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Scott Peterson Mix Redwirez
Scott Peterson Mix Redwirez
I bet he added them later on; they were not in the original IR zip
file I have.
Cool!
Here are some kick-ass (from first blush) sounding mixes based on these IR's:
SpeakerA-SM57-CapEdgeOffAxis-2in.wav,0.85
SpeakerB-TC30-CapEdge-0in.wav,0.05
SpeakerA(or)B-TC30-Back-12in.wav,0.05
SpeakerA(or)B-TC30-RoomL.wav,0.025
SpeakerA(or)B-TC30-RoomR.wav,0.025
85
5
6
2
2
15
V30 Ref Mix
Uberkab-V30-TC30-CapEdge-0in.wav,0.45
Uberkab-V30-SM57-CapEdgeOffAxis-2in.wav,0.45
Uberkab-T75V30-TC30-Back-12in.wav,0.05
Uberkab-T75V30-TC30-RoomL.wav,0.025
Uberkab-T75V30-TC30-RoomR.wav,0.025
Greenback 412 Ref Mix
BasketweaveG12M20s-TC30-CapEdge-0in.wav,0.45
BasketweaveG12M25s-SM57-CapEdgeOffAxis-2in.wav,0.45
BasketweaveG12M20s-TC30-Back-12in.wav,0.05
BasketweaveG12M20s-TC30-RoomL.wav,0.2.5
BasketweaveG12M20s-TC30-RoomR.wav,0.025
For a good Marshall cab I am using one of the three following Red Wire 'mixes'. They
are all 50/50 between two cabs, so nothing real complicated.
Old school Vintage Marshall Cab: G12M-R121-CapEdgeOffAxis-2" with G12Ls-421Cone-3"
70's Marshall Cab: G12M-R121-CapEdgeOffAxis-2" with T75-421-Cone-3"
Modern Marshall Cab: G12M-R121-CapEdgeOffAxis-2" with OrangeV30-R121CapOffAxis-3"
Killer Mix IR Recipes 12 09 2010
GreeenbackMarshallBackCabRoom:
Marshall1960A-G12Ms-SM57-CapEdgeOffAxis-2in.wav,0.45
BasketweaveG12M20s-SM57-CapEdgeOffAxis-2in.wav,0.45
Marshall1960A-G12Ms-KM84-BackCab-1in.wav,0.05
Marshall1960A-G12Ms-KM84-Room-L.wav,0.025
Marshall1960A-G12Ms-KM84-Room-R.wav,0.025
BognerV30BackCabRoom:
Uberkab-T75V30-SM57-CapEdgeOffAxis-2in.wav,0.45
Uberkab-V30-SM57-CapEdgeOffAxis-2in.wav,0.45
Uberkab-T75V30-TC30-Back-0in.wav,0.05
Uberkab-T75V30-TC30-RoomL.wav,0.025
Uberkab-T75V30-TC30-RoomR.wav,0.025
VoxBackCabRoom:
VoxAC30Blues-SM57-CapEdgeOffAxis-2in.wav,0.45
VoxAC30Silvers-SM57-CapEdgeOffAxis-2in.wav,0.45
VoxAC30Silvers-TC30-Back-0in.wav,0.05
VoxAC30Silvers-TC30-RoomL.wav,0.025
VoxAC30Silvers-TC30-RoomR.wav,0.025
FenderTwinBackCabRoom:
TwinD120s-SM57-CapEdgeOffAxis-2in.wav,0.45
TwinJensenC12N-SM57-CapEdgeOffAxis-2in.wav,0.45
TwinD120s-TC30-Back-6in.wav,0.05
TwinJensenC12N-TC30-RoomL.wav,0.025
TwinJensenC12N-TC30-RoomR.wav,0.025
FenderDeluxeBackCabRoom:
TweedDeluxeP12R-SM57-CapEdgeOffAxis-2in.wav,0.45
TweedDeluxeBlue-SM57-CapEdgeOffAxis-2in.wav,0.45
TweedDeluxeP12R-TC30-Back-2m.wav,0.05
TweedDeluxeBlue-KM84-Room-L.wav,0.025
TweedDeluxeBlue-KM84-Room-R.wav,0.025
MatchlessBackCabRoom:
Matchless-G12H30-SM57-CapEdgeOffAxis-2in.wav,0.45
Matchless-G12M25-SM57-CapEdgeOffAxis-2in.wav,0.45
Matchless-G12H30M25-TC30-Back-6in.wav,0.05
Matchless-G12H30M25-TC30-RoomL.wav,0.025
Matchless-G12H30M25-TC30-RoomR.wav,0.025
BassmanBackCabRoom:
BassmanP10Qs-SM57-CapEdgeOffAxis-2in.wav,0.90
BassmanP10Qs-TC30-Back-6in.wav,0.05
BassmanP10Qs-TC30-RoomL.wav,0.025
BassmanP10Qs-TC30-RoomR.wav.wav,0.025
SoldanoBackCabRoom:
Soldano412BLegendV12s-SM57-CapEdgeOffAxis-2in.wav,0.90
Soldano412BLegendV12s-TC30-Back-6in.wav,0.05
Soldano412BLegendV12s-TC30-RoomL.wav,0.025
Soldano412BLegendV12s-TC30-RoomR.wav,0.025
