Professional Documents
Culture Documents
1 Bent Flyvberg. "What You Should Know About Megaprojects and Why:
An Overview." Project Management Journal, 2014, 6-19.
political career. The economic sublime is the drive of the investors and
the contractors to make a profit on the project. Finally, the aesthetic
sublime is the pleasure designers and architects derive from building a
beautiful project. 6 These four groups all share in the design process
during the early stages of the megaproject, and have differing views on
the best way to complete the project on time and on budget. Too
much of any of the sublimes will result in a failure of the project; too
much technology results in cost overruns, politicians tend to push for
huge, overcomplicated projects to boost their political capital, investors
have been known to cut corners in order to reduce costs, and
architects force engineers to build with certain materials and conform
to certain design restraints that complicate the building process.7 In
order to keep megaprojects on time and on budget, it is imperative for
planners to consider the four sublimes and design a project that
successfully balances the views of differing interests.
Another large problem with megaprojects is that are they stuck in the
design of a break-fix model. This model states that project managers
and investors dont know how to deliver a successful megaproject and
so projects tend to break somewhere along the road.8 This break
happens when delays and cost overruns catch up with the scheduled
due dates and estimated costs surrounding the project. After they
break, management tries to fix the problems by reorganizing or even
refinancing the project in an effort to get it back on track. By now,
management is often locked-in to a certain feature of the project and
as time goes on, this leads to escalated commitment to this aspect
near the latter end of the project. At this point, most contractors are
too far along to drop the project all together and look for other options,
which should have been given serious consideration had management
not been so focused on a certain part of the megaproject. This type of
mismanagement is why megaprojects have been called the Vietnams
of policy and management, and leads to the thinking of theres no
turning back now.9
Another problem related to the break fix model is the idea of failing
fast vs. failing slowly. Often talked about in regards to computer
software failure, the concept of failure speed can easy be applied to
megaprojects. When a project fails slowly, it continues working right,
6
7
8
9
Ibid.
See Note 3
See Note 1
Ibid.
after but fails in strange ways later.10 A system that fails fast does
exactly the opposite; when a problem occurs, it fails right away. In
terms of megaprojects, this allows management to realize early on that
a project is not feasible before sinking too many time, money, and
effort into the break-fix model. The break-fix model is also
exceptionally wasteful and leads to the misallocation of resources
because in this model decisions are made on misinformation instead of
information. The amount of misinformation varies greatly between
projects and therefor it is not safe for us to assume that all projects are
misrepresented by the same amount. This means that we cannot
assume that we are building the best project possible, even if it
appears that way on paper. The truth is we dont know how much error
the break-fix model will create on a project, but the solution is to have
proper front-end management to minimize the chance of the project
breaking in the first place.11
Unprepared and weak management is also a contributing factor to the
downfall of many megaprojects. Most managers view megaprojects as
unique engineering feats, and overlook similar, smaller projects that
they can learn from. Management also often has only basic domain
experience and is more accustomed to similar jobs but on a smaller
scale.12 This leads to project managers who are unequipped to deal
with intricacy of a large project and ultimately the failure of
management and/or the project. An example of this is the construction
of the Sydney Opera House, which started in 1959.13 The architect of
the building was Dane Jrn Utzon, who won a contest to design the
building. Utzon had minimal knowledge in designing large venues and
his design fell out of favor part way through construction. He resigned
and left the country, while construction continued with major
alterations to his original design.14 When he resigned the total cost of
the buildings was expected to be $22.9 million Australian dollars; by
completion that number had jumped up to $103 million dollars.15 A
key part to completing a successful megaproject is hiring the right lead
for the project, and being aware that firing a failing manager will not
always get the project back on track.
It is sometimes argued that megaprojects would never be
constructed if the public knew the real cost of the projects, and that
hiding the true cost and length of the project is the only way to get it
off the ground. Many proponents of this idea use the 1967 theory of
Hirschmans Hiding Hand as an excuse to build project in this manner.
The theory of Hirschmans Hand states that ignorance of future
obstacles allows management to rationally undertake a project and
that once the project is in swing, human creativity will overcome any of
the unforeseen obstacles.16 On the other hand (literally), the
previously
mentioned
professor Flyvbjerg
recently released a
paper refuting the
Hiding Hand,
claiming that
Hirschmans
finding are based
on the study of
only 11 projects,
and are thus
incorrect.17 In this
paper Flyvbjerg
Figure 3: Sydney Opera House
distinguishes
between Hirschmans Benevolent Hiding Hand and the much more
realistic Malevolent Hiding Hand. The Malevolent Hand hides
unexpectedly high costs and low benefits from planners and, according
to Flyvbjergs research is actually much more common than the
Benevolent Hand. Flyvbjerg and his colleague Cass Sunstein looked at
over 1,200 projects and found that 78% of them were subject to the
Malevolent Hand, while the remaining 22% were subject to the
Benevolent Hand.18 So in conclusion Hirschmans Hiding Hand is no
16Albert Hirschman. "The Principle of the Hiding Hand." National
Affairs, 1967.
17 Bent Flyvberg, and Cass R. Sunstein. "The Principle of the
Malevolent Hiding Hand; Or, the Planning Fallacy Writ Large." SSRN
Electronic Journal SSRN Journal, 2015.
18 Ibid.
Bibliography
Brownstone, Sydney. "Behind-Schedule Bertha to Reenter Pit Two
Weeks Late." The Stranger, August 6, 2015, Transportation News
sec.
Flyvbjerg, Bent. "What You Should Know About Megaprojects and Why:
An Overview." Project Management Journal, 2014, 6-19.
Flyvbjerg, Bent. "What You Should Know About Megaprojects and Why:
Summaries of New Research for the Reflective Practioner."
Project Management Institute. October 1, 2014.
Flyvbjerg, Bent, and Cass R. Sunstein. "The Principle of the Malevolent
Hiding Hand; Or, the Planning Fallacy Writ Large." SSRN
Electronic Journal SSRN Journal, 2015.
Greiman, Virginia. "Introduction." In Megaproject Management:
Lessons on Risk and Project Management from the Big Dig, 1-13.
Hoboken, New Jersey: John Wiley and Sons, 2013.
Hirschman, Albert. "The Principle of the Hiding Hand." National Affairs,
1967.
"Jrn Utzon (1918-2008)." Danishnet.com. May 15, 2015.
Leslie, Jacques. "The Trouble with Megaprojects." The New Yorker, April
11, 2015.
Lindblom, Mike. "New Bertha Start Date: Nov. 23." The Seattle Times,
July 17, 2015, Local News sec.
Newcomb, Tim. "The World's 25 Most Impressive Megaprojects."
Popular Mechanics. August 11, 2015.
Shore, Jim, and Martin Fowler. "Fail Fast." MartinFowler.com. September
1, 2004.
"Sydney Opera House - the Architect." Sydney Opera House. 2015.
Taleb, Nassim. "The Black Swan: The Impact of the Highly Improbable."
The New York Times, April 22, 2007.
Szyliowicz, Joseph S., and Andrew R. Goetz. "Getting Realistic About
Megaproject Planning: The Case Of The New Denver International
Airport." Policy Sciences 28, no. 4 (1995): 347-67. JSTOR.
Figures