT WITH THE BOX
THROUGHOUT THE CREATION OF THE ALBUM THEN IT WOULDNT
HAVE SOUNDED AS GREAT AS IT DOES! FINALLY, A MASSIVE
THANK YOU TO ALL THE FANS WHO HAVE BEEN INCREDIBLE!