mh AllS sWU

mwm - 1

Aug - Sep 2013

Ss -6

l aUUkM l aUUkM l aUUkM l aUUkM |

l aUUkM l aUUkM l aUUkM l aUUkM ||

|| apr lq ||

MqU qZsM Msmi ahUr lq

1

Table of Contents:

Topics

Page

Introduction

Devi AshtAngam

sAyaM pArAyaNam

shrInagara vimarshanam Part 4

15

RigvEdIya gaNapati sUktaM

16

vallabhOpaniShaD 3rd adyAyaH

17

mahAgaNapati caturAvarti tarpaNa kramaH

24

GaNEsha nyAsaH

34

GanEsha shadadvA nYasaH

36

10

Dasha vighna nyAsaH

41

11

mUla mantra nyAsaH

42

12

AvaraNa dEvatA nyAsaH

42

13

gaNapati mudrAH

46

14

gaNapati tAlaM

47

15

gaNapati AvaraNa kramaH

48

16

gaNeshAShTakam

57

17

Laghu vAncAkalpalatA kramaH

62

18

mahA gaNapati - Meditation

67

19

Ganapati poems

69

20

Valli malai vallalum shEshAdri svAmigalum

72

21

Q & A - sadA vidyA anusaMhatiH

80

|| zuS apr lq ||
Introduction
The auspicious day of Vinayaka Chaturthi falls this month and hence the major theme
for this magazine has been devoted to Ganesha related vedic, puranic, and tantric
information. GaNapathi atharvasheersha is a popular Upanishad and is commonly
chanted by many. However, there are several vEdic Upanishads and suktas that deal
with gaNEshA that are true gems but are not widely taught or known. This magazine is
an attempt to bring out some of those gems to the upAsaka community.
The rig vEdiyA gaNapati suktA believed to be one of the first hymns on gaNEshA has
been included along with the swara notations so that those who know to chant mantras
as per rig vEda swaras can be benefited.
VallabhOpanishad has 4 chapters and the first two chapters are devoted to the
explanation of the form of the vallabha gaNapati. The essence of this explanation is
covered in the Ganpathi Meditation guide by Shri AtmAnandanAthA (included in this
issue). The third chapter dwells completely on vallabhEsha mantrAs and some of the
merits of combining the vallabhEsha mantras with the other tantric dieties. Thus, this
chapter is primarily a treatise with manthra uddhAra sholkas. We are pleased to present
this chapter with its uddhAra sholkAs and most importantly, the decoded manthras as
well. As usual, we strongly recommend that the Guru or the seniors within the Guru
maNdalA should be consulted prior to starting the japas of any of these manthras. I
would like to take this opportunity to share my experience when I was performing my
gaNapati mantra japA. My Guru graced me with the GaNapati and BAlA mantras on the
same day and I was chanting the prescribed japa krama for 100 days. I was chanting
mahA gaNapati during the day and bAlA in the evening. After about 2 weeks, while
chanting the dhyAna shlokA of mahA gaNapati, I was unable to bring His form into my
thoughts and a new form with a mix of bAlA and gaNapati would be revealed. In spite of
my concentrated focus, this form would never change and I completed the prescribed
100 day japa krama only with this form in my dhyAnA. On the 100th day, since I knew I
would be completing this japa krama, I wanted to ensure that the form that graced me
does not go away and hence did a pencil sketch of the form the way it appeared to me
along with its energy yantra form. I was very new to this field and had absolutely no idea
about the various forms of gaNEshA at that time. Several years later, when my Guru
asked me to read vallabhOpaniShad, I was shocked to see the form of bAlA gaNapati
mentioned and was overwhelmed with the grace of Guru and the karuNa of
vallabhEshA and bAlAmbA. I have included this pencil sketch in this issue.

GaNEshA is commonly known as tarpaNa priyaH and His tarpaNa counts are 444 and
is collectively called as caturAvarti tarpaNa. While most of us follow the caturAvarti
tarpaNA that involves the mUla mantrAksharA and the AvaraNa dEvatAs, there are
several other types of caturAvarti tarpaNAs for different types of gaNEshAs coded in
tAntric texts. In this issue, we have included an interesting caturAvarti tarpaNA from
ganEsha parmarshiNI that not only contains the akShara and AvaraNa dEvatAs but also
tarpaNAs to various other forms of gaNapati.
There are about 50 different nyAsAs devoted to gaNapati in various tantric texts and
many many more that might be there but have not been revealed yet. Of these, the
gaNesha nyAsA (part of laghu shODA nyAsa), the extremely potent ganEsha ShadadvA
nyAsA, gaNEsha mUla mantra nyAsA, dasha vighna nyAsA, and AvarNa dEvatA
nyAsAs have been included in this issue. As part of the gaNesha AvAhanA, gaNapati
mudrAs and gaNapati tAlam lyrics are included in this issue. We tried to embed the
audio of gaNapati tAlam into this document but the inclusion of that increased the size
of the file dramatically. Hence, we decided against including the audio. UpAsakAs can
simply perform a web search on gaNapati tAlam and there are several good audios
available that can be downloaded or listened to.
The gaNapati AvaraNa krama is included in this issue for the enjoyment of upAsakAs.
The speciality of this is that the mUla mantras for each of the AvarNa dEvatAs have
been included. Thanks to shrI AtmAnandanAthA for sharing this crown jewel. The
gaNEshAstakam as provided in nityOtsavA at the end of gaNapati kramA is included in
this magazine.
vAnchAkalpalatA kramaH for mahAgaNapati is a popular scheme that has been
practiced in various guru maNdalams. Chanting all the four chapters of this krama
would take upto 45 mins to an hour from start to finish. Interestingly, in
vanadurgOpaniShad, a simpler form of this vAnchAkalpalatA kramaH is prescribed. Shri
RAdhA KrishNa sAstrigal, in his vignEshwara stuthi manjari has decoded this krama
elegantly. This issue carries this laghu vAchAkalpalatA kramA that is simple enough to
get into a daily routine.
As mentioned earlier, Shri AtmAnandanAthA has shared his article on the meditation
guide for mahA gaNapati in this issue. This will be helpful for the upAsakAs in
understanding the conceptual form of gaNapati and to bring this energy into the focus
while performing the dhyAnA and japA.
A few pearl Tamil poems on GaNapati penned by Shri Elandai Ramasami are included.
The poem on GaNapati containing the word Anai is a delight to read and listen to.
Thanks to him for sharing these wonderful poems in this issue.

In the June issue of PurNAnandalahari, an article on Valli malai swamigal and

ChidAnandanAthA was included and we received several positive feedbacks from the
upAsakA community about that article. Several upAsakAs also asked us to share more
information about Vallimalai swamigal and his Guru. ShrI SadurAm swamigal, the
disciple of ShrI Vallimalai Swamigal has written several articles about His Guru and
these were published in books and soveniers. We have decided to include some of the
interesting articles about these great sages in pUNanandalahari. Scanned images of the
actual articles will be included starting this issue. In this issue, an article penned by Shri
sAdurAm swAmigal about ShrI vallimalai swAmigal and Shri ShEshAdri swAmigal is
included for the readers enjoyment.
Lastly, I would like to give a little background about the drawing included in the third
page of this magazine. Several years ago, prior to my association to Shri VidyA, I had a
thought one day to imagine how ShivA and pArvatI would have taken care of gaNeshA
as a baby. We have seen SomAskanda mUrti but seeing gaNeshA as a baby along with
the parents Is a rarity. Hence, I spread my imagination wild and drew a sketch of Shiva
throwing the moon from his head to the sky and using a snake from his garland as the
cradle rope and the five heads of the snake forming the base of the cradle and the Adi
Dampatis rocking the cradle with GaNesha sitting in it. Nandi witnesses this beauty in
the KailAsh mountain backdrop. When I did the sketch of this imagination, it came out
so beautifully that I immediately did a wood burning art with it. This unique art is popular
in the Western coutries that uses a hot iron rod with various styles of nibs to burn a
wodden bark to give out the various shades of colors. After getting initiated into Shri
VidyA, I was casually showing some of my arts and paintings to my Gurupatni and when
I showed this art, she immediately said that it is the pictorial representation of the lalitA
sahasranAma KAmEshvara mukhAlloka kalpita shrI gaNeshvara. Only then, I realized
that it indeed is kAmeshwara and kAmeshwari. The ambAl in this drawing sports a
sugar cane bow and casually glances as kAmeshwara with a slight shyness on her
face.
I would like to take this opportunity to express my gratitude to those who spent their
time in performing the tedious work of proof reading this magazine. It is because of
them, several spell errors and procedural errors are eliminated in this issue and this emagazine has come out to be a worthwhile edition that can be used by the UpAsakA
community.
Lalithai vEdam sarvam.
Surrendering to the holy pAdukAs of Shri Guru,

mMzqo xqi mMzllSlj

5

Su ql Aq
ASaU mUzuxr Ar muiql Suqll wQzi iiuiqM xMs mmgc x
xij xWU iUkl AlaW MUhr mUz Fku pupq l bh iiu qWMsm S
cxiiu Msm j iuM iiu qWra Z xSzu iiu ra S c iiu mUui a DU iiu
uw - ssimUxlSUmUpUM mxSxSkrj rj z (em q) xmrqq
luirwr |
qx
iiu Sux
Sl lirr
uxU
bOMSr
qx
iiu Sux
Sl lirr
uxU
bOMSr
qx
iiu Sux
Sl lirr
uxU
bOMSr

