Professional Documents
Culture Documents
325
Angeles:
Angeles:
326
Clockwork
Orange
in
(London:
327
Brothers
328
Papers
(London:
The
(New
York:
(New
York:
Jeffrey
H.
Goldstein,
Why
We
Watch:
The
Attractions of Violent Entertainment (Oxford:
Oxford University Press, 1998)
Nelson Goodman, Languages of Art: An Approach to a
Theory of Symbols (London: Hackett Publishing
Company, 1985)
Sidney Gottlieb (ed.), Hitchcock
(London: Faber and Faber, 1997)
on
Hitchcock
329
Communicative
Roman
Republic
(London:
330
(Cambridge:
Cambridge
Aesthetic
Theory
(NYC:
331
(Indiana:
332
Scorsese,
Casino
Taxi
Driver
(London:
Faber
and
333
______________,
Bringing
Out
the
Dead,
<http://www.dailyscript.com/scripts/bringing-outthe-dead.html> [December, 29 2007].
Martin Scorsese and Mardik Martin, Mean Streets,
unpublished script, BFI Library, S18073.
Martin Scorsese and Nicholas Pileggi, GoodFellas
(London: Faber and Faber, 1990)
Jean Seaton, Carnage and the Media. The Making and
Breaking of News About Violence (London: Allen
Lanwe, 2005)
Seneca, Ad Lucilium Epistulae
William Heinemann, 1937)
Morales (London:
Fiction (London:
Proof
(Los
Faber
Angeles:
on
334
(New
York:
(Berkeley: