Whi Ny Vehood ber ty A ferthes Reader Camera Lucida Critical Essays ‘The Eiffel Tower and Other Mythologies Elements of Semiology ‘The Empire of Signs The Fashion System ‘The Grain of the Voice Image-Music-Texe A Lover's Discourse Michelet Mythologies New Critical Essays On Racine The Pleasure of the Text ‘The Responsibility of Forms Roland Barthes ‘The Rustle of Language Sede / Fourier / Loyola ‘The Semiotic Challenge Siz Writing Degree Zero l LUCIDA REFLECTIONS ON PHOTOGRAPHY Releind Barihes TRANSLATED BY RICHARD Howarp W Hn ano Wane A DIVISION OF FARRAR, STRAUS AND GIROUX NEW YORKContents PART ONE 1 Specialty of the Photograph 2 The Photograph Unclassifable 3 Emotion as Departure 4 OPERATOR, SPECTRUM and SPECTATOR 5 He Who Is Photographed 6 The spectator: Chaos of Taster 7 — Photography as Adventure 8 A Casual Phenomenology b 9 Duality 10 STUDIUM and PUNCTUM IL Studium 12 To Inform 13 To Paint 14 To Surprise 15 To Signify 16 To Waken Desire | x7 The Unary Photograph 18 Go-presence of the StUDIUM and the PUNCTUM 19, PUNCTUM: Partial Feature 20. Involuntary FeatureSatori 22 Afterthe-Fact and Silonce 23 Blind Field 24 Palinode Part Two 25 "One evening...” 26 History as Separation 27 To Recognize 28 The Winter Garden Photograph 29 The Little Girt 30 Ariadne 31 The Family, the Mother 3200 "THAT-HAS-BEEN” 33. The Pose 34 The Luminous Rays, Color 35 Amazement 36 Authentication 37 ‘Stasis 38 Flat Death 39 Time as PUNCTUM 40 Private/Public 41 To Serutinize 42 Resemblance 43 Lineage 44 CAMERA LUCIDA 45 The "Air” 46 The Look 47 Madness, Pity 48 ‘The Photograph Tamed 49 st m3 60 100 103 106 107 aur 115 n7 Part One