Electric

Guitar
Acoustic
Guitar with
pickup

Bass
Guitar

Microphones
iPod
Docking Station
Mono Effects
Footswitch

Headphones

Hookup Diagrams

HOOKUP DIAGRAMS

press HI-Z
button
MIC

MIC

MIC

MIC

MIC

MIC

(UNBALANCED)

TAPE
IN

LINE
HI-Z

5/6

7/8
(MONO)

(MONO)
BAL /
UNBAL

BAL /
UNBAL

LINE/HI-Z IN 1

BAL /
UNBAL

LINE IN 2

BAL /
UNBAL

LINE IN 4

LINE IN 3

LINE IN 5

LINE IN 7

INSERT

C GAIN
MI

U
-20dB

IC GAIN
M

LEVEL
SET

U
-20dB

+50
+30dB

GAIN

EQ

-15 +15

OO

+15
U

OO

+15

OO

+15
U

OO

+15

FX

Drum
Machine

OO

+15
U

OO

+15

FX

PAN

OO

+15
U

OO

+15

FX

PAN

OO

+15

FX

PAN

OO

+15
U

OO

+15

OO

+15
U

OO

+15

FX

PAN

FOOTSWITCH

MAIN OUT

PHONES

15
10

10
15

48V
PHANTOM
POWER

POWER

10

MAIN
METERS

15
125

MON

250

500

1K

2K

MAIN MIX
MON

4K

8K

0dB=0dBu

+15
U

OO

+15

FX

PAN

USB

FX PRESETS

01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)

PAN

OL
15
10
6
3
0
2
4
7
10
20
30

EQ IN
BYPASS

OO

+10

Effects Processor
Mono in, Stereo out

OO

FX

PAN

FX SEND

15

EQ

AUX

MON

FUSE: T1.6AL AC250V

10

HI
12kHz

-15 +15

AUX

BAL /
UNBAL

ST RETURN

LOW
80Hz

-15 +15

MON

BAL /
UNBAL

MON SEND

-15 +15
U
LOW
80Hz

AUX

FX

PAN

L
BAL /
UNBAL

MID
2.5kHz

-15 +15
U

~100-240V 50/60 Hz 25W

BAL /
UNBAL

-15 +15
U
MID
2.5kHz

-15 +15
U

HI
12kHz

LOW
80Hz

MON
+15
U

EQ

-15 +15
U

-15 +15
U

AUX

OO

GAIN

MID
2.5kHz

-15 +15
U

-20 +20

GAIN

HI
12kHz

(MONO)

STEREO GRAPHIC EQ

-20 +20

EQ

LOW
80Hz

MON

-15 +15
U

-15 +15
U

AUX

MON

LEVEL
SET

+50

MID
2.5kHz

-15 +15

AUX

MON

LINE IN 12

MANUFACTURING DATE

MAIN
LEFT

(BALANCED)

USB

BAL /
UNBAL

LOW CUT
100 Hz

HI
12kHz

LOW
80Hz

LINE IN 10

GAIN

EQ

-15 +15
U

-15 +15

AUX

MON

-15 +15
U
MID
2.5kHz

LOW
80Hz

-15 +15

AUX

+50
LOW CUT
100 Hz

HI
12kHz

-15 +15
U

C GAIN
MI

LEVEL
SET

LINE IN 11

LINE IN 8

GAIN

-15 +15
U
MID
2.5kHz

LOW
80Hz

EQ

HI
12kHz

-15 +15
U
LOW
80Hz

+50
+30dB

LOW CUT
100 Hz

-15 +15
U
MID
2.5kHz

C GAIN
MI

LEVEL
SET

GAIN

EQ

HI
12kHz

-15 +15
U

U
-20dB

+50
+30dB

LOW CUT
100 Hz

-15 +15
U
MID
2.5kHz

LINE IN 6

IC GAIN
M

LEVEL
SET

GAIN

EQ

HI
12kHz

U
-20dB

+50
+30dB

LOW CUT
100 Hz

-15 +15
U

INSERT

C GAIN
MI

LEVEL
SET

GAIN

LOW CUT
100 Hz

INSERT

BAL /
UNBAL

LINE IN 9

AVIS: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

SERIAL NUMBER

MAIN
RIGHT

(BALANCED)

