Roland HUMAN RHYTHM PLAYER Cr-80 OWNER’S MANUALCR-80 RHYTHM PLAYER OWNER’S MANUAL ‘Thank you for purchasing the Roland CR-80 Human Rhythm Player. ‘The CR-80 is a pre-programmed rhythm machine that allows you to enjoy a wide variety of rhythm patterns. To take ful advantage of this unit, please read the owner's manual carefully. FEATURES + The CR-80 contains 26 diferent “Rhythm Styles.” A Rhythm Style contains 4 different rhythm pattern variations for cach of five pattem types [Variation Fil im/Break/intro/Ending}. + The CR-80 contains 69 quality percussion sounds and 8 sound etfects that provides 16 bit dynamic range. + The Feel Slider controls the rhythmic feel ofthe performance + A sequence of rhythm pattems makes up a song. You can use up to 600 parts of performance data (rhythm patterns and repeat marks) to make a song, +The CR-80 features MIDI IN/OUT connectors which allow you to syne the CR-80 10 an external sequencer 0° fo use the CR-80 as a sound modula for another rythm machine. + The CR-80 can use Music Style Cards from the TN-SC1 series.IMPORTANT NOTES ET Be sure to use only the adaptor supplied with the unit, Use of any other power adaptor could result in damage, malfunction, or electric shock. Power Supply + When making any connections with other devices, always turn off the power to all equipment first; this will help prevent damage or malfunction. Do not use this unit on the same power circuit with ‘any device that will generate line noise, such as @ ‘motor of variable lighting system, ‘The power supply required for this unit is shown on its nameplate. , Ensure that the line voltage of your installation meets this requirement. ‘Avoid damaging the power cord; do not step on it, place heavy objects on it ete. When disconnecting the AC adaptor from the outlet, grasp the plug itself; never pull on the cord. If the unit is to remain unused for a long period of time, unplug the power cord. Placement + Do not subject the unit to temperature extremes (eg. ) to select the Normal mode ( the CNORMAL.) indicator will light ). cs els als ais 2) Select the Fhythm Style you wish to play using CBANKD (1-9 ) and CHUMBER) (1-12). For example, to select SAMBA, press CHANKS)) and CHUREEED) eo oo "oS" 8 cog eS ee ee ee ee ee eee ee ee ee ee eget tei for toto for fot fo. fot to cick 16 & S235 yy 3) Press CSTARTSTOP), and a 4 bars rhythm pattern will be played repeatedly. Bar Number Tempo c) [HSREE Rhythm Style Type ofthe Rhythm Patter 104) Adjust the tempo with the TEMPO control knob and the volume with the VOLUME contro! knob. (For tempo adjusting, refer to the next section) Volume sor on ype Even while a rhythm pattern is playing, you can select a diferent Rhythm Style. The new shythm pattern you have selected will start playing from the next bar. 5) Press CSTARTISTOP) to stop playing. ‘*Eoch time you select a new Rhythm Sive in step 2. the CR-80 transmits MID! message (Control Change and Program Chenge messages ) that zepresent selecied Rnyihm Siyles (Fora dotaled oxplanation refer to page 54). (2) Tempo Write ‘The CR-80 allows you to write an individual tempo that suits the rhythm performance of ‘each Rhythm Style. The tempo you set in the Normal mode wil be automatically writen into the Rhythm Siyie currently in use. If you wish to play a rhythm pattern at the tempo writen in memory, select the Rhythm Style with the CR-80 stopped, then press It you wish to change the tempo, fst rotate the Tempo contol knob to the position of the tempo currenty written in memory to cancel it then set a new tempo you tke. Example] When the tempo of the Rhythm Style is 120 Once set er, acer shetempo. | \ it you change tempo in @ mode other than the Notmal mode, the tempo will not be written intomemor, “£The tempo written in each Rhythm Style wil be retained! in memory even after he CR-80 & suitcned of. (3) Adjusting the Volume Balance ‘The Level Siders afows you to adjust the volume balance ofthe percussion sounds played in chythm patterns or with the Key Pad.(4) Adjusting the Feel Percussion sounds of the CR-80 are divided into 6 groups. The volume balance can be adjusted in each group. With the Level Sliders set to the lowest positon, no sound is heard. How the percussion sounds are divided into groups is shown on page 52, The volume balance you have set wil be automatically written into the Rhythm Style current- ly being selected. Therefore, it you call the Rhythm Siyle later, it will be played with the ‘same volume balance. Ihe volume balance of each Rhyihin Style wit be vetained even after he uni switched ot. ‘The rythmic fee! of each rhythm pattern performance can be controlled with the Feel Slider. Moving the slider will change the rhythmic feel of the performance for the percussion sound indicated in the “Feel” column (*") “Percussion Sounds Table” on page 51. ‘The Fee! seting willbe automatically written into the Rhythm Style cuvently selected. ‘Ine Fee! setting of each Rhythm Style willbe retained evan ote the unit i switched of [Start/Stop with the Foot Pedal] 12 You can start or stop the playing using an optianal foo! pedal Conneci the foot pedal fo the StartStop Jack as shown inthe diagram. OOO Pressing the foot pedal wil start the playing, and pressing it again wil stop i.[How to use a Music Style Card] The rhythm part of Music Styie Cards (TN-SCt1 series) can be played on the CR-80. One card contains up to 8 different rhythms. 4) Insert the Music Style Card into the EXT CARD slot on the rear of the GR-80. Be sure to insert the card completely. 