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Extract From Jeff Povey's Delete
Extract From Jeff Povey's Delete
Reva?
Ill have get to Other-Johnson later.
If there is a later.
What? I ask her. I mean it.
The alien looks identical to my real mum. She is a carbon
copy from head to toe. Just like Im an exact copy of her real
daughter.
Where did all those cuts and bruises come from? Have you
been in a fight? she asks.
Have I been in a fight? Theres an understatement to end all
understatements.
A fight? Me? I say and try to look perplexed and
condemning in the same breath. When did I ever get into
fights?
My non-mum is scanning me now, taking in all of the little
cuts and bruises, her maternal worry animating her face. I can
feel the low throb of the beginnings of a black eye from where
GG punched me in the face not because he wanted to, but
because it was the only way he could get me to leave the
others behind. I also have about a hundred other burns, scars
and bruises, all of which I didnt have when I left for school
this morning.
It seems that no time has passed in this world. Ive come
home from detention at the exact same time I would have
done on any normal day. But Ive spent at least two or three
days fighting for my life.
So time happens differently in different worlds. Thats
something to tell the Moth when I see him again. Hell like
that. Itll excite his big space brain.
But I wont get to tell him anything if I dont get out of
here. I seriously need to find the Ape and GG because I left
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I was sure shed realise I wasnt her Reva, but maybe her
eyes only take in what they want to see. Im well, the other
me is all shes got in the world and thats all that really
matters to her. But that doesnt stop me secretly looking
around for a weapon. Thanks to the Ape and his remarkable
instinct for fighting and violence, we discovered that these
versions of ourselves have a major weak spot. Go for the
throat hard and fast and youve got a chance of beating them.
I cant believe Im looking for something sharp to drive
into any version of my lovely-loving mum. But Ive seen what
these creatures can do.
My non-mum blocks the way to the front door. But I have
to get out of here. Now.
So I do the only thing I can.
I hug her.
I couldnt hurt this alien, this woman, in a million years. So
I slip my arms round her and give her the most loving, caring
hug I can.
I love you, I whisper.
Which distracts, maybe even surprises, her because when
I look into her eyes, there are tears in them.
She smiles awkwardly. Silly.
I hold her gaze. I do, I tell her. I really do.
Theres something clawing at the back of my mind. If I do
get away from this world, then this woman might never see
me or her real daughter again. Shell spend the rest of her life
wondering where her Reva Marsalis disappeared to. Shes
already spent twelve years wondering where her husband
went and shes about to lose a daughter too.
I look into her warm eyes and I feel my eyes tearing up
now.
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Mum?
Yes?
But no words come. I just stare at her and wish this was so
different.
I head swiftly down the concrete steps that rise alongside the
rows of nineteen-fifties flats, taking them two at a time. As I
do I phone the Ape. He takes an age to pick up and Im worried
Ill never get to say what I want before my charge gives out.
Yowza to the yowza. His deep mans voice booms across
the airwaves.
Did you phone GG?
Nah, couldnt be bothered.
Ape?
Gotcha! He laughs.
This is no time to make stupid jokes, but the Ape has a
mindset that only he will ever understand. Though even that is
doubtful.
Im right here, Rev. The sound of GGs voice lifts me as
he takes the phone from the Ape.
OK, listen, meet me at
Use your own phone! The Ape snatches the phone from
GG. Im on Pay As You Go.
And Rev called you, so it doesnt matter, replies GG,
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lead down to the market. A small shallow river curls past the
busy stalls and flows around a huge fourteenth-century church
that dominates the town. Three teenage boys head my way and,
recognising one of them from school, I bow my head and
pretend to browse a music stall until they pass.
After theyre gone, I head as quickly as I dare through the
market and walk up a small arcade of shops before emerging
into the cobbled town square where a tall blue clock stands
proudly. I scan the area, looking for GG and the Ape.
Where the hell are they?
A young mother and her chocolate-devouring four-year-old
brush past me and I yelp. Even with the merest of contact,
shes electrocuted me in some way. She turns, looking
surprised, as if I shouldnt have reacted like that, or she doesnt
know why that happened. Her coal-black eyes scrutinise me
and I quickly turn away.
I keep walking, feeling her eyes on me as I do. All of the
aliens have black eyes, dark pools that are definitely not
windows to the soul. Which shows how much my non-mum
only saw what she wanted to see. Mine are bright blue.
Hey! the electric woman calls out.
Stop looking at me, I mumble to myself. Please, Im
nobody.
Hey, Pink Hair!
I decide that now is the time to run but Im saved by the
womans little boy screaming his head off. The noise is so earpiercing that it makes nearby windows rattle. The mother
forgets about me and possibly electrocutes her kid, because he
stops screaming quite suddenly. Shes probably got some taser
power and set herself to stun.
I start dialling the Apes number, but before I can finish I see
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GG ignores him. So, find the jacket, find the thesis . . . And
youll understand what your dad wrote?
Im his daughter, I say hopefully. Maybe some of his
cleverness will have rubbed off. But lets be quick and not
draw any attention. OK?
Del! the Ape suddenly shouts. Hey!
GGs eyes almost leap out of his head in horror. What are
you doing?
Thats Del, the Ape says simply and bangs on the glass
door to get the attention of a skinny boy who is passing the
charity shop. Hey, Del!
Stop that! Its not Del! I hiss at him.
The Ape looks at me and the lonely cog in his brain shifts
another millimetre as he realises what he has just done.
Oh, yeah.
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double, but were so similar it looks like it was me who did it.
So all in all Im not coming across that well.
The old woman pales at the images.
Please, I say again, and this time I have tears in my eyes
because the image of the dead Other-Johnson has ripped
through me. Were lost, I tell her. Were totally lost. Which
is true in so many ways.
But the old woman isnt listening. She is too scared. Whawhat do you want? she stammers.
GG puts up his hand to get her attention. To go home, thats
all. We want to be back in time for supper.
Theres something in her black eyes, a rising fear of us, and
she seems to be particularly frightened of the Ape. Whatever
she has found in his head has disgusted her. You, she spits,
you are a horrible creature.
Youre the one farting, says the Ape.
The old woman gets to her unsteady feet. Stay away from
me.
Were not here to hurt you, I tell her.
I need help, she mutters.
Were the ones who need help, GG pleads with her.
Hello, are you there? Anyone? Can you hear me? I realise
that shes trying to mentally transmit an SOS to as many
people as she can. And shes going to bring them all to the
charity shop.
Hello, hello?
Rev. GG can sense it too as the old woman gathers her
strength.
Please! I say for a third time. Look closer. Were good
people.
The old woman continues to gather her power. Please
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