(MONO)

BAL /
UNBAL

ON

11/12

(MONO)

BAL /
UNBAL

R
INSERT

9/10

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

POWER

TAPE
OUT

INPUT LEVEL

PRESETS

MUTE

USB THRU

Laptop Computer
with Tracktion
for recording

BREAK

(MUTES ALL CHANNELS)

OL

MUTE

MUTE

OL

dB
10

MUTE

OL

dB
10

dB
10

MUTE

OL

dB
10

MUTE

OL

MUTE

OL

dB
10

MUTE

OL

5/6

dB
10

dB
10

OO

OL

9/10

dB
10

+15

FX MASTER

MUTE

OL

7/8

OO

+15

OO

MUTE

dB
10

ST RTN

dB
10

FX RTN

OO

+20

TAPE LEVEL

MON

MAIN

FX TO MON

OL

11/12

MAX

PHONES

dB
10

dB
10

Monitor EQ
5

10

10

10

10

10

10

10

10

10

10

10

10

20

20

20

20

20

20

20

20

20

20

20

20

30

30

30

30

30

30

30

30

30

30

30

30

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

OO

OO

OO

OO

OO

OO

OO

OO

OO

OO

OO

OO

SRM450v2 Powered Monitors

SRM450v2 Powered Speakers

Keyboard

This diagram shows a guitar connected directly to channel 1 (with the hi-z switch pressed in),
microphones attached to channels 2, 3, and 4, guitar effects processors connected to the left line-level
input of channel 5/6 and 7/8, a keyboard attached to channel 9/10's line-level inputs and a drum
machine connected to channel 11/12. An iPod docking station is attached to the stereo tape inputs.
An effects processor receives a mono input from the FX send and its stereo outputs connect to the
stereo return inputs.
Mackie SRM450v2 powered speakers are connected to the left and right main output. Two of these
speakers are also set up as stage monitors and connect to the mixer's monitor output via a graphic EQ.
The aux mon controls of each channel allow you to create a stage monitor mix that is independent of the
main mix. Use the external graphic EQ to adjust the stage monitor EQ as desired. Headphones are used
for monitoring, and a footswitch allows you to mute/un-mute the internal effects as desired.
A laptop connects to the USB port, and allows the 2-channel main mix of the performance to be
recorded using Tracktion software. Two channels of audio can also play from the computer to the
main mix.

Band System ProFX12

Hookup Diagrams

ProFX8 and ProFX12

Acoustic Guitar
and Mic

Electric
Guitar

Lavalier
Clip-on Mic

Microphones
iPod
Docking Station

Assistive Listening
System
Headphones

Mono Effects

MIC

MIC

MIC

MIC

MIC

MIC

(UNBALANCED)

TAPE
IN

LINE
HI-Z

5/6

7/8

BAL /
UNBAL

BAL /
UNBAL

LINE/HI-Z IN 1

BAL /
UNBAL

LINE IN 2

BAL /
UNBAL

LINE IN 4

LINE IN 3

LINE IN 5

LINE IN 7

INSERT

C GAIN
MI

U
-20dB

IC GAIN
M

LEVEL
SET

U
-20dB

+50
+30dB

GAIN

EQ

MON
OO

+15
U

OO

+15

MON
OO

+15
U

OO

+15

FX

MON
OO

+15
U

OO

+15

FX

OO

+15
U

OO

+15

FX

Dual Compressors
PAN

PAN

MUTE

PAN

MUTE

OL

dB
10

dB
10

dB
10

OO

+15
U

OO

+15

FX

OO

+15
U

OO

+15

BAL /
UNBAL

FUSE: T1.6AL AC250V

FOOTSWITCH

R
MAIN OUT

FX SEND

PHONES

15

15

10

10

EQ

10

HI
12kHz

15

LOW
80Hz

48V
PHANTOM
POWER

MAIN
METERS

15
250

500

1K

2K

MAIN MIX
MON

4K

8K

0dB=0dBu

USB
U

OO

+10

Effects Processor
Mono in, Stereo out

OO

+15
U

OO

+15

FX

PAN

PAN

OL
15
10
6
3
0
2
4
7
10
20
30

EQ IN
BYPASS

FX PRESETS

01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)

PRESETS

INPUT LEVEL

MUTE

USB THRU

Laptop
with Tracktion
recording
the service

POWER

10

125

MON

FX

PAN

BAL /
UNBAL

MON SEND

ST RETURN

AUX

MON

FX

PAN

MUTE

dB
10

MUTE

OL

Compressor/Limiter

BREAK

(MUTES ALL CHANNELS)

OL

OL

+15

PAN

MUTE

OL

OO

FX

L
BAL /
UNBAL

-15 +15

AUX

MON

~100-240V 50/60 Hz 25W

BAL /
UNBAL

-15 +15
U
LOW
80Hz

-15 +15
U

USB

MID
2.5kHz

-15 +15
U
LOW
80Hz

(BALANCED)

(MONO)

-15 +15
U
MID
2.5kHz

AUX

HI
12kHz

-15 +15

MON
+15
U

EQ

-15 +15
U

-15 +15
U
LOW
80Hz

OO

GAIN

MID
2.5kHz

AUX

MON

-20 +20

GAIN

HI
12kHz

MANUFACTURING DATE

MAIN
LEFT

STEREO GRAPHIC EQ

-20 +20

EQ

-15 +15
U

-15 +15
U

-15 +15
U
LOW
80Hz

+50

MID
2.5kHz

AUX

LINE IN 12

LEVEL
SET

(BALANCED)

BAL /
UNBAL

LOW CUT
100 Hz

HI
12kHz

-15 +15

LINE IN 10

GAIN

EQ

-15 +15
U
LOW
80Hz

AUX

-15 +15
U
MID
2.5kHz

-15 +15
U

+50
LOW CUT
100 Hz

HI
12kHz

-15 +15
U
LOW
80Hz

AUX

C GAIN
MI

LEVEL
SET

LINE IN 11

LINE IN 8

GAIN

-15 +15
U
MID
2.5kHz

-15 +15

AUX

EQ

HI
12kHz

-15 +15
U
LOW
80Hz

-15 +15

+50
+30dB

LOW CUT
100 Hz

-15 +15
U
MID
2.5kHz

C GAIN
MI

LEVEL
SET

GAIN

EQ

HI
12kHz

-15 +15
U

U
-20dB

+50
+30dB

LOW CUT
100 Hz

-15 +15
U
MID
2.5kHz

LINE IN 6

IC GAIN
M

LEVEL
SET

GAIN

EQ

HI
12kHz

U
-20dB

+50
+30dB

LOW CUT
100 Hz

-15 +15
U

INSERT

C GAIN
MI

LEVEL
SET

GAIN

LOW CUT
100 Hz

INSERT

BAL /
UNBAL

LINE IN 9

AVIS: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

SERIAL NUMBER

MAIN
RIGHT

(MONO)

BAL /
UNBAL

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR

MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

ON

11/12

(MONO)

BAL /
UNBAL

R
INSERT

9/10

(MONO)

(MONO)

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC

POWER

TAPE
OUT

dB
10

MUTE

OL

dB
10

MUTE

OL

5/6

dB
10

OO

OL

9/10

dB
10

+15

FX MASTER

MUTE

OL

7/8

OO

+15

dB
10

ST RTN

OO

MAX

PHONES

FX TO MON

OO

dB
10

FX RTN

+20

TAPE LEVEL

MAIN

MON

MUTE
OL

11/12

Monitor EQ
dB
10

dB
10

10

10

10

10

10

10

10

10

10

10

10

10

20

20

20

20

20

20

20

20

20

20

20

20

30

30

30

30

30

30

30

30

30

30

30

30

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

OO

OO

OO

OO

OO

OO

OO

OO

OO

OO

OO

OO

SRM450v2 Powered Monitors

HD1521 Powered Speakers
Keyboard

This diagram shows various microphones attached to channels 1 to 4, a mic'd guitar on channel 5/6,
a guitar effects processor connected to the left line-level input of channel 7/8 and a keyboard attached
to channel 9/10's line-level inputs. An iPod docking station is attached to the stereo tape inputs.
An effects processor receives a mono input from the FX send and its stereo outputs connect to the stereo
return inputs. An assistive listening system is connected to the line-level main output. Dual compressors
are connected to the inserts of channels 1 to 4, allowing vocal compression.
Mackie HD1521 powered speakers are connected to the left and right main output via a compressor/
limiter. Two SRM450v2 powered speakers are set up as stage monitors and connect to the mixer's
monitor output via a graphic EQ. The aux mon controls of each channel allow you to create a stage
monitor mix that is independent of the main mix. Use the external graphic EQ to adjust the stage
monitor EQ, as desired. Headphones are used for monitoring.
A laptop connects to the USB port, and allows the 2-channel main mix of the service to be recorded
using Tracktion software. Two channels of audio can also play from the computer to the main mix.

House of Worship System ProFX12

ProFX8 and ProFX12

iPod
Docking Station

CD Player

Headphones

MIC

MIC

MIC

MIC

(UNBALANCED)

TAPE
IN

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

TAPE
OUT

AVIS: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

SERIAL NUMBER

POWER

LINE
HI-Z

3/4

5/6

(MONO)
BAL /
UNBAL

LINE/HI-Z IN 1

LINE IN 2

LINE IN 3

LINE IN 5

C GAIN
MI

U
-20dB

C GAIN
MI

LEVEL
SET

U
-20dB

+50
+30dB

GAIN

+50
+30dB

EQ

MID
2.5kHz

MID
2.5kHz

AUX

+15
U

OO

+15

OO

+15
U

OO

+15

FX

OO

+15
U

OO

+15

FX

PAN

+15
U

OO

+15

FX

PAN

-15 +15

AUX

MON
OO

MON
OO

+15
U

OO

+15

FX

PAN

10

FX

PAN

48V
PHANTOM
POWER

POWER

10

15

15
125

LOW
80Hz

AUX

MON

10

250

1K

500

2K

MAIN MIX
MON

4K

MAIN
METERS
0dB=0dBu
OL
15
10
6
3
0
2
4
7
10
20
30

USB

FX PRESETS

01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)

PAN

8K

EQ IN
BYPASS

-15 +15
U

-15 +15

AUX

MON

PHONES

15

10

MID
2.5kHz

LOW
80Hz

-15 +15

AUX

MON
OO

LOW
80Hz

-15 +15

-15 +15

HI
12kHz

-15 +15
U

MAIN OUT

15

-15 +15
U
MID
2.5kHz

-15 +15
U
LOW
80Hz

LOW
80Hz

EQ

HI
12kHz

MID
2.5kHz

-15 +15
U

-15 +15
U

GAIN

-15 +15
U

FX SEND

FOOTSWITCH

STEREO GRAPHIC EQ

-20 +20

EQ

HI
12kHz

BAL /
UNBAL

ST RETURN

LOW CUT
100Hz

-15 +15
U

MANUFACTURING DATE

(BALANCED)

L
BAL /
UNBAL

MON SEND

GAIN

EQ

HI
12kHz
-15 +15
U

L
BAL /
UNBAL

LEVEL
SET

BAL /
UNBAL

L
BAL /
UNBAL

(BALANCED)

MAIN
LEFT

USB

(MONO)

LINE IN 8

+50

LOW CUT
100 Hz

EQ

HI
12kHz
-15 +15
U

C GAIN
MI

LEVEL
SET

GAIN

LOW CUT
100 Hz

LINE IN 7

+50

GAIN

LOW CUT
100 Hz

C GAIN
MI

LEVEL
SET

BAL /
UNBAL

LINE IN 6

LINE IN 4

ON

(MONO)