SEP 06

SEP 07

SEP 08

SEP 09

D m

D m

D m

D m

A zu

M z

Z xSzu

a DU

G zuSi

H iuUi

s MsxlSU

V lir

mMzllSlj

uqzllSlj

AllSllSlj

lllSlj

L - MU

c - MU

i - MU

r - MU

SEP 10

SEP 11

SEP 12

SEP 13

D m

D m

D m

D m

b xukr

X qr

c Ms

N Au

L lsmiM

L uer

A xuqs

A eusqsl

xirllSlj

mhllSlj

xupullSlj

mipllSlj

A - MU

L - MU

c - MU

i - MU

SEP 14

SEP 15

SEP 16

SEP 17

D m

D m

D m

D m

e Ua

f Ms

g lri

O mw

A c

A c

A eusqsl

A xuqs

xpallSlj

mMzllSlj

uqzllSlj

AllSllSlj

r - MU

A - MU

L - MU

c - MU

qx
iiu Sux
Sl lirr
uxU
bOMSr
qx
iiu Sux
Sl lirr
uxU
bOMSr
qx
iiu Sux
Sl lirr
uxU
bOMSr
qx
iiu Sux
Sl lirr
uxU
bOMSr
qx
iiu Sux
Sl lirr
uxU
bOMSr

SEP 18

SEP 19

SEP 20

SEP 21

D m

D m

D m

D m

P mMi

Q AWMU

R o

h qlx

L uer

L lsmiM

V lir

s MsxlSU

lllSlj

xirllSlj

mhllSlj

xupullSlj

i - MU

r - MU

A - MU

L - MU

SEP 22

SEP 23

SEP 24

SEP 25

D m

D m

D m

D m

j iuM

S c

k e

H iuUi

G zuSi

F ueU

E uuxl

mipllSlj

xpallSlj

mMzllSlj

uqzllSlj

c - MU

i - MU

r - MU

A - MU

SEP 26

SEP 27

SEP 28

SEP 29

D m

D m

D m

D m

l bh

m uM

T mh

o mS

D phQ

C lirYs

A paqsl

A MqU

AllSllSlj

lllSlj

xirllSlj

mhllSlj

L - MU

c - MU

i - MU

r - MU

SEP 30

OCT 1

OCT 2

OCT 3

D m

D m

D m

D m

p mr

q Emxj

r zoS

U xmw

A MqU

A paqsl

C lirYs

D phQ

xupullSlj

mipllSlj

xpallSlj

mMzllSlj

A - MU

L - MU

c - MU

i - MU

OCT 4

OCT 5

OCT 6

OCT 7

D m

D m

D m

D m

s m

u Ux

z alk

w AMz

E uuxl

F ueU

G zuSi

H iuUi

uqzllSlj

AllSllSlj

lllSlj

xirllSlj

r - MU

A - MU

L - MU

c - MU

mu Slpr
America

Aquxr
qx xUli
mhq
Mwh Aq
Mwh ciSz
Aquxr

India

4 Sep 2013

5 Sep 2013

16 Sep 2013

17 Sep 2013

18 Sep 2013

18 Sep 2013

26 Sep 2013

27 Sep 2013

3 Oct 2013

3 Oct 2013

4 Oct 2013

4 Oct 2013

Alr me Slpr
America

zYs cij
Mwh cij

India

8 Sep 2013

9 Sep 2013

22 Sep 2013

23 Sep 2013

uzw mu Slpr
ulrM cij

America

India

8 Sep 2013

9 Sep 2013

xr mUrh q
ij lir mUrh q
L MLDs WxMWs xMs (Sl-lir-u) Wx A L
xMs lirYs qSSu x A MqU lir mh qWmUxlSU
mSM merq lq |
L MLDs WxMWs xMs (Sl-lir-u) Wx A L
papa pal paSU paqs pauW paa parl palmil
xupauzMU pam lirYs paxum xuh pal q lr uUS Ui
xUi paYs YsSu YsSr Sur Aqb pau p pr xuxiul
paU L os e os p os q os W os W Ys xuh pal q
uzqlr x WU os A paqsl lir mh qWmUxlSU
mSM merq lq |
L MLDs WxMWs xMs (Sl-lir-u) Wx C
lirYs qSSu xuW C lirYs lir mh qWmUxlSU
mSM merq lq |
L MLDs WxMWs xMs (Sl-lir-u) Wx D
p f N e xuW D phQ lir mh qWmUxlSU
mSM merq lq |
L MLDs WxMWs xMs (Sl-lir-u) Wx E
uuxlr lq C uuxl lir mh qWmUxlSU mSM
merq lq |

 L MLDs WxMWs xMs (Sl-lir-u) Wx F

Ys L lirqSSu F qWueU lir mh qWmUxlSU
mSM merq lq |
L MLDs WxMWs xMs (Sl-lir-u) Wx G
zuSir lq G zuSi lir mh qWmUxlSU mSM merq
lq |
L MLDs WxMWs xMs (Sl-lir-u) Wx H
W Z c N x W TO H iuUi lir mh
qWmUxlSU mSM merq lq |
L MLDs WxMWs xMs (Sl-lir-u) Wx s L
Ys x s MsxlSU lir mh qWmUxlSU mSM merq
lq |
L MLDs WxMWs xMs (Sl-lir-u) Wx s
yxYsUQ yxYsUQ yxYsUQ s lir lir mh qWmUxlSU
mSM merq lq |
L MLDs WxMWs xMs (Sl-lir-u) Wx L
T x A Ys L os lirqSSu W T L lsmiM lir mh
qWmUxlSU mSM merq lq |
L MLDs WxMWs xMs (Sl-lir-u) Wx L pqr
L uer lir mh qWmUxlSU mSM merq lq |

10

 L MLDs WxMWs xMs (Sl-lir-u) Wx A xu

A xuqs lir mh qWmUxlSU mSM merq lq |
L MLDs WxMWs xMs (Sl-lir-u) Wx A
lq paui eusqsl SuSu xupixWUMUM eiuSx eusli eus
eus meus meus U U U U U U U eusqsl W TO xuW A
eusqsl lir mh qWmUxlSU mSM merq lq |
L MLDs WxMWs xMs (Sl-lir-u) Wx A cM
A c lir mh qWmUxlSU mSM merq lq |
L MLDs WxMWs xMs (Sl-lir-u) Wx A
MLDs WxMWs xMs A ssi qW lir mh
qWmUxlSU mSM merq lq |
Sl = Suql uw AU
lir = Suql qx AU
u = Suql Sux AU + A D
The pArAyaNa method is to chant with the days dina nitya first and then if it is shukla
paksha, go forward and end until the previous days dina nitya. If it is Krishna paksha,
go backwards and end with the next days dina nitya. Finally end with mahA nitya.

