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Math 1030 Final Project
Barbara Kobs
Barbara Kobs
Math 1030-003
Thomas Sanborn
Final Paper Draft #1
Have you ever driven down the road and seen the person next to you jamming and
singing to their favorite tune? Or have you ever listened to music while tapping your fingers on
the steering wheel to the beat of the song? Have you noticed while watching a movie the music
in the background? Or my favorite is watching a YouTube video of a little baby twerking to the
rhythm of a popular Taylor Swift song. We have all probably been subjected to all of these
situations. Did you know that while youre listening or dancing to your favorite tune, you are
actually listening to math? Yes, really you are!
Music is a natural way for making people wave, stomp and clap to the song they are
listening too. What we are really doing while tapping our fingers is tapping out a beat which is
made up of numbers , 4/4 etc. Not many people ever think about how much music has to do
with mathematics. When you think of Math you think of symbols and numbers and music also
has to do with symbols and numbers too. Music and math both use basic concepts or rules that
remain constant, no matter what action are being performed; music and math both use shapes,
patterns, and numbers. In the book written by Charity Kahn, Math and Music Harmonious
Connections Kahn states, Music gives beauty another dimension to mathematics by giving life
and emotion to the numbers and patterns.
At an early age I learned how to play the accordion, but the instrument became too heavy and
big for me so I moved onto a bigger and heavier instrument; the piano. In later years, a few other
instruments joined the group. Music has always been inspirational and can change my moods, I
can always find a song to go with how I am feeling. Throughout my teen years and later I did a
lot of singing in special groups. As I look back I have loved those highlights in my life. A couple
of months ago, I had a growth that was removed from my voice box, so far my singing days are
over, which has saddened me. Music is my life blood, and I always have a song in my heart. For
me it is not so much the listening to music as it is the playing and singing of the song at the
moment. Through this project I have come to realize how much math is intertwined with music,
one cannot be without the other. This paper is only a brief reflection on the beginnings of music
and how it is connected to math.
The Beginning and the Father of Numbers:
During the time of Ancient Greeks, mathematics and music were immensely related.
Music was considered as a strictly mathematical discipline handling the relationship of numbers,
ratios, and proportions. One of the first people to make the connection between math and music
was Pythagoras, a famous philosopher and mathematician. The Pythagorean Theorem; it is what
he is known best for and why he is called the father of numbers. Pythagorean himself and his
students believed that everything related to mathematics and through mathematics could be
predicted and measured in rhythmic patterns or cycles. The Pythagoreans were musicians as
well as mathematicians. He wanted to improve the music of his day, which he believed was not
harmonious enough.
Do you know how Pythagoras discovered music? It is said that he first discovered musical
notes that could be translated later into mathematical equations was when he passed blacksmiths
at work. He thought the sounds emanating from the anvils being hit were not only beautiful, but
harmonious. He supposed that whatever scientific rule caused this to happen must be
mathematical and that he could apply it to music. He revealed how this happened by looking at
their tools and realized it was because the anvils were ratios to each other; one was half the size
of the first, another was 2/3 and so on. They also discovered that integers corresponded to
musical notes; any vibrating object makes overtones and harmonies together. The series of notes
were: 1/5, 1/4, 1/3, 1/2 etc.
The fundamental musical concept is probably that of the octave. A musical note is a
vibration of something and if you double the number of vibrations you get an octave higher. If
you half the number it will be an octave lower. Two notes together are called an interval; three
or more is a chord. An octave is an interval common to all music in the world. Frequently
people cannot even distinguish between notes an octave apart, but hear them as the same. The
concept of octave and the number 2 are closely related.
The piano keyboard is made up of 88 keys, of which 52 are white keys and 32 are
black keys. When striking each succeeding keys it produces a tone particular frequency that is
higher than the tone produced by striking the preceding key by a set interval called a semitone.
The frequencies increase from left to right. A pattern is produced while striking the keys of a
Key Name
Key number
Frequency
(Hz)
A0
27,500
A0#
29,135
B0
30,868
C1
32,703
C1#
34,648
D1
36,708
D1#
38,891
E1
41,203
F1
43,654
F1#
10
46,249
G1
11
48,999
G1#
12
51,913
A1
13
55,000
keyboard. The frequencies of the pitches produced by striking the piano keys can be modeled by
an exponential regression function, or a geometric sequence. The pitch of each note has a related
frequency calculated physically in Hz (hertz) or cycles per second. There are numerous
mathematical associations between the notes played in music and the occurrence of those notes.
As you can see on the chart to the left shows the key name, key number, and frequency in hertz.
Music is made up of sound, which is made of repeated sound waves. Rhythm measures
time. A physically measure is the space between two bar lines of a music staff; they denote the
division of time by which air and movement of music are regulated. Rhythm is created when
you play chords or the same notes; there are many different ways to achieve rhythm in music.
A scale is composed of 8 notes, which the 3rd and 5th notes create the basic foundation of
all chords.
There are 13 notes in the span of any note through what we call an octave.
Based on a tone which are combined of 2 steps and 1 step from the root tone is the 1st
note on the scale.
The scale on piano keyboard is from C to C and has 13 keys, 5 black keys and 8 white keys.
They are split into groups of 2 and 3. Some people might say that there are only 12 notes in the
scale, but if you dont have a root and an octave, in reality a start and an end, you have no means
Fibonac
ci
Ratio
Calculat
ed
Frequen
cy
Tempere
d
Frequen
cy
Not
Musical
e in
Relationsh
Scal
ip
e
1/1
440
440.00
Root
432
216
864
2/1
880
880.00
Octave
864
432
1728
2/3
293.33
293.66
Fourth
288
144
576
2/5
176
174.62
Aug Fifth
172.8
86.4
345.6
3/2
660
659.26
Fifth
648
324
1296
3/5
264
261.63
Minor
Third
259.2
129.6
518.4
When
A=432
*
Octa Octav
ve
e
below above
3/8
165
164.82
Fifth
162 (Ph
i)
81
324
5/2
1,100.00
1,108.72
C#
Third
1080
540
2160
5/3
733.33
740.00
F#
Sixth
720
360
1440
5/8
275
277.18
C#
Third
270
135
540
8/3
1,173.33
1,174.64
Fourth
1152
576
2304
8/5
704
698.46
Aug. Fifth
691.2
345.6
1382.
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aspects. Music targets one specific area of the brain to stimulate the use of spatial temporal
reasoning, which is useful in
mathematical thinking. As you listen to
music, certain neurons in the cortex
music or make
of your brain start firing. The pathways
are
spatial
are in
Work Cited
Garland, Trudi H., and Charity V. Kahn, 1995, Math and Music: Harmonious Connections, Palo
Alto, Dale Seymour Publications
McClain, Ernest G., 1978, the Pythagorean Plato, Main, Nicolas-Hays Inc.
Reid, Harvey, 1995, On Mathematics and Music,
http://www.woodpecker.com/articles/math+music.html (1998, September 30).
Zhan, Cindy. The Correlation between Music and Math: A Neurobiology Perspective. 2002
http://serendip.brynmawr.edu
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