OrangeBackCabRoom:
Orange4x12-V30s-SM57-CapEgeOffAxis-2in.wav,0.90
Orange4x12-V30s-KM84-BackOfCab-3in.wav,0.05
Orange4x12-V30s-KM84-Room-L.wav,0.025
Orange4x12-V30s-KM84-Room-R.wav,0.025
CelestionG12LV30BackCabRoom
Basketweave-G12Ls-SM57-CapEdgeOffAxis-2in.wav,0.45
Uberkab-V30-SM57-CapEdgeOffAxis-2in.wav,0.45
Basketweave-G12Ls-TC30-Back-0in.wav,0.05
Basketweave-G12Ls-TC30-RoomL.wav,0.025
Basketweave-G12Ls-TC30-RoomR.wav,0.025
CelestionG12LV30BackCabRoom2
Basketweave-G12Ls-SM57-CapEdgeOffAxis-2in.wav,0.45
Uberkab-V30-SM57-CapEdgeOffAxis-2in.wav,0.45
Basketweave-G12Ls-TC30-Back-0in.wav,0.05
Basketweave-G12Ls-TC30-RoomL.wav,0.025
Uberkab-T75V30-TC30-RoomR.wav,0.025
BasketweaveG12M25s-TC30-CapEdge-0in.wav,0.15
BasketweaveG12M25s-SM57-CapEdge-2in.wav,0.85
The SM7 has the same cutting power than the SM57 but without the harsh high end.
It's also quite flat and meat & potatoes mic.
The RE20 is also honest and to my ears the most flat, yet more detailed than the
SM7. Most transparent. No proximity issues, so this gives me a condenser sound up
close to the grill.
The U67 has nice tube warmth and detail and richness. Really adds something to
the sound. However, that mic alone lacks cutting power and adds the risk of
muddying up the mix. Also has some real proximity issues, so needs to be at least 3
inches off the grill.
The R121 is my favorite mic of the bunch. Incredibly rich and detailed. Adds some
magic. Needs to be on the cap instead of the cap edge or it gets too muddy.
Because of proximity effect it needs to be at least 1" off the grill, but 2" sounds
great as well. Again, just like the U67, it needs a dash of RE20 and SM7 for some
honest transparency and detail or the mix gets too thick and slightly muddy. Also,
this mix gives you dynamic mics, tube mics, condenser mics and a ribbon mic.
These are the reasons I needed the mix, because they really need each other and
each has a quality that the other one's don't have.
The following mics I also liked but didn't add anything to the four I had already
selected:
C414, nice detail and fatness. Needed to be on the cap edge and 3" off the grill
because of proximity effect. Liked the U67 better.
U47, slight harshness, but nice condenser mic. Cap Edge 1 inch
SM57, the most common mic ever. Great cutting power but harsh high end and
upper mids. Needs to be off-axic because of it.
On the G12M25, I also really liked the Neumann M8 on Blue Bottle. Cap Edge 1"
MesaRectifierV30s-L47-Cap-0in.wav,0.25
MesaRectifierV30s-SM57-CapEdgeOffAxis-0.5in.wav,0.25
MesaRectifierV30s-TAB57-CapEdgeOffAxis-0.5in.wav,0.25
MesaRectifierV30s-R121-Cap-0in.wav,0.25
Marshall1960B-T75s-U47-Cap-0in.wav,0.25
Marshall1960B-T75s-SM57-CapOffAxis-6in.wav,0.25
Marshall1960B-T75s-TAB57-CapEdgeOffAxis-0_5in.wav,0.25
Marshall1960B-T75s-R121-Cap-0in.wav,0.25
MesaRectifierV30s-SM57-CapEdgeOffAxis-1in.wav,0.50
MesaRectifierV30s-RE20-CapEdge-0.5in.wav,0.50
BasketweaveG12M25s-SM57-CapEdge-1in.wav,0.40
BasketweaveG12M25s-TC30-CapEdge-0in.wav,0.10
Marshall1960A-G12Ms-SM57-CapEdge-1in.wav,0.40
Marshall1960A-G12Ms-TC30-CapEdge-0in.wav,0.10