11

Example for Sep 12 2013:

Sl = uw AU = a
lir = qx AU = D
u = Sux AU + A D= c+ A +D
Sl lir u = a+D+c+A+D = acD
L MLDs WxMWs xMs acD Wx A xu A
xuqs lir mh qWmUxlSU mSM merq lq |
L MLDs WxMWs xMs acD Wx L pqr L uer
lir mh qWmUxlSU mSM merq lq |
L MLDs WxMWs xMs acD Wx L T x A
Ys L os lirqSSu W T L lsmiM lir mh qWmUxlSU
mSM merq lq |
L MLDs WxMWs xMs acD Wx s yxYsUQ
yxYsUQ yxYsUQ s lir lir mh qWmUxlSU mSM
merq lq |
L MLDs WxMWs xMs acD Wx s L Ys x s
MsxlSU lir mh qWmUxlSU mSM merq lq |
L MLDs WxMWs xMs acD Wx H W Z c
N x W TO H iuUi lir mh qWmUxlSU mSM
merq lq |
12

 L MLDs WxMWs xMs acD Wx G zuSir lq

G zuSi lir mh qWmUxlSU mSM merq lq |
L MLDs WxMWs xMs acD Wx F Ys L
lirqSSu F qWueU lir mh qWmUxlSU mSM
merq lq |
L MLDs WxMWs xMs acD Wx E
uuxlr lq C uuxl lir mh qWmUxlSU mSM
merq lq |
L MLDs WxMWs xMs acD Wx D p
f N e xuW D phQ lir mh qWmUxlSU mSM
merq lq |
L MLDs WxMWs xMs acD Wx C
lirYs qSSu xuW C lirYs lir mh qWmUxlSU
mSM merq lq |
L MLDs WxMWs xMs acD Wx A L papa
pal paSU paqs pauW paa parl palmil xupauzMU
pam lirYs paxum xuh pal q lr uUS Ui xUi paYs
YsSu YsSr Sur Aqb pau p pr xuxiul paU L os
e os p os q os W os W Ys xuh pal q uzqlr x WU os
A paqsl lir mh qWmUxlSU mSM merq lq |

13

 L MLDs WxMWs xMs acD Wx A L xMs

lirYs qSSu x A MqU lir mh qWmUxlSU mSM
merq lq |
L MLDs WxMWs xMs acD Wx A cM A c
lir mh qWmUxlSU mSM merq lq |
L MLDs WxMWs xMs acD Wx A lq paui
eusqsl SuSu xupixWUMUM eiuSx eusli eus eus meus
meus U U U U U U U eusqsl W TO xuW A eusqsl
lir mh qWmUxlSU mSM merq lq |
L MLDs WxMWs xMs acD Wx A MLDs
WxMWs xMs A ssi qW lir mh qWmUxlSU
mSM merq lq |

14

ShrInagara vimarshanaM

In the last issue, we looked at the first three layers of the chintAmaNi gRuhA with the
houses of the first three AvaraNa dEvatAs. On top of the third layer is the fourth layer
which are led by the beautiful chintAmaNi steps. Similar to the third layer, this layer is
also 30 ft tall and 900 ft wide for each of the fourteen AvaraNa dEvis. This fourth layer
is called the sarva soubhAgyadAyakA and the AvaraNa dEvis here are assisted by
crores of of shaktIs. These AvaraNa dEvIs are sarvasaMkShObiNI, sarva vidrAviNI,
sarvAkarShiNI, sarvAhlAdini, sarvasammOhinI, sarvastambanI, sarvajRumbinI,
sarvavashaMkarI, sarvaranjanI, sarvOnmAdinI, sarvArthasAdhanI, sarvasaMpatti
pUraNI, sarvamantramayI and sarvadvantvakShayaMkarI. All of these shaktIs are
commonly called as sampradAya yOgiNI. This layer is headed by tripuravAsiNi
cakrEshwarI and ably assisted by sarvavashaMkarI mudra shaktI.
On top of the fourth layer, there are steps that lead to the fifth layer that is also 30 ft tall
and 900 ft wide for each of the AvaraNa dEvis residing in this layer. This layer is called
sarvArthasAdhaka cakrA and the ten AvaraNa dEvis are sarvasiddhipradA,
sarvasaMpatpradA, sarvapriyaMkarI, sarvamangalakAriNI, sarvakAmapradA,
sarvadukhavimOcanI, sarvamRutyuprashamanI, sarvavignanivAriNI, sarvANgasundarI,
and sarvasaubhAgyadAyinI. All of these shaktIs are commonly called as kulOttIrNa
yOgiNI. This layer is headed by tripurAshrI cakrEshwarI and ably assisted by
sarvOnmAdana mudra shaktI.
On top of the fifth layer, there are steps that lead to the sixth layer that is also 30 ft tall
and 900 ft wide for each of the AvaraNa dEvis residing in this layer. This layer is called
sarvarakShAkara cakrA and the ten AvaraNa dEvis are sarvajA, sarvashakti, sarva
aishvaryapradA, sarvajnAnamayI, sarvavyAdhivinAshinI, sarva AdhArasvarUpA, sarva
pApaharA, sarva AnandamayI, sarvarakShAsvarUpiNI and sarva IpsitapradA. All of
these shaktIs are commonly called as nigarbha yOgiNI. This layer is headed by
tripuramAlinI cakrEshwarI and ably assisted by sarvamahAMkushA mudra shaktI.
The remaining chakrAs that form the inner zone of the CintAmaNI gruharAja will be
covered in the next issue.

<to be continued>

15

GYuSr ahmi xq (8-81)

A i l Ci xxr Mhu Gw | ar NlS | MxS ClS Sui |
ahmi mirj em ulra |
| A i l ClS qli c aq x apr | qWWxi Shl || 1 ||
u W iu iuMq iuSwh iuqbq | iuqqup || 2 ||
lW iu zU Su l qix Sixliq | pq l a uUrli || 3 ||
Li lulS xiuqzl uxu xuUeq | l Ukx qbw || 4 ||
m xiwSm axwcNui xq arqlq | ApUkx eaUi || 5 ||
A l pU Shlp xurl m qz | ClS q l uxlpM || 6 ||
Em qxu pU kwi kwh ellq | ASzUxr uS || 7 ||
ClS r E l i Axi ue ump xliu | Axqp x i xlW || 8 ||
xeuxi ue Axqpr ulS | uz q eUli || 9 ||
l w xS ahmi ahw iuqWumiq Mulq | l Gi iui ri M clU
qWqM qbul cqc ||
ahl iu ahmi WuqW Mu Mulqmquxiqq | erUe oh
ohxmi A l zhul lip xS xSlq ||

16

 usspmlwi
iirkrr
Mzrm Euc | Aiqu AloWi | i Wuc qUc |
ahM Gwxxrxi Sui usspU |
lcrNlSxr a oe xuMUhq |
zxrimhuxir xuW u MsM xqiq |
aqirSSbwOM wQoexri qi |
wQi Mjil rerMUSw |
krlq
oemUaSMqMe coemziTsuaxuuwhUMszmiMUqpW |
krr usspr xmMUr zs euswr
uim um xxjiMU ublUpS ||
iU () () z () MlSm (Ys) qW (as) ublz (a) oeM |
ahmi xo (ahmi) uUSir ii (uUS uUS) ||
ii xuel q c (xu el q) uzqlr xr (uzqlr) |
xuWr c (xuW) qWql uziuhM ||
cij uUuUS xri ql Eq (uU uUS) |
Mqz uUSu miSi Mjri ||

17

Lu pSrlu qlr mUMii |

xoSkrli qWql oprSxkM ||
Alr MqmS m Mql zqai |
ql
1. Ys as a ahmi uUS uUS xuel q uzqlr xuW |
2. Ys as a ahmir uU uUS xuel q uzqlr xuW |
Mzrm Euc llMqxSkr qllxr oWi ||
qUcUW uahljxr ra MqmmUM |
MLDs wQoe mjq ZhQ Ecri ||
WxMWs ahmi c uUSirq |
irZhQi xMs ii mUq ||
xuel q uzqlr xuW qWql |
ciuizhql il mer Ecri ||

18

 u ahlj ql
MLDs Ys as a
WxMWs ahmir(mi) uU(S) uUS
xMs xuel q uzqlr xuW
arahljxr xra oSrM |
pqmS oieme mqSS ||
arr mjq mS mhul xqlui |
usspzxr wQoe mjq ZhQ Ecri ||
ii irmSxi xouUSrq |
irZhQ Ci c iircUhxii ||
usspzzpa iir ZhQ Ecri |
mgczhql oiemSrM ||
paui Mji ur uSqap |
LMUwQhpr mOi mumr ||
ar mS Su paumU xqi ||

