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AMCK Shot List

Draft 1 - 19/11/15
Shot No. Location

Shot
Type

Angle

Movement

Length Dialogue

1,1

John's
Bedroom

1,2

John's
Bedroom

Close-up

Eye-level.

Montage of
10
short close-ups
No dialogue
Seconds
of objects.

1,3

John's
Bedroom

Mid-shot

Eye-level.

Pan

1,4

John's
Bedroom

Long-shot Eye-level.

1,5

John's
Bedroom

Close-up

2,1

John's
Hallway

Mid-shot

2,2

John's
Hallway

3,1

3,2

Mid Shot High Angle

Pan

3
No dialogue
Seconds

Music & Sound Effects

Description of Action Actors

Equipment

Clock ticking. Snoring, that stays


Camera, Lights, Tripod,
John is stirring in his sleep. James Gray
as a backing track. Birds singing.
Props and Boom-mic.

Continue sound from shot 1.

Close-ups of objects
around the room, such as a
No actors.
jar of Nutella with a spoon
and a poster etc.

3
No dialogue
Seconds

Continue sound from shot 1,


Added sound of yawning during
John's stretch. Snoring stops.

John stretches and then


gets up to make his
bedroom mirror.

None

4
No dialogue
Seconds

Birds singing are accompanied by


a sound track and then birds
John puts the dressing
singing fade out throughout the
gown on.
shot.

Eye-level.

None

3
No dialogue
Seconds

Backing tracking continues.

Rubbing his eyes.

Over the
shoulder
shot.

Follows John.

5
No dialogue
Seconds.

Backing tracking continues.

John is walking down the


stairs.

Low angle
Long-shot to High
angle.

Pan

5
No dialogue
Seconds.

Backing tracking continues.

John walks to the bottom of


the stairs and the puts his James Gray Camera, Lights, Tripod and
slippers on.
Props .

John's
Kitchen

Close-up

High-angle

None

2-3
seconds

No dialogue

Backing tracking continues, fades.


Sound effects of kitchen
John turning the kettle on.
appliances - Kettle.

James Gray Camera, Lights, Tripod and


Props .

John's
Kitchen

Close-up

High-angle

None

2-3
seconds

No dialogue

Backing tracking continues, fades.


John putting bread in the
Sound effects of Toaster being
toaster.
popped down.

James Gray Camera, Lights, Tripod and


Props .

4,1 a

John's living
Close-up
room

Eye-level.

Camera
follows Johns
feet from the
door to the
sofa.

4
No dialogue
Seconds.

4,1 b

John's living
Close-up
room

Eye-level.

Backing track continues with a


sound effect of shuffling over the
top.

John then walks in to the


living room

Camera moves
5
up to John's
No dialogue
Seconds.
face.

Backing track continues.

John stands still in front of


the sofa.

Camera, Lights, Tripod and


Props .

James Gray Camera, Lights, Tripod and


Props .
James Gray

Camera, Lights, Tripod and


Props .
Camera, Lights, Tripod and
James Gray
Props .
James Gray Camera, Lights, Tripod and
Props .

James Gray Camera, Lights, Tripod,


props and Camera
stabilliser.
Camera, Lights, Tripod,
James Gray props and Camera
stabilliser.

4,2

John's living
Mid-shot. Eye-level.
room

None.

2
No dialogue
Seconds.

Backing track continues.

Camera, Lights, Tripod,


John sits down on the sofa. James Gray props and Camera
stabilliser.

4,3

John's living
Close-up
room

Eye-level.

None.

2
No dialogue
Seconds.

Backing track continues, sound


effect of television coming on i.e.
static running.

.John picks up television


remote and presses 'On'
Button

4,4

John's living
Mid-shot
room

Eye-level.

None

4
Fake News
Seconds Reporter

Backing track fades out, News


Report fades in.

Fake reporter posing as a


woman are reading from a
que.

James Gray Camera, Lights, Tripod,


props and Camera.
Kieran
Bennet

Camera, Lights, Tripod,


props and Camera.

John takes a bite out of his


toast whilst watching the
James Gray Camera, Lights, Tripod,
news.
props and Camera.

4,5

John's living
Mid-shot
room

Eye Level

None

5
No dialogue
Seconds

News Report dialogue continues.

