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  • Snares Packet 1

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    Daniel Tavares
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    The audition requirements document lists the exercises and rudiments that will be tested for snare, tenor, bass, and cymbal drummers. For snare and tenor drummers, excerpts from "Street Time" must be prepared along with exercises focusing on rudiments, eights, triplets, accents, and diddles. Bass drummers must prepare excerpts and similar exercises. Cymbalists must demonstrate exercises involving rudiments, accents, triplets, and 16th notes. A variety of techniques are outlined including playing at different heights and splitting parts between sections.

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    The audition requirements document lists the exercises and rudiments that will be tested for snare, tenor, bass, and cymbal drummers. For snare and tenor drummers, excerpts from "Street Time" must be prepared along with exercises focusing on rudiments, eights, triplets, accents, and diddles. Bass drummers must prepare excerpts and similar exercises. Cymbalists must demonstrate exercises involving rudiments, accents, triplets, and 16th notes. A variety of techniques are outlined including playing at different heights and splitting parts between sections.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    33 views9 pages

    Snares Packet 1

    Uploaded by

    Daniel Tavares
    The audition requirements document lists the exercises and rudiments that will be tested for snare, tenor, bass, and cymbal drummers. For snare and tenor drummers, excerpts from "Street Time" must be prepared along with exercises focusing on rudiments, eights, triplets, accents, and diddles. Bass drummers must prepare excerpts and similar exercises. Cymbalists must demonstrate exercises involving rudiments, accents, triplets, and 16th notes. A variety of techniques are outlined including playing at different heights and splitting parts between sections.

    Copyright:

    © All Rights Reserved
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    of 9

    AUDITION REQUIREMENTS

    Snares (traditional grip) & Tenors


    Street Time Excerpts (Snares): G - 3 after H, M - N, 3 before S - S

    Exercises:

    Eights
    Triplet Timing
    Accents
    3-5-7
    Triplet Accent
    Doubles
    Roaming 16th note
    Triplet Diddle
    Flams

    Rudiments:

    Single Stroke Roll


    #6 Double Stroke Open Roll
    #16 Single Paradiddle
    #19 Single Paradiddle-diddle (Left and Right hand lead)
    #21 Flam Accent
    #30 Flam Drag
    #1

    Bass Drums
    Btreet Time.excerpts: M - N, and m. 157 - end.
    '.' Exercises:

    Rudiments:

    Cymbals

    Eights (play share part)


    Accents (combine split parts)
    3:-5-7
    Triplet Accent
    Triplet Timing
    Roaming 16th note (bass drum part)
    Triplet Diddle
    Flams (play snare part)
    #1 Single Stroke Roll
    #6 Double Stroke Open Roll
    #16 Single Paradiddle
    #19 Single Paradiddle-diddle (L~ft and Right hand lead)
    #21 Flam Accent

    (drum or clap)
    Exercises: Roaming 16th note
    Triplet Timing
    Accents (parts 1 & 2)
    3-5-7 Gust play the accents)

    - Practice

    at a variety of heights:
    3", 6", 9", full out
    - Crescendo through each measure:

    ,. , , ,I ,
    ,1,
    p-=-----

    , , ,I

    "

    \.
    /

    Triplet Timing

    SU Drumline 2003
    Josh Dekaney

    SU Drumline 2003

    Accents

    r>-

    8--,

    >->->-

    Josh Dekaney

    Maracatu
    >-

    3-5-7
    Accents - 3" inner beats.

    6" , 9" , or 12" accents

    Variation #1: Play as a single hand accent, once through on the right and hand and once through on the left.
    Variation #2 "Split": First group plays 3-5-7. Second group plays 5-7-3. Third group plays 7-3-5.

    Diddles - play with

    even hands at 3",6",9",

    and 12"

    >

    -J.
    R

    - Establish

    - Snares:

    accent height
    (9" or 12")

    Practice with
    and diddles

    - Split Part:
    Snares:
    Tenors:
    Basses:

    Each
    Start
    Start
    Start

    from inner beat height

    (3")

    diddles on accents, flams on accents,


    on the first note of every beat.

    section starts on a different


    on line 2, then play 3, then
    on line 3, then play 1, then
    on line 1, then play 2, then

    line:
    1
    2
    3

    - Hardest of our exercises


    - Watch right to left and left to right hand

    transitions

    Simple roll exercise


    - Practice at one height with a variety of tempos
    - Be careful not to accent the diddles and rolls

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