19

pau ql
1.
iixuiuUhr Ys as a
pa Suxr kqW ahmir(mi) uU(S) uUS
kr r l mcSri xuel q uzqlr xuW
2.
a Ys as a iixuiuUhr paSuxr kqW kr r l
mcSri a Ys as a
osahzxra u MqSrM ||
mjq uapu mi wQoe MqoeMq |
xo ahmi cUSir ii ||
x mi zqlxrsahmiql ||

20

os ahmi ql
L Ys as a Ys ahmir (mi) uU(S) uUS x xuel q
uzqlr xuW |
21

lsMhPxr rr ralu uwliM |

uzqlr xjlw uw lzr lzr ccri |
lsMhP ahz ql
m A Ys as a l (l) ahmir (mi) uU(S) uUS P (P) uw
lzr lzr xuW |
iU erx xer xruxuh |
ii mU wQoe ahzxr xo ||
uUSr erx xuUal WUWU x er xuW ql |
xuUaWU ql ahzxr muxii ||
xr ahz ql
er x x er bh xr ASir Ys as a
ahmir(mi) uU(S) uUS er x xuUal WU WU x er xuW |
AbUahljxr xra zlzM |
MirpcUzql xupmSrM ||
A a a mjqxTUS c uqliMq |
wQoe uUSli c xkr c xuWr ql |

22

AbU ahlj ql
a a xTU xTU mxTU mxTU bU bUilm cO cO mcO mcO
MW MW uq uq Ys as a ahmir(mi) uU(S) uUS olk olk
bir bir W TO xuW |
u SWi xuWr c xuumSrM |
uzrSwOMqxSkr iioel xkri ||
emixSi usspz bhlk |
xuxmi xqkr c kUzoeMl ||
ZhQrw xrer xmS SW xkrMq |
xrer c em Mr xmr qh c |
Lu ixr qlpS Mji iimxSi ||
uSrM ql
L os Ys as a L os ahmir (mi) uU(S) uUS L os qq u
SW xuW |
xqmiSrM ql
as Ys as a as ahmir (mi) uU(S) uUS
as qq xmS SW xuW |
|| Ci usspmlwS iirkrr ||

23

qWahmi ciUu imhq (ahz mUqzlr)

-4

- -4

-4

- -4

-4

- -4

-4

- -4

-4

- -4

-4

- -4

-4

- -4

-4

- -4

24


-4

- -4

-4

- -4

---------------------------------------------------------------------Total = 80

-4

- -4

-4

- -4

-4

-

-4

-4

-


-4

-4

- -4

-4

- -4

25

 -4

- -4

-4

- -4

-4

-
-4

-4

- -4

-4

- -4
------------------------------------------------------------------------------Total = 88

-4

- -4

-4

- -4

-4

- -4

-4

- -4

26


-4

- -4

-4

- -4

-4

- -4

-4

-4
------------------------------------------------------------------------------------Total =64

-4

-4

-4

-4

-4

-4

27

 -4

-4

-4

-4

-4

-4

-4

-4

-4

-4

-4

-4

-4

-4

28

------------------------------------------------------------ Total =80

-4

-4

-4

-4

-4

-4

-4

-4

-4

-4

-4

-4

-4

-4

-4

-4

-4

29

 -4

-4

-4

-4

-4

-4

-4

------------------------------------------------------------Total = 96

-4

-4

-4

-4

-4

-4

-4

-4

-------------------------------------------------------------Total = 32

-4

--------------------------------------------------------------Total = 4

30

So on a whole = 80+88+64+80+96+32+4 = 444

mgcme
s mjuriql alk Msmrq |
W AMxiql mwmh Msmrq |
r uruiql km Msmrq
U Aalriql Sm Msmrq |
u Aqiql Aqi qWlu Msmrq |
x xuiql iqosS xumcUl Msmrq |

31

 xsqrqo xqi qWahmi mSM merq lq

32

qW ahmi AuUh me q
mP me - lumPz me

Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys

iur lq |
euslr lq |
llSr lq |
paSr lq |
Mqmhr lq |
Ear lq |
ieuir lq |
xirr lq |
ubllzlr lq |

- kqM me

33

Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys

G
H
s
s
G
H
s
s

kqr lq |
lr lq |
uUarr lq |
Lrr lq |
Akqr lq |
Alr lq |
AuUarr lq |
Alrr lq |

ahz lrx
krlq
ihSirxz aeuYxscl |
mzzuUpiMU zxqlui ||
ixi xlSUuhp xusU pwi |
LMWxikiqpe CiUsimr ||

34

Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys

A ublUr r lq - zUx
A ublUer r lq - qZui
C ulrMr iw lq - Sl
D zuqr zlir lq - uql
E ublMi mw lq - SMh
F ublW xUxuir lq - uqMh
G ublUer Uir lq - SlxmO
H ahljr qbr lq - uqlxmO
s LMSlir Mlir lq - SMms
s Slir Mqlr lq - uqMms
L aeuYr qWlr lq - Fku
L lUgelr eOr lq - AkU
A MmSl iur lq - FkuSlim
A SbuYr euslr lq - AkSlim
A zMhr llSr lq - ea
A uwkuer xUxr lq - MhP
M ahljr Mqmhr lq - SoWqs

35

Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys

Z aelSr xpu lq - SMmU

a zmMhr erlr lq - Sqholk
b lr xirr lq lq - SMUsqs
X sqoSUr ublzr lq - SMUsra
c qWlSr xmhr lq - uqoWqs
c ciqir MqSr lq - uqMmU
e xSzur qSusr lq - uqqholk
f AqSr uMOr lq - uqMUsqs
g SqZr kqr lq - uqMUsra
O xqZr pir lq - Sqs
P mqSr pqr lq - Sell
Q LMmSr xir lq - SasT
R er Uqr lq - SmSsqs
h zUr qlwr lq - SmSsra
i uUr qMUkuer lq - uqqs
j whqZr uMhr lq - uqell
S uUSr pM lq - uqasT
k uqSur sr lq - uqmSsqs
l uihQr Sbbhr lq - uqmSsra
m UhQr klkUr lq - Sm
T xllr rqlr lq - uqm
o aqhr Ur lq - m
p qr clSMr lq - lp
q uqr zzmpr lq - ePU
r quWlr ssr lq - Sr
U eOl cmshr lq - SM
s qhQl GSkr lq - asm
u Zl Spar lq - uqM

Ys
Ys
Ys
Ys
Ys
Ys

z uUhrr xpar lq w uwMiu zur lq x pmrr Sar lq W qblSr MsMr lq

V ahmr Mser lq
ahzr ublWUhr lq

SrSSMUlsrli
SrSuqMUlsrli
SrSSmSlsrli
- SrSuqmSlsrli
- MSmSsrli
- MSoUlkli

ahz wQku lrx

1. Ms lrx

Ys
Ys
Ys
Ys
Ys

W lq mUr zlirii Msiql lq | (zUx)

r lq mUr zli Msiql lq | (pqkr)
lq mUr u Msiql lq | (Sr)
lq mUr mi Msiql lq | (a)
lq mUr lu Msiql lq | (mSr)

qsl urmM Mri |

2. iiu lrx

36

Ys
Ys
Ys
Ys
Ys
Ys
Ys

q lq mUr euiql lq | (zUx)

p lq mUr mhiql lq | (zUx)
o lq mUr oSkriql lq | (Sr)
T lq mUr AWUiql lq | (Sr)
m lq mUr qliql lq | (Sr)
l lq mUr zoSilqiql lq | (zUx)
k lq mUr xmzilqiql lq | (pqkr)

37

Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys

S lq mUr milqiql lq | (Sr)

j lq mUr Uxilqiql lq | (a)
i lq mUr alkilqiql lq | (mSr)
h lq mUr iql lq | (r)
R lq mUr iuaiql lq | (iuc)
Q lq mUr cUiql lq | (cw)
P lq mUr eiql lq | (epr)
O lq mUr bhiql lq | (lxMr)
g lq mUr uaiql lq | (uc)
f lq mUr mhriql lq | (MUr)
e lq mUr mSiql lq | (mSr)
N lq mUr mruiql lq | (mr)
c lq mUr Emxjiql lq | (a)
X lq mUr AMziql lq | (zUx)
b lq mUr uruiql lq | (qZ)
a lq mUr ieiql lq | (Sr)
Z lq mUr esiql lq | (a)
M lq mUr mjuriql lq | (mSr)
z lq mUr imhQUMiql lq | (Sr)
w lq mUr xrqhQsr SzMsiql lq | (Sr)
x lq mUr xqqhQsr wQzMsiql lq | (Sr)
W lq mUr AalqhQsr SzMsiql lq | (Sr)
a lq mUr zliriiMsiql lq | (zUx)
a lq mUr zliMsiql lq | (qZ)
a lq mUr uMsiql lq | (Sr)
a lq mUr miMsiql lq | (a)
a lq mUr luMsiql lq | (mSr)

qsl xu urmM Mri |

3. pul lrx
Ys a psMr lq | (mSSlprli)
Ys a pusMr lq | (lprSMhPli)
Ys a xusMr lq | (MhPSzwli)
qsl xu urmM Mri |
4. uh lrx