2) Press CEXT GARD », then select a rhythm with, 412. ee HEAS ) ErNa if Cad HE om oF Sto 8 1 mu 5 a UI ae I 3) Press (STARTISTOP » to start the playing and press it again to stop it. * $12 contain the some shythms ce 14, Abo, on cards that ingudes oo « eiferon! inyitms. CHUMBER) 58 contcie the some rhs ob (CUMBER) 14. %* Variaion/FitievntrofEnding con be ployed when using o Music Sivle Core. 4% Only } and 2 can be uted! for Variation and Fibin. and only 1 can be used for Into and Ending patterns. Break patterns connot be ployed. + Only the hytnm parts of Music Style Cards can be played. B3. Playing Various Rhythm Patterns (1) Variation (2) Fill-in “ ‘The CR-80 allows you to select one ofthe four cifferent *hythm pattern variations for each of five patter types { Variation/Fill-in/Breakilntra/Ending } in 2 Rhythm Styl. Rie Sige 6? Tay Sie ove | cael Sint ‘Sno # Every te you select Variation, Filin, Break, Ino or Ending. the CR-80 fronsmits @ comre- sponding MIDI message ( Canticl Chonge and Program Change messages) that represents who! yihm pata hes been selected. ( Poge 5) Variation is @ basic rhythm pattern ina Rhythm Style. in a Normal mode, a Variation pattern will be played repeatedly. 1) Select a Variation pattem to be played by pressing the relevant (VARIATION) 1-4), ‘Selected Variation Pattern 2) Press CSTARYISTOP) and a rhythm patter of 4 bars wil be played repeatedly Pressing a diferent CVARTATION) will start a new Varlation patter trom the next bar ‘A Filkin pattern is used before the rhythm changes drastically, such as the junction of two phrases or before entering into a main rhythm. Four different patterns are available depend- ing on the Variation patter, Pressing CFILL IND} while 2 chythm is being played wil start the Fillin pattern that corre- ‘sponds to the Variation pattern currently being used. For example, it Variation pattern 3 is selected, Fillin pattern 3 will be played. @s 1 LLS 1 Fill pattern that matches the ‘current variation patternIf you press CFILL IN just before the next bar begins, the fillin will be played from the beginning of the next bar, (After the 4th beat in a rhythm pattern in 4/4 time, and after the 3rd beat in a rhythm pattern in 9¢4 tie). When the Filkin pattern has been played, the previous rhythm pattern will begin playing again. you press with the rhythm stopped, the fillin will be played before playing the: Variation patter. + The Fak pattern is one bar in length [Adding a Fill-in using a foot pedal] (3) Break Using 2 foot pedal, you can insert FilLin pattern, Connect a foot pedal tothe FILL IN Jack as shown below. OOO Press the foot pedal and a Flin patter will be played. ‘This isa rhythm pattern used to"break" or divide @ rhythm which is playing. A break can be ‘addled to introduce new sections or new soles. In the Break mode, a Break pattern will be played repeatedy. 1) Select a Break pattem by using 1-4, oe 9 Oo Comac 2) To select the Break mode, press while a rhythm is playing. By doing this, a Break pattern willbe played repeatedly from the next bar. There are two types of Break patterns composed of 1 or 2 bars depending on the Rhythm Style. MEAS: 6a4a J=126 aS c) BEES: ares u ‘Selected Break Pattern IF you press CBREAKD in the Break mode, an Accent Shot ( Kick, Snare, et.) will be played. +# The sound of the Accent Shot wil vary cepenaing on the Rhyihm Style. 6(4) Intro (5) Ending 16 3) Press (CONTINUE ) , and the Variation pattern currently selected will start from the next bar. @# ‘This is @ rhythm pattern played at the beginning of a song. It serves to introduce the song before main rhythm patterns start playing, 1) With the rhythm stopped, select an Intro pattern using INTRO/BREAKIENDING ) 1 - 4. Ses Cooma 2) Press CINTROJENDING ) and the Intro pattern is played, then the Variation pattern currently selected is played repeatedly. wenonen d=12 c) inte t Selected Intra Pattern A Be & Inete are ctterent types of Into pattems composed of 1. 2. or 4 Do's depending on the Ryiten Sie This isthe rhythm pattern used to conclude a song, 1) Select an Ending pattern using CINTRO/BREAKIENDING ) 1 - 4 Sbh4 2) Press while a chythm is playing, and the Ending patter wll be played beginning from the next bar. When the Ending pattern has been played, the playing is stopped * Tere ore diferent types of Enling patterns composed of J. 2, oF 4 bors depending on the nyinen Sit. ‘Sstactas Ending Ptrel 4. Adding Variety to the Rhythm (1) Fade In/Out — Gradually increases or decreases the volume of a rhythm pattern as itis playing. This function allows you to start the playing with the volume gradually increasing ( Fade-in ) Or finish the playing with the volume gradually decreasing { Fade-out). “FADE IN 1) With the rhythm stopped, select a Variation pattem using (VARIATION ) 1 - 4 2) Press CFADE IN/OUT ), and the selected Variation pattern will be played with the volume gradually increasing. The rhythm pattern indication in the display will flash. FADE OUT Press CFADEINOUT) while a rhythm is playing, and the volume will gradually decrease Unf no sound is heard wit the thythm pattern indication in the display flashing. At this Point, the rhythm wil stop. % Applause, snare rol, woves ond bicts (P20) wil be ployed ot @ specie volume level even during fact in/out — inserts a fill when you change Variation patterns ‘When you change Variation pattern, the Auto Fil-n function automaticaly inserts a fil before playing the new Variation pattern, 11 Press CEUTTOFILE) (hereto wt gn, Go, Qa ets ees 2) Press VARIATION) 1-4 while a rhythm is playing. The CR-80 will insert a fil, and then the new Variation pattern will start playing. ‘Tre Fil-n pattem played here corresponds to the previous Vatiation pattem. For example, it you change Variation 1 to Variation 2, Fil-in 1 is played and when changing Variation 4 to 8, Fillin 4s played, 4 Vihen you select the same Variation pattem curently being played, @Fitin wil be ployed 3) To cancel the Auto Fil-in function, press CAUTO FILL.) again. The indicator will go out ”(3) Tap Tempo — Tempo setting by tapping a key This function allows you to set a tempo of a rhythm by taoping a key. In this way, you can easly set the desired tempo, ‘ ‘With the CR-80 stopped, tap CTAP_) four times (or a 4 beat rhytnm pattern) at the desired ‘tempo. Tap three times for a 3 beat rhythm pattem, ‘The interval between key taps wil be used to set the tempo of the mythm. * ine detected tempo exceeds ine ange of 4-260 beots per minute, it wil be ignored. (4)Restart — Synchronizing rhythm patterns using a