4,6

Close-up,
John's living
Split
Eye Level
room
Screen

None

4
No dialogue
Seconds

Split Screen of John's


Slow motion shout, loud crunching reaction and toast hitting
and splat sound
the floor, both in slow
motion.

5,1

John's
Hallway

Close-up

None

2
No dialogue
Seconds.

Backing track fades in again


speeding up slowly, sound effects
of keys being picked up

5,2

John's
Hallway

Over the
Close-Up shoulder
shot.

None

2
No dialogue
Seconds.

Backing track continues to speed John pulls on his coat over


James Gray Camera, Lights, Tripod,
up, sound effect of pulling on coat his pyjamas
props and Camera.

5,3

John's
Hallway

Close-Up Eye Level

None

2
No dialogue
Seconds.

Mid Shot

High Angle

None

Long Shot

Wide, Eye
Level

None

5,4
5,5

John's
Hallway
John's
Hallway

Eye Level

4
No dialogue
Seconds
9
No dialogue
Seconds

Backing track continues to speed


up, sound effect of wallet being
picked up.
Backing track continues to speed
up
Backing track continues to speed
up

James Gray

Camera, Lights, Tripod,


props and Camera.

John grabs his keys off the


James Gray Camera, Lights, Tripod,
side
props and Camera.

John picks up his wallet


John puts on his shoes

James Gray Camera, Lights, Tripod,


props and Camera.
Camera, Lights, Tripod,
James Gray props and Camera.
Camera, Lights, Tripod,
James Gray
props and Camera.

John is running frantically


to and fro.
John runs down the hallway
and out the door closing it James Gray Camera, Lights, Tripod,
behind him
props and Camera.
Camera, Lights, Tripod,
John runs down the street James Gray props and Camera.

5,6

John's
Hallway

Long Shot Eye Level

None

4
No dialogue
Seconds

Backing track continues to speed


up and sound of door shutting

6,1

Residential
Street

Long Shot

Wide, Eye
Level

None

3
No dialogue
Seconds

Backing track continues

7,1

Supermarket
Wide, Eye
Long Shot
Car Park
Level

None

3
No dialogue
Seconds

John runs through the car


Backing tracks continue, sound
park towards the
effect of cars breaking around him
supermarket

8,1

Supermarket Mid Shot

Low Angle

None

2
No dialogue
Seconds.

Backing track continues

John is looking around


frantically at the different
aisles with a trolley

8,2

Supermarket Mid Shot

Eye Level

Camera
8
follows John
No dialogue
Seconds
down the ailes

Backing track continues

John is running down the


aisle's facing side on from
the camera with the trolley

8,3

Over the
Supermarket shoulder
shot

Eye Level

Zoom in on
Nutella

3
No dialogue
Seconds

Backing track fades, Angels


singing sound effect fades in,
sound effect of record scratching
to break angel singing

John finds the Nutella in


the confectionary aisle

8,4

Supermarket Mid Shot

Eye Level

None

5
No dialogue
Seconds

Sound effect of lightbulb ding,


sound effect of crickets to
emphasize

John realises he needs a


trolley and runs back to get James Gray Camera, Lights, Tripod and
one
Props .

8,5

Supermarket Close Up High Angle

None

2
No dialogue
Seconds.

Backing track starts again

John puts a pot of Nutella


in the trolley

8,6

Supermarket Close Up Eye Level

None

2
No dialogue
Seconds.

Backing track continues

John puts a pot of Nutella


in the trolley

8,7

Supermarket Close Up Low Angle

None

2
No dialogue
Seconds.

Backing track continues

John puts a pot of Nutella


in the trolley

James Gray Camera, Lights, Tripod,


props and Camera.
James Gray Camera, Lights, Tripod and
Props .
James Gray Camera, Lights, Tripod,
props, Camera and
Stabiliser
James Gray

Camera, Lights, Tripod and


Props .

James Gray Camera, Lights, Tripod and


Props .
James Gray Camera, Lights, Tripod and
Props .
James Gray Camera, Lights, Tripod and
Props .

8,8

Supermarket Mid Shot

Eye Level

3
No dialogue
Seconds

Backing track continues

3
No dialogue
Seconds

John is walking confidently


Backing track fades out and ironic away from the till in slow
James Gray
rap music cuts in
motion with large bags and
Camera, Lights, Tripod and
a long receipt
Props .

