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(Honours)

2012

Printed in accordance with the regulations and financial assistance


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SBG 03 37-48



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eerie uncanny



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Outside in Mariage de Loti there
is nothing comparable to the Kopala
Kundala in the history to western fiction.




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11

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sub plot.












13




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15


Plot-construction story
plot
Aspects of the Novel















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18



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20

21



Floating straight obedient to the stream.
Comedy of Errors

Aegion
Ingratitude! Thou marble-hearted fiend!
King Lear




Like a veil,
Which if withdrawn, would but disclose the frown
Of one who hates us, so the night was shown
And girmly darkled oer their faces pale
And hopeless eyes.

(Don Juan)


22

And the great lord of Luna


Fell at that deadly stroke;
As falls on mount Alvernus
A thunder-smitten oak.

Lays of
Ancient Rome


And that very night


Shall Romeo bear thee to Mantua.

(Romes and Juliet) (4th Act,


Scene1)


23

Therenow lean on me:


Place your foot here

(Manfred)




24


25

I am settled, and bend up


Each corporal agent to this terrible feat.

26

Tender is the night,


And haply the Queen moon is on her throne,
Clustered around by all her starry fays;
But here there is no Light.

Keats Ode to A Nightingale





I had a dream, which was not all a dream.

I will have grounds


More relative than this.

(Hamlet)



Stand you awhile apart,


Confine yourself but in a patient list.

(Othello)


27

Be at peace; it is your sister that addresses you. Requite


Lucretias love.

(Lucretia)




No spectre greets me no vain shadow this.

William Wordsworth Laodamia








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plot









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( ()





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Rajmohans Wife

[
]

[ Rajmohans Wife
]














46









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[ ]


[
]


story









48





Comedy of Errors; King Lear; Romeo and Juliet; Macbeth; Hamlet; Othello




Lord Byron Don Juan; Manfred


John keats Ode to a Nightingale
William Wordsworth Laodamia




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[
]











52




Wordsworth No
spectre greets me no vain shadow this,



















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[

]






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(Basic
urge)








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v
--v - v v k v
kr tH v v v
` v v t? v
v Q; h v v
t? v
I h v
t? ` @ v` v vh
v v v ao h v v
Q; v Q?U
Q; v v r v v @
& v h

v t? - v
v v v h v
v p *_ v *+
v v * U-Q
* E h ,% v h v
v v h ,% Q v
Q?U v h
h_
191

Q; *x h ,% *
v q Q; v q tH v
Q? v _
Here with a loaf of bread
beneth the bough
A flask of wine, A book of
verse and thou,
Beside me singing in the wilderness
And wilderness if paradise enow.

g h * v v Q; Q?-v_ v
v vd J t? v v
v v v * v @
v GX GX
x* v t?
j _ Per excellence, x*V t? The Book.
v-v *@c MQ?C t v p tHt?
v Ig tao h v t?
@ v vq,%
Q; v v v

h _V_ vhh v
_d v
v v ` v
* v ,%

v v v @H g
h v v o v! v
v v v v
* v-v
xH v v v
E t? v v v v t?

v v * v *
v v v v d` _v
Q; v v v v I v
v v @c v v I v v
h h ,% v
v-Q? -f v v v *
v v v v h
r r v g v v v
h
192

producer consumer f
producer v v consumer
producer _v v consumer
*

h u v v v Q?
t? _ v ao h
I ,% E/ v v v v
h h _Q; u v
h v v v v v v aoao v

h v u v / aoao
v v v v v v v v v
v * -
v v
Q;
k *x ao
v h
v v v h v v `
v v
v v + o Q? t? v
h _
k v * v
+
* t? v r v
v v* ao GF g-
tH v v v v v Q;
tH v v
h v v

v t v tH - ,%
* @ A v K
g k- v v
vd / v v
I Q; v T
v aoao _ v g v v
go * v t? _
h * V h Q; f v ao h
v v v _

v u v v
* v Q; @H v r kE -
193

v v h
v- v v- tH
r vI J v v
v v v v
v_ Ig& v v _ -
v @H *
v v _
v v v
*

v
h v v
v lc x* - v v * Q;
v v v v v v v
v - h v - h
v
d d ,% GF v
v GF Q; r v GF
v v t?
Q; v
v v ^E v h *
v v K
v v E
* v v v v v

v * v v v GF v
v
xX
v *+
*ao *ao ! Q;
tH * ao g
- v r
@H v v t? t v
v o
h v ` v` v v
v v Q?U v v h-\ v v
@c v p tHC
v Q; _ v
T v v t? v
v h ,% Q
v h
v q vh v q @c v
194

d J_ v * I
-` u,% k tH
q,%
Q; q,% E v v
v g * * t? *
^ * k ,% -
E v
* v v Q; v v *
v ! v
v - / v o v
- v h
- * p * v
produce v v consumer
h v k p @ _ v
ao v Q; v v u t?
v v v v
v E v v
+ o Q; t? v
^ v
v - * @ A_ Q? v
@ - * v @
v g go
t? t? vao
v hBo tH v
v vI v PI I
v / _
t?
v vo h * *
v v v
v h v
h v v Q;
v -* ao v
GF E v v * t? v
I ^
v ** v
v K Q? E * p
v v Q; v g *
h v vh* _ GF v
v v g tH _Q?
vxX
195

465
GX v
q v` t?+U v`
Ig&
v *ao v v
v *
v Q; *
* v v v o v v
t? t? v v * v
v GF v v * t?
Q; v v ^
^E v h v
GF v v

466
: +
1 h v
2 GX _
3 v v _v
4 v v *
5 v
* GX : _
1 v v h ,% Q v
2 E
3 Q; u v h v v v v v
1 v ao ,%
,% t]h g
2 ao v t? h * GX

3 - v- g

467 pJ
1 I:_
2 `_ *ao
3

196




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People

198

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(IPTA)









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201

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202

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Peoples Theatre Stars the People







Youth Cultural Institution (Y.C.I.)









203

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Peoples Relief Committee (PRC)-



204

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Y.C.I.

205

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206

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207

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210

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212

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213

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214

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215

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218

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220

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221

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227

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231

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Prompter









[ ]

[ ]


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[ ]






[ ]






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244

M#2\D:\EBG-4\Unit-47a Pm6.5




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[]






[ ]

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[ ]




[ ]



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[]


[ ]

[
]

[ ]


[ ]


[]





[]
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Shadow play







Shadow play

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Shadow play-

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[ ]


[ ]




[ ]
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[ ]











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//
/

297


298

299

300

301

302

*About 50 per cent of the people are dying from starvation at present and about 40 per cent are living in semistarvation, subsisting on herbs vegetables, and other inedible and undigestable food. People are also dying of
cholera. (Quoted from Biplabi, July 29, 1943a weekly published from underground in and around Tamluk
Sutahata, Midnapur. Edited and Compiled by B.Chakraborty).

303

304

305

306


307

308

309

Dramatic Suspense

310

Drama of Protest
Drama of Acceptance Interjection Discomfort
Frustration Drama of Chaos Absured-
Drama of Protest Drama of Revolt

311

312

313

314


Suffering and
Struggle-

crisis)


315


316


317

318



319

[]

[]


320

[]

[]

[]

321


[
]


[ ]


322

323

324


325


326

327

328

Crude

329

I shall endeavour to creat characters who speak as nature suggests and not
mouth mere poetry.

330


331

332

333


334

Dramatic Relief).


335

336

337

sufferings)....


338

339

340

341

:



342

343

Splendid Lotus Scene!

344


One dimensional
(two dimensional)(three dimensional)

two dimensional






two dimensional

345

346

Drama of Protest

347

:
:



348

349

background music

350

351

352

musical instrument


353

354

355

356

357


358

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(Black Money)




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Birthmarks,




368

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