foot pedal The CR-B0 allows you to control rhythm patterns using a foot pedal, When there is timing {gap between the CR-80 and another instrument, this function automatically returns the rhythm pattem to the beginning each time you press the foot pedal Connect a foot pedal to the TO CODA/RESTART jack on the rear of the CR-80. i = Press the foot pedal when a rhythm is playing in the Nosmial mode, and the CR-80 will auto matically return to the head of the rhythm pattern, ‘nine Song Play mode. the too! peda! works ciferenty. (See page 31) 18aS 5. Initializing the Volume Balance ‘The CR-80 allows you to retum the volume balance you have edited for each Rhythm Style (page 11) to the inital value 1) With the CR-80 stopped, press CMIDUFUNG ) to select the fallowing display. INIT INST LEVEL? dszz Waltz 2) Select the Rhythm Style to be initialized using 13, and 112 INIT INST LEVEL? Por Rock * Hf you have selected the Rhythm Style whose volume balance had been edited, a* % " ‘mark will appear in the far right ofthe display. 3) Press and the volume balance is returned to the initial value. To cancel the initializing mode, press CNORMAL ) in stead of CENTER. 4) Press {o return to the Normal mode. ”Ll PLAYING THE CR-830 WITH THE KEY PADS Using the eight key pads, you can play the percussion sounds of the CR-80 at any time, You can add a cymbal or tom sound to the rhythm, or create original rhythm patterns by Playing the key pads by themselves. ©@ ®G@©0®@ ‘The percussion sounds which you can use for key pad perlormance include sound effects (written on the upper line of the key pads ) and drum sounds ( written on the lower line ). ‘The drum sounds include 7 citferent drum sets, cla ueratneveshves onvawonY a es roowvenoow | Soundsitatncude we Powenuepowen | Sounds thaticueantince Drum sus |ececrmicUeELec. | Wes ofte Roar Rn Compose TRaT® ara watz Dr oer a SRUSHESIUWARUSHES| Sounds payed stash wre Ses oreRaa Tnbe Sna ede % Tha crum sets witn ine “Us” mark contain he sorne chum voices. Refer to page 40. you hold down the Key pad of the applause, snare roll, waves and birds sounds included in the sound effects group for 2 while, the sound will kp playing even after you release your finger trom the key pad, lt you wish to stop the sound, press the Key pad again. The snare roll sound will change to ‘alkiok and crash cymbal + Selecting a Percussion Sound to be played with the Key Pads 1) Press CMIDUFUNG) until the following display appears. Drum Set 2S> MIDI Implementation Chart Although MIDI makes it possible for various instruments to communicate with each other, this does not necessarily mean all instruments are able to transmivreceive all MIDI mes- sages. For example, i you wish to use afterouch on a keyboard, bu the connected sound module oes not respond to afletouch messages, atetouch effects cannot be obtained. In other words, MIDI messages which can be exchanged between MIDI instruments are those which are common to both devioes. To quickly determine wat information each instrument trans- mits and receives, a MIDI implementation chart is provided in every owner's manual. By studying the MIDI implementation charts of the two devices, you can determine what MIDI messages can be exchanged between those devices. All MIDI implementation charts are standardized, making it easy to compare instruments. Wojowerk Faden — ——1 2. Starting the CR-80 by playing a keyboard (Sync Start) (CONNECTION When connected to a MIDI keyboard, he CR-80 can be started by playing the keyboard. Using a MID! cable, connect the CR-80's MIO! IN connector to the MIDI OUT connector on the keyboard, sano wotn—_———SSS {PROCEDURE] 1) With the rhythm stopped, press CMIDI/FUNG) to select the following display. MIDIGhennel Syne Mode Note Control 1 t =~ co) 16 INT IMST 2) Move the cursor to the right side of the display with CP/NS ). Select “VOL.” with CWA) and (See page 42) Hee 16 LK3<¢ H HO aR <0 o TRL> Le “When "VOL" is selected, the CR-80 does not ploy the internal percussion sounds even if it recees Note messoges. 3) Press to return to the Normal mode. To play a song, press ‘SONG PLAY ) (to select the Song Play mode}. Then select the song (+ - 4) tobe played. 4) Press CSTARTISTOP ) to start playback. Ht you play the lower pitch range { Lower than Note Number $5 ( G3) ) ofthe keyboard while the CR-60 is playing, the overall volume of the CR+80 will change depending on how strang- ly you play the keyboard, {+The vole of the percussion sound ployed with the Key Pads changes ot the some time. “+ When ine SYNC mode is sot fo “EXT", he volume does not change. {+The parameter setting wil be retained even offer the CR-B0 is switched oft 37ed 4, Synchronization with an external device This function allows you to sync the CR-B0 to an external MIDI device, such as a sequencer, or bythm machine. G Syne Mode ( INT/EXT ) ‘This setting determines whether starVstop and tempo functions are controlled by the CR-BO or the external MIDI device. INT. -.:In this mode the CR-80 willbe the master device. Normally, this is the mode you will use. EXT In this mode the CR-60 willbe the slave device, * When the CR-80 is set to EXT mode, playback will not be possible until the timing clock has arrived even il you press * When in the EXT sync mode, the CR-80 does not play the intemal sound even fit receive Note messages. + When the Syne mode is set to EXT, the Tempo indication in the cisplay will change to “EXT”. I changes to “ext" when the rhythm starts playing, 41) With the rhythm stopped, press CIDUFUNG ) to solect the following display. IulDi Channet Syne Mode Note Control 2) Move the cursor to the center of the display using (47DEL) or (WINS) Select the Syne mode (INT of EXT) using CWET) and Cart 3) Press CNORMAL ) to return to the Normal mode, ° The Sync mode setting wil be retained even ctor he CR awitcned of. + Using the CR-80 as a slave device To contol he staristop ad tempo functions trom an external device, flow this procecure 1) Connect the MIDI IN connector of the CR-80 to the MIDI OUT connector of the ‘external (master) MID! device. 