38

Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys

(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)

A (qs) lq - zUx
A (qs) lq - qZui
C (qs) lq - Sl
D (qs) lq - uql
E (qs) lq - SMh
F (qs) lq - uqMh
G (qs) lq - SlxmO
H (qs) lq - uqlxmO
s (qs) lq - SMms
s (qs) lq - uqMms
L (qs) lq - Fku
L (qs) lq - AkU
A (qs) lq - FkuSlim
A (qs) lq - AkSlim
A (qs) lq - ea

39

Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys

(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)

A (qs) lq - MhP
M (qs) lq - SoWqs
Z (qs) lq - SMmU
a (qs) lq - Sqholk
b (qs) lq(qs) lq - SMUsqs
X (qs) lq - SMUsra
c (qs) lq - uqoWqs
c (qs) lq - uqMmU
e (qs) lq - uqqholk
f (qs) lq - uqMUsqs
g (qs) lq - uqMUsra
O (qs) lq - Sqs
P (qs) lq - Sell
Q (qs) lq - SasT
R (qs) lq - SmSsqs
h (qs) lq - SmSsra
i (qs) lq - uqqs
j (qs) lq - uqell
S (qs) lq - uqasT
k (qs) lq - uqmSsqs
l (qs) lq - uqmSsra
m (qs) lq - Sm
T (qs) lq - uqm
o (qs) lq - m
p (qs) lq - lp
q (qs) lq - ePU
r (qs) lq - Sr
U (qs) lq - SM

Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys

(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)
(qs)

s (qs) lq
u (qs) lq
z (qs) lq
w (qs) lq
x (qs) lq
W (qs) lq
V (qs) lq
(qs) lq

- asm
- uqM
- SrSSMUlsrli
- SrSuqMUlsrli
- SrSSmSlsrli
- SrSuqmSlsrli
- MSmSsrli
- MSoUlkli

qsl xu urmM Mri |

5. mS lrx

Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys

iimwr lq | (zUx)
uW lq | (Ts)
uihQr lq | (qZ)
kqW lq | (MhP)
ii lq | (lp)
l lq | (Eu)
Sli lq | (elu)
mcSri lq | (mSr)

qsl xu urmM Mri |

6. ql lrx
Ys ahl lq | (zUx)
Ys iu lq | (Ts)
40

Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys

ahmi lq | (uSl)
WuqW lq | (EmMhP)
Mu lq | (MhP)
Mul lq | (qZ)
Emquxiqq lq | (aV)
erUeq lq | (xxr)
ohq lq | (Sr)
oh lq | (lp)
mi lq | (a)
A lq | (S ell)
l lq | (uq ell)
zhul lq | (ShXb)
Fip lq | (uqXb)
xS lq | (m)
xSlq lq | (MMS)

qsl xu urmM Mri |

Sz ubl lrx

41

Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys

ubl ahmir lq | (qkl)

ulrM ahmir lq | (S l)
uU ahmir lq | (uq l)
zU ahmir lq | (er)
uUS ahmir lq | (Sr)
WxiqZ ahmir lq | (lp)
LMSli ahmir lq | (a)
sqoSU ahmir lq | (S ell)

 Ys m ahmir lq | (uq ell)

Ys qW ahmir lq | (cUhar)
qsl xu urmM Mri |
qs ql lrx
Ys
Ys
Ys
Ys
Ys
Ys
(MUisMUmr)
Ys
Ys
Ys
Ys
Ys
Ys

lq | (Ar)
lq | (ielr)
Ys lq | (qkrqr)
as lq | (AlqMr)
a lq | (MlMr)
ahmir uU uUS xuel q uzqlr xuW lq |
a lq | (Ar)
a lq | (ielr)
a lq | (qkrqr)
a lq | (AlqMr)
a lq | (MlMr)
(qs) lq | (MUisMUmr)

qsl xu urmM Mri |

AuUh Sui lrx

42

Ys
Ys
Ys
Ys

lq | (qkl)
lq | (pqkr)
Ys lq | (S l)
as lq | (uq l)

 Ys a lq | (qZ)
Ys ahmir uU uUS xuel q uzqlr xuW lq | (qZ
qhQs urmM Mri)
Ys UqUqzpr lq | (qkl)
Ys EqqWUpr lq | (pqkr)
Ys Uimwmohpr lq | (Sr)
Ys qWuUWpr lq | (a)
Ys qWsqqWsqmipr lq | (mSr)
Ys usspqWahmipr lq | (qskU- xuklqhmU-AlWi-uz)
qsl xu urmM Mri |

Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys

GqSpr lq | (lp)
xqmqSpr lq | (iqm)
MlixqZpr lq | (im)
qSluiSqZpr lq | (MhP)
qSSuublpr lq | (iqm)
SuhublMipr lq | (im)
uxkUzlkpr lq | (uqxilk)
uxqimlkpr lq | (Sxilk)

qsl xu urmM Mri |

43

Ys
Ys
Ys
Ys

oyqr lq | (mSa)
qWr lq | (Sm)
Mqr lq | (zUx)
uwhur lq | (uqm)

Ys
Ys
Ys
Ys

uU lq | (uqell)
ClShr lq | (Sell)
cqhQr lq | (Sx)
qWsqr lq | (uqx)

qsl xu urmM Mri |

qWahmi krlq ii Soe zh uqixupwr |
xsqr xqzsmqklSzZUq ||
uqkMUi SkMUliw mwMU |
mUwMi qis aSmhQMqM ||
zsl zcpr mzimsral c |
zsqgeUMxurSligcsqhbO ||
xulS c xllS mirSxuiq |
Azwublukuxlbl ublU xqUi ||
xsq krlq qpr Surux qaqSisM Tss MsWUqs
MrUqZsluqhZcipwhpxqlq |
MqUqSuY AmUqiMmmh lUulS
sq mWxi eimi Sr upir lqq ||

44

qWahmi AuWlq Ys as a ahmir uU uUS xuel q uzqlr xuW |

Ys as lq paui qWsq uUuUS upir xuW |
(Siddha Lakshmi mantra according to prapancasAra sangraha is given
above).
There is another siddhalakshmi mantra as per the saparyA paddhati
followed by GuhAnanda maNDali (in the panca ratnAmbA) and that is also
given below.

ef qWchQ iexwh Msqljl W |

UpasakAs are suggested to use the mantra that is followed in their Guru
manDalam and as per their Gurus instructions.

xsqrqo
xsqrqo
xsqrqo
xsqrqo
xsqrqo
xsqrqo

xqi
xqi
xqi
xqi
xqi
xqi

qW
qW
qW
qW
qW
qW

ahmi
ahmi
ahmi
ahmi
ahmi
ahmi

- AuWi pu | AuWl qS mSzr |

- xjmi pu | xjmh qS mSzr |
- xxji pu | xxji qS mSzr |
- x pu | x qS mSzr |
- xqqZ pu | xqqZ qS mSzr |
- AuMhPi pu | AuMhPl qS mSzr |

