Professional Documents
Culture Documents
Mind-mapping
Past and current video installation practice
Installation plans
Sketches on the content of your animation
Draft script of the animation
Installation / set skecthes
Progress of ideas
Types of visuals
Sound design
Lighting design
Projection vs screen
Single or multiple screens
Technological convergence
Possible venues
Location recce
Identify venue facilities
Risk assessment of venue
Final script
Storyboard
Cast and Crew and Production roles
Production schedule
Copyright issues
Venue booking confirmation
Usevideocamerastoshowvideowhile
thecameraispointedtowardssomething
thatisrelatedtoorfromthevideothatis
beingshown
Useastillcamerashowingmy
pizzaanimationandhaveit
aimedatanopenpizzabox.
Couldalsohaveoneofmystill
imagesofthepizzafromthe
animationinsidethepizzabox.
Useaprojectortoshowthe
demonicspiralvideo.Project
ontowhitesheet.Havethe
sheetlongerthanprojector
screen,sothebitthatisnot
projectedontoisallbloody
andripped.
My
installation
Analternateideaformy
animationwouldbetohavea
notebookorlaptopinsidethe
pizzaboxshowingthe
animation.
From your research into video installation, give two examples that you think influence your work / ideas
in some way.
One should be a past practitioner, the other should be contemporary.
Past Practitioner
Name:
Douglas Gordan
Biography
Images
Contemporary Practitioner
Name:
Biography
Bill Viola
Bill Viola is an american contemporay video artist and is also considered as a leading
figure in video art.
Images
Notes on
their
installation
When Bill Viola does a video installation he likes to focus his work on the ideas behind
each of the fundamental human experiences such as birth, death and aspects of
conciousness. As a result of this he tends to use triptychs and this kind of style a lot
when showing his work.
How is it
similar to
your ideas?
Our video installations are fairly similar to each other. While Bill likes to show each of
his videos side by side in a triptych style effect, I am going to be showing my videos on
the same screen one straight after the other as a sequence.
Sound design
What sound will your FMP / Productions have?
I will be using the sound that is already in my productions that I am showing. I will not be adding any
extra sounds.
Why?
I do not need any ectra sounds, and by using headphones to listen to my videos the sound will not
disturb anyone else that is in the room looking at the other exhibitions.
Lighting design
What lighting will you have in your installation? Consider health and safety.
I will be using the lighting that the exhibition already provides. I feel that this lighting will be fine and I will
not need anything extra. I would also prefer to concentrate my effort primarily on setting up my video
installation rather than worrying about any extra lighting.
Projection vs screen
Will you project your video or play it on a screen?
I will play my video on a screen. This will be on a laptop.
Why?
Usingalaptopwilluseuplessspace
thanaprojectorandscreenwill.
Iwillbeusingasinglelaptopscreen,
thenplaymyvideosonalooponit.
Itwillbeeasierformyaudienceto
viewtheanimationonjustone
screenasimplementinganymore
mayresultintheaudiencefindingit
hardertofollowthestoryline.
Technological convergence
What is technological convergence?
Technilogical convergence is when you bring multiple types and pieces of technology tegether into one
installation or exhibition. An example of this would be using an projector and screen alongside a laptop
or notebook.
Venues
Locate and show research into three possible venues for you to show your work.
Venue:
Location:
Henley-on-Thames
Location recce
Complete the location recce for the final venue.
The red lion hotel is a prime location as it is on the main road and just opposite 2 pubs so the location
will be well known and easy to get to.
Installation plans
From the ideas in your mindmap, create a more definite proposal for how you will install your video.
Diagram of final plan:
Add labels to clearly identify your diagram
RISK ASSESSMENT
ACTIVITY
HAZARD
RISK
H/M/L
Setting up
There will be a
lot of loose
wires around
that could
pose as a
tripping
hazard
All of the
wires will be
pushed out
of the way to
the sides.
Make sure
that all of the
equipment
being used
is sturdy
Exhibiting
Damaging
equipment
PRECAUTIONS
IN PLACE
REVIEW
DATE
REVIEWER
Be careful
when
setting
everythin
g up
22/0
6/20
15
Benja
min
Tyrrell
Check
stability
of tables
before
opening
22/0
6/20
15
Benja
min
Tyrrell
Signed
KEY:
Activity :
Describe the component part of your pursuit.
Hazard : List the things you anticipate might cause harm or the things associated with your
activity that have the potential to cause harm. Consider the likely harm.
Risk:
Assess the risk as either H (High), M (Medium) or L (Low). When concluding your
assessment consider all of the circumstances.
Precautions:
Consider what you could do to minimise / negate the risk.
In Place: Will the precautionary measures be in place at the time of the activity?
Review Date:
When would it be reasonable to review your assessment? Remember it might
be whilst you are undertaking the activity.
Reviewer: Name of the person responsible for completing the risk assessment.
A copy of this form should be taken on the activity or visit by the Reviewer.
lighting
sound
screens / projectors
speakers / headphones
Final script
Insert your final script in here
Storyboard
Insert your storyboard in here
Copyright issues
What potential copyright issues could your FMP infringe?
I do not have any rights to the song that I am using
How can you be certain that your work does not violate any copyright infringements?
I can ask for permission to use the song from the owner and record label that the song is on.