SungWooYoo

J260MultiplatformJournalism
AudioSlideshowBrief
01/29/2013
Assignment:
Title:MuralArtsofAustin
DueDate:February14,2013
Preproduction:
ShootDateDependingonweather,Feb49
StoryAngleHistoryplusGraffitiequalsonehugeandcolorfuldifferenceinAustin;the
Muralspaintedaroundthecitygivesviewersaglimpseintohistoryandhighlightspeople
withinthecommunitygivingasenseofcamaraderie.TheMuralArtsProgrambeganin
1984asanAntiGraffitiNetworkandwastransformedintotheMuralsArtProgramby
JaneGolden,whomconvincedtheartisttoputtheirillegalworktogooduse.Thereare
morethan3,000muralsaroundthecityandeachhasastoryoftheirown.Interview
AudioSources:
Interview:ArtistCalvinSmith
Interview:Neighborhoodcitizen1,2
Interview:Artistsatluncheonmeeting.
Naturalsound:Peopletalkingatlunch.Carspassingby.Footstepsofpassersby.
StoryElementsPicturesofthemurals,whiletellingtheinformationaboutthemaswell
astheprogram.

AUDIOSLIDESHOWSCRIPT
Slug:MuralArtsProgram
Writer:
Date:02/14/13
TRT:2:00
ANCHORLEDE:TheMuralsArtProgram
SLIDES

AUDIO

Scene/streets

[NaturalSound0:10]

Scene/murals
Detail/walls,hands,brushes

[Narration0:20]
TheMuralArtsProgrambeganin1984asa
componentofthePhiladelphiaAntiGraffiti
Network.

Portrait/AlvinSmith
Medium/streetandSmith
Detail/Apron
Detail/Shirt
Portrait/Citizen1

Detail/ArtSupplies
Action/aPersonPainting
Detail/BirdDesign
Medium/PersonPainting
Setting/MuralLayout
Detail/MuralLocation
Portrait/PersonPainting

Mural
Graffiti
Mural
Mural
Mural
MuralHeadline

MuralArtsvolunteer;AlvinSmithshareswith
mehowhegotinvolvedbackinthe1980sand
howhehasseenthatthemuralshavemadean
impactinthecityofPhiladelphia.
[AlvinSmith0:45]
Adifferenceisbeingmadewiththemuralsbut
notjustwiththemuralsbutthepeoplewho
participateinmakingthemuralsbecauseyou
getalltypesofpeoplemakingthemuralsor
producingthemuralsandcomingupwiththe
layoutofthemurals.Itsnotjustartistbut
peoplewholovethecityofPhiladelphia;not
justasanartistbutasaresident.
[Citizen1,20:30]
Comments about city and mural arts
[Narration 0:45]
TodaytheMuralArtsProgramhasmorethan
300muralspaintedaroundthecityofAustin.
Themuralscoveroldgraffitiandnewimages
areplacedonthewallsthatinspirethosethat
areinandoutsidethecommunity.TheMural
ArtsProgramhastrulymadeadifferenceinthe
cityofAustin.

Shot Types for a Person

Shot Name

1. ELS

2. Long shot
(LS) or full shot
(FS). This is a
shot from the top
of their heads to
at least their
feet.

Scenery or more than one

person

One person as the subject

not applicable

An Extreme
Long Shot is
generally
taken from a
great distance
away from
human
subjects.
Quite often
these are
landscape
shots or shots
that give a
view of a
whole world, a
city, a town, or
even a galaxy
(as in Star
Wars) where
the story is
set.
A Long Shot
includes the
full human
figure and
often provides
a clear view of
the
environment
or setting in
which we find
a character.
Also known as
a Wide shot, it
is one that
encompasses
the entire
scene. This is
sometimes

3. A medium
shot (MS) is
normally a shot
from the waist
up.

4. A medium
closeup (MCU)
is a shot
cropped
between the
shoulders and
the belt line. Also
called a bust
shot.
5. A closeup
(CU) is the most
desirable to
catch changing
facial
expressions,
which are
important to
following a
conversation. It
is used

called an
Establishing
shot; used to
orient the
audience as
to where we
MS of the
building and
of two people.
With people it
shows
interaction
between
characters,
including
dialogue.
Medium shots
are also used
to show
movement, for
instance when
two
characters are
having a
conversation
while walking
down a
corridor.

MCU of an
object (based
on full size of
the object)

A CU can also
be used
to focus on an
object as a
way of
highlighting
the
importance of
that object in
the story.
Someone

to create
intimacy or to
show emotional
responses from
characters

might be in
the window?

6. Extreme
closeups(XCUs)
are reserved for
dramatic impact.
The XCU shot
may show just
the eyes of an
individual.

XCU shots of
objects are to
add impact to
a scene. Use
them to build
suspense or
to hightlight
an important
fact.

Back to Top
7. Over-theshoulder
shot (O/S)

8. Crossshot (X/S)

This shows the

camera looking at
someone over the
shoulder of another
person nearer the
camera.

This is a shot
sequence in which
the camera looks
alternately at one or
the other person,
with the camera-near
person completely
out of the shot.

End of Shot Types