Ys as a ahmir uU uUS xuel q uzqlr xuW |

Ys as lq paui qWsq uUuUS upir xuW |
xsrqo xqi qW ahmi mSM merq lq | ulSl kl
rl qS mSzr |
rj z wQz EmcU me mgcmcU me u Mi |
45

ahz qS mSzr |
1. Sli

5. mUz

2. mz

6. sM

3. Az

7. oemU

4. ubl

ahmi is bwr |

46

ahmi is
aeqZuY aU(e)xim ahahq ahmiqzmrq |
MUbimUz Mhmh Musimcq |
xUmiul xlSUl xUciqh qMO |
mhqi Su mMOi is wU isqSq | ii wU isqSq | ii wU
isqSq |
sqoSUuU agexUMi MquhkU |
ixz qSMWxi mixmlxTs |
rl ruU laupwi llahmiS |
irl ruU laupwi llahmiS | i llahmiS | i
llahmiS|
kusi eskU kusi clS Thqh MUhupwi Z |
ililuwWU zsMms WU WU zu zu ahmiqprq |
MOiO uasi qSes eski ahmiuqS | ii ahmiuqS |
zYsi zzMs qsl zsl
uqszp Mqs esmSM mhq
mqjah ahMji zpl zpi
mjspe xUxe uwhM mwh
mlxTs MSsTs qSM qSM
mhia zuilr ahmi isl
er uerpu er uer pu ||

47

wQ imhq

Ys
Ys
Ys
Ys
Ys
Ys

a Srr lq | Sr z mSM merq imrq lq |

a zUx xuW | zU z mSM merq imrq lq |
a zZr uwO | zZ z mSM merq imrq lq |
Ys a Mucr W | Muc z mSM merq imrq lq |
as as lrr uwO | l z mSM merq imrq lq |
a a Axr TO | Ax z mSM merq imrq lq |

sr imhq Ys as a ahmir uU uUS xuel q uzqlr xuW | qWahmi mSM merq imrq lq | (10 uUq)
Ys as lq paui qWsq uUuUS upir xuW |
- xsq mSM merq imrq lq | (10 uUq)
Ms a q

48

Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys

ahU xcr mSM merq imrq lq |

ahQ xcr mSM merq imrq lq |
uMO xcr mSM merq imrq lq |
ubllrM xcr mSM merq imrq lq |
SqZ xcr mSM merq imrq lq |
xqZ xcr mSM merq imrq lq |
o xcr mSM merq imrq lq |
ublUe xcr mSM merq imrq lq |
ahkm xcr mSM merq imrq lq |

ukruiU a q

Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys

xUllS xcr mSM merq imrq lq |

mqS xcr mSM merq imrq lq |
WUqo xcr mSM merq imrq lq |
qWiMO xcr mSM merq imrq lq |
zU xcr mSM merq imrq lq |
sqoMh xcr mSM merq imrq lq |
qblS xcr mSM merq imrq lq |
qWos xcr mSM merq imrq lq |
ahger xcr mSM merq imrq lq |

Abr me
Surb

Ys
Ys
Ys
Ys
Ys
Ys

ulrM xcr mSM merq imrq lq |

MuU xcr mSM merq imrq lq |
um xcr mSM merq imrq lq |
u xcr mSM merq imrq lq |
ohr xcr mSM merq imrq lq |
lkz xcr mSM merq imrq lq |

xb
Ys aekUe xcr mSM merq imrq lq |
Ys uUmS xcr mSM merq imrq lq |
49

qlub

50

Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys
Ys

uer xcr mSM merq imrq lq |

Ser xcr mSM merq imrq lq |
er xcr mSM merq imrq lq |
SZU xcr mSM merq imrq lq |
xZuW xcr mSM merq imrq lq |
mUqiq xcr mSM merq imrq lq |
xupiiq xcr mSM merq imrq lq |
qWllS xcr mSM merq imrq lq |
TsclS xcr mSM merq imrq lq |
xei xcr mSM merq imrq lq |
o xcr mSM merq imrq lq |
zUx xcr mSM merq imrq lq |

mjquUhq

rxwQxrUliUs maS S qh rei |

: Mqs Mqssr mxS mxS qWsqr lq |
mi : lq lUrhr |
Ys mi mSM merq imrq lq |
aUe : ral ral raU raU raprU xMs xjuU eqxr qZ Sr
qq uz AMwr AMwr xuW |
aUemi : lq zur |
Ys aUe aUemi mSM merq imrq lq |
Ui : D Ys lq paui Uiu qWqWl Mqz xusMuz M M xuW |
Uimi : Ys lq MqSur xuel mrr xuel xqWlr eus eus meus meus
xuelxr Sr qq uz M M xuW |

51

 Ys Ui Uimi mSM merq imrq lq |

qW : as lq pauir kUhr kUhkU xuW as |
qWmi : Ys L MLDs x lq paui uUWmr Ys WxMWs Ys
ppuxumir x xMs L pmiiu q SW Smr xuW |
Ys qW qWmi mSM merq imrq lq |

Li mjquUh Sui x xrk xzM xumcU xqmei

xlimi xli xli lq |
Ys as a ahmir uU uUS xuel q uzqlr xuW | qWahmi mSM merq imrq lq |
Ys as lq paui qWsq uUuUS upir xuW |
- xsq mSM merq imrq lq |
(3 uUq)
Apx q SW zUhai uixs |
pYir xqmr ipr mjquUhclq ||
All mjquUhcll xsq xqi qWahmi mrjq |
iruUhq

wQx SuaMhqUpr mShrl iuqmr qh rei |

G : G G GMU GkU Gah GSrl G G SW SW xuW|
AqS : lq paui AqSr AllSmh eus eus W TO xuW |

52

 Ys G AqS mSM merq imrq lq |

xq: x lq paui xq xqMU xqTsS xq M M xuW |
mqS : lq paui mqSr mUqllSmh meus meus W TO xuW |
Ys xq mqS mSM merq imrq lq |
Mli : lq paui Mliu qWmMzl umh CMli SW q xuW |
xqZ : lq paui xqZr ullSMUr u iwr iwr xuW |
Ys Mli xqZ mSM merq imrq lq |
qSlui : lq paui qSlui qWqr eaixu pr pr xuW|
SqZ : lq paui SqZr SkuxMUr xu zl k k W TO xuW |
Ys qSlui SqZ mSM merq imrq lq |
qSSu : lq paui qWqr qSSu xu z qSSu M M os xuW |
Aubl : lq paui Auklr qWprWUr xuubll luUr luUr xuW |
Ys qSSuubl mSM merq imrq lq |
Suh : lq paui Suh AqiU P f P u xusM MPl Sur
Sur xuW |
ublMi : lq paui ublM xuubllSr zubl xS M M xuW |
Ys Suh ublMi mSM merq imrq lq |
uxlSU : u lq paui uxkU lirMsrh LW lUukMr uwr uwr
xuW |
zlk : z lq paui zlkr mhipmUMr LW xurx SW
q xuW |

53

 Ys uxlSU zlk mSM merq imrq lq |

uxqi : u lq paui uxqi mUqllSSrl LW xMsrx SW q
xuW |
mlk : m lq paui mlkr urMUr AacNacN xujl xkr
xuW |
Ys uxqi mlk mSM merq imrq lq |

Li iruUh Sui x xrk xzM xumcU xqmei

xlimi xli xli lq |
Ys as a ahmir uU uUS xuel q uzqlr xuW | qWahmi mSM merq imrq lq |
Ys as lq paui qWsq uUuUS upir xuW |
- xsq mSM merq imrq lq |
(3 uUq)
Apx q SW zUhai uixs |
pYir xqmr ipr iruUhclq ||
All iruUhcll xsq xqi qWahmi mrjq |
iiruUhq

wQxxlkwOM maui qh rei |

Ys a Srr lq | Sr z mSM merq imrq lq |
Ys a zUx xuW | zU z mSM merq imrq lq |
Ys a zZr uwO | zZ z mSM merq imrq lq |

54

 Ys Ys a Mucr W | Muc z mSM merq imrq lq |

Ys as as lrr uwO | l z mSM merq imrq lq |
Ys a a Axr TO | Ax z mSM merq imrq lq |

Li iiruUh Sui x xrk xzM xumcU xqmei

xlimi xli xli lq |
Ys as a ahmir uU uUS xuel q uzqlr xuW | qWahmi mSM merq imrq lq |
Ys as lq paui qWsq uUuUS upir xuW | xsq mSM merq imrq lq |
(3 uUq)
Apx q SW zUhai uixs |
pYir xqmr ipr iiruUhclq ||
All iiruUhcll xsq xqi qWahmi mrjq |
iUruUhq