2) Set the CR-80's Sync mode to “EXT” 8) Start the master device, and the CR-80 will sync to it. 41 he master device can transmit MIDI Song Sstect messages, the Song Number (1-4) selected on the master device wil be selected on the CR-80. However the GR-80 can ony receive Song Select messages in the Song Play mode. 38+ Using the CR-80 as a master device ‘To control the startistop and tempo functions from the CR-80, follow this procedure. 1) Connect the MIDI OUT connector on the CR+80 to the MIDI IN connector on the external (slave) device. 2) Set the CR-80's Sync mode to “INT” 3) Set the slave device to MIDI Sync mode ( refer to the operation manual of the slave device ). 4) Press the CR-80's , and the slave device will sync to CR-80, “#1 he slave device can receive MIDI Sang Select messages, he Song Number (1-4) select. ‘econ the CR-80 willbe selacted on the siave device, 395. Using the CR-80 as a MIDI Sound Module ‘The CR-80 can be used as an external MID! sound module for a Pad Controller, Rhythm Machine or Sequencer. To use the CR-80 as an external sound module, set the folowing parameters, + MIDI Channel (1-16) Set the CR-80's MIDI channel fo match the transmit channel ofthe external MID! device. +The MIDI channel set on the CR80 i used for both receplion ant transmission, For 9 detoled explanation of MIDI channels. refer to age 32 + Selecting a Drum Set and Note Number (DRY/ROOM/POWER/ELECTRICMJAZZ/BRUSHES/MT-E-CM) ‘The CR-80 contains 7 different Drum Sets, Each Drum Set includes the percussion sounds ‘shown in "Note Numbers : Default Settings” on page $2. All sounds from “KICK” to “BELL” inclusive, and “COWBELL” change depending on the drum set you select. Percussion Sounds stored in the Drum Sets coma | oRvUxDRY | ROOMIU*ROOM | POWERUPOWER | Kick Dry kick oom kick Face kick | sive_stick | Side stick Side stick Side sick SNARE 1 Real snare Reverb snare Birch snare | SNARE 2 Real snare Reverb snare Birch snare | Low_tom Low attacktom | Lowroomtom — | Low atack tom mip_Tom Mid anackiom | Midroomiom — | Mid attack tom HIGH_TOM High atacktom | High oomtom | High atack tom CLOSED HH | Closediat Closed hihat Closed hat PEDAL. HH | Pell hihat Pedal shat Pedal hi-hat | OPEN_HH Open hi-hat Open hitnat Open ti-hat | cRASH Crash oymbat | Crash eymbal — | Crash cymbal | RIDE Ride cymbal Fide cymbal Ride cymbal BELL Fide cymbal bet | Ride cymbalbel| | Ride cymbal bet CowBELL | Coubel Conte Cowbet 40cae] eecracusce. | sazzuuazz | smusvesusenusnes | wnecM kick 08 ick Jazz Kick azz kick Dry kick SIDESTICK | Sie sick Side sick Brush-swist snare Side sick SNARE 1 808 snare Birch snare Brush-snare ol Real snare SNARE2 208 snare Bich sare Brush-snare sap Real snare Low_ToM Low 808 tom Lowattcktom | Brushowstaptom — | Low attack tom Mip_Tot ‘Mid 208 om Wid atacktom — | Brush-mid staptom | Mid atack tom HIGH TOM High 808 0m | Highattacktom | Brusb-igh sap tom | High attack tom CLOSED HH | aecosedtinat | Closed nat Brush-closedhittat | Closed nitat PEDAL_HH Pedal hithat Pedal tirnat Pedal hi-hat Open hat “OPEN HH 808 open hirhat | Open ti-hat Brush-open hihat ‘Open hchat ‘CRASH Crasheymbal | Crash cymbal Brush-rash eymbal | Crash cymbal RIDE Fide cymbal Fide cymbal Brushvide cymbal — | Ride cymbal BELL Fide cymbalbel | Ride cymbal bel! | Brustide cymbal | ide cymbal be COWBELL £808 Cowbell Cone Cowbal Cowbell All the Drum Sets (except for “MT-E-CM”) have two subsets, such as “DRY” and “USDRY". These two subsets have exactly the same sounds, but different Note Number assignments. The subsets without "U*” have fixed Note Number assignments that fllow Roland's standard assignment system (P.52), and theretore can be used with a Roland MIDI device, A subset designated by the “U" mark can have the Note Number assignments changed to accommodate any device, and therefore is ideal for a device of a diferent manufacturer. ( How to change the Note Number assignments shown in the next section. ) ‘The “MTE-CM" Drum Set has @ Note Number assignment which conesponds to that of the Internal percussion sounds of the MT-32/0M series (Sound Module) and E series (niligent Syntheszen, ete. Ths ctum sats Bascaly the some os "DRY", But has open hirhat instocc of “PEDAL_HH". This open hihar. however hos a sightly shorter decay tlme as compared to a usual open hithat. aSS + Note Numbers (0-127/OFF) AA different Note Number is assigned to each percussion sound on the CR-80. Note Numbers serve to play corresponding percussion sounds, ‘When using the CR-80 as a sound source for a Pad Controller, st the Note Numbers of the pads to the Note numbers of the percussion sounds on the CR-80 you wish to play ‘When using the CR-80 as a sound source of a rhythm machine, match the Note Numbers of the internal percussion sounds on the rhythm machine fo the percussion sounds on the (CR-80. For instance, if the Note Number of the crash cymbal on the rhythm machine is 49, assign Note Number 49 to the crash cymbal on the CR-80. In other words, set the Note Numbers of the same percussion sounds to the same numbet. To play the percussion sounds using the Note Numbers you set, select a drum set with the “U%" mark, ‘The percussion sounds for which Note messages are not to be transmitted or received should be set to “OFF”. lunen the same Note Number is asigned fo more than one sound. cil the relevant sounds ‘con be ployed simullaneousy. However the maximum number of soures tha! con be Played of one time 12 oF The ossigned Note Numbers ere common fo ol é churn sets which have “Ux " marks + Note Control (INST/VOL.) Inst VOL, This setting determines how the CR-80 wil be controlled by Note messages. When using ‘he CR-80 as a MIDI sound module, select "INST: The intemal sounds ofthe CR-80 can be played with Note messages sent from an external device. ‘This setting elows control of the overall volume of the CR-60, depending on the velociy of Note On messages. ( Note Numbers other than 0 - 54 are not received. Page 38. ) [CONNECTION : Using a Pad Controller] [PROCEDURE] a2 moi our oi With the rhythm stopped, follow this procedure. 