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TEORI

ARSITEKTU
R
RA1 3 5 5 | ( B )

KHAIRUL RIFKI

32.10.100.007

ADI WASISTA I.

32.10.100.032

CHAPPY MARZALIANO JR.


32.10.100.040
Dosen koordinator

D r. I r. M u r n I
t I, M. T.

ALDILA SEPTIANO
32.10.100.057
Rachmawa

identity

identity
1

Pembuktian Identitas

Menyiratkan individu

Perbedaan

IDENTITY :
Kualitas atau kondisi dari isi pokok, komposisi, alam,
dan sifat yang sedang dipertimbangkan

EVIDENCE OF IDENTITY
( bukti identitas )

Keistimewaan rumah dipedesaan yang tidak dimiliki


oleh rumah di perkotaan adalah view, ruang terbuka,
dan juga rasa kekeluargaan di dalam maupun diluar
rumah

identity
Menyiratkan individuallitas

Menyiratkan individuallitas

arch becoming cool

This man is COOL

This man is UNCOOL

dapat membuat sesuatu yang UNCOOL menjadi COOL

pengalaman
kemampuan

dapat membuat sesuatu yang awalnya COOL


menjadi UNCOOL

keahlian
ketekunan

doa

Jika kita menilai orang itu keren maka


setiap bangunan yang orang keren
ciptakan tersebut
hasilnya selalu keren

Market Identity: Disappeared by Detail

William Faulkner

Light in August

Lena

Serene rules in a world where reality did no

Robert Musil

The Man without Qualities

Ulrich

Two separated people

Both evoke subjets who are


alienated from the social,
political, and economic
processes that might
sustain identity

The transformation of public housing to market housing,


however, has led to other complexities: in the transition,
state forms of identity have been replaced with market
forms of identity or lack thereof and architecturally
speaking, lack of detail.
Can architecture alone help to alleviate the kinds of estrangement depicted by
Musil and Faulkner?
Can buildings compress distance and contribute to the construction of new
identities?
Or does placing this burden on architecture set it up for the same apparent failure
that was presumed to have been endemic to the existing modern housing.

In their details, these buildings attempt to undermine the


political and economic systems that have isolated Arverne
from greater New York and to address not only the economic
impoverishment and a rural alienation embodied in Faulkners
vast landscapes but also the urban and philosophical poverty
of Musils metropolitan experience. Architects have yet to
grapple with both of these forms of destitution, and to
produce a truly modern form of housing for Americas poorest

Theory
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