ASs mqSS ururSuS c mShr qh rei |

o : L ohr lq | o mSM merq imrq lq |
qWU : lq paui qWr xuW | qWU mSM merq imrq lq |
MqU : Mqr lq | MqU mSM merq imrq lq |
uwhu : uwhur lq | uwhu mSM merq imrq lq |
uUW : L as P P P W xuW | uUW mSM merq imrq lq |
ClSh : D ClSh lq | ClSh mSM merq imrq lq |
cqhQ : cqhQr lq | cqhQ mSM merq imrq lq |
qWsq : qWsqr lq | qWsq mSM merq imrq lq |

55

Li iUruUh Sui x xrk xzM xumcU xqmei

xlimi xli xli lq |
Ys as a ahmir uU uUS xuel q uzqlr xuW | qWahmi mSM merq imrq lq |
Ys as lq paui qWsq uUuUS upir xuW |
- xsq mSM merq imrq lq |
(3 uUq)

Apx q SW zUhai uixs |

pYir xqmr ipr iUruUhclq ||
All iUruUhcll xsq xqi qWahmi mrjq |
mgcquUhq

ciUxxr UZr max Ax S qh rei |

ClS : Ys s ClSr ueWxir xUkmir LUuiuWlr xmUuUr lq |
ClS mSM merq imrq lq |
Aal : Ys U Aalr zWxir iekmir AeuWlr xmUuUr lq |
Aal mSM merq imrq lq |
rq : Ys O rqr ShQWxir mikmir qWwuWlr xmUuUr lq | rq
mSM merq imrq lq |
lGi : Ys lGir ZWxir Ukmir lUuWlr xmUuUr lq |
lGi mSM merq imrq lq |

56

uh : Ys u uhr mzWxir eskmir qMUuWlr xmUuUr lq |

uh mSM merq imrq lq |
ur : Ys r uru kueWxir mhkmir uWlr xmUuUr lq | ur
mSM merq imrq lq |
xq : Ys x xqr mWxir lkmir AuWlr xmUuUr lq |
xq mSM merq imrq lq |
Dzl : Ys W Dzlr zsWxir ukmir uwpuWlr xmUuUr lq
| Dzl mSM merq imrq lq |

Li mgcquUh Sui x xrk xzM xumcU xqmei

xlimi xli xli lq |
Ys as a ahmir uU uUS xuel q uzqlr xuW | qWahmi mSM merq imrq lq |
Ys as lq paui qWsq uUuUS upir xuW |
- xsq mSM merq imrq lq |
(3 uUq)

Apx q SW zUhai uixs |

pYir xqmr ipr mgcquUhclq ||
All mgcquUhcll xsq xqi qWahmi mrjq |
ahzMq
pauluc
ahzxr xiu ur Ms fOi xiq |
57

l lrx l c xxMU l Wq l c imhq ||

l qel c mgc xWxem qi |
xkrircli mgczi ohpeli ||
Axr ahmi xiqs qWqlxr |
paul xSzu Gw |
EwhM NlS |
ahmiSui |
ahmi mxS xSkrj em ulra ||
krlq |
cipe Uil l mzz qSMm Sli |
MUSkl xUxWxj ahklj zzcQqQ ||
ahzMq
ulrMM pul xqcl xqmi
mqSM mqSM mqS qS qSMq |
rSmi xqmi lulr klr lqi
lZhQi lZhQi lZhQ qhQl Miq || 1 ||
xeiMi ueiMi xul pS uei
lUgel c lah lUMi c lwrq |
xSiqM cSiqM xZiqM mU mS
peq i aell xuqrr uaWq || 2 ||

58

ahbm iu Aqi Uzxl UU

iuqloU c zqoU klger mpgel |
iuqu Si ilzMU mpMU
cUcU mcU WiUliUr zliMi || 3 ||
AlMS iqs ls LMSli xlSU
aell lq aellqiob qlSUq |
xqxi uS uSxi Ms Msm qlSU
qWliUr Sxiqz zqMq iSUq || 4 ||

xUWq bhOM llS lmUxul

qS is lS pS xkl lmi |
kqS kq i i jr jr zlSi
ulrMz zz zZUai mliri || 5 ||
lqq lM lrMM lrM ulrM
Ms Msm Msml lSl ASmwq |
ahU ahU qWUiq xqpu
xumS qs xu lq mU upu mSq || 6 ||
pe mchQ ilSs xSlSzMpwh
xllS lS ulSi xqxi x xui |
xUxUb rxxS ermS prmS
xqxi ubl bil xup m milq || 7 ||

59

MUqoe Mh mSoe Mh ah
ahU ahhu ThU pwh |
eairli Ur zliMU Mxi iUM
puh uSlM SaWSM uaW || 8 ||
r p mhu mUmU aUx ahzM
zxxri cix rS mPir xlbr mql |
ixr Uis xux xWi zUS xUS
xri iimUcUM Ms iS M Mqll Mj || 9 ||

mgcme
s mjuriqMr alk Msmrq |
W AMziqMr mwmh Msmrq |
r uruiqMr km Msmrq |
U AalriqMr Sm Msmrq |
u AqiiqMrAqi Msmrq |
x xuiqMr iqosS xqxi UemcUl Msmrq |

60

61

ugcMsmsi sb q
a mSM xqUi |
ulS amSl AulxacUq |
UzYs mpq AiYr mU qW ||
zuS apr lq |
qkShqir lq |
zYsoUkU uwh zzuh cipe |
mx uSl krri xuublmzlir ||
qsl mhrrqr |
xsm
qqm xqxi SUi rU mUqU mirj sb ugNMsmsi
qWql em MUwr | (Am Emxmzr )
Axr ugNMsmsi qWqlxr ahMhxull Gwr | Su ar
lcS ar m Alm eairzNlSx |
qWmUxlSU qWahmi uahmi xuSalrqiS Sui |
L oe z MsM |

62

qW mUxlSU qW ahmi uahmi xuSalrqiS mxS xSkrj

ugNMsmsi qWql em ulra |
MUlrx
L
L
L
L
L
lq |
L

L
L
L
L
L

Ys
Ys
Ys
Ys
Ys

x
x
x
x
x

xur as oiql Apr lq |

lirimir as uwhuiql ielpr lq |
AlSokr as Siql qkrqpr lq |
xuxuilr as DUiql AlqMpr lq |
lirqsmizYir as xSzuiql MlMpr

L Ys x Allir as xuiql MUisMUmpr lq |

Alrx
L
L
L
L
L
uwO |
L

L
L
L
L
L

Ys
Ys
Ys
Ys
Ys

x
x
x
x
x

xur as oiql Srr lq |

lirimir as uwhuiql zUx xuW |
AlSokr as Siql zZr uwO |
xuxuilr as DUiql Mucr W |
lirqsmizYir as xSzuiql lrr

L Ys x Allir as xuiql Axr TO |

ppuxuU Ci Saolk |
pr upeql biMszqWzspr pepr
oemUS opSzpeqh lapw hq |
63

xlkrxlSUuh xilpUlqi ilSs clScQ

MhPSku MUlS ruiqrqrqk lq uahzq ||
s mjuriqM alk Msmrq |
W AMziqMr mwml Msmrq |
r uruiqMr kmq Msmrq |
U AalriqMr Sm Msmrq |
u AqiiqMr Aqi qW lu Msmrq |
x xuiqMr iqosS xqxi EmcUl Msmrq |

u ahmi qsql:
Ys as a L MLDs iixuiuUhr
ahmir Ys WxMWs paSuxr kqW
uUuUS x xMs kr r l mcSri
xuel q uzqlr xuW | (10 uUq)
ugNMsmsi sb ql
1. L a aaas L MLDs Ys WxMWs x xMs a
mmxSl ahmir uU uUS A xuel q uzqlr xuW |
ahl iu ahmi WuqW Mu Mulqmquxiqq |
erUe oh ohxmi Al zhuipxxS xSlq || (3 uUq)
2. L a aaas L MLDs Ys WxMWs x xMs a
mmxSl ahmir uU uUS A xuel q uzqlr xuW |
L rSli r SUM pr ulSi qqW |
64

muql uiW |
rSiji paui iixu zqr zqr xuW | (3 uUq)
3. L a aaas L MLDs Ys WxMWs x xMs a
mmxSl ahmir uU uUS A xuel q uzqlr xuW |
iixuiuUhr paSuxr kqW krrl mcSri | (3 uUq)
4. L a aaas L MLDs Ys WxMWs x xMs a
mmxSl ahmir uU uUS A xuel q uzqlr xuW |
rqoM reqW xalk muklq |
EuWqu olkllqirqr qqii || (3 uUq)
5. L a aaas L MLDs Ys WxMWs x xMs a
mmxSl ahmir uU uUS A xuel q uzqlr xuW |
eiuSx xluq xqqUiri lSWi uS |
x l mwSi Sah u luu xlk SUiiral || (3 uUq)
6. L a aaas L MLDs Ys WxMWs x xMs a
mmxSl ahmir uU uUS A xuel q uzqlr xuW | (3 uUq)
L
L
L
L
L
uwO |
L