1) Connect the MIDI IN connector of the CR-80 to the MIDI OUT connector of the external MIDI device.2) Press CMIDIIFUNG » to select the following display. ame tee aan 14 INT INST 3) Move the cursor to the left side of the display using C4 /DEL). Using and . set the MIDI channel (1-16). 4) Move the cursor to the right side of the display with CBaiNIS. Select “INST” wath CVE) and 5) Press CMIDVFUNC ) to select the following display. 1 PADS >< DRUM SET> RUM POWER 6) Move the cursor to the right side of the display with PINS) . Select a Drum Set with and ‘When you have selected a drum set with the “U-*" mark, prooeed to step 7 to set the Note Numbers. When you have selected a drum set without “U%", press NORMAL.) to finish the procedure, 7) Press CMIDIFUNG ) to select the following display. NOTE# ASSIGN RICK = 3 8) Using C@IDEL) and COINS). select the percussion sound to which a Note Number will be assigned 9) With and ‘specify the Note Number (0 to 127/OFF) to be assigned to the sound selected in the previous step. I¥you have set the same Note Number to more than one percussion sound, @ “+” matk will appear on the far right ofthe display. 10) Repeat steps 8 and 9 as many times as necessary. 11) Press CHORMAL) to return to the Normal mode. #MID! setting are retcined even after the C20 is switched offa el 6. Playing a MIDI Sound Module with the CR-80 + MIDI Channel (1-16) ‘An external MIDI sound module can be played by the rhythm patterns or song data of the CR-B0. To do this, set the folowing parameters, Set the MIDI channe! on the CR-80 to match the receive channel on the external MID} sound module. + Drum Set and Note Number Selection (DRY/ROOM/POWER/ELECTRICIJAZZIBRUSHESIMT-E-CM) This parameter determines which Note Number assignment should be sent (as Note Messages) to the external sound module, To use Roland's standard Note Number assign ‘ment ( page 62), select a Drum Set without the “U%” mark. To use Note Number assign: ‘ments of your own, select a Drum Set with the “Ux " mark, The MT-E-CM drum set has a fixed Note Number assignment. + Note Numbers (0-127/OFF) ‘When you have selected a drum set with "U4" mark, set the Note Numbers of the percus- sion sounds on the external MIDI device to match those on the CR-80, When the same sound is set to “SNAREI" and “SNARE” in the drum set, the Note Number of “SNARE1” will have prioiy ‘The percussion sounds for which Note messages are not to be transmitted or received should be set to “OFF”. [CONNECTION : Using a rhythm Machine] [PROCREDURE] aot our oi Fyn Wahine With the rhythm stopped, follow this procedure. 1) Connect the MIDI OUT connector of the CR-80 to the MIDI IN connector of the extemal MIDI sound module. 2) Press CWIDUFUNC)) to select the following display. MIDI Channet 4'8) Move the cursor to the left side of the display using C€7DEL)) . Set the MIDI channel (1-16) using C/T) and 4) Press to select the following splay. PADS> BRU 5 M POWER 5} Move the cursor to the right side of the display with (> /INS>) . With and ‘change the Drum Set to select the Note Number assignment you require. ‘When you have selected a drum set with the “U*" mark, proceed to step 6 to set the Note Numbers. When you have selected a drum set without the “U#*" mark, press NORMAL to finish to procedure, 6) Press to select the foliowing display. HOTE# ASSIGN KICK = 6 tal Tsing and » select the percussion sound to which a Note Number will be assigned. 8) With C¥ET) and Cais), specity the Note Number ( 0-127/0FF ) to be assigned to the percussion sound selected in the previous step.{f you have set the same Note Number to more than one percussion sound, a “+” mark will ‘appear on the far right of the display. Repeat steps 7 and 8 as mary times as necessary. 9) Press to retum to the Normal mode, ++ MDI seting are retcined even after the CR-80 switched offhl MEFERENCE 1. To restore all factory-set parameter values (this is called initialization). 1) Switch off the CR-80. 2) Switch on the unit while holding both C4 7DEL_) and CREPEAT) HITIALIZE+# ress ENTE 3) Press CENTER). The display will ead “Complete.”. ‘To cance! initialization, press any key but CENTER ) 2. Troubleshooting ‘No sound is heard ‘The CR-80 will not stat playing. ‘The tempo does not change ‘Check the volume level ofthe CR-80, Check tne volume level of CR-80, any amply, mixes, PA system ete. (Page 11) ‘Chock ia Level Side is lowered. la Level Siders a the lowest poston, the corresponding percussion group wil not be heard. Page 11) ‘Check f the SYNC mode s set to "INT". not, set the SYNC mode to "INT" (Page 38), ‘Check if the celected song contains data not, program a song in the Song Edt mode or select a song that contains data (Page 24), ‘Check a tempo writen inthe Rhythm Style ora song has been set Rotate the Tempo contol knob tothe position of the tempo waitin in memory, then change the tempo (gage 11 and 27) ‘The tempo automatically changes when a ditferent Rhythm Styl is selected. When you select a citferent Rhythm Sty ‘Determine i you selected a Rhythm Siyle whe the CRO was stopped. lt you select a Rayim Style wit the CR-80 stopped. he tempo ofthe selected chythm style is automaticaly set (Page 11) the volume balance of the percussion sound changes, The volume balance set with the Level Siders is witten into the memory of each Ahytim Sivle (Page 11)‘When you play a different song, the tempo changes. ach songs programmed wt a diferent tempo (Page 27). ‘The Repeat function cannot be st. “Determine f you ae ying to sot a Repeat inside a set of Repeat marks. {Page 2). ~The Restart function does not work. “Check the CRBs inthe Song Play mode. The Restart function is vac only in the Normal mode (Page 18), Even if you select a citferent drum so, the key pad sound does not change, ‘The “DRY” and “MT-E-CM"” sets cola basicaly the same percussion sounds (Page 41). ‘The CR-80 does not syne-start with the keyboard “Check tthe MIDI cable is connected corectl. (Check ithe MID! OUT connector on the keyboard is