| aNcIENT- arr AND QULTURE ae ae & > > cho separ and chat al ot thee > Prominent hate halls with insertion ‘uDAM/WAGODH CAVE: > eabar fal > coke to Sites > Rectangle chamber connected to cclarchamber > Eriert example of rock cut method exact ransation f Frere of lepnts Great chia all Pir squre stepped plinth Coptic ores legen to support rat which siete Songhorames monastery > Cathy thebuashine > Timur hive INDIAN ART AND CULTURE Page 1¥ > Suihyaatenimeemend RO one s > aie sine > Hath gumphe, ei gumpha and ganeshe gumphe caver > Aleoknown as decent of gngs > Baitebypatees Gopi caver mikes cave rmctangular al with nage bile -evet example esd ove rdacovereddected to monks of va er by deerthgrandion of soka)- largest cave SGupeage nuance otro 4 pilrs- huge hata window separated cornice ue igure sie mahayanasehoolto chats archtectre ‘Senueen cele rectangle sanctunry with bude sting in Inecripton-chanye mance ‘Cve 17 slr to 16 except whee of ie hava chr! INDIAN ART AND CULTURE Page 2‘Soreenepup tare nn menvenneeninee2 & seemeenonct Re Gratyeendvier (hate: proyer hall by monks (hale chia in Maharshi) Vir reedence/rest place of monks nari har naj ves) Developmentin the form of sintng: 29-4 ciyn +25 where Carved on a perpeniclr cif- no couryards 113 forme fart combined -archtectre, seuptre an pings mural paintings) RST STD: iy cow dung-rice husk pend on rough surface of ock SECOND STEP fine pater THIRD STEP. sroce was kept mist until colour war applied (FRESCO PAINTINGS) (utines are dawn nedcalour and then allalure te weed except bu eit cant be obtained from ils Inspire by oat tories 23caver_Shinayane +24 mahayona period (Coven 16-mortcegentoritecrlly Famous rec psinting of nthe: regione hinduem(27) + badehiem(12)+jsnem(S) Carvedon loping ie of lt have courtyrde (ave Lc) vishahnrme dedication to patron stn of raftemen (ave 16 ich temple carved out f month kaach ei) ‘lore tiplestoreyed coves, Ajanta double treyed caver INDIAN ART AND CULTURE Page 3> Same techniques ured in mura and reac paitngs = RS Neartoghrverin Upertots” 304050 high ariel pltorm connected by sacar tothe hall ‘Stel presence of bude denoted by trone and footprints MONTPERIR/MANDAPESHVAR CAVES (Only bohmanical cave tobe converted into critien cave we o of arc gateways Enemies beraber &nagerjun cavesin iar > Vineet in mesryen age INDIAN ART AND CULTURE Page 4> inaas re givento jin monks atas nara ea Harta ves — a8 ne lege emizercl dome where cake containing buddha es st) war placedinzmallcentral chamber Stone sirtras(woogen fence] contd af thabesotagonal upright port) capped by sins continuous caping tne] Sone stop enlarged by surges Sorenes gateways ving sculptures depicting tak tales Nelo stop enlrged 7 ner aishn-mearivestpe een by fabian and hieun ang a peshawarshahi der) Concept ofstope- vest pees EARLY EVOLUTION OF THE’STUPA™”™""""""" > ouryan-sthoa-sancitupe > ostmeuryen= mare enlarged topes, ton > Gupte las ne. of sup heme op INDIAN ART AND CULTURE Page 5— . is ~ < got supesighy (Ceylon “ABHAYAGIR DAGAHABA reached tremendous proportions 327hbigger INDIAN ART AND CULTURE Page 6Ogectetwochipmtoncegon Ye Teckel arene Ke Stes gS ‘Outside influence | Greekorbellenisticndo grek art No outside influenceinigeneout indigeneous Regus Maint buddhism [AS religions nnizm budhiom Rnd minty bud Prometedby ——_kushens athens satnvahanes rene NW roner Mathur hank ‘eshnagodovriower valley Features > Sprnalbuddhe-calnness > Delghtedbuddha-notspirtuel > Refectenarative > Berded budhnemotache > Raed and face sheven > Theme baad om ie of buddha on > Wenrnglessornaments, > Musclerity jst tories > GREEK having wey bai, Irge > Dresin tight, neritic body > Stoner of previous births of buddha foreheed postion of > Buches fce eects grace ‘amen animal form osihovnglrge ars yez hall > Sentedin padnasen ight hand uselrty, protuberance on ead CaS RVD New shoo added sanath choo of scuptre Developed st sareth ck of nkeness- propel drszed and covered etal seuptre developed ex sutangen > every god special teibuter nd symbol > local repels > Mamutlopurem: ef pllv ing MAMENDRAVINRANGAVAANAW and is queens cuptspria > suddhictjewelcasket- bimaran(Aghansen) > Hales wmprted > Behulucoppervare- pre gupte INDIAN ART AND CULTURE Page 77faeeat > eles cholas =2 great medieval schol of metal clptre > pale tense mar produced > Spore SEs, Nepal ana Tibet 2 roser- delat design with omamental detail eck deep religiosity Indio rones cre perdu{MADHUCCHISTAVIDMANA) method > adc ae, parvat an pati > Pas ‘TEMPLE ARCHITECTURE IN SOUTH INDIA: Saryles developed Neyete Inpilons schoo temple architecture developed “Marelspurem cave temple panchapandev,varsha Kencarth tpl bare vated pyramidal tower + Patna shoo of temple rehtectur emerged in eager INDIAN ART AND CULTURE Page 8 ine form of teaegi- female character of ssppedigramaridenl of wifey devotionTank Vimar cubsida3 shert Frapwan ee pe¥ool systole INDIAN ART AND CULTURE Page 9INDIAN ART AND CULTURE Page 10