L
L
L
L
L

Ys
Ys
Ys
Ys
Ys

x
x
x
x
x

xur as oiql Srr lq |

lirimir as uwhuiql zUx xuW |
AlSokr as Siql zZr uwO |
xuxuilr as DUiql Mucr W |
lirqsmizYir as xSzuiql lrr

L Ys x Allir as xuiql Axr TO |

ppuxuU Ci Sauqa |
65

pr upeql biMszqWzspr pepr

oemUS opSzpeqh lapw hq |
xlkrxlSUuh xilpUlqi ilSs clScQ
MhPSku MUlS ruiqrqrqk lq uahzq ||
s mjuriqM alk Msmrq |
W AMziqMr mwml Msmrq |
r uruiqMr kmq Msmrq |
U AalriqMr Sm Msmrq |
u AqiiqMr Aqi qW lu Msmrq |
x xuiqMr iqosS xqxi EmcUl Msmrq |

66

Sri Mahaganapathy Meditation guide

Let us pray to the lineage of Gurus from Lord Dakshinamoorthy to ones own Guru
To dispel the clouds of darkness by winds of grace.

In the usual procedure of imparting mantras during initiation, it is usually the

Mahaganapathy mantra that is first imparted to the seeker by the Guru along with
Gurupaduka and Bala mantras.
The process of meditation begins with imagining the form of the deity as described in
the meditation verse- the dhyana sloka. The dhyana sloka of Mahaganapathy is
BIjApUragadekshu kArmugarucA cakrAbja pasOtpala
vrIhyagra svavishANa ratna kalasha prOdyat karAmbhOruhah
dyeyO vallabhayA sa padma karayA shlisTojjvalat bhUShayA
visOtpatti vipatti samsthitikarO vighnesO iShTArttadatah.

The above is a description of a ten (eleven including the trunk) armed form with the
shakti (wife) siddalakshmi seated on the left lap. The sakthi wears lustrous ornaments,
embraces ganapathy with her right hand and holds a lotus in the other. The weapons in
the arms of the Lord, sequentially clockwise, from the right lowermost arm to the left are
pomegranate, mace, sugarcane, trident, discus, (up to this is right, then from left
uppermost arm) lotus, noose, blue lily, paddy and a broken tusk. On the trunk is jewel
studded ornamental pot filled nectar.
A method is suggested here, which helps us to visualize the form of Mahaganapathy
while chanting his mantra which has 28 letters in the sanskrit alphabet.
Om SrIm HrIm KlIm glaum gam ganapataye varavarada sarvajanam me vasamAnaya
svAhA
First, while repeating Om, mentally imagine the beautiful elephant face of the Lord.
Next, while repeating SrIm imagine in the right uppermost arm the discus in the left
uppermost arm the lotus because this is the seed letter of the divine couple Lakshmi
and Narayana
Next while repeating HrIm imagine in the second from top, right arm the trident and
similarly in the left arm the noose because this is the seed letter of the divine couple
Gauri and Sankara
Next while repeating KlIm imagine in the third from top, right arm the sugarcane bow
and similarly in the left arm the blue lily because this is the seed letter of the divine
couple rati and manmatha.

67

Next while repeating glaum imagine in the fourth from top, right arm the mace and
similarly in the left arm the paddy because this is the seed letter of the divine couple
Bhumi(earth) and Varaha( boar faced avatar of Vishnu).
Next while repeating gam, imagine in the right lowermost arm the pomegranate and
similarly in the left arm the tusk because this the seed letter of the Lord Ganapathy.
(From the above we can infer that the right arms hold the weapons of the Male forms of
the Divine and the left arms hold the weapons of the Female forms of the Divine)
Then while repeating ganapataye imagine your head resting on the feet of the Lord.
Since this is in the form of invocation to the Lord.
Then while repeating Varavarada, meditate on the ornamental pot of nectar on the
trunk and imagine that the Lord showers it on you and you are drenched, since this
denotes a prayer to the Lord to bestow the best boons/blessings on us. The best of
boon is the experience of the unlimited bliss that leads to immortality- amruta.
Now repeat sarvajanam me vasamAnaya meditate on Siddhalakhmi, the creatrix of
the universe on the left lap of the Lord with a firm conviction that the world, the divine
couple and the self are one. This part of mantra translates as let all people be
subjugated to me. We find a clue for our meditation in the word people, which
indicates the universe. The embrace of siddalakshmi can be interpreted as the creative
urge of the sakthi and the Lotus in the other hand represents Earth (the last subtle
element), by default the other four previous subtle elements and the result of their
mixture- The gross earth.
Finally repeat svAhA which indicates an offering into the fire (We are also reminded of
the fire sacrifice- ganapathy homam). Since whatever is offered into the fire becomes
one with it, meditate on the above truth and try to be in that experience for a moment.
Let us offer our most humble salutationsto the feet of the Guru, who has guided us in
this meditation.

68

 - . .

,-

69

70

!
,

71

SheshAdri Adigalum vallimalai vallalum By Shri SAdhurAm swAmigal

72

73

74

75

76

77

78

79

xS ulxWi
-

Answers by AtmAnandanAtha

1. What is the method for bhavana of the panca puja done during japa karma?
The five elements earth, water, fire, air and space have five aspects of smell, taste,
form, feel (touch) and sound. These are offered to the devata who is none other than
the all-pervading Brahman. To get into that higher level of consciousness we identify
these aspects as from Brahman and not different from it. These being a very tough task
for even the trained mind; we can initially meditate on the form of the deity and offer
these as services.
A Yellow clad bright shining deity emerging from the mulAdhAra cakra of the sadhaka
offering sandal paste to the deity and merging in HER/HIS nose.
A White clad bright shining deity, emerging from the vishuddhi cakra of sadhaka offering
flowers to the meditated form of the deity and merging in HER /HIS ears.
A Grey clad bright shining deity, emerging from the anAhata cakra of sadhaka offering
incense smoke to the meditated form of the deity and merging in HER /HIS navel.
A red clad bright shining deity, emerging from the manipUraka cakra of sadhaka offering
a lighted lamp to the meditated form of the deity and merging in HER /HIS eyes.
A bright white clad bright shining deity, emerging from the manipuraka cakra of sadhaka
offering food to the meditated form of the deity and merging in HER /HIS tongue.
Thus we can meditate during the panca upacara before and after japa.
2. What is Pancikarana?
This seen universe creation is explained by pancikarana. The five elements were in
their natural state with the gunas corresponding to them as seen above, then a doubt
arises , if earth has the aspect of smell how come the we see incense smoke is having
smell, if feel is the aspect of air then how do we feel earth or water. This is explained by
this pancikarana, by which the visible universe is created. All the elements are divided
into two, keeping a part intact the second half is divided into four and distributed equally
with all other elements, Thus for example the visible element water will have half water,
one eighth of space, air, fire and earth in it. We can also see air had humidity= water
element, heat =fire element, smell =earth element in it.

80

3. What are the procedures for Atma tattva shodhanam, VidyAtattva ShodhanaM
and shiva tattva shodahnam?
The purificatory ritual called Acamana points to these shodhanas. The Atmatattva
shodhana is cleansing the gross body, It is evident from the BhUta shuddhi ritual of
getting a new shAmbhava sarIra removing the ANava malA- the feeling of aNutarA- that
I am an individual. The VidyAtattva shodhana of the Subtle body (suKshma deha) which
is the mind by nyAsa, placing the powerful seed syllables mantrm acintya-aktit Sutra1.8 in the previously created shAmbhava sarIra removing the mAyIya malA the
duality sense. The shiva tattva shodhana of the Causal body (kAraNa sarIra) by the
kAmakalA dhyAna, removing the kArmika malA the continual stains due to karma, the
source is not explainable.

81

- 603

Eight thousand years of yOgA dear

Might not take you to Him near
Light you seek within you clear
Right like mirror you merge full gear

82