Professional Documents
Culture Documents
Melodic types
Gregorian chants fall into two broad categories of melody:
recitatives and free melodies. The simplest kind of melody is the
liturgical recitative. Recitative melodies are dominated by a single
pitch, called the reciting tone. Other pitches appear in melodic
formulae for incipits, partial cadences, and full cadences. These
chants are primarily syllabic.
Notation
The earliest notated sources of Gregorian chant (written ca. 950)
used symbols called neumes (Gr. sign, of the hand) to indicate
tone-movements and relative duration within each syllable. A sort
of musical stenography that seems to focus on gestures and tone-
The Neumes
.
Punctum
This is just a single note
Virga
This is the same as a punctum.
Podatus (pes)
When one note is written above another note like this,
the bottom note is sung first, and then the note above it.
Clivis (flexa)
When the higher note comes first, it is written like this.
Scandicus
Three or more notes going upward.
Difference: