This document provides guidance for revising poetry by asking a series of questions about key elements of poetry. The questions cover whether the subject or theme is clear, if the words effectively convey the idea or object, if sensory details are included, if fresh metaphors and similes are used, if the rhythm and musical elements like alliteration and assonance are effective, if the line lengths and breaks are impactful, and if the author is truly satisfied with the results. The overall message is to objectively examine one's own work by considering these poetic elements and making changes if needed.
This document provides guidance for revising poetry by asking a series of questions about key elements of poetry. The questions cover whether the subject or theme is clear, if the words effectively convey the idea or object, if sensory details are included, if fresh metaphors and similes are used, if the rhythm and musical elements like alliteration and assonance are effective, if the line lengths and breaks are impactful, and if the author is truly satisfied with the results. The overall message is to objectively examine one's own work by considering these poetic elements and making changes if needed.
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This document provides guidance for revising poetry by asking a series of questions about key elements of poetry. The questions cover whether the subject or theme is clear, if the words effectively convey the idea or object, if sensory details are included, if fresh metaphors and similes are used, if the rhythm and musical elements like alliteration and assonance are effective, if the line lengths and breaks are impactful, and if the author is truly satisfied with the results. The overall message is to objectively examine one's own work by considering these poetic elements and making changes if needed.
Copyright:
Attribution Non-Commercial (BY-NC)
Available Formats
Download as DOC, PDF, TXT or read online from Scribd
Trying to be an objective bystander of your own work, answer the following questions: 1. Does your subject or theme develop clearly? 2. Do your words provide a snapshot of your object or idea? 3. Have you included an appeal to some or all of the five senses: hearing, smelling, touching, tasting, seeing? 4. Have you created a fresh, springy, unexpected simile or metaphor that WORKS? 5. How about MUSIC? Does the beat or rhythm of your words (meter)flow effectively? Can you find alliteration (repetition of initial consonant sounds) and assonance (repetition of vowel sounds)? If not, can you change some words to inject assonance or alliteration? 6. What about your line lengths? Are they speaking in a way you want them to? 7. Look at your line breaks – Do the lines end with high impact words (nouns and verbs), as opposed to articles (a, an, the) or prepositions (to, for)? Do they end with musical rhythm or rhyme? 8. Finally, are you satisfied with the results, truly? No, really satisfied? What's still bugging you? What would you change? TRY IT! You'll never know until you try.
Adapted from - San Diego Jewish Academy High School Humanities, www.writedesignonline.com