8,9

Supermarket Long Shot Eye Level

None

9,1

Close Up
Supermarket
Wide, Eye
to Long
Car Park
Level
Shot

Follows John
pacing
5
backward and
No dialogue
Seconds.
zooms outward
to a long shot

Residential
Street

None

10,1

Long shot

Wide, Eye
Level

None

4
No dialogue
Seconds

5
No dialogue
Seconds

John walks into the living


Backing track continues and there room and collapses down
James Gray
is an over exaggerated sigh
on the sofa putting his bags
Camera, Lights, Tripod and
by his side
Props .

John's living
Long Shot Eye Level
room

Faces John
and follows
him back into
the room

12,2

John's living
Mid Shot
room

Camera zooms
3
in on John's
No dialogue
Seconds
face.

13,1

John's
hallway

13,2

John's
hallway

13,3

John's
hallway

13,4

John's
hallway

Long Shot Eye Level

Mid shot

Camera, Lights, Tripod and


Props .
Camera, Lights, Tripod and
James Gray Props .

John walks in through the


Backing track continues, sound of door with his bags, he tries
keys in door and then the door
to fit in front on and has to James Gray
opening
go sideways through the
Camera, Lights, Tripod and
door
Props .

12,1

None

Over the
shoulder
shot,
None.
slightly
lower angle

5
seconds

No dialogue

5
No dialogue
Seconds

John walks back up the


street with his bags

James Gray

Backing track continues

John's
Hallway

Eye Level

Ironic Rap music continues until


John trips up and there is a sound John continues walking
effect of scratching records, the
away in slow motion
backing track then picks back up

3
No dialogue
Seconds

11,1

Long Shot Eye Level

John begins making his


way back down the aisle to
James Gray Camera, Lights, Tripod,
the till covering his trolley
props, Camera and
nervously
Stabiliser

None

Backing track fades slightly and


there is a knocking sound effect

John begins to reaches


over and pick up the
James Gray
remote but stops and looks
Camera, Lights, Tripod,
confused at the knock
Props and Stabiliser.

Backing track continues but more


quietly, there is a second more
aggressive knocking sound

John walks through the hall


James Gray
toward the front door and
and Megan
opens it finding his
Camera, Lights, Tripod and
Kingston
Landlord
Props .

The backing track is cut to silent


and a white noise sound effect
begins

From John's perspectivethere is an angry woman


yelling and pointing at his
rent bill

John looks scared and


worried but begins to
argue, using his hands to
James Gray
explain (he cant afford the and Megan
rent after the nuttella shop) Kingston
over exaggerating his point
Camera, Lights, Tripod and
with gestures
Props .

James Gray
and Megan
Kingston
Camera, Lights, Tripod and
Props .

Mid Shot

High Angle

None

3
No dialogue
Seconds

The white noise effect continues

Mid shot

Over the
shoulder
shot,
None
slightly
lower angle

3
No dialogue
Seconds

The landlord stops shouting


James Gray
The white noise effect dies out but and looks slightly lost. She
and Megan
the backing track has still faded
lowers her hand holding
Kingston
Camera, Lights, Tripod and
John's rent bill.
Props .

13,5

14,1

John's
hallway

High Street

Close Up High Angle

Long Shot Eye Level

None

None

The woman hands john an


James Gray
envelope labelled 'Eviction
and Megan
Notice' the shot fades out
Camera, Lights, Tripod and
Kingston
to black
Props .

2
No dialogue
Seconds.

No sound

3
No dialogue
Seconds

John is in a sleeping bag


There is talking in the background on the street holding out a
that gets louder as people pass
cup for money looking
John, highstreet sound effect
upset and broken, Shot
fades out to black

James Gray
Camera, Lights, Tripod and
Props .

14,2

High Street

Close Up High Angle

None

2
No dialogue
Seconds.

Highstreet sound effect continues

The newspaper title can be


read; 'Nutella Hoax Shocks James Gray Camera, Lights, Tripod and
Nation'
Props .

14,3

High Street

Close Up Eye Level

None

3
No dialogue
Seconds

Highstreet sound effect continues

John looks really sad and


upset, the shot fades to
black

James Gray Camera, Lights, Tripod and


Props .

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