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  • Concertreportterm 12015

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    James Collings attended the Music for the Soul, Orchestra at Temple Square Fall Concert on October 16th at the Salt Lake Tabernacle. His favorite piece was Mozart's Symphony no. 40 in G minor because it had sudden changes in dynamics and a lighter feel despite being in a minor key. His least favorite was Chopin's Piano Concerto no. 2 in F Minor as it had exaggerated dynamics that didn't change quickly enough and was dominated by long piano notes with little contribution from the horns. He learned from the horn players that placing the horn less vertically and preparing the embouchure before playing could help his own playing, and that listening to each other was important for an orchestra to stay together without a

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    James Collings attended the Music for the Soul, Orchestra at Temple Square Fall Concert on October 16th at the Salt Lake Tabernacle. His favorite piece was Mozart's Symphony no. 40 in G minor because it had sudden changes in dynamics and a lighter feel despite being in a minor key. His least favorite was Chopin's Piano Concerto no. 2 in F Minor as it had exaggerated dynamics that didn't change quickly enough and was dominated by long piano notes with little contribution from the horns. He learned from the horn players that placing the horn less vertically and preparing the embouchure before playing could help his own playing, and that listening to each other was important for an orchestra to stay together without a

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    15 views1 page

    Concertreportterm 12015

    Uploaded by

    api-298246382
    James Collings attended the Music for the Soul, Orchestra at Temple Square Fall Concert on October 16th at the Salt Lake Tabernacle. His favorite piece was Mozart's Symphony no. 40 in G minor because it had sudden changes in dynamics and a lighter feel despite being in a minor key. His least favorite was Chopin's Piano Concerto no. 2 in F Minor as it had exaggerated dynamics that didn't change quickly enough and was dominated by long piano notes with little contribution from the horns. He learned from the horn players that placing the horn less vertically and preparing the embouchure before playing could help his own playing, and that listening to each other was important for an orchestra to stay together without a

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    of 1

    ConcertAttendanceReport

    Name:
    JamesCollings
    Period:
    A2

    Nameoftheconcertyouattended?
    MusicfortheSoul,OrchestraatTempleSquareFallConcert

    Whereandwhenwasitheld?
    Friday,October16,attheSaltLakeTabernacle

    Whichpiecewasyourfavourite?
    Describeitusingmusicalterminologytodefendyour
    answer.(Min.50words)

    MyfavouritepiecetheyplayedwasSymphonyno.40inGminorbyWolfgang
    AmadeusMozart.Thedynamicschangedverysuddenlyandabruptlycomparedtothe
    otherpiecesthatwereperformed.Italsowasplayedalotlighter.Despitebeingina
    minorkey,ItwasahappiertunethanIexpectedittobe.

    Whichpiecewasyourleastfavourite?
    Describeitusingmusicalterminologytodefendyour
    answer?(Min.50words)

    MyleastfavouritepiecetheyplacedwasPianoConcertono.2inFMinorby
    FredericChopin.Thepiecewastooexaggeratedandthedynamicsthroughoutdidnt
    changefastenoughformetobeentertained.Theorchestradidntplayenough,making
    thepiecemostlyheavy,exaggeratedpianomusic.Whentheorchestradidplay,the
    hornsdidntplaymuchbutlongwholenotes.

    Whatdidyoulearnfromthisperformancethatyoucouldapplytoyourownplaying?
    (Min.75words)
    FromthehornplayersIlearnedIneedtoplacemyhornlessvertical.Theway
    oneofthehornsaccomplishedthiswasbyusingastrapthatconnectedherlefthandto
    thehorn,onethingthatmightbeniceformetohave.Oneortwomeasuresbeforethey
    startedtoplay,theygottheirmouthinthepositiontheyneededtostartthenote
    perfectly,somethingIcouldlearntodo.Ingeneraltheorchestrakepttogetherwithout
    theconductor,whowasntkeepingtime,bylisteningtoeachother.

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