securely connected to the MIDI IN connector onthe CR-60 ‘The volume of the CR-80 does nat change even if you vary the strength with which you play the keyboard. ‘Check ithe MIDI cable is connected correctly, Check if the MID! OUT connector onthe MID! keyboard is securely connected to the MIDI IN connector on the CR-80. “Determine i you are playing beyond the contol range. It you play outside the contrl ange ( Higher than F#8) on the keyboard, the volume ofthe CF-80 will not change (Page 38). ‘Check it Sync mode is sel to “EXT” l1you set the Sync mode to "EXT" the volume of the CR-80 wal not change (Page 37). “a7A No sound is heard ‘Check il the MIDI cable is connected correctly. Check ithe MIDI OUT connector on the external device is securely cornctedto the MIDI IN comecto on the CR-80, ‘Check the volume level ofthe CR-80. Check the volume level of CR-80, any ample, mixer, PA system et. (Page ft). ‘Check ifthe MIDI channels covecty set. Check tthe transmit channa ofthe external MII device matches the MIDI channel of the CR-80. “Check ifthe Note Numbers are assigned corecty ‘Sol the Note Numbers transmitted ty the extemal device to match the Note Numb Sounds) of the CR+B0 (Page 40 and 42) “Check it Note Contal is set 0 "VOL" Touse the CR-80 2s a MID! sound module, set Note Contra to “INST” (Page 42), ‘Determine if SYNC Starts sel When SYNC Start is set, percussion sounds onthe GR-80 are no! payed even when Note messages are received. Press CSYNC START) 50 that the inccato goes out (Page 35) ‘Check iSync mod is set to “EXT”. Touse the CR80 as a MII sound module, set Syne mode to “INT” (Page 38) s (oercussion ‘Wrong sound is played ‘Check ifone Note Number is assigned to more than one percussion sound. ifthe same Note Number is assigned to more than one percussion sound, al those sounds will be played simultaneously when that Note massage Is recieved (Page 42), ‘Changing the Note Numbers does not affect the eriginal assignment. ‘Check ityou have selected a drum set without the “U-* " mark. Touse the Note Number assignment you have set, select a drum set with the "U-* * mark (Page 40), No sound is heard ‘Check i the MIDI cable is connected correctly. ‘Checkif the MIDI IN connector on the external device is securely connected tothe MID! OUT ‘connecto:on the CR-80, Check the volume level ol the external vice ‘Check the volume level of any ampli, mixer, ete. Check if the MIDI channels are set correctly, ‘Checkif he receive channel ofthe extemal device maiches the MIDI channel ofthe CR-80 Check if the Note Numbers are assigned corecly. Set the Note numbers transmited by the CR-80 to match the Note Numbers (gercussion sounds) of the external device (Page 44) Changing the Note Numbers does not affect the original assignment. ‘Check ifyou have selected a crum set without the U2” mark, To use the Note Number assignment you have set, select crum set withthe "U4" mark (Page 44). “aeee eee . Error Message Table Back Buto Cause: The battery that supports the CR-80's memory backup is exhausted, and data in memory has been lost The unit wil be automaticaly initaized to the factory default setings. What to do: Have the battery replaced at the shop where you purchased the CR-80 or at a local Roland service ste- tion. Batters Low! dn Cause: The battery that supports the CR-80's memory backup is weak. ‘What to do: Have the battery replaced at the shop where you purchased the CR-80 o ata local Roland service sta- tion. Ho song data. Cause: You have tried to erase a song where no data has been wit, # overflow, Cause: You have tried to enter more than 500 Parts into ‘one song in the Song Exit mode, What to do: Avoid entering more than 500 Parts into one song not peada, Cause: You pressed CEXT GARD) without having a Music Style card inserted propery in the EXT CARD slot on the cR-80, What to do: insert a Music Style card securely into the EXT CARD siot Wrong card. Cause: The card connected to the EXT CARD slot cannot be used on the CR-80, What to do: Disconnect the card from the EXT CARD slot Be sure not to connect any card other than @ Music Style card, Serial error, Cause: MIDI messages have not been received properly. What to do: Check if the connection with the external device 's correct, then repeat the procedure carefully. ithe above error message appears repeatedly even though all Connections check out, consult with the shop where you Purchased the CR-60 or 2 local Roland service station. Act sensing err Lee eeteery Cause: The MIDI cable connected to the MIDI IN connector 's damaged or the connected MID! device is switched oft, ‘What to do: Check the connection with the external MIDI device, then repeat the procedure carefully MICI buffer full Cause: An excessive arount of MID! messages have been transmitted and therefore cannot be processed propery What to do: Reduce the amount of MIDI messages and repeat the procedure carefull.4. Percussion Sounds Table Display _| Percussion Sounds | Feel Display __| Percussion Sounds | Feel ‘CRASH ‘Crash cymbal KICK Room kick Brush-crash cymbal | Dry kick Face kick RIDE Ride cymbal ° doz kick Brushaide cymbal | O 808 kick | BELL Ride cymbal bell | © SIDE_STICK | Side stick Brsh-tide cymbal | O Brushr'swish’ snare HL HL SNARE Revert snare LOW.SCRCH | Low scratch Real snare HLSCRCH Hiscratch + | Bich snore: HAND_CLAP | Hand ciap | £808 snare TAMBOURINE | Tambourine ie) Brush-snare roll ‘COWBELL Cowbell | £08 Cowbell SNARE2 —_| Reverb snare ViBRASLAP | Vibraslop Real snare HLBONGO | Hibongo | Birch snare LOW_BONGO | Low bongo 808 snore MUTE_CONGA | Mute hiconga Brushrsnare siap HLCONGA — | Hiconga LOW_CONGA | Low conga Low_tom | Low room tom HLIMBL Hitimbale Low attack tom LowtMBL | Low timbale Low 808 tom HLAGOGO | Hiagogo Brush-iow slap tom LOW_AGOGO | Low agogo | | CABASA Cabosa ° MID_TOM | Mid room tom MARACAS | Maracas 5 | Mid ottock tom SHORT_WHSL | Short whistle Mid 808 torn LONG_WHSL_ | Long whistle Brush-mid siap tom SHORTGUIRO | Short guiro LONGGUIRO | Long guiro HLIOM High room tom CLAVES Claves High attack tom HLWBLOCK | Hiwoodblock High 808 tom LOW_WBLOCK | Low wcodbiock Brush-high siap tom MUTE_CUICA | Mute cuica OPEN_CUICA | Open cuica CLOSED_HH | Closed hi-hat © | | Mure se Mute triangle BOB closedhinat | O | | OPENLTRI pen triangle Brush-closed hi-hat | © | | SHAKER Shoker ° HAI Hal PEDALHH | Pedal hi-hot Q | | nev Hey! Open hithat ® © | | oon ‘Ooh! uN! Unt | OPEN.HH | Open hi-hot © | | APPLAUSE Applause 808 open hi-hat © | | SNAREROU | Snore roll Brush-openhknat | © | | WAVES Waves BIRDS Birds “Any percussion sound that hos “O” af the “Feel” column alows you fo control the yhtmic feel of the performance wilh the Fee! sien + "Open hi-hat *” is the sound shortened by the decoy of "Open hi-hat” 815. Note Numbers : Default Settings / Correspondence of Percussion Sounds to Level Slider Display | _Note# Level Sider KICK 36 (35) KICK SIDE_STICK 37 SNARE SNARET 38 SNARE SNARE2 40 SNARE LOw_TOM 4) (43) TOMS MID_IOM 45 (47) Toms HLTIOM 48 (50) TOMS closen_HH | 22 HIHAT/RIDE PEDAL_HH 4a HI-HAT/RIDE: OPEN_HH 4 HIMAT/RIDE CRASH 49 (62. 55,57) | ORASH RIDE 81.69) HIHAT/RIDE BELL 83 HLHAT/RIDE HL@ 7 PERCUSSION Low_scrcH | 29 PERCUSSION HLSCRCH 30 PERCUSSION HAND_CLAP | 39 PERCUSSION TAMBOURINE | 54 PERCUSSION COWBELL =| 56 PERCUSSION \VIBRASLAP. 58 PERCUSSION HL_BONGO 0. PERCUSSION Low_Bonco | 61 PERCUSSION MUTE_CONGA | 62 PERCUSSION HILCONGA 63 PERCUSSION LOW_CONGA | 64 PERCUSSION HLIMBL 65 PERCUSSION Low_TMBL 66 PERCUSSION HLAGOGO | 67 PERCUSSION Low_AGoco | 68 PERCUSSION CABASA 3 PERCUSSION MARACAS 70 PERCUSSION SHORT.WHSL | 71 PERCUSSION LONG_WwHsL | 72 PERCUSSION sHORTGUIRO | 73 PERCUSSION Lonceuro | 74 PERCUSSION CLAVES 75 PERCUSSION Hiwelock =| 76 PERCUSSION Low_watock | 77 PERCUSSION MUTECUICA | 78 PERCUSSION OPEN_CUICA | 79 PERCUSSION MUTETRI 80 PERCUSSION OPEN _TRI 81 PERCUSSION SHAKER 82 PERCUSSION HAL 89 - HEY! 90 - oH! 2 - UN 92 - APPLAUSE 93 . SNAREROLL | 94 : | WAVES, 98 : BIRDS 9% - * Wihen Nole maxage & ieceWved. he number enclosed in porenthess ()isettectve os wel 626. Number of bars in each Rhythm Pattern Rhythm Style| Intro [Variation] Filtin | Break | Ending 8 Beat 2 1 Pop Rock Hard Rock Rook’n Rall Slow Rock Slow Soul 16 Beat R&B Oldies Latin Rock Disco Funk Swing Swing? Brush Swing Jazz Waltz Waltz Maron Country Ballad Dance Polka House Rap Samba Lambada Salsa Bossa Nova Reggae Tango Mambo Rhumba Beguine Merengue Cha Cha Enka NN HAR RN AFH BERNARD NHONN NNN ONONNNNNND Oo RBH ON NN EPH eH RANE DENNEN EDN BRON INNH AA ARABRSSRAARARAARARARERRARRAR AR AR DD tga gees ace seca areca gee dee ae a ee ag ee ga ee age FatModel CR-80 fi TRANSMITTED DATA] Channel Voice Message (Cancel Vose Mess are tainted te chanel wih HAF CCH fercte Event Conte on a He Newe Ran 8tH = 28H f= a) onene on nn en ORE SET it OY, ROO POWER, LEST 122 BRUSHES then < OR SET Sow numbers ausite to each trot ac NOTES ASSIGN’ wil be wens UT ote munor io te OFF non ae eves for he semen coal At VOR Ua ROOM, Ue POWER. U# LEC. {ate nee nail ten Nate Ow Mote OF) is abot Somes Nonover ve sauna eet Aapuse, Seve Wl Waves amity amie ‘Nae Otten nos seen en econtrot Gran ne sae a osm Yrenemites wth eosam Chnge when < ORL SET> is ehasd eer te Progr Chage denen but can th oer tote Proprm Change een vem ga au MDI Con Trane when FADE oF FADE OUT wie MIDI Implementation Version = 1,00 ‘ePrcaram Chang se St S-Mt chon! 08-18) oaeAl 1S eee (Sat aeons ven < CLA ant XT Fen RN WR OH Ce Pos AOE Seto | team (ah fico Gk a eat ATCO CTO) Ue aan ‘Sst maa TOR Ch ‘lene eminem Ca hata Dk Co) Rieae TekaOl Co ‘Meek ke C8, fawn aaend (aarate ‘arate 2 {ste twine 1 I eene2 Fase a Fee 130 | eine ¢ 18838 | Taine 138 Ca) | Tite? sie ¢ay VAM ina{ste¢a) | Ham ine (it (a | feat 181 OB} 1 Tees? 101 G8) 1 three 3 (ta cua | BN System Commen-Message esong Select mc Smt eeSone Ranter 00H = Cah @ = 8) ‘Traramitd when ihe SONG PLAY mace teed Inne SONG PLAY nose mSystom Real Time Message “Tranaites on) wen €CLK> ie et WNT ‘When RESTART is igure By 2 fot psa Shp hod Sift esenger Be @ Timing clock = Active Sensing ‘a “Tagamile o ceck he MIDI corestns ees the GR=80 sed say ener (2 RECOGNIZED RECEIVE DATA| ‘aChannel Voice Message . Not rensied wee CLK Is set 1o'EXT Event aco wn ae ets wo a = om ete io (ten SYNC START & on ‘ay clas enon esi ate Os" mag, Tseng ct se tan {Row Bensif ots VOL over ole santo og {0 wie of reevea Mote Oni tage fem & ne puma tl are ‘tan 8 G32), (nee SYNC START i¢ otf and is st 19 VOLT Creat vaime I canoe ezrin la the Veli 0 9 eee Nae Ot feng Ta ot Puneet rater than Be (F9, (oven SYHG START otf and Is ato BST the istramenta The ound elec “AppueeSrare Rh Ware and ee as traps wpoe resivng eto On an ope (hal) anh rein Ne (tT ron teen Ieee Pte anor ad the aged omer {nee < DRUM SET> is st a ORY. ROOM, POWER. ELECTRIC, sr. arosius or =e ‘ete numbers Hnely abe (cach etre wil en DRUM SET> is st se UORY, Ue ROOM, Um POWER, U= ELEC. Uivaze or U = BRUSHES) ‘Noe oumbersasgned fe each instant a ROTE ASSIGN’ wi be wn 11a se namber naa OFF, hn he tr cnn be wae oh ae (econtrol Chana ‘ni he ehannls Bing set at ae ered. (Otene Satae gus att P+MDL Owenel soit FH @= 18) oneht Ise enIE Set tho Program Casnge fancies to ‘Dra Sa Chan Resr to he Program Chang ceuien sue Sean at or oo it ‘n=MIDi Conn son =H (0 = 18) freSive Fon 12. Foi - 2A UL ~ 12h Ur Syle Type 1D 00H = TAH Ua — 12) Dedases the Fay Type of cht sys an eis th Pragram Chase fer tte Prom Cees erin 55,Oven sous tema i on oH n=M0D1 Chima :0L- FH G@= 18) Omen ISIE cont veal votane, Tavored when £CTRU> iat co VOL! Program Charge Cn be chanel bing att are rzagnne sau St cat er pe Popa Sumber “Cc 716 (0 > 120) (orem Set Change? ‘When ust LRT; th elonng conbeaton of mesee ctarase Dom Sve tm co 00 Bi): ene 7 1s mt woe 3) | wae. ve: eit eps sono sen C48 a8 Seon Te Cate = a8) Segond 56 nhs Chae] Rams me Be nae ee * ton AMC sae | Brite aes Sams) ARE ite et eee es toaster Fae 2p » ta 7 ibe gtk Soa I) iret ae + "ES 9 cay 2 Bene aH 9)'fona “he aan ° racaniers es Same inne fs) ean aH 2 es Cea MC 2 nt tomes Fao (1) aries ah C3 artes 3 fr 3 Varies 1a C20 Cnr 1a CED tetra 1 O38 | Sin fer 05 Bane BEC) A Ins TID) | em 2 nh bee 3 TB bea Program ruber wo he abe ae pre, Ue emy Prosam Cninge meson th ent ted Lan Sle mum Channel Mode Message ‘Ome On70Ht. Mono,/Ray masages have (he same lest a6 AB NoWws OL ‘oni Notes ott a eMID! Chtnnl 0k FH @ = 15) Oven 18 ate Maes 30 wooed Cot) sounds wi are Wn! uous IDLeomni off sues wont Thad ReMDI Channel 20H FCO 15) Ovens omni on sa sso Tht fn ioe aoe ReMDI Cross! 