BAL /
UNBAL

R
INSERT

INSERT

7/8

(MONO)

MAIN
RIGHT

Hookup Diagrams

Microphones

OO

+10

INPUT LEVEL

PRESETS

Laptop running Tracktion

and DJ software

MUTE

USB THRU

BREAK

(MUTES ALL CHANNELS)

OL

MUTE

MUTE

5
U
5

dB
10
5

MUTE

OL

OL

dB
10

MUTE

OL

3/4
5

dB
10

OO

OL

5/6

dB
10

+15

OO

FX MASTER

MUTE

OL

+15

OO

FX TO MON

MUTE
OL

7/8

dB
10

ST RTN

dB
10

FX RTN

OO

TAPE LEVEL

MON

MAIN

dB
10

dB
10

10

10

10

10

10

10

10

10

20

20

20

20

20

20

20

20

20

30

30

30

30

30

30

30

30

30

10

+20

PHONES

CD Turntable

MAX

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

OO

OO

OO

OO

OO

OO

OO

OO

OO

Effects Processor

Reverb
Compressor

SRM450v2 Powered Monitors

HD1531 Powered Speakers

This diagram shows two microphones attached to channels 1 and 2, a CD player connected to the
line-level inputs of channel 3/4 and a CD turntable connected to the line-level inputs of channel 7/8.
An iPod docking station is attached to the stereo tape inputs. An effects processor receives a mono input
from the FX send and its stereo outputs connect to the stereo return inputs. A reverb and compressor are
connected to the insert of channel 1 allowing vocal compression and a touch of reverb.
Mackie HD1531 powered speakers are connected to the left and right main output. Two SRM450v2
powered speakers are set up as stage monitors and connect to the mixer's monitor output. The aux mon
controls of each channel allow you to create a stage monitor mix that is independent of the main mix.
Switch the internal graphic EQ to adjust the stage monitor EQ if desired. Headphones are used for
monitoring.
A laptop connects to the USB port and allows 2-channel output of DJ software to play in the main mix.
It may also be used to record a set on the computer for posterity.

DJ System ProFX8
Hookup Diagrams

ProFX8 and ProFX12

Microphones

TV monitor

Video

CD+G Player

Headphones

MIC

MIC

MIC

MIC

(UNBALANCED)

TAPE
IN

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

TAPE
OUT

AVIS: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

LINE
HI-Z

3/4

5/6

(MONO)
BAL /
UNBAL

LINE/HI-Z IN 1

LINE IN 2

LINE IN 3

LINE IN 5

INSERT

INSERT

U
-20dB

U
-20dB

+50
+30dB

GAIN

+50
+30dB

EQ

MID
2.5kHz

MID
2.5kHz

AUX

OO

+15
U

OO

+15
U

FX
OO

OO

FX

+15

OO

OO

AUX

MON
OO

+15
U

FX

+15

PAN

-15 +15

+15
U

FX

+15

PAN

OO

OO

FX

+15

PAN

10

10

OO

+15

PAN

48V
PHANTOM
POWER

10

POWER

10

15

15
125

LOW
80Hz

MON

+15
U

PHONES

15

250

1K

500

2K

MAIN MIX
MON

MID
2.5kHz

AUX

MAIN OUT

4K

MAIN
METERS
0dB=0dBu
OL
15
10
6
3
0
2
4
7
10
20
30

USB

FX PRESETS

01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)

PAN

8K

EQ IN
BYPASS

-15 +15
U

-15 +15

MON

FX SEND

FOOTSWITCH

HI
12kHz

LOW
80Hz

AUX

MON

BAL /
UNBAL

ST RETURN

EQ

MID
2.5kHz

-15 +15

AUX

MON

L
BAL /
UNBAL

MON SEND

15

-15 +15
U

-15 +15
U
LOW
80Hz

(BALANCED)

STEREO GRAPHIC EQ

HI
12kHz

MID
2.5kHz

-15 +15

-15 +15

GAIN

-15 +15
U

-15 +15
U
LOW
80Hz

LOW
80Hz

-20 +20

EQ

HI
12kHz
-15 +15
U

-15 +15
U

-15 +15
U

L
BAL /
UNBAL

LOW CUT
100Hz

EQ

HI
12kHz
-15 +15
U

(BALANCED)

MAIN
LEFT

USB
BAL /
UNBAL

L
BAL /
UNBAL

GAIN

MAIN
RIGHT

(MONO)

LINE IN 8

LEVEL
SET

+50

LOW CUT
100 Hz

EQ

HI
12kHz
-15 +15
U

C GAIN
MI

GAIN

LOW CUT
100 Hz

LINE IN 7

LINE IN 6

LEVEL
SET

+50

GAIN

LOW CUT
100 Hz

C GAIN
MI

LEVEL
SET

BAL /
UNBAL

LINE IN 4

C GAIN
MI

LEVEL
SET

ON

(MONO)

BAL /
UNBAL

C GAIN
MI

7/8

(MONO)

MANUFACTURING DATE

SERIAL NUMBER

POWER

OO

+10

INPUT LEVEL

PRESETS
MUTE

USB THRU

Laptop Computer
with Karaoke Software

BREAK

(MUTES ALL CHANNELS)

OL

MUTE

Effects Processor
L

MUTE
OL

OL

dB
10

dB
10

MUTE

dB
10

MUTE

OL

dB
10

OO

OL

5/6

dB
10

+15

FX MASTER

MUTE

OL

3/4

OO

+15

OO

FX TO MON

MUTE

OL

7/8

dB
10

ST RTN

dB
10

FX RTN

MAX

OO

TAPE LEVEL

MON

MAIN

dB
10

dB
10

10

10

10

10

10

10

10

10

10

20

20

20

20

20

20

20

20

20

30

30

30

30

30

30

30

30

30

Dual Compressor

+20

PHONES

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

OO

OO

OO

OO

OO

OO

OO

OO

OO

SRM450v2
Powered
Speaker

SRM1801
Powered
Subwoofer
SRM350v2 Powered Monitors

This diagram shows microphones attached to channels 1 to 4 and a CD+G player connected to the
line-level inputs of channel 7/8. An effects processor receives a mono input from the FX send and its
stereo outputs connect to the stereo return inputs. A dual compressor is connected to the insert of channel
1 and 2, allowing vocal compression.
Mackie SRM450v2 powered speakers and SRM1801 powered subwoofers are connected to the left
and right main output. Two SRM450v2 powered speakers are set up as stage monitors and connect to
the mixer's monitor output. The aux mon controls of each channel allow you to create a stage monitor
mix that is independent of the main mix. Headphones are used for monitoring.
A laptop running Karaoke software connects to the USB port and allows a 2-channel output to play in
the main mix.
The CD+G player allows karaoke text and graphics to be displayed on the TV monitor.

Karaoke System ProFX8

ProFX8 and ProFX12

Condenser
microphone
for vocals

Headphones
Amplifier
Modeler

Headphone Amp

press HI-Z
button
MIC

MIC

MIC

MIC

(UNBALANCED)

TAPE
IN

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

TAPE
OUT

AVIS: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

SERIAL NUMBER

POWER

LINE
HI-Z

3/4

5/6

(MONO)
BAL /
UNBAL

LINE/HI-Z IN 1

LINE IN 2

LINE IN 3

LINE IN 5

INSERT

INSERT

U
-20dB

U
-20dB

+50
+30dB

GAIN

+50
+30dB

EQ

MID
2.5kHz

MID
2.5kHz

-15 +15

-15 +15

AUX

OO

+15
U

OO

OO

+15

OO

OO

+15

PAN

MUTE

MUTE

dB
10

OO

MON
OO

+15
U
FX

Keyboard
OO

+15

OO

MUTE

dB
10

dB
10

POWER

10

15

15
250

1K

500

2K

MAIN MIX
MON

4K

8K

MAIN
METERS
0dB=0dBu
OL
15
10
6
3
0
2
4
7
10
20
30

EQ IN
BYPASS

USB

FX PRESETS

01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)

PAN

OO

+20

INPUT LEVEL

USB THRU

BREAK

(MUTES ALL CHANNELS)

OO

+15

FX MASTER

OO

+15

OO

FX TO MON

MUTE
OL

7/8

dB
10

ST RTN

dB
10

FX RTN

MAX

OO

TAPE LEVEL

MON

MAIN

dB
10

dB
10

10

10

10

10

10

10

10

10

10

20

20

20

20

20

20

20

20

20

30

30

30

30

40
50
60
OO

Electronic Drum Kit

30

30

30

30

+20

PHONES

30

PRESETS
MUTE

OL

OL

5/6

48V
PHANTOM
POWER

10

MUTE

OL

3/4

+15

PAN

MUTE

dB
10

AUX

FX

OL

-15 +15

+15
U

PAN

OL

OL

dB
10

+15
U

10

125

LOW
80Hz

MON

FX

+15

PAN

OO

FX

10

MID
2.5kHz

AUX

PHONES

15

-15 +15
U

-15 +15

MON

+15
U

FX

HI
12kHz

LOW
80Hz

AUX

MON

MAIN OUT

FX SEND

EQ

MID
2.5kHz

-15 +15

AUX

MON

FOOTSWITCH

15

-15 +15
U

-15 +15
U
LOW
80Hz

BAL /
UNBAL

STEREO GRAPHIC EQ

HI
12kHz

MID
2.5kHz

(BALANCED)

L
BAL /
UNBAL

MON SEND

ST RETURN

GAIN

-15 +15
U

-15 +15
U
LOW
80Hz

LOW
80Hz

-20 +20

EQ

HI
12kHz
-15 +15
U

-15 +15
U

-15 +15
U

LOW CUT
100Hz

EQ

HI
12kHz
-15 +15
U

L
BAL /
UNBAL

MANUFACTURING DATE

MAIN
LEFT

USB
BAL /
UNBAL

L
BAL /
UNBAL

GAIN

(BALANCED)

(MONO)

LINE IN 8

LEVEL
SET

+50

LOW CUT
100 Hz

EQ

HI
12kHz
-15 +15
U

C GAIN
MI

GAIN

LOW CUT
100 Hz

LINE IN 7

LINE IN 6

LEVEL
SET

+50

GAIN

LOW CUT
100 Hz

C GAIN
MI

LEVEL
SET

BAL /
UNBAL

LINE IN 4

C GAIN
MI

LEVEL
SET

ON

(MONO)

BAL /
UNBAL

C GAIN
MI

7/8

(MONO)

MAIN
RIGHT

Hookup Diagrams

Electric
Guitar

Acoustic
Guitar with
pickup

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

OO

OO

OO

OO

OO

OO

OO

OO

Desktop
MR8mk2 Powered Reference Monitors
Mac or PC
using Tracktion

This diagram shows an acoustic guitar connected directly to channel 1 (with the hi-z switch pressed in),
a condenser microphone attached to the channel 2 mic input, a guitar amplifier modeler connected to
the line-level inputs of channel 3/4, an electronic drum kit connected to channel 5/6 and a keyboard
attached to channel 7/8.
Mackie MR8mk2 powered reference monitors are connected to the left and right main output for
careful and accurate monitoring of the performance.
A desktop computer connects to the USB port and allows the 2-channel main mix to be recorded
and 2 channels to be played back using Tracktion software.

Home Studio System ProFX8

Hookup Diagrams

ProFX8 and ProFX12

Microphones

Headphones

MIC

MIC

MIC

MIC

(UNBALANCED)

TAPE
IN

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.

TAPE
OUT

AVIS: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

SERIAL NUMBER

POWER

LINE
HI-Z

3/4

5/6

(MONO)
BAL /
UNBAL

LINE/HI-Z IN 1

(MONO)

LINE IN 2

LINE IN 3

LINE IN 5

INSERT

C GAIN
MI

U
-20dB

C GAIN
MI

LEVEL
SET

U
-20dB

+50
+30dB

GAIN

+50
+30dB

EQ

MID
2.5kHz

MID
2.5kHz

MON
OO

MON

+15
U

OO

+15
U

FX
OO

OO

OO

+15

PAN

OO

OO

MON
OO

+15
U

FX

+15

PAN

LOW
80Hz

AUX

+15
U

FX
OO

FX

+15

PAN

10

10

10

OO

+15

PAN

48V
PHANTOM
POWER

POWER

10

15

15
125

-15 +15

MON

+15
U

FX

+15

LOW
80Hz

MON

PHONES

15

250

1K

500

2K

MAIN MIX
MON

MID
2.5kHz

AUX

FOOTSWITCH

R
MAIN OUT

4K

MAIN
METERS
0dB=0dBu
OL
15
10
6
3
0
2
4
7
10
20
30

USB

FX PRESETS

01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)

PAN

8K

EQ IN
BYPASS

-15 +15
U

-15 +15

AUX

HI
12kHz

MID
2.5kHz

-15 +15

AUX

FX SEND

15

-15 +15
U

-15 +15
U
LOW
80Hz

-15 +15

AUX

MID
2.5kHz
-15 +15
U

LOW
80Hz

LOW
80Hz
-15 +15

EQ

HI
12kHz
-15 +15
U

BAL /
UNBAL

STEREO GRAPHIC EQ

GAIN

EQ

HI
12kHz

OO

+20

INPUT LEVEL

Laptop Computer
with Tracktion

PRESETS
MUTE

USB THRU

BREAK

(MUTES ALL CHANNELS)

OL

MUTE

dB
10

MUTE

OL

dB
10

MUTE

OL

dB
10

MUTE

OL

3/4

dB
10

OO

OL

5/6

CD Turntable

dB
10

+15

FX MASTER

MUTE

OL

MANUFACTURING DATE

(BALANCED)

L
BAL /
UNBAL

MON SEND

ST RETURN

LOW CUT
100Hz

-15 +15
U

-15 +15
U

-15 +15
U

-20 +20

GAIN

EQ

HI
12kHz
-15 +15
U

LEVEL
SET

BAL /
UNBAL

L
BAL /
UNBAL

(BALANCED)

MAIN
LEFT

USB

(MONO)

L
BAL /
UNBAL

LINE IN 8

+50

LOW CUT
100 Hz

EQ

HI
12kHz
-15 +15
U

C GAIN
MI

LEVEL
SET

GAIN

LOW CUT
100 Hz

LINE IN 7

LINE IN 6

+50

GAIN

LOW CUT
100 Hz

C GAIN
MI

LEVEL
SET

BAL /
UNBAL

LINE IN 4

ON

(MONO)

BAL /
UNBAL

R
INSERT

7/8

MAIN
RIGHT

OO

+15

OO

FX TO MON

MUTE
OL

7/8

dB
10

ST RTN

dB
10

10

10

10

10

10

10

20

20

20

20

20

20

30

30

30

30

30

30

FX RTN

MAX

OO

+20

PHONES

TAPE LEVEL

MON

MAIN

dB
10

dB
10

Effects/ Sampler
5

10

10

10

20

20

20

30

30

30

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

40
50
60

OO

OO

OO

OO

OO

OO

OO

OO

OO

MR8mk2 Powered Reference Monitors

Keyboard workstation

This diagram shows microphones attached to the channel 1 and 2 mic inputs, a keyboard workstation attached to channel 3/4's line-level inputs and a CD turntable connected to channel 5/6's line-level
inputs. An effects/sampler receives a mono input from the FX send and its stereo outputs connect to the
stereo return inputs.
Mackie MR8mk2 powered reference monitors are connected to the left and right main output for
careful and accurate monitoring.
A desktop computer connects to the USB port and allows the 2-channel main mix to be recorded
and 2 channels played back using Tracktion software.

Podcast System ProFX8

ProFX8 and ProFX12