Gabriel Fauré was a French composer known for his refined, aristocratic style of music that embodied French musical tradition. He was a professor and later director of the Paris Conservatoire from 1896 to 1920, resigning due to hearing loss. Throughout his career, Fauré wrote piano pieces in many forms including impromptus, preludes, barcarolles, and nocturnes that followed the French tradition of focusing on sonorous form over emotional expression through subtle tones, rhythms, and colors rather than epic or dramatic music.
Gabriel Fauré was a French composer known for his refined, aristocratic style of music that embodied French musical tradition. He was a professor and later director of the Paris Conservatoire from 1896 to 1920, resigning due to hearing loss. Throughout his career, Fauré wrote piano pieces in many forms including impromptus, preludes, barcarolles, and nocturnes that followed the French tradition of focusing on sonorous form over emotional expression through subtle tones, rhythms, and colors rather than epic or dramatic music.
Gabriel Fauré was a French composer known for his refined, aristocratic style of music that embodied French musical tradition. He was a professor and later director of the Paris Conservatoire from 1896 to 1920, resigning due to hearing loss. Throughout his career, Fauré wrote piano pieces in many forms including impromptus, preludes, barcarolles, and nocturnes that followed the French tradition of focusing on sonorous form over emotional expression through subtle tones, rhythms, and colors rather than epic or dramatic music.
No. III = Gavotte: Allegro vivo No. IV = Pastorale: Andantino tranquillo Gabriel Faure was a founder of the National Society for French Music and the first president of the Independent Musical Society. He was a professor of composition at the Paris Conservatoire in 1896 and its director from 1905 to 1920, when he resigned because of a hearing loss. Faures refined, highly civilized music embodies the aristocratic qualities of French tradition. His piano pieces, were written during all periods of his creative life, including impromptus, preludes, 13 barcaolles, 13 nocturnes, and a few larger works. Generally, French tradition is essentially classic, regarding music as sonorous form rather than expression. Instead of emotional displays and music depiction we get subtle patterns of tones, rhythms, and colours. The music is more lyric or dancelike rather than epic or dramatic.