208 FH (0-15) Ovend t9ente orton Sas sond Ts on ra ina = M01 Chant 20" = FH (0-18) Owen IB=enE roty sau come re nt a oo pe MOI Chant 2018 FL G@ 5) exis ‘wSystom Common Message ‘cognaeg ent when ie tt 7EXT eon Select sau Seems se See Number 00H - 9a (@ - a) Ccoanaes sos feces ene SONG PLAY re, System Realtime message continue ime esto ehotve Sensing fa (ee te OR~80 rosaies Alive Sensing meses sats mening ne ‘ora iach CR~ ture off 9 eam sande ee Nostng 87Medel CR-80 MIDI Implementation Chart a2 transmitting and receiving. Preset or user setting can be selected. Used for ‘Drum Set Change for ‘Rhythm Change’ with Bank Select. Version = 1.00 foe Transmitted Recognized Remarks Besic Default 1-16 1-16 Mernorized Channel! Changed 1-16 1-16 (Non — volatile) Defauit Mode 3 Mode 3 Mode Messages x x Altered eeeesaeee Note -127 +1 lo-1a7 "1 Number Tue Voice | acne eae Note ON Osveto-ia [oO Velocity Note OFF % Gn v=0 x After Key's x » Touch Chis, x x Pitch Bender x x o1o o Bank select 710 ° Volume Control Change Prog ° ane #2 Change Tre # eeaaaaaee ‘System Exclusive x x a Song Pos x x stem Song Sel © =INT © sext | Common Tune x [x i system Clock O =INT |O ~ ExT Real Time Commands © =INT O =exT Local ON/OFF | x | Aux All Notes OFF | x © (123-127) Messages Active Sense | 3 Reset x x Notes 1 Note number assignment for each instrument is commonly used for Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO O: Yes x: NoSPECIFICATIONS CR-80 : Human Rhythm Player + Sound Source 16 bit dynamic range + Maximum polyphony 12 notes + Internal Voices Percussion sounds : 69 Sound effects 8 + Rhythm Patterns hythm Siyies :36 Each Rhythm Style contains 20 ferent ythm paltems ; 4 Variations, 4 Fins, 4 Breaks, 4 Intros and 4 Endings + Song ‘SONS .....- soe Sng length nnn 800 Pants + Tempo J 4010 250 + Display 16 characters, 2 lines (backlit LCD) + Connectors Output Jacks ( Mono/Stereo ) Headphone Jack ( stereo ) MIDI Connectors ( IN]OUT } To Coda/Restart Jack Fillin Jack ‘Star’Stop Jack ‘AC Adaptor Jack ( DC 9V ) External Card Slot + Power Supply DCSV : AC Adaptor + Current Draw 320mA + Dimensions ‘360(W) x 242(0) x Sa(H) mm 14-916" x 9-112" x29" + Weight 19K9 42 ibs. + Accessories ‘AG Adaptor (Owner's Manual + Options Music Style Card TN-SC1 series) Ihe specifications for tis product ore subject fo ‘change without notice.INDEX fal ay (P} Auto Filkin 17 initlatization 46 Pant 22 [81 Insert 29 Program Change 34 Break 1s lato tr Ic} tu Repeat +26 Contre! Change 34 Level Slider u Restart 18 Cursor iz 22. EM) Rhythm Style 10,14 (0) MIDI 32s] Delete 28‘ MIDIChannel 32 Song 22 Drum Set 20, 40 MIDI Messages: 32 ‘Song Edit Mode 8 fe) MIDW/Function Mode 8 ‘Song Play Mode - 8 Ending 16 Mode 8 ‘Syne Mode 38 Music Style Card 13 ‘Syne Start 35 (Fl Fade In - 7 i m eee 17 Normal Mode 8 Tempo - 11,27 ae 12 Note Controt 42 qy] Fill-in 14 ee 33 Variation « 14 Foot Pedal 12, 15, 18, 31 aa allata Svea Forthe UK IMPORTANT: THE WIRES INTHS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE, auuE NEUTRAL BROWN = LIVE {As the colours ofthe wires inthe mains load of this apparatus mey not eoerespond wit tne coloured markings identiyng the terminals in your pig proceed a8 follows: “The wie whichis coloured BLUE must be connected the terminal which s markeo with thelr N or coloured BLACK. “The wire which is coloured BROWN must be connected othe terminal wich is marked wit the letter Lor coloured RED.For Nordic Countries: Apparatus containing Lithium batteries ‘ADVARSEL! \VARNING! Leta - sess e809 oases vi tit bates ire. ‘Asie eon tery een era ose md ian ste med sane a anne fom rommedeas a appear ‘abate. Kiera anare baer ge eam er et re ber tibape eran, hasten } ADVARSEL! VAROITUS! Linumbate - Baise Parte vol ait, jo 8 on vrs We uta Denys te Rater sm snbetit erat. 2 tjratabiann ‘naa pesto arctan leaner ‘i oaer etme gpateveanaoren seoatiaemage pin. Hits Key pasto ‘almilagn erect mules, ee eyes For Germany Bescheinigung des Herstellers/Importeurs Hert wir beschnig. ca8 dere/cas \n Uoerenstinmung mi cen Bestmmungen cer HYTHM PL tsbl. Vig 1046/1984 (demeclavergung| funicentston ist. (Der Deutschen Bundespost wurde das Inverketrbringon dieses Gerates angezeigl und de Berechtgung 2ur Uberpifung or Serie aut Eishalung dor Bestimmungen engeraumt. Roland Corporation Osaka/Japan ‘Name dee Horsttersimoateue For ine USA RADIO AND TELEVISION INTERFERENCE wanmena.— Ts signa nn verted comp we Cua Bcmenig doce para Span! Pa. eFC es. Ota onconalomnseesequpnan's hay sean nares os ef meee “Ta mesoer rate nu garry rn a nay ry #10 te ane Ey Se etn wc re Teng tnms ists tna rao saan ts aapraa bs ia ove bconpy nntaioasies Sea Seaman neers sib soctenars nat] iar ise FOL hues ess ise omges perc anrane poet pesinan sere acetal, ‘ren erin ro eucn alh ronce toma # agave ey fercaurra es ce aoe a Maa We HN ‘lactis vce tet Ppcost coms ase Ti rarccs de te mae yaw neocon pea iO eae ‘Bee nvm nw foe sen a Oe Fr oun Ss ss tn Boab es an ooo Ft Ros _enipae Serceme eae ae ner Hae yy ame ree ug fe ow mets 1 gine sasgmont ne av ain arson eo cout an TV odo ti mak xan eqvomen ihe cr Mevsen eae rt on {rb ret rst ent + See St erin tia ner ai rn ers 1 emu ade ot ean ee For Canada: class 8 NOTICE, This digital apparstus does no! exceed the Class & limits for radio noise emissions set out in the Radio Interference Flagulations ofthe Canacian Department of Communications. CLASSE B AMIS Cot eppareit numérique ne depasse pas les imites de a classe B au niveau des émissions de brute radoélecinques tes. | ‘dang le Regiomont des signalx parastos par ie minster eanacion des Communications,k=Roland[=2Roland* 10975 l i a k=Roland: