Producer is in charge of the production and has the final say on all aspects of the show. Technical Director - switcher - Operates the switcher and special effects generator. Camera Operator - Operates camera to incorporate the appropriate camera shots as directed by the producer.
Producer is in charge of the production and has the final say on all aspects of the show. Technical Director - switcher - Operates the switcher and special effects generator. Camera Operator - Operates camera to incorporate the appropriate camera shots as directed by the producer.
Producer is in charge of the production and has the final say on all aspects of the show. Technical Director - switcher - Operates the switcher and special effects generator. Camera Operator - Operates camera to incorporate the appropriate camera shots as directed by the producer.
Producer Is in charge of the production. He or she is responsible for all personnel
working on the production and for co-ordinating technical and non-technical production elements. The producer has the final say on all aspects of the show. Technical Director (TD) Switcher Operates the switcher and special effects generator and acts as the crew chief. He or she must quickly react to the Producers direction to switch the outgoing signal from camera to camera as well as be able to incorporate video feed and transitions so that the show is more interesting to watch. You must learn to speak the directors language or terminology with clarity and confidence. Camera Operator Operates camera to incorporate the appropriate camera shots as directed by the producer. Sometimes called videographers or shooters. A distinct mark of an amateur camera operator is excessive camera movement. The television camera is one of the most important production elements. Tally light indicates whether the camera is hot that is, switched (on the air). Gaffer Ensures that all cables are properly laid out and do not become tangled or in the way of the camera operators. The Directors Terminology Television directing demands a precise and specific language. Multicamera directing from the studio control room requires the most precise terminology. You must use it consistently, and it must be understood by everyone on the production team. The shorter and less ambiguous the signals, the better the communication. It is essential for efficient, error-free communication among all members of the production team. The intercommunication channels are especially important for multicamera productions because the director and producer have to effectively communicate with the camera operators.
Refer to the Television Production Handbook Pages 477 - 479,
Figure 19.1 Directors Visualization Cues. The directional cues are always given from the cameras point of view, not the talents point of view. Left means camera-left; Right means camera-right.
Directors Sequencing Cues
These cues help get from one shot to the next. They include the major transitions, or sequencing cues.
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